Rhythmic and melodic deviations in musical sequences recruit different cortical areas for mismatch detection

Frontiers in Human Neuroscience

Volumn , Issue MAY, 2013, Pages

  Lappe, Claudia ^a   Steinsträter, Olaf ^b   Pantev, Christo ^a  

^a UNIVERSITY OF MÜNSTER   (Germany)

^b GSI HELMHOLTZZENTRUM FÜR SCHWERIONENFORSCHUNG GMBH   (Germany)

Author keywords

Beamforming; Cortex; Mismatch negativity; Music perception

Indexed keywords

ACOUSTICS; ADULT; ARTICLE; AUDITORY CORTEX; AUDITORY SYSTEM; BRAIN CORTEX; BRAIN FUNCTION; CONTROLLED STUDY; ELECTROENCEPHALOGRAPHY; FACILITATION; FRONTAL CORTEX; HUMAN; HUMAN EXPERIMENT; MAGNETOENCEPHALOGRAPHY; MAGNETOMETRY; MELODY; MISMATCH NEGATIVITY; MUSIC; NEUROPHYSIOLOGICAL RECRUITMENT; NORMAL HUMAN; ORBITAL CORTEX; PERCEPTION; PREMOTOR CORTEX; RHYTHM; SENSORIMOTOR FUNCTION; SUPERIOR FRONTAL GYRUS; SUPERIOR TEMPORAL GYRUS; SYNTHETIC APERTURE MAGNETOMETRY;

EID: 84933674041     PISSN: 16625161     EISSN: 16625161     Source Type: Journal    
DOI: 10.3389/fnhum.2013.00260     Document Type: Article

References (60)

1. Münte TF, Altenmüller E, Jäncke L (2002) The musician's brain as a model of neuroplasticity. Nat Rev Neurosci 3:473-478.
2. Fujioka T, Trainor LJ., Ross B, Kakigi R, Pantev C. (2004) Musical training enhances automatic encoding of melodic contour and interval structure. J Cogn Neurosci 16: 1010-1021.
3. Herholz SC, Lappe C, Pantev C (2009) Looking for a pattern: an MEG study on the abstract mismatch negativity in musicians and nonmusicians. BMC Neurosci 10:42.
4. Hirata Y, Kuriki S, Pantev C (1999) Musicians with absolute pitch show distinct neural activities in the auditory cortex. Neuroreport 10:999-1002.
5. Shahin A, Bosnyak DJ, Trainor LJ, Roberts LE (2003) Enhancement of neuroplastic P2 and N1c auditory evoked potentials in musicians. J Neurosci 23:5545-5552.
6. Pantev C, Oostenveld R, Engelien A, Ross B, Roberts LE, Hoke M (1998) Increased auditory cortical representation in musicians. Nature 392:811-814.
7. Pantev C, Roberts LE, Schulz M, Engelien A, Ross B (2001) Timbre-specific enhancement of auditory cortical representations in musicians. Neuroreport 12:169-174.
8. Gaser C & Schlaug G (2003) Brain structures differ between musicians and non-musicians. J Neurosci 23:9240-9245.
9. Schneider P, Scherg M, Dosch HG, Specht HJ, Gutschalk A, Rupp A (2002) Morphology of Heschl's gyrus reflects enhanced activation in the auditory cortex of musicians. Nat Neurosci 5:688-694.
10. Herholz SC, Lappe C, Knief A, Pantev C (2008) Neural basis of music imagery and the effect of musical expertise. Eur J Neurosci 28: 2352-2360.
11. Lappe C, Herholz SC, Trainor LJ, Pantev C (2008) Cortical plasticity induced by short-term unimodal and multimodal musical training. J Neurosci, 28: 9632-9639.
12. Lappe C, Trainor LJ, Herholz CS, Pantev C (2011) Cortical plasticity induced by short-term multimodal musical rhythm training. PLoS ONE, 6: 1-8.
13. Näätänen R & Alho K (1995) Mismatch negativity--a unique measure of sensory processing in audition. Int J Neurosci, 80: 317-33.
14. Garrido MI, Kilner J, Stephan KE, Friston KJ (2009) The mismatch negativity: A review of underlying mechanisms. Clin Neurophysiol, 120: 453-463.
15. Bangert M & Altenmüller EO (2003) Mapping perception to action in piano practice: a longitudinal DC-EEG study BMC Neurosci, 4, 26.
16. Lahav, A., Saltzman, E., & Schlaug, G. (2007). Action representation of sound: audiomotor recognition network while listening to newly acquired actions. J Neurosci, 27(2), 308-314.
17. Geiser E, Ziegler E, Jäncke L, Meyer M (2009) Early electrophysiological correlates of meter nd rhythm processing in music perception. Cortex 45: 93-102.
18. Zatorre RJ, Chen JL, Penhune VB (2007) When the brain plays music: auditory-motor interactions in music perception and production. Nature Reviews Neuroscience, 8: 547-558.
19. Geiser, E, Sandmann P, Jäncke L, Meyer M (2010) Refinement of metre perception-training increases hierarchical metre processing. EJN 32: 1979-1985.
20. Vuust P, Pallesen KJ, Bailey C, Zuijen TL, Gjedde A, et al. (2005) To musicians, the message is in the meter. Pre-attentive neuronal responses in incongruent rhythm are left-lateralized in musicians. NeuroImage 24: 560-564.
21. Waberski, TD, Kreitschmann-Andermahr I, Kawohl W, Darvas F, Ryang Y, Gobbele R (2001) Spatio-temporal source imaging reveals subcomponents of the human auditory mismatch negativity in the cingulum and right inferior temporal gyrus. Neurosci Lett, 308: 107-110.
22. Opitz B, Rinne T, Mecklinger A, von Cramon DY, Schröger E (2002) Differential contribution of frontal and temporal cortices to auditory change detection: fMRI and ERP results. NeuroImage, 15: 167-174.
23. Rinne T, Alho K, Illmoniemi RJ, Virtanen J, Näätänen R (2000). Separate time behaviors of the temporal and frontal mismatch negativity sources. NeuroImage, 12: 14-19.
24. Schönwiesner M, Novitski N, Pakarinen S, Carlson S, Tervaniemi M, Näätänen R (2007) Heschl's gyrus, posterior superior temporal gyrus, and mid-ventrolateral prefrontal cortex have different roles in the detection of acoustic changes. J Neurophys, 95: 2075-2082.
25. Molholm S, Martinez A, Ritter W, Javitt DC, Foxe JJ (2005). The neural circuitry pf preattentive auditory change detection: An fMRI study of pitch and duration mismatch generators. Cereb Cort, 15: 545-551.
26. Tse C-Y & Penney TB (2008) On the functional role of temporal and frontal cortex activation in passive detection of auditory deviance. Neuroimage 41:1462-1470.
27. Deouell LY (2007) The Frontal Generator of the Mismatch Negativity Revisited. J Psychophysiol, 21:188-203.
28. Koelsch, S., Gunter, T. C., Schröger, E., Tervaniemi, M., Sammler, D., & Friederici, A. D. (2001). Differentiating ERAN and MMN: An ERP study. NeuroReport, 12(7), 1385-1389.
29. Maess, B., Koelsch, S., Gunter, T. C., & Friederici, A. D. (2001). Musical syntax is processed in Broca's area: an MEG study. Nature Neuroscience, 4(5), 540-545.
30. Tillmann B, Janata P, Bharucha JJ (2003) Activation of the inferior frontal cortex in musical priming. Cogn Brain Res, 16:145-161.
31. Rauschecker J & Scott SK (2009) Maps and streams in the auditory cortex: nonhuman primates illuminate human speech processing. Nature Neuroscience 12: 718-724.
32. Robinson SE, Vrba J (1998) Functional neuroimaging by synthetic aperture magnetometry. Recent advances in Biomagnetism, Tohoku Universtity Press, 25: 249-271.
33. Hillebrand A, Singh KD, Holliday IE, Furlong PL, Barnes GR (2005) A new approach to Neuroimaging with magnetoencephalography. Hum Brain Mapp, 26: 199-211.
34. Steinsträter O, Sillekens S, Junghöfer M, Burger M, Wolters CH (2010) Sensitivity of Beamformer Source Analysis to Deficiencies in Forward Modeling. Hum Brain Mapp, 31: 1907-1927.
35. Sekihara K, Nagarajan SS, Poeppel D, Marantz A (2002a): Performance of an MEG adaptivebeamformer technique in the presence of correlated neural activities: Effects on signal intensity and time-course estimates. IEEE Trans Biomed Eng 49:1534-1546.
36. Herdman AT, Wollbrink A, Chau W, Ishii R, Ross B, Pantev C, (2003) Determination of activation areas in the human auditory cortex by means of synthetic aperture magnetometry, NeuroImage 20: 995-1005.
37. Nichols TE & Holmes AP (2001) Nonparametric permutation tests for functional neuroimaging: a primer with examples. Hum Brain Mapp, 15:1-25.
38. Lappe C, Steinsträter O, Pantev C, A beamformer analysis of MEG data reveals frontal generators of the musically elicited mismatch negativity, PLoS ONE, in press.
39. Lee HL, Noppeney U (2011) Long-term music training tunes how the brain temporally binds signals from multiple senses. PNAS 108: 1441-1450.
40. Bengtsson SL, Ullen F (2006) Dissociation between melodic and rhythmic processing during piano performance from musical scores. NeuroImage, 30: 272-284.
41. Alcock KJ, Wade D, Anslow P, Passingham RE (2000) Pitch and timing abilities in adult lefthemisphere-dysphasic and right-hemisphere-damaged subjects. Brain Lang. 75: 47-65
42. DiPietro M, Laganaro M, Leemann M Schnider A (2004) Receptive amusia: temporal auditory processing deficit in a professional musician following a left temporo-parietal lesion. Neuropsychologia, 42: 868-877.
43. Limb CJ, Kemeny S, Ortigoza EB, Rouhani S, Braun AR (2006) Left hemispheric lateralization of brain activity during passive rhythm perception in musicians. Anat Rec A Discov Mol Cell Evol Biol 288A: 382-3839.
44. McAuley JD, Henry MJ, Tkach (2012) Tempo mediates the involvement of motor areas in beat perception. Ann N Y Acad Sci 1252: 77-84.
45. Bamiou DE, Musiek FE, Luxon LM (2003) The insula (Island of Reil) and its role in auditory processing. Literture Review. Brain Res Rev, 42: 143-154.
46. Chen, J., Penhune VB, and Zatorre RJ (2006) Interactions between auditory and dorsal premotor cortex during synchronization to musical rhythms. Neuroimage, 32, 1771-1781
47. Grahn, JA & Brett M (2007) Rhythm and beat perception in motor areas of the brain. J Cogn Neurosci 19: 893-906.
48. Belin P & Zatorre RJ (2000) 'What', 'where' and 'how' in auditory cortex. Nature Neuroscience, 3: 965-966
49. Bueti D, Walsh V (2009) The parietal cortex and the representsation of time, space, number and other magnitudes. Philos Trans R Soc Lond B Biol Sci, 364: 1831-1840.
50. Koelsch S, Gunter TC, Cramon DY von, Zysset S, Lohmann G & Frederici A D (2002) Bach speaks: a cortical 'language network' serves the processing of music. NeuroImage, 17: 956-966
51. Koelsch S (2005) Neural substrates of processing syntax and semantics in music. Current opinion in Neurobiology 15: 207-212
52. Doeller CF, Opitz B, Mecklinger A, Krick C, Reith W, et al. (2003) Prefrontal cortex involvement in preattentive auditory deviance detection: neuroimaging and electrophysiological evidence. NeuroImage 20: 1270-1282.
53. Hyde KL, Zatorre, RJ, Griffiths TD, Lerch JP, Peretz I (2006) Morphometry of the amusic brain: a two-site study. Brain, 129: 2562-2570.
54. Warren JE, Wise RJ & Warren JD (2005) Sounds do-able: auditory-motor transformations and the posterior temporal plane. Trends Neurosci. 28, 636-643.
55. Hickok G & Poeppel D (2007) The cortical organization of speech percepsstion. Nat Rev Neurosci, 8, 393-402.
56. Zaehle T, Geiser E, Alter K Jäncke L, Meyer M (2008) Segmental processing in the human auditory dorsal stream. Brain Research, 1220: 179-190
57. Levitin DJ (2009) The neural correlates of temporal structure in music. Music and Medicine, 1-9-13.
58. Bushara K, Grafman J, Hallett M (2001) Neural correlates of auditory-visual stimulus onset asynchrony detection. J Neurosci, 21: 300-304.
59. Griffiths TD, Rees A, Witton C, Cross PM, Shakir RA, Green GGR (1997) Spatial and temporal auditory processing deficits following right hemisphere infarction. A psychophysical study-Brain 120: 785-794.
60. Proksch M Für kleine Klavierkünstler, Teil 1 und 2 (2. Aufl., 2000, ADERA Publikationen München).