Talking prices: Symbolic meanings of prices on the market for contemporary art

Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art

Volumn , Issue , 2013, Pages 1-264

  Velthuis, Olav ^a,b  

^a PRINCETON UNIVERSITY   (United States)

^b Howard Hughes Medical Institute   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84924441955     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Book

References (349)

1. Abbing, Hans. 1989. Een economie van de kunsten: Beschouwingen over kunst en kunstbeleid. Groningen: Historische Uitgeverij.
2. Abbing, Hans. 1996. "The Artistic Conscience and the Production of Value." In The Value of Culture: On the Relationship between Economics and Arts, edited by Arjo Klamer, 138-48. Amsterdam: Amsterdam University Press.
3. Abbing, Hans. 1998. "De symbiotische verhouding tussen overheid en beeldende-kunstmarkt." In Visies op beleid en markt, edited by Truus Gubbels and Gerben Voolstra, 25-39. Amsterdam: Boekmanstudies/Mondriaan Stichting.
4. Abbing, Hans. 2002. Why Are Artists Poor? Amsterdam: Amsterdam University Press.
5. Abolafia, Mitchel Y. 1996. Making Markets: Opportunism and Restraint on Wall Street. Cambridge: Harvard University Press.
6. Abolafia, Mitchel Y. 1998. "Markets as Cultures: An Ethnographic Approach." In The Laws of the Markets, edited by Michel Callon, 69-85. Oxford: Blackwell Publishers.
7. Adler, Moshe. 1985. "Stardom and Talent." American Economic Review 75, no. 1: 208-12.
8. Adorno, Theodor W., and Max Horkheimer. 1944 [1972]. Dialectics of Enlightenment. New York: Seabury Press.
9. Agnello, Richard J., and Renée K. Pierce. 1996. "Financial Returns, Price Determinants, and Genre Effects in American Art Investment." Journal of Cultural Economics 20: 359-83.
10. Agnew, Jean-Christophe. 1986. Worlds Apart: The Market and the Theater in Anglo-American Thought, 1550-1750. Cambridge: Cambridge University Press.
11. Akerlof, George A. 1982. "Labor Contracts as Partial Gift Exchange." Quarterly Journal of Economics 97, no. 4: 543-69.
12. Alexander, Jennifer, and Paul Alexander. 1987. "Striking a Bargain in Javanese Markets." Man 22, no. 1: 42-68.
13. Alexander, Jennifer, and Paul Alexander. 1991. "What's a Fair Price? Price-Setting and Trading Partnerships in Javanese Markets." Man 26, no. 3: 493-512.
14. Alexander, Paul. 1992. "What's in a Price? Trading Practices in Peasant (and Other) Markets." In Contesting Markets: Analyses of Ideology, Discourse and Practice, edited by Roy Dilley, 79-96. Edinburgh: Edinburgh University Press.
15. Alper, Neil O., Gregory H. Wassall, Joan Jeffri, Robert Greenblatt, Ann O. Kay, Stephyn G. W. Butcher, and Harry Hillman Chartrand. 1996. Artists in the Workforce: Employment and Earnings, 1970-1990. NEA Research Report #37. Santa Ana, CA: Seven Locks Press.
16. Amariglio, Jack, and David F. Ruccio. 1999. "The Transgressive Knowledge of 'Ersatz' Economics." In What Do Economists Know?, edited by Robert F. Garnett, 19-36. London: Routledge.
17. Anderson, Elizabeth. 1993. Value in Ethics and Economics. Cambridge: Harvard University Press.
18. Anderson, Robert C. 1974. "Paintings as an Investment." Economic Inquiry 12, no. 1: 13-26.
19. Appadurai, Arjun. 1986. "Introduction: Commodities and the Politics of Value." In The Social Life of Things: Commodities in Cultural Perspective, edited by Arjun Appadurai, 3-63. Cambridge: Cambridge University Press.
20. Arber, Sara. 1993. "Designing Samples." In Researching Social Life, edited by Nigel Gilbert, 68-92. London: Sage.
21. Armstrong, Richard, Richard Marshall, and Lisa Philips. 1989. Catalogue 1989 Biennial Exhibition: Whitney Museum of American Art. New York: W.W. Norton.
22. Ashenfelter, Orley. 1989. "How Auctions Work for Wine and Art." Journal of Economic Perspectives 3, no. 3: 23-36.
23. Aspers, Patrik. 2001. Markets in Fashion: A Phenomenological Approach. Stockholm:City University Press.
24. Baaijens, J., J. H. Andriessen, and L. Kik. 1983. BKR-onderzoek: uitvoering BKR. Vol. 1: Tekst. Tilburg: IVA.
25. Baker, Wayne E. 1984. "The Social Structure of a National Securities Market." American Journal of Sociology 89, no. 4: 775-811.
26. Baudrillard, Jean. 1981. For a Critique of the Political Economy of the Sign. Translated by Charles Levin. Telos Press.
27. Baxandall, Michael. 1972 [1988]. Painting and Experience in Fifteenth-Century Italy. Oxford: Oxford University Press.
28. Becker, Gary S. 1976. The Economic Approach to Human Behavior. Chicago:University of Chicago Press.
29. Becker, Gary S. 1991. "A Note on Restaurant Pricing and Other Examples of Social Influences on Price." Journal of Political Economy 99, no. 5: 1109-16.
30. Becker, Howard S. 1984. Art Worlds. Berkeley: University of California Press.
31. Beckert, Jens, and Jörg Rössel. 2004. "Kunst und Preise: Reputation als Mechanismus der Reduktion von Ungewissheit am Kunstmarkt." Köllner Zeitschrift für Soziologie und Sozialpsychologie 56, no. 1: 32-50.
32. Bell, Daniel. 1976 [1999]. The Coming of Post-Industrial Society: A Venture in Social Forecasting. New York: Basic Books.
33. Berger, Peter, and Thomas Luckmann. 1966 [1991]. The Social Construction of Reality: A Treatise in the Sociology of Knowledge. London: Penguin Books.
34. Bewley, Thomas F. 1999. Why Wages Don't Fall during a Recession. Cambridge:Harvard University Press.
35. Biggart, Nicole Woolsey. 1989. Charismatic Capitalism: Direct Selling Organizations in America. Chicago: University of Chicago Press.
36. Biggart, Nicole Woolsey, and Mauro F. Guillén. 1999. "Developing Difference:Social Organization and the Rise of the Auto Industries of South Korea, Taiwan, Spain, and Argentina." American Sociological Review 64: 722-47.
37. Blinder, Alan S. 1991. "Why Are Prices Sticky? Preliminary Results from an Interview Study." American Economic Review 81, no. 2: 89-96.
38. Blinder, Alan S., Elie R. D. Canetti, David E. Lebow, and Jeremy B. Rudd. 1998. Asking about Prices: A New Approach to Understanding Price Stickiness. New York: Russell Sage Foundation.
39. Boje, David. M. 1991. "The Storytelling Organization: A Study of Story Performance in an Office-Supply Firm." Administrative Science Quarterly 36:102-26.
40. Bok, Marten Jan. 1998. "Pricing the Unpriced: How Dutch Seventeenth-Century Painters Determined the Selling Price of Their Work." In Art Markets in Europe, 1400-1800, edited by Michael North and David Ormrod, 103-11. Aldershot: Ashgate.
41. Boltanski, Luc, and Laurent Thévenot. 1999. "The Sociology of Critical Capacity." European Journal of Social Theory 2, no. 3: 359-77.
42. Bonus, Holger, and Dieter Ronte. 1997. "Credibility and Economic Value in the Visual Arts." Journal of Cultural Economics 21: 103-18.
43. Bourdieu, Pierre. 1979. "The Kabyle House or the World Reversed." In Algeria 1960, 133-53. Cambridge: Cambridge University Press.
44. Bourdieu, Pierre. 1983. "The Forms of Capital." In The Handbook of Theory and Research for the Sociology of Education, edited by J. G. Richardson, 241-58. New York: Greenwood.
45. Bourdieu, Pierre. 1992 [1996]. The Rules of Art. Standford: Stanford University Press.
46. Bourdieu, Pierre. 1993. The Field of Cultural Production: Essays on Art and Literature. Cambridge: Polity Press.
47. Bourdieu, Pierre, and Loïc J. D. Wacquant. 1992. Argumenten: Voor een reflexieve maatschappijwetenschap. Amsterdam: Sua.
48. Bowness, Alan. 1990. The Conditions of Success: How the Modern Artist Rises to Fame. London: Thames and Hudson.
49. Briesch, Richard A., Lakshman Krishnamurti, Tribid Mazumdar, and S. P. Raj. 1997. "A Comparative Analysis of Reference Price Models." Journal of Consumer Research 24: 202-14.
50. Brouwer, Natasja, and Heidi Meulenbeek. 2000. "De markt voor beeldende kunst: de markt en de financiële positie van de beeldende kunstenaars 1998." The Hague: Ministerie van Onderwijs, Cultuur en Wetenschappen.
51. Brown, Marily R. 1993. "An Entrepreneur in Spite of Himself: Edgar Degas and the Market." In The Culture of the Market: Historical Essays, edited by T. L. Haskell and R. F. Teichgraeber, 261-92. Cambridge: Cambridge University Press.
52. Burawoy, Michael. 1979. Manufacturing Consent: Changes in the Labor Process under Monopoly Capitalism. Chicago: University of Chicago Press.
53. Bürger, Peter. 1974 [1996]. Theory of the Avant-Garde. Translated by M. Shaw. Minneapolis: University of Minnesota Press.
54. Burn, Ian. 1975 [1996]. "The Art Market: Affluence and Degradation." In Art in Theory 1900-1990: An Anthology of Changing Ideas, edited by Charles Harrison and Paul Wood, 908-11. Oxford: Blackwell.
55. Bystryn, Marcia. 1978. "Art Galleries as Gatekeepers: The Case of the Abstract Expressionists." Social Research 45, no. 2: 390-408.
56. Calhoun, Craig, Edward LiPuma, and Moishe Postone, eds. 1993. Bourdieu:Critical Perspectives. Cambridge: Polity Press.
57. Callon, Michel. 1998. "Introduction: The Embeddedness of Economic Markets in Economics." In The Laws of the Markets, edited by Michel Callon, 1-58. Oxford: Blackwell.
58. Candela, Guido, and Antonello E. Scorcu. 2001. "In Search of Stylized Facts on Art Market Prices: Evidence from the Secondary Market for Prints and Drawings in Italy." Journal of Cultural Economics 25: 219-31.
59. Caplin, Lee. 1989. The Business of Art. 2nd ed. Englewood Cliffs: Prentice-Hall.
60. Carrier, James G. 1994. "Alienating Objects: The Emergence of Alienation in Retail Trade." Man 29, no. 2: 359-80.
61. Carrier, James G. Gifts and Commodities. 1995. London: Routledge.
62. Carrier, James G. ed. 1997. Meanings of the Market: The Free Market in Western Culture. Oxford: Berg.
63. Case, Bradford, Henry O. Pollakowski, and Susan M. Wachter. 1997. "Frequency of Transaction and House Price Modelling." The Journal of Real Estate Finance and Economics 14, no. 1/2: 173-87.
64. Castells, Manuel. 1996. The Information Age: Economy, Society and Culture. Vol. 1: The Network Society. Malden: Blackwell.
65. Caves, Richard. 2000. The Creative Industries. Harvard: Harvard University Press.
66. Chamberlain, Betty. 1983. The Artist's Guide to the Art Market. 4th ed. New York: Watson Guptill.
67. Cheal, David. 1988. The Gift Economy. London: Routledge.
68. Cochrane, Diane. 1978. This Business of Art. New York: Watson-Guptill.
69. Collins, Randall. 2000. "Situational Stratification: A Micro-Macro Theory of Inequality." Sociological Theory 18, no. 1: 17-43.
70. Coppet, Laura de, and Alan Jones. 2002. The Art Dealers: The Powers behind the Scene Tell Me How the Art World Really Works. 2nd ed. New York:Cooper Square Press.
71. Crane, Diana. 1976. "Reward Systems in Art, Science, and Religion." American Behavioral Scientist 19, no. 6: 719-34.
72. Crane, Diana. 1987. The Transformation of the Avant-Garde. Chicago: University of Chicago Press.
73. Cyert, Richard M., and James G. March. 1963. A Behavioral Theory of the Firm. Englewood Cliffs: Prentice-Hall.
74. Darr, Asaf. 2003. "Gifting Practices and Interorganizational Relations: Constructing Obligation Networks in the Electronics Sector." Sociological Forum 18, no. 1: 31-51.
75. Davis, John. 1992. Exchange. Minneapolis: University of Minnesota Press.
76. De Marchi, Neil. 1999. "Introduction." In Economic Engagements with Art: History of Political Economy. Annual supplement to volume 31, edited by Neil De Marchi and Craufurd D. W. Goodwin, 1-30. Durham: Duke University Press.
77. De Marchi, Neil, and Hans J. Van Miegroet. 1994. "Art, Value, and Market Practices in the Netherlands in the Seventeenth Century." Art Bulletin 76, no. 3:451-64.
78. De Marchi, Neil, and Hans J. Van Miegroet. 1996. "Pricing Invention: 'Originals,' 'Copies,' and Their Relative Value in Seventeenth Century Netherlandish Art Markets." In Economics of the Arts. Selected Essays, edited by Victor A. Ginsburgh and P. M. Menger, 27-70. Amsterdam:Elsevier.
79. De Marchi, Neil, and Hans J. Van Miegroet. 1999. "Ingenuity, Preference, and the Pricing of Pictures: The Smith Reynolds Connection." In Economic Engagements with Art: History of Politi-cal Economy. Annual supplement to volume 31, edited by Neil De Marchi and Craufurd D. W. Goodwin, 379-412. Durham: Duke University Press.
80. Dean, Joel. 1969. "Pricing Pioneering Products." Journal of Industrial Economics 17, no. 3: 165-79.
81. Diamantopoulos, Adamantios, and Brian Mathews. 1995. Making Pricing Decisions:A Study of Managerial Practice. London: Chapman & Hall.
82. Diamonstein, Barbaralee. 1994. Inside the Art World. New York: Rizzoli.
83. Dickie, Mark, Charles D. Delorme, and Jeffrey D. Humphreys. 1994. "Price Determination for a Collectible Good: The Case of Rare U.S. Coins." Southern Economic Journal 61: 40-51.
84. Dilley, Roy. 1992. "Contesting Markets: A General Introduction to Market Ideology, Imagery and Discourse." In Contesting Markets: Analyses of Ideology, Discourse and Practice, edited by Roy Dilley, 1-34. Edinburgh: Edinburgh University Press.
85. DiMaggio, Paul. 1994. "Economy and Culture." In Handbook of Economic Sociology, edited by Neil J. Smelser and Richard Swedberg, 27-57. Princeton:Princeton University Press.
86. DiMaggio, Paul. 1997. "Culture and Cognition." Annual Review of Sociology 23: 263-87.
87. DiMaggio, Paul, and Hugh Louch. 1998. "Socially Embedded Consumer Transactions:For What Kinds of Purchases Do People Most Often Use Networks?" American Sociological Review 63, no. 5: 619-37.
88. DiMaggio, Paul, and Walter W. Powell. 1983. "The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields." American Sociological Review 48: 147-60.
89. DiMaggio, Paul, and Walter W. Powell. 1991. "Introduction." In The New Institutionalism in Organizational Analysis, edited by Paul J. DiMaggio and Walter W. Powell, 1-39. Chicago:University of Chicago Press.
90. Dobbin, Frank R. 1994. "Cultural Models of Organization: The Social Construction of Rational Organizing Principles." In The Sociology of Culture, edited by Diana Crane, 117-41. Cambridge: Blackwell.
91. Dorward, Neil. 1987. The Pricing Decision: Economic Theory and Business Practice. London: Harper & Row.
92. Dosi, Giovanni, and Massimo Egidi. 1991. "Substantive and Procedural Uncertainty." Journal of Evolutionary Economics 1, no. 2: 145-68.
93. Douglas, Mary, and Baron Isherwood. 1979. The World of Goods. New York:Basic Books.
94. Downward, Paul. 1999. Pricing Theory in Post Keynesian Economics: A Realist Approach. Cheltenham: Edward Elgar.
95. Duneier, Mitchell. 1999. Sidewalk. New York: Farrar, Straus & Giroux.
96. Durkheim, Emile. 1914 [1964]. "The Dualism of Human Nature and Its Social Conditions." In Emile Durkheim: Essays on Sociology and Philosophy, edited by Kurt H. Wolff, 325-40. New York: Harper & Row.
97. Duve, Thierry de. 1989. "Yves Klein, or the Dead Dealer." October 49, Summer:72-90.
98. Eichner, Alfred S. 1987. "Prices and Pricing." Journal of Economic Issues 21, no. 4: 1555-84.
99. Erftemeijer, Antoon. 2000. De aap van Rembrandt: Kunstenaarsanekdoten van de klassieke oudheid tot heden. Haarlem: Becht.
100. Espeland, Wendy N., and Mitchell L. Stevens. 1998. "Commensuration as a Social Process." Annual Review of Sociology 24: 313-43.
101. Etzioni, Amitai. 1988. The Moral Dimension: Towards a New Economics. New York: Free Press.
102. Fanselow, Frank S. 1990. "The Bazaar Economy or How Bizarre Is the Bazaar Really?" Man 25, no. 2: 250-65.
103. Fase, Martin. 1996. "Purchase of Art: Consumption and Investment." De Economist 144, no. 4: 649-69.
104. Fengler, Matthias R., and Joachim K. Winter. 2001. "Psychological Pricing Points and Price Adjustments in German Retail Markets." Unpublished paper.
105. Filer, Randall K. 1984. "A Theoretical Analysis of the Economic Impact of Artists' Resale Royalties Legislation." Journal of Cultural Economics 8:1-28.
106. Fitz Gibbon, Heather M. 1987. "From Prints to Posters: The Production of Artistic Value in a Popular World." Symbolic Interaction 10, no. 1: 111-28.
107. Fitzgerald, Michael C. 1995. Making Modernism: Picasso and the Creation of the Market for Twentieth-Century Art. New York: Farrar, Straus and Giroux.
108. Fligstein, Neil. 1996. "Markets as Politics: A Political-Cultural Approach to the Market Institutions." American Sociological Review 61: 656-73.
109. Foster, Hal. 1996. The Return of the Real: The Avant-Garde at the End of the Century. Cambridge, MA: MIT Press.
110. Frank, Robert H. 1985. Choosing the Right Pond: Human Behavior and the Quest for Status. Oxford: Oxford University Press.
111. Frank, Robert H. 1988. Passions within Reason: The Strategic Role of the Emotions. New York: W. W. Norton & Company.
112. Frank, Robert H., and Philip J. Cook. 1995. The Winner-Take-All Society. New York: Free Press.
113. Frey, Bruno S. 1986. "Economists Favour the Price System-Who Else Does?" Kyklos 39: 537-63.
114. Frey, Bruno S. 1997. Not Just for the Money: An Economic Theory of Personal Motivation. Cheltenham: Edward Elgar.
115. Frey, Bruno S. 2000. Art and Economics. Heidelberg: Springer Verlag.
116. Frey, Bruno S., and Reiner Eichenberger. 1995. "On the Return of Art Investment Return Analyses." Journal of Cultural Economics 19: 207-20.
117. Frey, Bruno S., and Werner W. Pommerehne. 1989. Muses and Markets: Explorations in the Economics of the Arts. Oxford: Blackwell.
118. Fridén, Bertil. 1999. "The Problem of Unique Goods as Factors of Production:Rousseau on Art and the Economy." In Economic Engagements with Art:History of Political Economy. Annual supplement to volume 31, edited by Neil De Marchi and Craufurd D. W. Goodwin, 41-56. Durham: Duke University Press.
119. Friedland, Roger, and Robert R. Alford. 1991. "Bringing Society Back In: Symbols, Practices, and Institutional Contradictions." In The New Institutionalism in Organizational Analysis, edited by Paul J. DiMaggio and Walter W. Powell, 232-63. Chicago: University of Chicago Press.
120. Friedman, Milton. 1953 [1984]. "The Methodology of Positive Economics." In Appraisal and Criticism in Economics: A Book of Readings, edited by B. J. Caldwell, 3-43. Boston: Allen and Unwin.
121. Friedman, Milton. 1962. Price Theory. Chicago: Aldine.
122. Friedman, Milton. 1962 [1982]. Capitalism and Freedom. Chicago: University of Chicago Press.
123. Fukuyama, Francis. 1995. Trust: The Social Virtues and the Creation of Prosperity. London: Hamish Hamilton.
124. Galenson, David W. 1999. "Quantifiying Artistic Success: Ranking French Painters-and Paintings-from Impressionism to Cubism." Cambridge: NBER.
125. Galenson, David W. 2000. "The Careers of Modern Artists." Journal of Cultural Economics 24: 87-112.
126. Gay, Paul du, and Michael Pryke, eds. 2002. Cultural Economy. Cultural Analysis and Cultural Life. London: Sage.
127. Gee, Malcolm. 1981. Dealers, Critics, and Collectors of Modern Painting:Aspects of the Parisian Art Market between 1910 and 1930. New York: Garland Publishing.
128. Geertz, Clifford. 1973 [1993]. The Intrepretation of Cultures. London: Fontana Press.
129. Geertz, Clifford. 1979. "Suq: The Bazaar Economy in Sefrou." In Meaning and Order in Moroccan Society, edited by Clifford Geertz, Hildred Geertz, and Lawrence Rosen, 123-225. Cambridge: Cambridge University Press.
130. Giuffre, Katherine. 1999. "Sandpiles of Opportunity: Success in the Art World." Social Forces 77, no. 3: 815-32.
131. Goffman, Erving. 1956 [1990]. The Presentation of Self in Everyday Life. London:Penguin Books.
132. Goldstein, Malcolm. 2000. Landscape with Figures: A History of Art Dealing in the United States. Oxford: Oxford University Press.
133. Graeber, David. 2001. Toward an Anthropological Theory of Value: The False Coin of Our Own Dreams. New York: Palgrave MacMillan.
134. Grampp, William D. 1989. Pricing the Priceless: Art, Artists and Economics. New York: Basic Books.
135. Grana, Cesar. 1964. Bohemian Versus Bourgeois: French Society and the French Man of Letters in the Nineteenth Century. New York: Basic Books.
136. Granovetter, Mark. 1985 [1992]. "Economic Action and Social Structure: The Problem of Embeddedness." In The Sociology of Economic Life, edited by Mark Granovetter and Richard Swedberg, 53-81. Boulder, CO: Westview Press.
137. Grant, Daniel. 1991. The Business of Being an Artist. New York: Allworth Press.
138. Green, Nicholas. 1987. "Dealing in Temperaments: Economic Transformation of the Artistic Field in France During the Second Half of the Nineteenth Century." Art History 10, no. 1: 59-78.
139. Greenfeld, Liah. 1989. Different Worlds: A Sociological Study of Taste, Choice and Success in Art. Cambridge: Cambridge University Press.
140. Gubbels, Truus. 1992. "Kwaliteit op krediet: De Rentesubsidieregeling Kunstaankopen 1984-1990." Amsterdam: Boekmanstichting.
141. Gubbels, Truus. 1995. "Korting en krediet voor beeldende kunst." Boekmancahier 7, no. 23, 24: 8-22, 193-204.
142. Gubbels, Truus. 1999. Passie of professie: Galeries en kunsthandel in Nederland. Abcoude: Uniepers.
143. Gubbels, Truus, and Ingrid Janssen, eds. 2001. Kunst te koop! Artistieke innovatie en commercie in het Nederlandse galeriebestel. Amsterdam: Boekmanstudies/ Mondriaan Stichting.
144. Gubbels, Truus, and Gerben Voolstra, eds. 1998. Visies op beleid en markt. Amsterdam:Boekmanstudies/Mondriaan Stichting.
145. Gudeman, Steven. 1986. Economics as Culture: Models and Metaphors of Livelihood. London: Routledge & Kegan Paul.
146. Guilbaut, Serge. 1983. How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom, and the Cold War. Translated by Arthur Goldhammer. Chicago: University of Chicago Press.
147. Haden-Guest, Anthony. 1996. True Colors. The Real Life of the Art World. New York: Atlantic Monthly Press.
148. Hall, R. L., and C. J. Hitch. 1939. "Price Theory and Business Behaviour." Oxford Economic Papers 2, May: 12-45.
149. Halle, David. 1993. Inside Culture: Art and Class in the American Home. Chicago: University of Chicago Press.
150. Hannerz, Ulf. 1992. Cultural Complexity: Studies in the Social Organization of Meaning. New York: Columbia University Press.
151. Hauser, Arnold. 1951. The Social History of Art. Translated by Stanley Godman. 2 vols. London: Routledge & Kegan Paul.
152. Havens, Thomas R. H. 1982. Artist and Patron in Postwar Japan. Princeton:Princeton University Press.
153. Heath, Timothy B., Subimal Chatterjee, and Karen Russo France. 1995. "Mental Accounting and Changes in Price: The Frame Dependence of Reference Dependence." Journal of Consumer Research 22: 90-97.
154. Heijbroek, Jan Frederik, and Ester Wouthuysen. 1993. Kunst, kennis en commercie:De kunsthandelaar J. H. de Bois. Amsterdam: Contact.
155. Heilbroner, Robert L. 1988. Behind the Veil of Economics. New York: Norton.
156. Heilbrun, James, and Charles M. Gray. 1993. The Economics of Art and Culture:An American Perspective. Cambridge: Cambridge University Press.
157. Heimer, Carol A. 1999. "Competing Institutions: Law, Medicine, and Family in Neonatal Intensive Care." Law and Society Review 17: 17-66.
158. Heiner, Ronald A. 1983. "The Origin of Predictable Behavior." American Economic Review 73, no. 4: 560-95.
159. Herbert, Robert L. 1987. "Impressionism, Originality and Laissez-Faire." Radical History Review 38: 7-15.
160. Hirschman, Albert O. 1982 [1986]. "Rival Views of Market Society." In Rival Views of Market Society and Other Recent Essays, 105-41. Cambridge: Harvard University Press.
161. Hochschild, Arlie. 1983. The Managed Heart. Berkeley: University of California Press.
162. Hodgson, Geoffrey M. 1993. Economics and Evolution. Bringing Life Back into Economics. Cambridge: Polity Press.
163. Hodgson, Geoffrey M. 1998. "The Approach of Institutional Economics." Journal of Economic Literature 36, no. 1: 166-92.
164. Hoogenboom, Annemieke. 1993. De stand des kunstenaars: de positie van kunstschilders in Nederland in de eerste helft van de negentiende eeuw. Leiden: Primavera Pers.
165. Hoogenboom, Annemieke. 1994. "Art for the Market: Contemporary Painting in the Netherlands in the First Half of the Nineteenth Century." Simiolus 22, no. 3: 129-44.
166. Hughes, Robert. 1990. Nothing If Not Critical: Selected Essays on Art and Artists. London: Collins Harvill, 1990.
167. Huston, John, and Nipoli Kamdar. 1996. "$9,99: Can 'Just-Below' Pricing Be Reconciled with Rationality?" Eastern Economic Journal 22, no. 2:137-45.
168. Huyssen, Andreas. 1986 [1988]. After the Great Divide: Modernism, Mass Culture and Postmodernism. Basingstoke: MacMillan.
169. Hyde, Lewis. 1983. The Gift: Imagination and the Erotic Life of Property. New York: Random House.
170. Ingram, Paul, and Peter W. Roberts. 2000. "Friendships among Competitors in the Sydney Hotel Industry." American Journal of Sociology 106, no. 2: 387-423.
171. Jabbar, M. A. 1998. "Buyer Preferences for Sheep and Goats in Southern Nigeria:A Hedonic Price Analysis." Agricultural Economics 18, no. 1: 21-30.
172. Jameson, Frederic. 1984. "Postmodernism, or, the Cultural Logic of Late Capitalism." New Left Review 146: 59-92.
173. Jensen, Robert. 1994. Marketing Modernism in Fin-de-Siècle Europe. Princeton:Princeton University Press.
174. Jevons, W. Stanley. 1871 [1970]. The Theory of Political Economy. London: Penguin Books.
175. Kahneman, Daniel, Jack L. Knetsch, and Richard Thaler. 1986. "Fairness as a Constraint on Profit Seeking: Entitlements in the Market." American Economic Review 76, no. 4: 728-41.
176. Katchen, Carole. 1978. Promoting and Selling Your Art. New York: Watson Guptill.
177. Kempers, Bram. 1988. "De Macht Van De Markt." In Kunst en beleid in Nederland 3, 13-65. Amsterdam: Boekmanstichting/Van Gennep.
178. Kessler-Harris, Alice. 1990. A Woman's Wage. Historical Meanings and Social Consequences. Lexington: University of Kentucky Press.
179. Keynes, John Maynard. 1936. The General Theory of Employment, Interest and Money. New York: Harvest/Harcourt Brace Jovanovich.
180. Klamer, Arjo. 1996. "The Value of Culture." In The Value of Culture, edited by Arjo Klamer, 13-28. Amsterdam: Amsterdam University Press.
181. Klamer, Arjo, and Thomas C. Leonard. 1992. "Everyday versus Academic Rhetoric in Economics." Unpublished paper.
182. Klayman, Toby Judith, and Cobett Steinberg. 1984. The Artist's Survival Manual. A Complete Guide to Marketing Your Work. New York: Charles Scribner's Sons.
183. Klein, Ulrike. 1994. The Business of Art Unveiled: New York Art Dealers Speak Up. Frankfurt a. Main: Peter Lang.
184. Knorr Cetina, Karin, and Urs Bruegger. 2002. "Global Microstructures: The Virtual Societies of Financial Markets." American Journal of Sociology 107, no. 4: 905-50.
185. Koerner, J. L., and L. Koerner. 1996. "Value." In Critical Terms for Art History, edited by R. S. Nelson and R. Shiff, 292-306. Chicago: University of Chicago Press.
186. Koford, Kenneth, and Adrian E. Tschoegl. 1998. "The Market Value of Rarity." Journal of Economic Behavior and Organization 34: 445-57.
187. Kollock, Peter. 1994. "The Emergence of Exchange Structures: An Experimental Study of Uncertainty, Commitment, and Trust." American Journal of Sociology 100, no. 2: 313-45.
188. Komter, Aafke E. (ed.). 1996. The Gift: An Interdisciplinary Perspective. Amsterdam:Amsterdam University Press.
189. Kopytoff, Igor. 1986. "The Cultural Biography of Things: Commoditization as Process." In The Social Life of Things: Commodities in Cultural Perspective, edited by Arjun Appadurai, 64-91. Cambridge: Cambridge University Press.
190. Laermans, Rudi. 1991. "Het relatieve gelijk van Pierre Bourdieu: de legitimiteit van kunst en cultuur binnen de postmoderniteit." Boekmancahier 3, no. 8: 153-63.
191. Laermans, Rudi. 1993. "Splitting the difference: Over kunst, massacultuur en cultuurbeleid." In Sociaal-democratie, kunst, politiek. Beschouwingen over een sociaal-democratisch Kunstbeleid, edited by Hans van Dulken and Paul Kalma, 81-93. Amsterdam: Wiardi Beckmanstichting/ Boekmanstichting.
192. Lamont, Michèle. 1992. Money, Morals, and Manners: The Culture of the French and the American Upper-Middle Class. Chicago: University of Chicago Press.
193. Lamont, Michèle. 2000. The Dignity of Working Men. Harvard: Harvard University Press.
194. Lamont, Michèle, and Annette Lareau. 1988. "Cultural Capital: Allusions, Gaps and Glissandos in Recent Theoretical Developments." Sociological Theory 6, no. 2: 153-68.
195. Lamont, Michèle, and Virag Molnar. 2002. "The Study of Boundaries across the Social Sciences." Annual Review of Sociology 28.
196. Lane, Robert E. 1991. The Market Experience. Cambridge: Cambridge University Press.
197. Lee, Frederic S. 1999. Post Keynesian Price Theory. Cambridge: Cambridge University Press.
198. Leibenstein, Harvey. 1950. "Bandwagon, Snob, and Veblen Effects in the Theory of Consumers' Demand." Quarterly Journal of Economics 64, no. 2: 183-207.
199. Lerner, Ralph E., and Judith Bresler. 1998. Art Law. 2nd ed. 2 vols. New York:Practicing Law Institute.
200. Levis, Mario. 1990. "The Winner's Curse Problem, Interest Costs and the Underpricing of Initial Public Offerings." Economic Journal 100, March: 76-89.
201. Lie, John. 1997. "Sociology of Markets." American Review of Sociology 23:341-60.
202. Louargand, Marc A., and J. R. McDaniel. 1991. "Price Efficiency in the Art Auction Market." Journal of Cultural Economics 15, no. 2: 53-65.
203. Macaulay, Stewart. 1962 [1992]. "Non-Contractual Relations in Business: A Prelimary Study." In The Sociology of Economic Life, edited by Mark Granovetter and Richard Swedberg, 265-83. Boulder: Westview Press.
204. Marquis, Alice Goldfarb. 1991. The Art Biz: The Covert World of Collectors, Dealers, Auction Houses, Museums and Critics. Chicago: Contemporary Book.
205. Marshall, Alfred. 1890 [1982]. Principles of Economics. London: MacMillan.
206. Marx, Karl. 1844 [1978]. "Economic and Philosophical Manuscripts of 1844." In The Marx-Engels Reader, edited by Robert C. Tucker. New York: W. W. Norton.
207. McAfee, R. Preston, and John McMillan. 1987. "Auctions and Bidding." Journal of Economic Literature 25: 699-738.
208. McCloskey, Deirdre. 1990. If You're So Smart: The Narrative of Economic Expertise. Chicago: University of Chicago Press.
209. McLellan, Andrew. 1996. "Watteau's Dealer: Gersaint and the Marketing of Art in Eighteenth-Century Paris." Art Bulletin 78, no. 3: 439-53.
210. Meij, Helen van der. 2001. "Wat maakt een galerie succesvol? Vier voorbeelden uit de internationale kunstpraktijk." In Kunst te koop! Artistieke innovatie en commercie in het Nederlandse galeriebestel, edited by Truus Gubbels and Ingrid Janssen, 29-35. Amsterdam: Boekmanstudies/Mondriaan Stichting.
211. Mellon, Susan, and Tad Crawford. 1981. The Artist-Gallery Partnership: A Practical Guide to Consignment. New York: ACA Publications.
212. Merryman, John Henry, and Albert E. Elsen. 1979. Law, Ethics, and the Visual Arts. 2 vols. New York: Mathew Bender, 1979.
213. Merryman, John Henry, and Albert E. Elsen. Law, Ethics, and the Visual Arts. 1998. 3rd ed. London: Kluwer Law.
214. Merton, Robert K. 1968. "The Matthew Effect in Science." Science 159, no. 3810: 56-63.
215. Meyer, Jörn-Axel, and Ralf Even. 1998. "Marketing and the Fine Arts-Inventory of a Controversial Relationship." Journal of Cultural Economics 22: 271-83.
216. Michels, Caroll. 1992. How to Survive and Prosper as an Artist. Selling Yourself without Selling Your Soul. 3rd ed. New York: Henry Holt.
217. Milgrom, Paul R. 1985. "The Economics of Competitive Bidding: A Selective Survey." In Social Goals and Social Organization: Essays in Memory of Elisha Pazner, edited by Leonid Hurwicz, David Schmeidler, and Hugo Sonnenschein, 261-89. Cambridge: Cambridge University Press.
218. Miller, Daniel. 1998. A Theory of Shopping. Ithaca: Cornell University Press.
219. Miller, Daniel. 2002. "Turning Callon the Right Way Up." Economy and Society 31, no. 2: 218-33.
220. Montias, J. Michael. 1987. "Cost and Value in Seventeenth-Century Dutch Art." Art History 10, no. 4: 453-66.
221. Montias, J. Michael. 1990. "Socio-Economic Aspects of Netherlandish Art from the Fifteenth to the Seventeenth Century: A Survey." Art Bulletin 72, no. 3: 358-73.
222. Morril, Calvin. 1991. "Conflict Management, Honor, and Organizational Change." American Journal of Sociology 97, no. 3: 585-621.
223. Mossetto, Gianofranco. 1993. Aesthetics and Economics. Dordrecht: Kluwer.
224. Moulin, Raymonde. 1967 [1987]. The French Art Market. A Sociological View. New Brunswick: Rutgers University Press.
225. Moulin, Raymonde. 1992. L'Artiste, L'institution et le Marché. Paris: Flammarion.
226. Moulin, Raymonde. 1994. "The Construction of Art Values." International Sociology 9, no. 1: 5-12.
227. Muldrew, Craig. 1993. "Interpreting the Market: The Ethics of Credit and Community Relations in Early Modern England." Social History 18: 163-83.
228. Murray, Jonathan, and Nicholas Sarantis. 1999. "Quality, User Cost, Forward-Looking Behavior, and the Demand for Cars in the UK." Journal of Economics and Business 51, no. 3: 237-58.
229. Muskens, George. 1983. BKR-onderzoek: beleidsanalyse BKR I. Beleidsdoel, beleidseffect, beleidscontext. Vol. 1: Tekst. Tilburg: IVA.
230. Myers, Fred R. 2002. Painting Culture. Durham: Duke University Press.
231. Nerlove, Marc. 1995. "Hedonic Price Functions and the Measurement of Preferences:The Case of Swedish Wine Consumers." European Economic Review 39, no. 9: 1697-716.
232. North, Michael. 1992. Art and Commerce in the Dutch Golden Age. Translated by Catherine Hill. New Haven: Yale University Press.
233. O'Doherty, Brian. 1976 [1999]. Inside the White Cube: The Ideology of the Gallery Space. Berkeley: University of California Press.
234. Okun, Arthur M. 1981. Prices and Quantities: A Macroeconomic Analysis. Washington, DC: Brookings Institution.
235. O'Neill, John. 1998. The Market. London: Routledge.
236. Parsons, Talcott, and Neil J. Smelser. 1956. Economy and Society: A Study in the Integration of Economic and Social Theory. Glencoe: Free Press.
237. Pesando, James E. 1993. "Art as an Investment: The Market for Modern Prints." American Economic Review 83, no. 5: 1075-89.
238. Pesando, James E., and Pauline M. Shum. 1996. "Price Anomalies at Auction:Evidence from the Market for Modern Prints." In Economics of the Arts. Selected Essays, edited by Victor A. Ginsburgh and P. M. Menger, 113-34. Amsterdam: Elsevier.
239. Peterson, Karin. 1997. "The Distribution and Dynamics of Uncertainty in Art Galleries: A Case Study of New Dealership in the Parisian Art Market, 1985-1990." Poetics 25, no. 4: 241-63.
240. Phlips, Louis. 1988. The Economics of Imperfect Information. Cambridge: Cambridge University Press.
241. Plattner, Stuart. 1996. High Art Down Home: An Economic Ethnography of a Local Art Market. Chicago: University of Chicago Press.
242. Podolny, Joel M. 1993. "A Status-Based Model of Market Competition." American Journal of Sociology 98, no. 4: 829-72.
243. Polanyi, Karl. 1944 [1957]. The Great Transformation. Boston: Beacon Press.
244. Polanyi, Karl. 1957. "Aristotle Discovers the Economy." In Trade and Market in the Early Empires, edited by Karl Polanyi, C. M. Arensberg, and H. W. Pearson, 64-94. Glencoe: Free Press.
245. Polanyi, Michael. 1958 [1974]. Personal Knowledge: Towards a Post-Critical Philosophy. Chicago: University of Chicago Press.
246. Pommerehne, Werner W., and Lars P. Feld. 1997. "The Impact of Museum Purchase on the Auction Prices of Paintings." Journal of Cultural Economics 21, no. 3: 249-71.
247. Portes, Alejandro. 1995. "Economic Sociology and the Sociology of Immigration:A Conceptual Overview." In The Economic Sociology of Immigration: Essays on Networks, Ethnicity, and Entrepreneurship, edited by Alejandro Portes, 1-41. New York: Russell Sage Foundation.
248. Portes, Alejandro. 1998. "Social Capital: Its Origins and Applications in Modern Sociology." Annual Review of Sociology 24: 1-24.
249. Powell, Walter, and Paul DiMaggio, eds. 1991. The New Institutionalism in Organizational Analysis. Chicago: University of Chicago Press.
250. Prus, Robert C. 1985. "Price-Setting as a Social Activity: Defining Price, Value, and Profit in the Marketplace." Urban Life 14, no. 1: 59-93.
251. Prus, Robert C. 1999. Making Sales: Influence as Interpersonal Accomplishment. Newbury Park: Sage.
252. Radin, Margaret Jane. 1996. Contested Commodities. Cambridge, MA: Harvard University Press.
253. Rengers, Merijn. 2000. "Kunstenmonitor 1998." Den Haag: HBO Raad.
254. Rengers, Merijn, and Christopher Madden. 2000. "Living Art: Artists between Making Art and Making a Living." Australian Bulletin of Labour 26, no. 4:325-54.
255. Rengers, Merijn, and Erik Plug. 2001. "Private or Public." Journal of Cultural Economics 25, no. 1: 1-20.
256. Rengers, Merijn, and Olav Velthuis. 2002. "Determinants of Prices for Contemporary Art in Dutch Galleries, 1992-1998." Journal of Cultural Economics 26: 1-28.
257. Rewald, John. 1973 [1986]. "Theo Van Gogh as Art Dealer." In Studies in Post-Impressionism, 7-115. New York: Harry N. Abrams.
258. Rewald, John. 1986. Studies in Post-Impressionism. New York: Harry N. Abrams.
259. Ricardo, David. 1817 [1925]. Principles of Political Economy and Taxation. London: G. Bell and Sons.
260. Rifkin, Jeremy. 2000. The Age of Access. London: Penguin.
261. Riley, John G. 2001. "Silver Signals: Twenty-Five Years of Screening and Signaling." Journal of Economic Literature 39, no. 2: 432-78.
262. Robbins, Lionel. 1932 [1984]. An Essay on the Nature and Significance of Economic Science. New York: New York University Press.
263. Robson, A. Deirdre. 1995. Prestige, Profit, and Pleasure: The Market for Modern Art in New York in the 1940s and 1950s. New York: Garland Publishing.
264. Rosen, Sherwin. 1974. "Hedonic Prices and Implicit Markets: Product Differentiation in Pure Competition." Journal of Political Economy 82, no. 1: 34-55.
265. Rosen, Sherwin. 1981. "The Economics of Superstars." American Economic Review 71, no. 5: 845-58.
266. Rosler, Martha. 1984. "Lookers, Buyers, Dealers and Makers: Thoughts on Audience." In Art after Modernism: Rethinking Representation, edited by Brian Wallis, 311-40. New York: New Museum of Contemporary Art.
267. Rouget, Bernard, Dominique Sagot-Duvauroux, and Sylvie Pflieger. 1991. Le Marché de l'Art Contemporain en France: Prix et Stratégies. Paris: La Documentation Française.
268. Russell, John. 1999. Matisse: Father and Son. New York: Harry N. Abrams.
269. Sagot-Duvauroux, D., S. Pflieger, and B. Rouget. 1992. "Factors Affecting Price on the Contemporary Art Market." In Cultural Economics, edited by Ruth Towse and Abdul Khakee, 91-102. Berlin: Springer.
270. Sahlins, Marshall. 1976. Culture and Practical Reason. Chicago: University of Chicago Press.
271. Santagata, Walter. 1995. "Institutional Anomalies in the Contemporary Art Market." Journal of Cultural Economics 19: 187-97.
272. Schön, Donald. 1983. The Reflective Practitioner. How Professionals Think in Action. New York: Basic Books.
273. Scott, Richard W. 1987. "The Adolescence of Institutional Theory." Administrative Science Quarterly 32: 493-511.
274. Simmel, Georg. 1900 [1999]. The Philosophy of Money. Translated by Tom Bottomore and David Frisby. London: Routledge.
275. Simon, Herbert. 1957. Administrative Behavior. New York: MacMillan.
276. Simons, Riki. De gijzeling van de beeldende kunst. Amsterdam: Meulenhoff, 1997.
277. Simpson, Charles R. 1981. Soho: The Artist in the City. Chicago: University of Chicago Press.
278. Slater, Don. 2002. "Capturing Markets from the Economists." In Cultural Economy:Cultural Analysis and Cultural Life, edited by Paul du Gay and Michael Pryke, 59-77. London: Sage.
279. Smith, Adam. 1982. Essays on Philosophical Subjects. Vol. 3 of the Glasgow edition. Indianapolis: Liberty Press.
280. Smith, Charles W. 1989. Auctions. The Social Construction of Value. New York:Free Press.
281. Smith, Charles W. 1993. "Auctions: From Walras to the Real World." In Explorations in Economic Sociology, edited by Richard Swedberg, 176-92. New York: Russell Sage Foundation.
282. Smith, Charles W. 2003. "Markets as Definitional Mechanisms: A More Radical Sociological Critique." Paper presented at conference, Inside Financial Markets:Financial Knowledge and Interaction Patterns in Global Financial Markets, Constance, Germany.
283. Spence, A. Michael. 1974. Market Signaling: Informational Transfer in Hiring and Related Screening Processes. Cambridge, MA: Harvard University Press.
284. Star, Susan Leigh, and James R. Griesemer. 1989. "Institutional Ecology, 'Translations' and Boundary Objects: Amateurs and Professionals in Berkeley's Museum of Vertebrate Zoology, 1907-39." Social Studies of Science 19, no. 3:387-420.
285. Stark, David, and Daniel Beunza. 2002. "Tools of the Trade: The Socio-Technology of Arbitrage in a Wall Street Trading Room." New York: Working Paper Series, Center of Organizational Innovation, Columbia University.
286. Staveren, Irene van. 2001. The Values of Economics: An Aristotelian Perspective. London: Routledge.
287. Steenbergen, Renee. 2002. Iets wat zo veel kost, is alles waard: verzamelaars van moderne kunst in Nederland. Amsterdam: Vassallucci.
288. Stein, John Picard. 1977. "The Monetary Appreciation of Paintings." Journal of Political Economy 85, no. 5: 1021-36.
289. Steiner, Christopher B. 1996. "Can the Canon Burst?" Art Bulletin 78, no. 2:213-17.
290. Stigler, George. 1961 [1971]. "The Economics of Information." In Economics of Information and Knowledge, edited by D. M. Lamberton, 61-82. Harmondsworth:Penguin.
291. Stiglitz, Joseph E. 1987. "The Causes and Consequences of the Dependence of Quality on Price." Journal of Economic Literature 25, March: 1-48.
292. Stone, Deborah. 1999. "Care and Trembling." The American Prospect 43: 61-67.
293. Swedberg, Richard. 1994. "Markets as Social Structures." In The Handbook of Economic Sociology, edited by Neil Smelser and Richard Swedberg, 255-82. Princeton: Princeton University Press.
294. Swidler, Ann. 1986. "Culture in Action: Symbols and Strategies." American Sociological Review 51, April: 273-86.
295. Swidler, Ann. 2001. Talk of Love: How Culture Works. Chicago: University of Chicago Press.
296. Szántó, András. 1996. "Gallery Transformations in the New York Art World in the 1980's." Unpublished dissertation, Columbia University.
297. Szántó, András. 2003. "Hot and Cool. Some Contrasts between the Visual Art Worlds of New York and Los Angeles." In New York and Los Angeles: Politics, Society, Culture, edited by David Halle. Chicago: University of Chicago Press.
298. Thaler, Richard H. 1992. The Winner's Curse: Paradoxes and Anomalies of Economic Life. New York: Free Press.
299. Thaler, Richard H. 1999. "Mental Accounting Matters." Journal of Behavioral Decision Making 12: 183-206.
300. Theuns, Martina. 1994. "Een wankel evenwicht. De rol van de kunstenaar, de galerie en de koper bij de prijsvorming van een kunstwerk." Master's thesis, University of Utrecht.
301. Thomas, Nicholas. 1991. Entangled Objects: Exchange, Material Culture and Colonialism in the Pacific. Cambridge: Harvard University Press.
302. Thompson, Michael. 1979. Rubbish Theory. Oxford: Oxford University Press.
303. Throsby, David. 2001. Economics and Culture. Cambridge: Cambridge University Press.
304. Thurn, H. P. 1994. Der Kunsthändler: Wandlungen eines Berufes. Munich:Hirmer.
305. Tilly, Chris, and Charles Tilly. 1998. Work under Capitalism. Boulder, CO:Westview.
306. Titmuss, Richard M. 1971. The Gift Relationship. New York: Vintage.
307. Towse, Ruth. 1992. "The Earnings of Singers: An Economic Analysis." In Cultural Economics, edited by Ruth Towse and Abdul Khakee, 209-17. Berlin:Springer Verlag.
308. Towse, Ruth. 1996. "Economics of Training Artists." In Economics of the Arts:Selected Essays, edited by Victor A. Ginsburgh and Pierre M. Menger, 303-29. Amsterdam: Elsevier.
309. Towse, Ruth. 2001. "Partly for the Money: Rewards and Incentives to Artists." Kyklos 54, no. 2/3: 473-90.
310. Troy, Nancy J. 1996. "Domesticity, Decoration and Consumer Culture: Selling Art and Design in Pre-World War I France." In Not at Home: The Suppression of Domesticity in Modern Art and Architecture, edited by C. Reed, 113-29. London: Thames and Hudson.
311. Uzzi, Brian. 1997. "Social Structure and Competition in Interfirm Networks: The Paradox of Embeddedness." Administrative Science Quarterly 42: 35-67.
312. Van Gogh, Vincent. 1980. Een leven in brieven. Translated by Jan Hulsker. Amsterdam:Meulenhoff.
313. Veblen, Thorstein. 1899 [1994]. The Theory of the Leisure Class. New York: Dover.
314. Velthuis, Olav. 2000. "Europees volgrecht streeft zijn doel voorbij." Economische en statistische berichten 85, no. 4265: 597-99.
315. Velthuis, Olav. 2001. "Nieuwe inkomstenbronnen voor Nederlandse galeries." In Kunst te koop! Artistieke innovatie en commercie in het Nederlandse galeriebestel, edited by Truus Gubbels and Ingrid Janssen, 36-46. Amsterdam: Boekmanstudies/ Mondriaan Stichting.
316. Velthuis, Olav. 2003. "Symbolic Meanings of Prices: Constructing the Value of Contemporary Art in Amsterdam and New York Galleries." Theory and Society 31:181-215.
317. Velthuis, Olav. 2005. "Circuits of Commerce." In International Encyclopedia of Economic Sociology, edited by Jens Beckert and Milan Zafirovski. London: Routledge.
318. Velthuis, Olav. 2004. "An Interpretive Approach to Meanings of Prices." Review of Austrian Economics 17, no. 4: 371-386.
319. Verger, Annie. 1995. "The Art of Evaluating Art: How to Assess the Incomparable?" International Journal of Political Economy 25, no. 2: 63-99.
320. Wacquant, Loïc. 1998. "A Fleshpeddler at Work: Power, Pain, and Profit in the Prizefighting Economy." Theory and Society 27: 1-42.
321. Waldfogel, Joel. 1993. "The Deadweight Loss of Christmas." American Economic Review 83, no. 5: 1328-36.
322. Wallis, Brian, ed. 1984 [1995]. Art after Modernism: Rethinking Representation. New York: New Museum of Contemporary Art.
323. Walzer, Michael. 1983. Spheres of Justice. Oxford: Basil Blackwell.
324. Warchol, Krystyna. 1992. "The Market System of the Art World and New Art:Prices, Roles and Careers in the 1980s." Dissertation, University of Pennsylvania.
325. Warnke, Martin. 1985 [1993]. The Court Artist. Cambridge: Cambridge University Press.
326. Watson, Peter. 1992. From Manet to Manhattan. New York: Random House.
327. Weber, Max. 1922 [1978]. Economy and Society. An Outline of Interpretive Sociology. 2 vols. Berkeley: University of California Press.
328. White, Harrison C. 1981. "Where Do Markets Come From?" American Journal of Sociology 87, no. 3: 517-47.
329. White, Harrison C. 2002. Markets from Networks: Socioeconomic Models of Production. Princeton: Princeton University Press.
330. White, Harrison C., and Cynthia A. White. 1965. Canvases and Careers: Institutional Change in the French Painting World. New York: John Wiley & Sons.
331. White, Harrison C., and Robert G. Eccles. 1987. "Producers' Markets." In The New Palgrave Dictionary of Economic Theory and Doctrine, edited by John Eatwell, Murray Milgate, and Peter Newman, 984-86. London: Macmillan.
332. White, Hayden. 1973. Metahistory. The Historical Imagination in Nineteenth-Century Europe. Baltimore: John Hopkins University Press.
333. White, Michael. 1999. "Obscure Objects of Desire? Nineteenth-Century British Economists and the Price(s) of 'Rare Art.'" In Economic Engagements with Art: History of Political Economy. Annual supplement to volume 31, edited by Neil De Marchi and Craufurd D. W. Goodwin, 57-84. Durham, NC: Duke University Press.
334. Williamson, Maureen R., and Alexander J. Wearing. 1996. "Lay People's Cognitive Models of the Economy." Journal of Economic Psychology 17, no. 3: 3-38.
335. Wolff, Janet. 1983. Aesthetics and the Sociology of Art. Boston: Allen & Unwin.
336. Wood, Paul. 1996. "Commodity." In Critical Terms for Art History, edited by Robert S. Nelson and Richard Shiff, 257-80. Chicago: University of Chicago Press.
337. Yakubovich, Valery, Mark Granovetter, and Patrick McGuire. 2001. "Electric Charges: The Social Construction of Rate Systems." Unpublished paper.
338. Zelizer, Viviana A. 1979. Morals and Markets: The Development of Life Insurance in the United States. New York: Columbia University Press.
339. Zelizer, Viviana A. 1985 [1994]. Pricing the Priceless Child: The Changing Social Value of Children. Princeton: Princeton University Press.
340. Zelizer, Viviana A. 1988. "Beyond the Polemics on the Market: Establishing a Theoretical and Empirical Agenda." Sociological Forum 3: 614-34.
341. Zelizer, Viviana A. 1994. "The Creation of Domestic Currencies." American Economic Review 84, no. 2: 138-42.
342. Zelizer, Viviana A. 1994 [1997]. The Social Meaning of Money: Pin Money, Paychecks, Poor Relief, and Other Currencies. Princeton: Princeton University Press.
343. Zelizer, Viviana A. 2000a. "The Purchase of Intimacy." Law and Social Inquiry 25, no. 3:817-48.
344. Zelizer, Viviana A. 2000b. "How and Why Do We Care About Circuits?" Accounts:Newsletter of the Economic Sociology Section of the American Sociological Association, no. 1: 3-5.
345. Zelizer, Viviana A. 2002. "Enter Culture." In The New Economic Sociology: Developments in an Emerging Field, edited by Mauro F. Guillen, Randall Collins, Paula England, and Marshall Meyer, 121-28. New York: Russell Sage Foundation.
346. Zelizer, Viviana A. 2004. "Circuits of Commerce." In Self, Social Structure, and Beliefs:Explorations in the Sociological Thought of Neil Smelser, edited by Jeffrey Alexander, Gary T. Marx, and Christine Williams. Berkeley: University of California Press.
347. Zeruvabel, Eviatar. 1997. Social Mindscapes: An Invitation to Cognitive Sociology. Cambridge: Harvard University Press.
348. Zolberg, Vera L. 1990. Constructing a Sociology of the Arts. Cambridge:Cambridge University Press.
349. Zuckerman, Ezra W. 1999. "The Categorical Imperative: Securities Analysts and the Illegitimacy Discount." American Journal of Sociology 104, no. 5: 1398-438.