Genre and the Audience: Genre Classifications and Cultural Distinctions in the Mediation of The Silence of the Lambs

Hollywood Spectatorship: Changing Perceptions of Cinema Audiences

Volumn , Issue , 2019, Pages 33-45

  Jancovich, Mark ^a  

^a UNIVERSITY OF NOTTINGHAM   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85190933721     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (21)

1. James Naremore, 'American Film Noir: The History of an Idea', Film Quarterly, vol. 49, no. 2 (winter 1995-6), p. 14
2. Andrew Tudor, 'Genre', in Barry K. Grant (ed.), The Film Genre Reader (Austin: University of Texas Press, 1986), pp. 3-10
3. Andrew Tudor, Monsters and Mad Scientists: A Cultural History of the Horror Movie (Oxford: Blackwells, 1989).
4. Ien Ang, 'Wanted: Audiences. On the Politics of Empirical Audience Studies', in Ellen Seiter et al. (eds), Remote Control: Television Audiences and Cultural Power (London: Routledge, 1989), p. 107.
5. Pierre Bourdieu, Distinction: A Social Critique of the Judgement of Taste, trans. Richard Nice (Cambridge, MA: Harvard University Press, 1984), p. 6.
6. Andrew Ross, No Respect: Intellectuals and Popular Culture (New York: Routledge, 1989), p. 61.
7. Brigid Cherry, 'Refusing to Refuse to Look: Female Viewers of the Horror Film', in Melvyn Stokes and Richard Maltby (eds), Identifying Hollywood's Audiences: Cultural Identity and the Movies (London: BFI, 1999), pp. 190-205.
8. Jonathan Lake Crane, Terror and Everyday Life: Singular Moments in the History of the Horror Film (Thousand Oaks, CA: Sage, 1994)
9. Carol Clover, Men, Women and Chain Saws: Gender in the Modern Horror Film (London: BFI, 1992).
10. Fred Schubers, 'A Kind of Redemption', Premiere, US edition (March 1991), p. 52.
11. Janet Staiger, ‘Taboo and Totem: Cultural Meanings of The Silence of the Lambs’ in Jim Collins et al. (eds), Film Theory Goes to the Movies (New York: Routledge, 1993), p. 143
12. Pierre Bourdieu, 'The Field of Cultural Production, or: The Economic World Reversed', in Pierre Bourdieu, The Field of Cultural Production: Essays on Art and Literature, ed. Randal Johnson (Oxford: Polity Press, 1993), p. 37.
13. Barbara Klinger, Melodrama and Meaning: History, Culture and the Films of Douglas Sirk (Bloomington: Indiana University Press, 1994), p. xvii.
14. Robert C. Allen and Douglas Gomery, Film History: Theory and Practice (New York: Knopf, 1985), p. 90.
15. Ien Ang, Watching 'Dallas': Soap Opera and the Melodramatic Imagination (London: Methuen, 1985).
16. Charlotte Brunsdon, Screen Tastes: Soap Opera to Satellite Dishes (London: Routledge, 1997).
17. Rhona J. Berenstein, Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema (New York: Columbia University Press, 1996), p. 60
18. Amy Taubin, 'Killing Men', Sight and Sound, vol. 1: issue 1 (1991), pp. 14-18
19. Richard Dyer, Stars (London: BFI, 1979)
20. Harvey R. Greenberg, 'Fembo: Aliens Intention', Journal of Popular Film and Television, vol 15, no. 4, (winter 1988), pp. 165-71.
21. Randal Johnson, 'Editor's Introduction' to Pierre Bourdieu, The Field of Cultural Production, pp. 19-20.