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Volumn , Issue , 2013, Pages 178-189

Star Wars in fandom, film theory, and the museum: The cultural status of the cult blockbuster

Author keywords

[No Author keywords available]

Indexed keywords


EID: 84920822861     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9781315012919     Document Type: Chapter
Times cited : (26)

References (28)
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    • Internet Fandom and the Continuing Narratives of Star Wars, Blade Runner and Alien
    • Annette Kuhn (ed.), London: Verso
    • Brooker, Will (1999) "Internet Fandom and the Continuing Narratives of Star Wars, Blade Runner and Alien," in Annette Kuhn (ed.), Alien Zone II, London: Verso.
    • (1999) Alien Zone II
    • Brooker, W.1
  • 4
    • 84920753992 scopus 로고    scopus 로고
    • Readings of Racism: Interpretation, Stereotyping and The Phantom Menace
    • Brooker, Will (2001) "Readings of Racism: Interpretation, Stereotyping and The Phantom Menace," Continuum, 15, 1: 15-32.
    • (2001) Continuum , vol.15 , Issue.1 , pp. 15-32
    • Brooker, W.1
  • 5
    • 85071107091 scopus 로고    scopus 로고
    • A Close Encounter with Raiders of the Lost Ark: Notes on Narrative Aspects of the New Hollywood Blockbuster
    • Steve Neale and Murray Smith (eds), London: Routledge
    • Buckland, Warren (1998) "A Close Encounter with Raiders of the Lost Ark: Notes on Narrative Aspects of the New Hollywood Blockbuster," in Steve Neale and Murray Smith (eds), Contemporary Hollywood Cinema, London: Routledge: 166-77.
    • (1998) Contemporary Hollywood Cinema , pp. 166-177
    • Buckland, W.1
  • 10
    • 85121168612 scopus 로고
    • Disney's Business History: A Reinterpretation
    • Eric Smoodin (ed.), New York: Routledge
    • Gomery, Douglas (1994) "Disney's Business History: A Reinterpretation," in Eric Smoodin (ed.), Disney Discourse: Producing the Magic Kingdom, New York: Routledge: 71-86.
    • (1994) Disney Discourse: Producing the Magic Kingdom , pp. 71-86
    • Gomery, D.1
  • 11
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    • 85190933721 scopus 로고    scopus 로고
    • Genre and the Audience: Genre Classifications and Cultural Distinctions in the Mediation of The Silence of the Lambs
    • Melvyn Stokes and Richard Maltby (eds), London: British Film Institute
    • Jancovich, Mark (2001) "Genre and the Audience: Genre Classifications and Cultural Distinctions in the Mediation of The Silence of the Lambs," in Melvyn Stokes and Richard Maltby (eds), Hollywood Spectatorship: Changing Perceptions of Cinema Audiences, London: British Film Institute: 33-44.
    • (2001) Hollywood Spectatorship: Changing Perceptions of Cinema Audiences , pp. 33-44
    • Jancovich, M.1
  • 16
    • 60950215419 scopus 로고
    • Digressions at the Cinema: Commodification and Reception in Mass Culture
    • James Naremore and Patrick Brantlinger (eds), Bloomington: Indiana University Press
    • Klinger, Barbara (1991) "Digressions at the Cinema: Commodification and Reception in Mass Culture," in James Naremore and Patrick Brantlinger (eds), Modernity and Mass Culture, Bloomington: Indiana University Press: 117-34.
    • (1991) Modernity and Mass Culture , pp. 117-134
    • Klinger, B.1
  • 17
    • 0003058238 scopus 로고
    • Pierre Bourdieu: Cultural Economy and Social Change
    • Craig Calhoun, Edward Lipuma, and Moishe Postone (eds), Cambridge: Polity
    • Lash, Scott (1993) "Pierre Bourdieu: Cultural Economy and Social Change," in Craig Calhoun, Edward Lipuma, and Moishe Postone (eds), Bourdieu: Critical Perspectives, Cambridge: Polity.
    • (1993) Bourdieu: Critical Perspectives
    • Lash, S.1
  • 20
    • 84920784261 scopus 로고    scopus 로고
    • Saber Rattler
    • Sally Kline (ed.), Jackson: University Press of Mississippi
    • Mathews, Jack (1999) "Saber Rattler," in Sally Kline (ed.), George Lucas Interviews, Jackson: University Press of Mississippi.
    • (1999) George Lucas Interviews
    • Mathews, J.1
  • 21
    • 0005494765 scopus 로고
    • 'Holy Commodity Fetish, Batman!': The Political Economy of a Commercial Intertext
    • Roberta E. Pearson and William Uricchio (eds), New York: Routledge
    • Meehan, Eileen R. (1991) "'Holy Commodity Fetish, Batman!': The Political Economy of a Commercial Intertext," in Roberta E. Pearson and William Uricchio (eds), The Many Lives of the Batman, New York: Routledge: 47-65.
    • (1991) The Many Lives of the Batman , pp. 47-65
    • Meehan, E.R.1
  • 22
    • 0006645555 scopus 로고
    • London: Vermilion
    • Peary, Danny (1982) Cult Movies, London: Vermilion.
    • (1982) Cult Movies
    • Peary, D.1
  • 23
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    • George Lucas
    • Sally Kline (ed.), Jackson: University Press of Mississippi
    • Pye, Michael, and Miles, Linda (1999) "George Lucas," in Sally Kline (ed.), George Lucas Interviews, Jackson: University Press of Mississippi.
    • (1999) George Lucas Interviews
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  • 25
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    • The New Hollywood
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    • Schatz, Thomas (1993) "The New Hollywood," in Jim Collins, Hilary Radner, and Ava Preacher Collins (eds), Film Theory Goes to the Movies, New York and London: Routledge: 8-36 [reprinted in this volume].
    • (1993) Film Theory Goes to the Movies , pp. 8-36
    • Schatz, T.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.