A close encounter with Raiders of the Lost Ark: Notes on narrative aspects of the New Hollywood blockbuster

Contemporary Hollywood Cinema

Volumn , Issue , 2013, Pages 166-177

  Buckland, Warren ^a  

^a LIVERPOOL JOHN MOORES UNIVERSITY   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85071107091     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203349847-20     Document Type: Chapter

References (16)

1. Thomas Schatz, ‘The New Hollywood’, in Jim Collins, Hilary Radner and Ava Preacher Collins (eds), Film Theory Goes to the Movies (New York: Routledge, 1993), pp. 10-11.
2. Mark Litwak, Reel Rower: The Struggle for Irfluence and Success in the New Hollywood (Los Angeles: Silman-James Press, 1994).
3. Timothy Corrigan, A Cinema Without Walls, Movies and Culture After Vietnam (London: Routledge, 1991), pp. 21-4.
4. David Bordwell, ‘Historical poetics of cinema’, in R. Barton Palmer (ed.), The Cinematic Text (New York: AMS Press, 1989), p. 376.
5. Kristin Thompson, Breaking the Glass Armour, Neoformalist Film Analysis (Princeton: Princeton University Press, 1988).
6. David Bordwell, Making Meaning: Inference and Rhetoric in the Interpretation of Cinema (Cambridge, Mass.: Harvard University Press, 1989), pp. 270-1.
7. Christian Metz, Language and Cinema, trans. Donna Jean Umika-Sebeok (Mouton: The Hague, 1974).
8. Henry Jenkins, ‘Historical poetics’, in Joanne Hollows and Mark Jancovich (eds), Approaches to Popular Film (Manchester: Manchester University Press, 1995), p. 111.
9. Dudley Andrew, ‘History and timelessness in films and theory’, in David E. Klemm and William Schweiker (eds), Meaning in Texts and Actions: Questioning Paul Ricoeur (Charlottesville: University Press of Virginia, 1993), p. 117.
10. Omar Calabrese, Neo-Baroque: A Sign of the Times, trans. Charles Lambert (Princeton: Princeton University Press, 1992), p. 173.
11. Jerzy Toeplitz, Hollywood and After: The Changing Face of Movies in America, trans. Boleslaw Sulik (Chicago: Henry Regnery Co., 1975), p. 92.
12. Richard Maltby, Harmless Entertainment: Hollywood and the Ideology of Consensus (Metuchen, NJ and London: Scarecrow Press, 1983), Chapter 10.
13. Mark Crispin Miller, ‘Advertising: end of story’, in Mark Crispin Miller (ed.), Seeing Through Movies (New York: Pantheon Books, 1990), p. 205.
14. Steven Spielberg, quoted in Peter Biskind, ‘Blockbuster: the last crusade’, in Mark Crispin Miller (ed.), Seeing Through Movies (New York: Pantheon Books, 1990), pp. 145-6.
15. David Bordwell, Janet Staiger and Kristin Thompson, The Classical Hollywood Cinema. Film Style and Mode of Production to 1960 (London: Routledge, 1985).
16. Tom Gunning, ‘Response to “Pie and Chase’�?, in Kristine Brunovska Karnick and Henry Jenkins (eds), Classical Hollywood Comedy (New York: Routledge, 1995), p. 121.