Synergistic use of Py-THM-GCMS, DTMS, and ESI-MS for the characterization of the organic fraction of modern enamel paints

Heritage Science

Volumn 3, Issue 1, 2015, Pages

  Kokkori, Maria ^a   Sutherland, Ken ^a   Boon, Jaap ^b   Casadio, Francesca ^a   Vermeulen, Marc ^c  

^a Designed Objects Sch Art Inst C   (United States)

^b JAAP Enterprise for Art Scientific Studies   (Netherlands)

^c Royal Institute for Cultural Heritage (KIK/IRPA)   (Belgium)

Author keywords

Enamel paints; Mass spectrometric techniques; Ripolin

Indexed keywords

EID: 84941309069     PISSN: None     EISSN: 20507445     Source Type: Journal    
DOI: 10.1186/s40494-015-0058-x     Document Type: Article

References (55)

1. Arslanoglu J, Centeno SA, Digney-Peer S, Duvernois I (2013) Picasso in the metropolitan museum of art: an investigation of materials and techniques. J Am Inst Conserv 52(3):140-155
2. Bohannon N. (1922) Present-day methods of varnish manufacture. The Decorator (January 22):237
3. Boon JJ (1992) Analytical pyrolysis mass spectrometry: new vistas opened by temperature-resolved in-source PYMS. Int J Mass Spectrom Ion Processes 118(119):755-787
4. Carlyle L, Alves PC, Otero V, Melo MJ, Vilargues M (2011) A question of scale and terminology, extrapolating from past practices in commercial manufacture to current experience: the Winsor and Newton 19th Century artists' materials archives. In: Bridgland J (ed) Preprints of ICOMCC Lisbon, ICOM Committee for Conservation 16th Triennial Meeting, Lissabon, 2011. Lisbon. (ISBN: 978-989-97522-0-7). Paper 0102
5. Carlyle L (2006) Historically accurate reconstructions of oil painters' materials. In: Boon JJ, Ferreira ESB (eds) Reporting highlights of the De Mayerne Programme. Netherlands Organisation for Scientific Research (NWO), pp 63-76
6. Carswell TS, Nason HK (1938) Properties and uses of pentachlorophenol. Ind Eng Chem 30:622-626
7. Casadio F, Miliani C, Rosi F, Romani A, Anselmi Ch, Brunetti B et al (2013) Scientific investigation of an important corpus of picasso paintings in antibes: new insights into technique, condition, and chronological sequence. J Am Inst Conserv 52(3):184-204
8. Casadio F, Rose V (2013) High-resolution fluorescence mapping of impurities in historical zinc oxide pigments: hard X-ray nanoprobe applications to the paints of Pablo Picasso. Appl Phys A 111(1):1-8
9. Chatfield HW (1947) Varnish constituents, vol 11. L. Hill, London, pp 63-64
10. Cruickshank SJ (1915) The manufacture of paint a practical handbook for paint manufacturers, merchants, and painters. Scott, Greenwood & son, London, pp 206-231
11. Damitz FM, Murphy JA, Mattiello JJ (1943) Varnishes. In: Mattiello JJ (ed) Protective and decorative coatings, vol 3. Wiley, New York, pp 199-206
12. Dobarganes MC, Márquez Ruíz G (2006) Formation and analysis of oxidized monomeric, dimeric and higher oligomeric triglycerides. In: Erickson MD (ed) Deep frying: chemistry nutrition and practical applications, 2nd edn. AOCS Press, Urbana, pp 87-110
13. Doerner M (1949) The materials of the artist and their use in painting, with notes on the techniques of the old masters. Harcourt, Brace
14. Downey RK, Röbbelen G (1989) Brassica species. In: Downey RK, Röbbelen G, Ashri A (eds) Oil crops of the world. McGraw-Hill, New York, pp 339-362
15. Dredge P (2013) Sidney Nolan and paint. A study of an artist's use of commercial, ready-made paints in Australia 1938-1953. PhD Thesis, The Centre for Cultural Materials in Conservation, The School of Historical and Philosophical Studies, The University of Melbourne, Australia
16. Dredge P, Schilling MR, Gautier G, Mazurek J, Learner T, Wuhrer R (2013) Lifting the lids offRipolin: a collection of paint from Sidney Nolan's studio. J Am Inst Conserv 52(4):213-226
17. Gardner HA (1917) Paint researches and their practical application. Judd and Detweiler Inc, Washington DC, pp 9-14
18. Gardner HA (1927) Physical and chemical examination of paints, varnishes, lacquers, and colors, 4th edn. Institute of Paint and Varnish Research, Washington DC, p 664
19. Gautier G, Bezur A, Muir K, Casadio F, Fiedler I (2009) Chemical fingerprinting of ready-mixed house paints of relevance to artistic production in the first half of the twentieth century. Part I: inorganic and organic pigments. Appl Spectrosc 63(6):597-603
20. Horton Sabin A (1904) The industrial and artistic technology of paint and varnish. Wiley, New York, pp 140-145
21. Izzo FC, Ferriani B, van den Berg KJ, van Keulen H, Zendri E (2013) 20th century artists' oil paints: the case of the Olii by Lucio Fontana. J Cult Herit 15(5):557-563. doi:10.1016/j.culher.2013.11.003
22. Jolly VG (1930) Oil varnishes: their manufacture, properties, and defects. The Decorator (January 22):522-26
23. Keune K, Hoogland F, Peggie D, Higgitt C, Boon JJ (2008) Comparative study of the effect of traditional pigments on artificially aged oil paint systems using complementary analytical techniques, vol II. In: Bridgland J (ed) Preprints of ICOM-CC 15th triennial meeting, New Delhi. Allied Publishers Pvt. Ltd., New Delhi, pp 833-842
24. Kokkori M, Casadio F, Sutherland K, Vermeulen M (2014) Charting the development of oil-based enamel paints through the correlation of historical paint technology manuals with scientific analysis. In: van den Berg KJ et al (eds) Issues in contemporary oil paint. Springer International Publishing Switzerland, pp 117-125. doi:10.1007/978-3-319-10100-2_7
25. Kokkori M, Casadio F, Boon JJ (2014) A comprehensive study of early 20th-century oil-based enamel paints: Integrating industrial technical literature and analytical data. In: Bridgland (ed) ICOM-CC 17th triennial conference preprints, Melbourne, 15-19 September 2014, art. 0101. International Council of Museums, Paris, p 8
26. Labordere P, Anstett R (1913) Notes on the testing of anti-corrosion paints. Chem Eng XVII(1):5
27. Lattuati-Derieux A, Gomes S, Tirat S, Thao-Heu S, Echard J-P (2014) New insights into molecular evolution of oil/colophony varnishes: towards pyrolysis-gas chromatography/mass spectrometry-based quantitation. e Preserv Sci 11:53-63
28. (1904) Le Petit Parisien, 27 November
29. Mayer R (1940) The artist's handbook of materials and techniques. Viking, New York, p 329
30. McGuire JM, Suchanec RR (1994) Analysis of formaldehyde-treated rosin by high-resolution gas chromatography-mass spectrometry. J Chrom Sci 32:139-143
31. Muizebelt WJ, Hubert JC, Nielen MWF, Klaasen RP, Zabel KH (2000) Cross link mechanism of high solids alkyd resins in the presence of reactive diluents. Prog Org Coat 40:121-130
32. McMillan G, Casadio F, Fiedler I, Sorano-Stedman V (2013) An investigation into Kandinsky's use of Ripolin in his paintings after 1930. J Am Inst Conserv 52(4):258-277
33. Mills JS, White R (1994) The organic chemistry of museum objects, 2nd edn. Butterworth-Heinemann, Oxford
34. Mills JS, White R (1982) Organic mass-spectrometry of art materials: work in progress. Natl Gallery Tech Bull 6:3-18
35. Muir K, Gautier G, Casadio F, Vila A (2011) Interdisciplinary investigation of early house paints: Picasso, Picabia and their "Ripolin" paintings. In: Bridgland J (ed) ICOM-CC 16th triennial meeting preprints (CD-ROM). Lisbon, 19-23 September 2011
36. Nylen P (1965) Modern surface coatings: a text-book of the chemistry and technology of paints, varnishes, and lacquers. Interscience, New York, pp 85-91
37. Pelgrim E (1994) Hilversumse historie. De Ripolin verffabriek. Eigen Perk 14(1):24-39
38. Rives G (1900) La chambre d'hôtel du point de vue de l'hygiène. In: X Congrés International d' Hygiène et de Demographie, Paris, pp 354
39. Raeburn M, Radeuil N (eds) (2011) Picasso express. Antibes, Musée Picasso
40. Scribe PO (1922) The manufacture of rosin varnishes, some new ideas on the formation of linseed oil-rosin combination. Paint Oil Chem Rev 73(1):10-15
41. Sandermann PW (1960) Naturharze. Terpentinöl-Tallöl. Chemie und Technologie. Springer, Berlin
42. Schilling MR, Mazurek J, Learner TJS (2006) Studies of modern oil-based artists' paint media by gas chromatography/mass spectrometry. In: Learner TJS, Smithen P, Krueger JW, Schilling MR (eds) Modern paints uncovered: proceedings of the MPU symposium, pp 129-139
43. Sreenivasan B, Kamath NR, Kane JG (1956) Studies on castor oil. I. Fatty acid composition of castor oil. J Am Oil Chem Soc 33(2):61-66
44. Standeven H (2013) Oil-based house paints from 1900-1960: an examination of their history and development, with particular reference to Ripolin enamels. J Am Inst Conserv 52(3):127-139
45. Tsai J, Krueger J, Maines C (2013) Transparency and light, structure and substance': enamel paints in László Moholy-Nagy's Z VII (1926). J Am Inst Conserv 52(4):236-245
46. Uebele CL (1913) Paint making and color grinding. Trade Papers, London. http://chestofbooks.com/home-improvement/repairs/painting/Paint-Making-Color-Grinding/index.html
47. Van den Berg KJ, Burnstock A, de Tagle A, de Keijzer M, Heydenreich G, Krueger J et al (eds) (2014) Issues in contemporary oil paints (ICOP). In: Proceedings of the symposium, 28 and 29 March 2013, Springer, Amersfoort, The Netherlands
48. van den Berg KJ (2003) Analysis of diterpenoid resins and polymers in paint media and varnishes with an atlas of mass spectra. FOM Institute AMOLF, Amsterdam (MOLART Report 10)
49. van den Berg KJ, Ossebaar J, van Keulen H (2002) Analysis of copal resins in 19th century oil paints and resin/oil varnishes. In: Van Grieken P, Janssens K, Van't dack L, Meersman G (eds) Art 2002, 7th international conference on non-destructive testing. Conference papers, University of Antwerp, Antwerpen
50. van den Berg KJ, Geldof M, de Groot S, van Keulen H (2002b) Darkening and surface degradation in 19th-and early 20th century paintings-an analytical study. In: ICOM committee for conservation 13th triennial meeting, Rio de Janeiro. International Council of Museums, Paris, pp 464-472
51. van den Berg KJ, Boon JJ, Pastorova I, Spetter LFM (2000) Mass spectrometric methodology for the analysis of highly oxidized diterpenoid acids in old master paintings. J Mass Spectrom 35:512-533
52. van den Berg KJ, van der Horst J, Boon JJ (1999) Recognition of copals in aged resin/oil paints and varnishes, vol II. In: Preprints ICOM committee for conservation 12th triennial meeting, Lyon, France, 29 Aug-3 September 1999, pp 855-861
53. van den Berg JDJ, Vermist ND, Carlyle L, Holcapek M, Boon JJ (2004) The effects of traditional processing methods of linseed oil on the composition of its triacylglycerols. J Sep Sci 27:181-199
54. van den Berg JDJ, van den Berg KJ, Boon JJ (2002) Identification of non-cross-linked compounds in methanolic extracts of cured and aged linseed oil-based paint films using gas chromatography-mass spectrometry. J Chromatogr A 950:195-211. doi:10.1016/S0021-9673(02)00049-3
55. van Keulen H (2014) Slow-drying oil additives in modern oil paints and their application in conservation treatments. An analytical study in technical historical perspective. In: Bridgland J (ed) ICOM-CC 17th triennial conference preprints, Melbourne, 15-19 September 2014, art. 1316. International Council of Museums, Paris, p 8