메뉴 건너뛰기




Volumn 52, Issue 3, 2013, Pages 140-155

"Picasso in the Metropolitan Museum of Art": An investigation of materials and techniques

Author keywords

Binding medium; House paints; Infrared reflectography; Picasso; Pigments; X ray radiography

Indexed keywords


EID: 84886489989     PISSN: 01971360     EISSN: None     Source Type: Journal    
DOI: 10.1179/1945233013Y.0000000007     Document Type: Article
Times cited : (11)

References (37)
  • 1
    • 67349119288 scopus 로고    scopus 로고
    • Mass spectrometry of modern paints
    • May 16-19, 2006, Tate Modern, London. ed. T. J. S. Learner, P. Smithen, J.W. Kreuger, and M. R. Schilling. London: Tate Modern, and Los Angeles: The Getty Conservation Institute
    • Boon, J. J., F. G. Hoogland, and J. van der Horst. 2008. Mass Spectrometry of Modern Paints. Modern Paints Uncovered: Proceedings from the Modern Paints Uncovered Symposium, May 16-19, 2006, Tate Modern, London. ed. T. J. S. Learner, P. Smithen, J.W. Kreuger, and M. R. Schilling. London: Tate Modern, and Los Angeles: The Getty Conservation Institute. 85-95.
    • (2008) Modern Paints Uncovered: Proceedings from the Modern Paints Uncovered Symposium , pp. 85-95
    • Boon, J.J.1    Hoogland, F.G.2    Van Der Horst, J.3
  • 2
    • 33745130992 scopus 로고    scopus 로고
    • Mechanical and chemical changes in old master paintings: Dissolution, metal soap formation and remineralization processes in lead pigmented ground/intermediate paint layers of 17th century paintings
    • 13th Triennial Meeting, Rio de Janeiro. ed. Roy Vontobel. London: James and James
    • Boon, J. J., J. van der Weerd, K. Keune, P. Noble, and J. Wadum. 2002. Mechanical and chemical changes in old master paintings: Dissolution, metal soap formation and remineralization processes in lead pigmented ground/intermediate paint layers of 17th century paintings. ICOM Committee for Conservation Preprints. 13th Triennial Meeting, Rio de Janeiro. ed. Roy Vontobel. London: James and James.
    • (2002) ICOM Committee for Conservation Preprints
    • Boon, J.J.1    Van Der Weerd, J.2    Keune, K.3    Noble, P.4    Wadum, J.5
  • 3
    • 84886497932 scopus 로고
    • Microspectrofluorometric techniques as applied to the analysis of binding media and varnishes in color samples taken from paintings
    • Florence, Italy 2-5 May 1984, ed. P. L. Parrini. Florence: Montedison Progetto Cultura, Milan
    • Bottiroli, G., A. Gallone-Galassi, and E. Bernacchi. 1986. Microspectrofluorometric techniques as applied to the analysis of binding media and varnishes in color samples taken from paintings. In Scientific methodologies applied to works of art. Proceedings of the symposium, Florence, Italy 2-5 May 1984, ed. P. L. Parrini. Florence: Montedison Progetto Cultura, Milan. 168-170.
    • (1986) Scientific Methodologies Applied to Works of Art. Proceedings of the Symposium , pp. 168-170
    • Bottiroli, G.1    Gallone-Galassi, A.2    Bernacchi, E.3
  • 4
    • 84886519965 scopus 로고    scopus 로고
    • The chemical characterisation of alkyd resins by thermally assisted hydrolysis and methylation-gas chromatography mass spectrometry and fourier transform infrared spectroscopy
    • ed. J. H. Townsend, K. Eremin, and A. Adriaens. Edinburgh, Scotland: Archetype Publications
    • Capitelli, F. 2002. The chemical characterisation of alkyd resins by thermally assisted hydrolysis and methylation-gas chromatography mass spectrometry and Fourier transform infrared spectroscopy. In Conservation Science 2002, ed. J. H. Townsend, K. Eremin, and A. Adriaens. Edinburgh, Scotland: Archetype Publications. 243-8.
    • (2002) Conservation Science 2002 , pp. 243-248
    • Capitelli, F.1
  • 5
    • 84886558338 scopus 로고    scopus 로고
    • Picasso at work: Making the case for a scientific re-evaluation of the materials of the antibes cycle
    • ed. M. Raeburn and N. Radneuil. Antibes, France: Musée Picasso
    • Casadio, F., and G. Gautier. 2011. Picasso at work: Making the case for a scientific re-evaluation of the materials of the Antibes cycle. In Ripolin Express, ed. M. Raeburn and N. Radneuil. Antibes, France: Musée Picasso. 37-64.
    • (2011) Ripolin Express , pp. 37-64
    • Casadio, F.1    Gautier, G.2
  • 6
    • 84886572372 scopus 로고    scopus 로고
    • The chemistry of aging in oil paintings: Metal soaps and visual changes
    • ed. M. Leona, Summer
    • Centeno, S. A., and D. Mahon. 2009. The chemistry of aging in oil paintings: metal soaps and visual changes. The Metropolitan Museum of Art Bulletin, ed. M. Leona, Summer, 12-19.
    • (2009) The Metropolitan Museum of Art Bulletin , pp. 12-19
    • Centeno, S.A.1    Mahon, D.2
  • 7
    • 0026103371 scopus 로고
    • Structure determination of alkyd resins by simultaneous pyrolysis methylation
    • Challinor, J. M. 1991. Structure determination of alkyd resins by simultaneous pyrolysis methylation. Journal of Analytical and Applied Pyrolysis 18: 233-44.
    • (1991) Journal of Analytical and Applied Pyrolysis , vol.18 , pp. 233-244
    • Challinor, J.M.1
  • 11
    • 84886522205 scopus 로고    scopus 로고
    • The dreamer
    • ed. G. Tinterow and S. A. Stein. New York: The Metropolitan Museum of Art.
    • Dabrowski, M. 2010a. The Dreamer. In Picasso in The Metropolitan Museum of Art, ed. G. Tinterow and S. A. Stein. New York: The Metropolitan Museum of Art. 214-215.
    • (2010) Picasso in the Metropolitan Museum of Art , pp. 214-215
    • Dabrowski, M.1
  • 12
    • 84896754097 scopus 로고
    • Fluorescence of paint and varnish layers (Part I, II, II)
    • 102-108
    • de la Rie, E. R. 1982. Fluorescence of paint and varnish layers (Part I, II, II). Studies in Conservation 27: 1-7; 65-69; 102-108.
    • (1982) Studies in Conservation , vol.27 , Issue.1-7 , pp. 65-69
    • De La Rie, E.R.1
  • 13
    • 67650701726 scopus 로고    scopus 로고
    • Chemical fingerprinting of ready-mixed house paints of relevance to artistic production in the first half of the twentieth century. Part I: Inorganic and organic pigments
    • Gautier, G., A. Bezur, K. Muir, F. Casadio, and I. Fiedler. 2009. Chemical fingerprinting of ready-mixed house paints of relevance to artistic production in the first half of the twentieth century. Part I: inorganic and organic pigments. Applied Spectroscopy 63: 597-603.
    • (2009) Applied Spectroscopy , vol.63 , pp. 597-603
    • Gautier, G.1    Bezur, A.2    Muir, K.3    Casadio, F.4    Fiedler, I.5
  • 14
    • 84868016075 scopus 로고    scopus 로고
    • The influence of non-traditional art materials on the paintings of pablo picasso
    • The American Institute for Conservation 30th Annual Meeting, Miami. Washington, D.C.: AIC
    • Koussiaki, F. 2002. The influence of non-traditional art materials on the paintings of Pablo Picasso. Paintings Conservation Specialty Group Postprints. The American Institute for Conservation 30th Annual Meeting, Miami. Washington, D.C.: AIC. 39-48.
    • (2002) Paintings Conservation Specialty Group Postprints , pp. 39-48
    • Koussiaki, F.1
  • 15
    • 33745170305 scopus 로고    scopus 로고
    • Los Angeles: The Getty Conservation Institute
    • Learner, T. 2004. Analysis of modern paint. Los Angeles: The Getty Conservation Institute.
    • (2004) Analysis of Modern Paint
    • Learner, T.1
  • 16
    • 84886452545 scopus 로고    scopus 로고
    • A technical study of john singer sargent's portrait of madame pierre gautreau
    • Mahon, D., and S. Centeno. 2005. A technical study of John Singer Sargent's portrait of Madame Pierre Gautreau. Metropolitan Museum Journal 40: 121-129.
    • (2005) Metropolitan Museum Journal , vol.40 , pp. 121-129
    • Mahon, D.1    Centeno, S.2
  • 19
    • 84886535697 scopus 로고    scopus 로고
    • Ripolin aesthetics and the art historian
    • Paper presented at 25-27 May 2011, Marseilles, France
    • McCully, M. 2011. Ripolin aesthetics and the art historian. Paper presented at the international symposium From Can to Canvas, 25-27 May 2011, Marseilles, France.
    • (2011) The International Symposium from can to Canvas
    • McCully, M.1
  • 21
    • 77953678685 scopus 로고    scopus 로고
    • Bright light: Microspectrofluorimetry for the characterization of lake pigments and dyes in works of art
    • Melo, M. J., and A. Claro. 2010. Bright light: Microspectrofluorimetry for the characterization of lake pigments and dyes in works of art. Accounts of Chemical Research 43: 857-866.
    • (2010) Accounts of Chemical Research , vol.43 , pp. 857-866
    • Melo, M.J.1    Claro, A.2
  • 22
    • 0346224738 scopus 로고    scopus 로고
    • A spectropho-tometric and fluorimetric study of some anthraquinoid and indigoid colorants used in artistic paintings
    • Miliani, C, A. Romani, and G. Favaro. 1998. A spectropho-tometric and fluorimetric study of some anthraquinoid and indigoid colorants used in artistic paintings. Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy 54: 581-588.
    • (1998) Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy , vol.54 , pp. 581-588
    • Miliani, C.1    Romani, A.2    Favaro, G.3
  • 23
    • 70349244684 scopus 로고    scopus 로고
    • Excitation emission and time-resolved fluorescence spectroscopy of selected varnishes used in historical musical instruments
    • Nevin, A., J. P. Echard, M. Thoury, D. Comelli, G. Valentini, and R. Cubeddu. 2009. Excitation emission and time-resolved fluorescence spectroscopy of selected varnishes used in historical musical instruments. Talanta 80: 286-293.
    • (2009) Talanta , vol.80 , pp. 286-293
    • Nevin, A.1    Echard, J.P.2    Thoury, M.3    Comelli, D.4    Valentini, G.5    Cubeddu, R.6
  • 24
    • 44349093210 scopus 로고    scopus 로고
    • The identification of copper oxalates in a 16th century cypriot exterior wall painting using micro FTIR, micro Raman spectroscopy and gas chrom-atography-mass spectrometry
    • Nevin, A., J. L. Melia, I. Osticioli, G. Gautier, and M. P. Colombini. 2008. The identification of copper oxalates in a 16th century Cypriot exterior wall painting using micro FTIR, micro Raman spectroscopy and gas chrom-atography-mass spectrometry. Journal of Cultural Heritage 9(2): 154-161.
    • (2008) Journal of Cultural Heritage , vol.9 , Issue.2 , pp. 154-161
    • Nevin, A.1    Melia, J.L.2    Osticioli, I.3    Gautier, G.4    Colombini, M.P.5
  • 27
    • 80052438339 scopus 로고    scopus 로고
    • Condition problems related to zinc oxide underlayers: Examination of selected abstract expressionist paintings from the collection of the hirshhorn museum and sculpture garden, smithsonian institution
    • Rogala, D., S. Lake, C. Maines, and M. Mecklenburg. 2010. Condition problems related to zinc oxide underlayers: Examination of selected abstract expressionist paintings from the collection of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution. Journal of the American Institute for Conservation 49(2): 96-113.
    • (2010) Journal of the American Institute for Conservation , vol.49 , Issue.2 , pp. 96-113
    • Rogala, D.1    Lake, S.2    Maines, C.3    Mecklenburg, M.4
  • 28
    • 84880868419 scopus 로고    scopus 로고
    • Studies of modern oil-based artist's paint media by gas chromatography/mass spectrometry
    • May 16-19, 2006, Tate Modern, London. ed. T. J. S. Learner, P. Smithen, J.W. Kreuger, and M. R. Schilling. London: Tate Modern, and Los Angeles: The Getty Conservation Institute
    • Schilling, M. R., J. Mazurek, and T. J. S. Learner. 2008. Studies of modern oil-based artist's paint media by gas chromatography/mass spectrometry. Modern Paints Uncovered: Proceedings from the Modern Paints Uncovered Symposium, May 16-19, 2006, Tate Modern, London. ed. T. J. S. Learner, P. Smithen, J.W. Kreuger, and M. R. Schilling. London: Tate Modern, and Los Angeles: The Getty Conservation Institute. 129-139.
    • (2008) Modern Paints Uncovered: Proceedings from the Modern Paints Uncovered Symposium , pp. 129-139
    • Schilling, M.R.1    Mazurek, J.2    Learner, T.J.S.3
  • 29
    • 56349159945 scopus 로고    scopus 로고
    • The development of decorative gloss paints in Britain and the United States c. 1910-1960
    • Standeven, H. 2006. The development of decorative gloss paints in Britain and the United States c. 1910-1960. Journal of the American Institute of Conservation 45(1): 51-65.
    • (2006) Journal of the American Institute of Conservation , vol.45 , Issue.1 , pp. 51-65
    • Standeven, H.1
  • 30
    • 84886492160 scopus 로고    scopus 로고
    • "Cover the earth,": A history of the manufacture of household gloss paints in Britain and the United States from the 1920s to the 1950s
    • May 16-19, 2006, Tate Modern, London. ed. T. J. S. Learner, P. Smithen, J.W. Kreuger, and M. R. Schilling. London: Tate Modern, and Los Angeles: The Getty Conservation Institute
    • Standeven, H. 2008. "Cover the Earth,": A history of the manufacture of household gloss paints in Britain and the United States from the 1920s to the 1950s. Modern Paints Uncovered: Proceedings from the Modern Paints Uncovered Symposium, May 16-19, 2006, Tate Modern, London. ed. T. J. S. Learner, P. Smithen, J.W. Kreuger, and M. R. Schilling. London: Tate Modern, and Los Angeles: The Getty Conservation Institute. 75-82.
    • (2008) Modern Paints Uncovered: Proceedings from the Modern Paints Uncovered Symposium , pp. 75-82
    • Standeven, H.1
  • 31
    • 84886551990 scopus 로고    scopus 로고
    • House paints, 1900-1960
    • ed. T. Ball Los Angeles: The Gettty Conservation Institute
    • Standeven, H. A. L. 2011. House paints, 1900-1960, ed. T. Ball, Research in Conservation. Los Angeles: The Gettty Conservation Institute. 147.
    • (2011) Research in Conservation , pp. 147
    • Standeven, H.A.L.1
  • 34
    • 38849084043 scopus 로고    scopus 로고
    • Nondestructive varnish identification by ultraviolet fluorescence spectroscopy
    • Thoury, M., M. Elias, J. M. Frigerio, and C. Barthou. 2007. Nondestructive varnish identification by ultraviolet fluorescence spectroscopy. Applied Spectroscopy 61: 1275-1282.
    • (2007) Applied Spectroscopy , vol.61 , pp. 1275-1282
    • Thoury, M.1    Elias, M.2    Frigerio, J.M.3    Barthou, C.4
  • 36
    • 1442316239 scopus 로고    scopus 로고
    • Chemical changes in old master paintings: Dissolution, metal soap formation and remi-neralisation processes in lead pigmented paint layers of 17th century paintings
    • van der Weerd, J., J. J. Boon, M. Geldolf, R. M. A. Heeren, and P. Noble. 2002. Chemical changes in old master paintings: Dissolution, metal soap formation and remi-neralisation processes in lead pigmented paint layers of 17th century paintings. Zeitschrift für Kunsttechnologie und Konservierung 16(1): 36-51.
    • (2002) Zeitschrift für Kunsttechnologie und Konservierung , vol.16 , Issue.1 , pp. 36-51
    • Van Der Weerd, J.1    Boon, J.J.2    Geldolf, M.3    Heeren, R.M.A.4    Noble, P.5
  • 37
    • 23744453202 scopus 로고    scopus 로고
    • The oxidative drying of alkyd paint catalysed by metal complexes
    • van Gorkum, R., and E. Bouwman. 2005. The oxidative drying of alkyd paint catalysed by metal complexes. Coordination Chemistry Reviews 249: 1709-1728.
    • (2005) Coordination Chemistry Reviews , vol.249 , pp. 1709-1728
    • Van Gorkum, R.1    Bouwman, E.2


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.