Celluloid comrades

Celluloid Comrades

Volumn , Issue , 2006, Pages 1-247

  Lim, Song Hwee ^a  

^a UNIVERSITY OF EXETER   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84920062103     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Book

References (384)

1. Aaron, Michele, ed. 2004. New Queer Cinema: A Critical Reader. Edinburgh: Edinburgh University Press.
2. Abbas, Ackbar. 1997. Hong Kong: Culture and the Politics of Disappearance. Minneapolis and London: University of Minnesota Press.
3. Adorno, Theodor. 1978. Minima Moralia. London and New York: Verso.
4. Ahmed, Sara. 2000. Strange Encounters: Embodied Others in Post-Coloniality. London and New York: Routledge.
5. Allan, Sarah. 1997. The Way of Water and Sprouts of Virtue. Albany: State University of New York Press.
6. An Keqiang. 1995. Hong taiyang xia de hei linghun: Dalu tongxinglian xianchang (Black souls under the red sun: Live report on homosexuality in mainland China). Taipei: Shibao.
7. Anderson, Benedict. 1991. Imagined Communities: Reections on the Origin and Spread of Nationalism, rev. ed. London and New York: Verso.
8. Andrew, Dudley. 1986. "Film and Society: Public Rituals and Private Space." East-West Film Journal 1 (1): 7-22.
9. Ang, Ien. 2001. On Not Speaking Chinese: Living between Asia and the West. London and New York: Routledge.
10. Aoki, Darren. 2004. "The Rose Tribes: Sexual Solidarity and the Ethico-Aesthetics of Manliness in Japan in the Early 1970s." PhD diss., University of Cambridge.
11. Appadurai, Arjun. 1990. "Disjuncture and Difference in the Global Cultural Economy." Theory, Culture and Society 7 (2/3): 295-310.
12. Appiah, K. Anthony. 1994. "Identity, Authenticity, Survival: Multicultural Societies and Social Reproduction." In Gutmann 1994, 149-163.
13. Arnold, Matthew. 1998. Matthew Arnold. Selected and edited by Nicholas Shrimpton. London: Everyman.
14. Arroyo, José. 1997. "Film Studies." In Medhurst and Munt 1997, 67-83.
15. Ashcroft, Bill, Gareth Grifths, and Helen Tifn. 1989. The Empire Writes Back: Theory and Practice in Post-Colonial Literatures. London and New York: Routledge.
16. Barmé, Geremie R. 1999. In the Red: On Contemporary Chinese Culture. New York: Columbia University Press.
17. Barthes, Roland. 1975. The Pleasure of the Text. Trans. Richard Miller. New York: Hill and Wang.
18. OEOEOE. 1983. Empire of Signs. Trans. Richard Howard. London: Jonathan Cape.
19. OEOEOE. 1990. A Lover's Discourse: Fragments. Trans. Richard Howard. Harmonds worth, England: Penguin Books.
20. Bawer, Bruce, ed. 1996. Beyond Queer: Challenging Gay Left Orthodoxy. New York: Free Press.
21. Beijing Tongzhi. 2002. Lan Yu (Lan Yu). Taipei: Dongfan.
22. Berlant, Lauren, and Elizabeth Freeman. 1992. "Queer Nationality." boundary 2 19 (1): 149-180.
23. Berlant, Lauren, and Michael Warner. 1998. "Sex in Public." Critical Inquiry 24 (2): 547- 566.
24. Berry, Chris. 1992. "Race: Chinese Film and the Politics of Nationalism." Cinema Journal 31 (2): 45-58.
25. OEOEOE. 1993a. "Farewell My Concubine: At What Price Success?" Cinemaya 20: 20-22.
26. OEOEOE. 1993b. "Taiwanese Melodrama Returns with a Twist in The Wedding Banquet." Cinemaya 21: 52-54.
27. OEOEOE. 1996a. "Sexual Dis Orientations: Homosexual Rights, East Asian Films, and Postmodern Postnationalism." In X. Tang and Snyder 1996, 157-182.
28. OEOEOE. 1996b. "Zhang Yuan: Thriving in the Face of Adversity." Cinemaya 32: 40-43.
29. OEOEOE. 1997. "Globalisation and Localisation: Queer Films from Asia." In The Bent Lens: A World Guide to Gay and Lesbian Film. Ed. Claire Jackson and Peter Tapp, 14-17. St. Kilda, Victoria: Australian Catalogue Company.
30. OEOEOE. 1998. "East Palace, West Palace: Staging Gay Life in China." Jump Cut 42: 84-99.
31. OEOEOE. 2000a. "If China Can Say No, Can China Make Movies? Or, Do Movies Make China? Rethinking National Cinema and National Agency." In Chow 2000b, 159-180.
32. OEOEOE. 2000b. "Happy Alone? Sad Young Men in East Asian Gay Cinema." In Grossman 2000b, 187-200.
33. OEOEOE, ed. 2003a. Chinese Films in Focus: 25 New Takes. London: BFI.
34. OEOEOE. 2003b. "Introduction: One Film at a Time." In Berry 2003a, 1-7.
35. OEOEOE. 2003c. "Wedding Banquet: A Family (Melodrama) Affair." In Berry 2003a, 183-190.
36. OEOEOE. 2004. "The Sacred, the Profane, and the Domestic in Cui Zi'en's Cinema." positions 12 (1): 195-201.
37. Berry, Chris, and Mary Farquhar. 2001. "From National Cinemas to Cinema and the National: Rethinking the National in Transnational Chinese Cinemas." Journal of Modern Literature in Chinese 4 (2): 109-122.
38. Berry, Chris, and Feii Lu, eds. 2005. Island on the Edge: Taiwan New Cinema and After. Hong Kong: Hong Kong University Press.
39. Betsky, Aaron. 1997. Queer Space: Architecture and Same-Sex Desire. New York: William Morrow.
40. Bloch, Ernst. 1988. "Something's Missing: A Discussion between Ernst Bloch and Theodor W. Adorno on the Contradictions of Utopian Longing." In The Utopian Function of Art and Literature: Selected Essays. Trans. Jack Zipes and Frank Mecklenburg. Cambridge, Mass.: MIT Press. Quoted in Silverman 1992, 247.
41. Bono, Chastity, with Billie Fitzpatrick. 1998. Family Outing: A Guide to the Coming-Out Process for Gays, Lesbians and Their Families. New York: Little, Brown.
42. Bordwell, David. 2000. Planet Hong Kong: Popular Cinema and the Art of Entertainment. Cambridge, Mass., and London: Harvard University Press.
43. Borhek, Mary V. 1993. Coming Out to Parents: A Two-Way Survival Guide for Lesbians and Gay Men and Their Parents. Cleveland: Pilgrim Press.
44. Braziel, Jana Evans, and Anita Mannur. 2003. "Nation, Migration, Globalization: Points of Contention in Diaspora Studies." In Theorizing Diaspora: A Reader. Ed. Jana Evans Braziel and Anita Mannur. Malden, Mass.: Blackwell.
45. Brown, Melissa J. 2004. Is Taiwan Chinese? The Impact of Culture, Power, and Migration on Changing Identities. Berkeley and London: University of California Press.
46. Browne, Nick. 1994. "Introduction." In Browne et al. 1994, 1-11.
47. Browne, Nick, Paul G. Pickowicz, Vivian Sobchack, and Esther Yau, eds. 1994. New Chinese Cinemas: Forms, Identities, Politics. Cambridge: Cambridge University Press.
48. Bullock, Alan, and Stephen Trombley, eds. 1999. The New Fontana Dictionary of Modern Thought, 3rd ed. London: HarperCollins.
49. Bulmer, Martin, and John Solomos, eds. 1999. Ethnic and Racial Studies Today. London and New York: Routledge.
50. Butler, Judith. 1990. Gender Trouble: Feminism and the Subversion of Identity. New York and London: Routledge.
51. OEOEOE. 1991. "Imitation and Gender Insubordination." In Fuss 1991, 13-31.
52. OEOEOE. 1995. "Desire." In Lentricchia and McLaughlin 1995, 369-386.
53. Calinescu, Matei. 1987. Five Faces of Modernity: Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism. Durham, N.C., and London: Duke University Press.
54. Carlitz, Katherine. 1991. "The Social Uses of Female Virtue in Late Ming Editions of Lienü Zhuan." Late Imperial China 12 (2): 117-148.
55. Chambers, Iain. 1994. Migrancy, Culture, Identity. London and New York: Routledge.
56. Chanan, Michael. 1997. "The Changing Geography of Third Cinema." Screen 38 (4): 372-388.
57. Chang Hsiao-hung (Zhang Xiaohong). 1996. Yuwang xin ditu: Xingbie, tongzhixue (Queer desire: Gender and sexuality). Taipei: Lianhe wenxue.
58. OEOEOE. 2000. Guaitai jiating luomanshi (A queer family romance). Taipei: Shibao.
59. Chauncey, George. 1996. "'Privacy Could Only Be Had in Public': Gay Uses of the Streets." In Stud: Architectures of Masculinity. Ed. Joel Sanders. New York: Princeton Architectural Press.
60. Chen Baoxu 1997. "Yuwang, yapo, bengjie de shengming: Fang Cai Mingliang" (Desire, oppression, disintegrating lives: Interview with Tsai Ming-liang). In Chiao 1997b, 52-70.
61. Chen, Kuan-hsing. 1998. "Taiwanese New Cinema." In Hill and Gibson 1998, 557-561.
62. Chen Yongcheng. 2001. "Cong Beijing Gushi dao Lan Yu" (From Beijing Stories to Lan Yu). Dianying shuangzhoukan (City entertainment) 590: 52.
63. Chiang, Mark. 2002. "Coming Out into the Global System: Postmodern Patriarchies and Transnational Sexualities in The Wedding Banquet." In Screening Asian Americans. Ed. Peter X. Feng. New Brunswick, N.J.: Rutgers University Press.
64. Chiao Hsiung-ping Peggy (Jiao Xiongping). 1997a. "Happy Together: Hong Kong's Absence." Cinemaya 38: 17-21.
65. OEOEOE, ed. 1997b. Heliu (The river). Taipei: Huangguan.
66. OEOEOE. 1998. Fengyun jihui: Yu dangdai Zhongguo dianying duihua - (Rendezvous of wind and cloud: Dialogues with contemporary Chinese cinema). Taipei: Yuanliu.
67. Chiao Hsiung-ping (Jiao Xiongping) and Tsai Ming-liang (Cai Mingliang). 1998. Dong: Dianying juben yu pinglun (The Hole: Screenplay and reviews). Taipei: Wanxiang.
68. Chou Wah-shan (Zhou Huashan). 1996a. Beijing tongzhi gushi (Beijing comrade stories). Hong Kong: Xianggang tongzhi yanjiushe.
69. OEOEOE. 1996b. Xianggang tongzhi gushi (Hong Kong comrade stories). Hong Kong: Xianggang tongzhi yanjiushe.
70. OEOEOE. 1997. Houzhimin tongzhi (Postcolonial comrades). Hong Kong: Xianggang tongzhi yanjiushe.
71. OEOEOE. 2000. Tongzhi: Politics of Same-Sex Eroticism in Chinese Societies. New York: Haworth Press.
72. Chou Wah-shan and Andy Chiu (Zhao Wenzong). 1995. "Yigui" xingshi: Xianggang ji Yingmei tongzhi yundong " (Sexual history of the "closet": Gay movements in Hong Kong, Britain, and America). Hong Kong: Xianggang tongzhi yanjiushe.
73. Chow, Rey. 1991. Woman and Chinese Modernity: The Politics of Reading between West and East. Minnesota and London: University of Minnesota Press.
74. OEOEOE. 1993. Writing Diaspora: Tactics of Intervention in Contemporary Cultural Studies. Bloomington and Indianapolis: Indiana University Press.
75. OEOEOE. 1998. Ethics after Idealism: Theory-Culture-Ethnicity-Reading. Bloomington and Indianapolis: Indiana University Press.
76. OEOEOE. 1999. "Nostalgia of the New Wave: Structure in Wong Kar-wai's Happy Together." Camera Obscura 42: 30-49.
77. OEOEOE. 2000a. "Introduction: On Chineseness as a Theoretical Problem." In Chow 2000b, 1-25.
78. OEOEOE, ed. 2000b. Modern Chinese Literary and Cultural Studies in the Age of Theory: Reimagining a Field. Durham, N.C., and London: Duke University Press.
79. OEOEOE. 2002. The Protestant Ethnic and the Spirit of Capitalism. New York: Columbia University Press.
80. OEOEOE. 2004. "A Pain in the Neck, a Scene of 'Incest, ' and Other Enigmas of an Allegorical Cinema: Tsai Ming-liang's The River." New Centennial Review 4 (1): 123-142.
81. Chu T'ien-wen (Zhu Tianwen). 1994. "Xin de beizhi" (New milestone). In Tsai Ming-liang et al. 1994, 165-168.
82. OEOEOE. 1999. Notes of a Desolate Man. Trans. Howard Goldblatt and Sylvia Li-chun Lin. New York: Columbia University Press.
83. Chu Wei-cheng Raymond (Zhu Weicheng). 1994. "Shi diren haishi 'tongzhi'? Ye tan Bawang bie ji" (Enemy or "comrade"? Also on Farewell My Concubine). Dangdai (Contemporary) 100 (August): 142- 149.
84. OEOEOE. 1997. "Some Ethnic Gays Are Coming Home: Or, the Trouble with Inter raciality." Textual Practice 11 (2): 219-235.
85. Chua, Ling-yen. 1999. "The Cinematic Representation of Asian Homosexuality in The Wedding Banquet." Journal of Homosexuality 36 (3/4): 99-112.
86. Chun, Allen. 1996. "Fuck Chineseness: On the Ambiguities of Ethnicity as Culture as Identity." boundary 2 23 (2): 111-138.
87. Chung Wai Literary Monthly (Zhongwai wenxue). 1996. Special issue on Tongzhi lunshu (Queer studies) (June).
88. OEOEOE. 1997. Special issue on Yanyi xing yu xingbie: Ku'er xiaoshuo yu yanjiu (Proliferating sexual and gender differences: Queer study and queer Action) (August).
89. OEOEOE. 1998. Special issue on Guaitai qingyuxue (Queer sexuality) (May).
90. OEOEOE. 2003. Special issue on Tongzhi zaixian (Queer Re[-]presentation) (August).
91. Clifford, James. 1989. "Notes on Travel and Theory." Inscriptions 5: 177-186.
92. OEOEOE. 1997. "Diasporas." In Guibernau and Rex 1997, 283-290.
93. Crimp, Douglas, ed. 1988. AIDS: Cultural Analysis, Cultural Activism. Cambridge, Mass., and London: MIT Press.
94. Cristini, Remy. 2005. "The Rise of Comrade Literature: Development and Signiacance of a New Chinese Genre." MA thesis, Leiden University.
95. Cui, Shuqin. 2005. "Working from the Margins: Urban Cinema and Independent Directors in Contemporary China." In Lu and Yeh 2005a, 96-119.
96. Cui, Zi'en. 2002. "Filtered Voices: Representing Gay People in Today's China." Trans. Chi Ta-wei. IIAS Newsletter 29: 13.
97. Culler, Jonathan. 1975. Structuralist Poetics: Structualism, Linguistics and the Study of Literature. Ithaca, N.Y.: Cornell University Press.
98. OEOEOE. 1983. Roland Barthes. New York: Oxford University Press.
99. OEOEOE. 1997. Literary Theory: A Very Short Introduction. Oxford and New York: Oxford University Press.
100. Dai Jinhua. 1991. "Xin Zhongguo dianying: Disanshijie piping de biji" (The new Chinese cinema: Notes on third world criticism). Dianying yishu (January): 46-54.
101. Dariotis, Wei Ming, and Eileen Fung. 1997. "Breaking the Soy Sauce Jar: Diaspora and Displacement in the Films of Ang Lee." In Lu 1997c, 187-220.
102. de Kloet, Jeroen. 2005. "Saved by Betrayal? Ang Lee's Translations of 'Chinese' Family Ideology." In Shooting the Family: Transnational Media and Intercultural Values. Ed. Patricia Pister and Wim Staat, 117-132. Amsterdam: Amsterdam University Press.
103. Deleuze, Gilles, and Leopold von Sacher-Masoch. 1991. Masochism: Coldness and Cruelty by Gilles Deleuze/Venus in Furs by Leopold von Sacher-Masoch. New York: Zone Books.
104. Dikötter, Frank, ed. 1997. The Construction of Racial Identities in China and Japan: Historical and Contemporary Perspectives. London: Hurst.
105. Dissanayake, Wimal, ed. 1993. Melodrama and Asian Cinema. Cambridge: Cambridge University Press.
106. OEOEOE. 1996. "Cinema and the Public Sphere: The Films of Ôshima Nagisa." In X. Tang and Snyder 1996, 137-156.
107. Dolby, William. 1976. A History of Chinese Drama. London: Paul Elek.
108. Dollimore, Jonathan. 1991. Sexual Dissidence: Augustine to Wilde, Freud to Foucault. Oxford: Clarendon Press.
109. Dollimore, Jonathan, and Alan Sinfield. 1985. "Foreword: Cultural Materialism." In Political Shakespeare: New Essays in Cultural Materialism. Ed. Jonathan Dollimore and Alan Sineld, vii-viii. Manchester: Manchester University Press.
110. Doyle, Christopher. 1997. Christopher Doyle's Photographic Journal of Happy Together, a Wong Kar-wai Film. Hong Kong: City Entertainment.
111. OEOEOE. 1998. "Don't Try for Me, Argentina." In Projections 8: Film-Makers on Filmmaking. Ed. John Boorman and Walter Donohue, 154-182. London and Boston: Faber and Faber.
112. Duyvendak, Jan Willem. 1996. "The Depoliticization of the Dutch Gay Identity, or Why Dutch Gays Aren't Queer." In Queer Theory/Sociology. Ed. Steven Seidman, 421-438. Cambridge, Mass., and Oxford: Blackwell.
113. Dyer, Richard. 1990. Now You See It: Studies on Lesbian and Gay Film. London and New York: Routledge.
114. OEOEOE. 1991. "Believing in Fairies: The Author and the Homosexual." In Fuss 1991, 185-201.
115. OEOEOE. 1993. The Matter of Images: Essays on Representation. London and New York: Routledge.
116. Elsaessser, Thomas. 1980. "A Cinema of Vicious Circles." In Fassbinder. Ed. Tony Rayns, rev. and exp. ed., 24-36. London: BFI.
117. Eng, David L. 1997. "Out Here and Over There: Queerness and Diaspora in Asian American Studies." Social Text 52/53: 31-52.
118. Evans, Harriet. 1997. Women and Sexuality in China: Female Sexuality and Gender since 1949. New York: Continuum.
119. Fang Gang. 1995. Tongxinglian zai Zhongguo (Homosexuality in China). Changchun: Jilin renmin chubanshe.
120. Fassbinder, Rainer Werner. 1975. Interview by Finn Holten Hansen. Danmarks Radio/TV. Quoted in Thomsen 1997, 180.
121. Fenton, Steve. 2003. Ethnicity. Cambridge: Polity.
122. Foucault, Michel. 1990. The History of Sexuality, vol. 1: An Introduction. Trans. Robert Hurley. Harmondsworth, England: Penguin Books.
123. OEOEOE. 1998. "A Preface to Transgression." In Aesthetics, Method, and Epistemology: Essential Works of Foucault, 1954-1984, vol. 2. Ed. James D. Faubion. Trans. Robert Hurley et al., 69-87. London: Allen Lane, Penguin Press.
124. Fowler, Edward. 1988. The Rhetoric of Confession: Shishòsetsu in Early Twentieth-Century Japanese Fiction. Berkeley, Los Angeles, and London: University of California Press.
125. Freud, Sigmund. 1991. The Interpretation of Dreams. Ed. Angela Richards. Trans. James Strachey. Harmonds worth, England: Penguin Books.
126. Frye, Northrop. 1965. Anatomy of Criticism. New York: Atheneum. Quoted in Culler 1975: 119.
127. Fung, Richard. 1995. "The Trouble with 'Asians.'" In Negotiating Lesbian and Gay Subjects. Ed. Monica Dorenkamp and Richard Henke, 123-130. New York and London: Routledge.
128. Fuss, Diana. 1989. Essentially Speaking: Feminism, Nature and Difference. New York and London: Routledge.
129. OEOEOE, ed. 1991. Inside/Out: Lesbian Theories, Gay Theories. New York and London: Routledge.
130. Garber, Marjorie. 1993. Vested Interests: Cross-Dressing and Cultural Anxiety. Harmondsworth, England: Penguin Books.
131. Garnham, Nicholas. 1992. "The Media and the Public Sphere." In Habermas and the Public Sphere. Ed. Craig Calhoun, 357-376. Cambridge, Mass., and London: MIT Press.
132. Genet, Jean. 1967. The Thief's Journal. Trans. Bernard Frechtman. Harmondsworth, England: Penguin Books.
133. Giles, Jane. 2002. Criminal Desires: Jean Genet and Cinema. New York: Creation Books.
134. Gledhill, Christine, ed. 1987. Home Is Where the Heart Is: Studies in Melodrama and the Woman's Film. London: BFI.
135. Glover, David, and Cora Kaplan. 2000. Genders. London and New York: Routledge.
136. Goldstein, Joshua. 1999. "Mei Lanfang and the Nationalization of Peking Opera, 1912- 1930." positions 7 (2): 377-420.
137. Goody, Jack. 1997. Representations and Contradictions: Ambivalence towards Images, Theatre, Fiction, Relics and Sexuality. Oxford: Blackwell.
138. Gottlieb, Andrew R., ed. 2004. Side by Side: On Having a Lesbian or Gay Sibling. New York: Haworth Press.
139. Gray, Martin. 1992. A Dictionary of Literary Terms, 2nd ed. Beirut: York Press, and Essex: Longman.
140. Grossman, Andrew. 2000a. "Preface." In Grossman 2000b, xv-xx.
141. OEOEOE, ed. 2000b. Queer Asian Cinema: Shadows in the Shade. New York: Harrington Park Press.
142. OEOEOE. 2000c. "The Rise of Homosexuality and the Dawn of Communism in Hong Kong Film: 1993-1998." In Grossman 2000b, 149-186.
143. Guibernau, Montserrat, and John Rex, eds. 1997. The Ethnicity Reader: Nationalism, Multiculturalism and Migration. Cambridge: Polity.
144. Gutmann, Amy, ed. 1994. Multiculturalism: Examining the Politics of Recognition. Princeton, N.J.: Princeton University Press.
145. Habermas, Jürgen. 1992. The Structural Transformation of the Public Sphere. Cambridge, Mass.: MIT Press.
146. Hall, Stuart. 1996. "New Ethnicities." In Stuart Hall: Critical Dialogues in Cultural Studies. Ed. David Morley and Kuan-Hsing Chen. London and New York: Routledge.
147. Halperin, David M. 1998. "Forgetting Foucault: Acts, Identities, and the History of Sexuality." Representations 6 (3): 93-120.
148. Hansen, Miriam. 1983. "Alexander Kluge, Cinema and the Public Sphere: The Construction Site of Counter-History." Discourse 6: 53-74.
149. OEOEOE. 1993. "Early Cinema, Late Cinema: Permutations of the Public Sphere." Screen 34 (3): 197-210.
150. Harris, Paul. 2004. "Hollywood to Break Last Taboo with Gay Cowboys." The Observer (London), January 18. http://observer.guardian.co.uk/international/story/0, 6903, 1125637, 00.html (accessed July 27, 2005).
151. Havis, Richard James. 1997. "Wong Kar-Wai: One Entrance, Many Exits." Cinemaya 38: 15-16.
152. Hawthorn, Jeremy. 1997. A Concise Glossary of Contemporary Literary Theory, 2nd ed. London and New York: Edward Arnold.
153. He, Xiaopei. 2002. "Birthday in Beijing: Women Tongzhi Organizing in 1990s China." Trans. Susie Jolly. IIAS Newsletter 29: 10.
154. Herdt, Gilbert, and Bruce Koff. 2000. Something to Tell You: The Road Families Travel When a Child Is Gay. New York: Columbia University Press.
155. Hijiya-Kirschnereit, Irmela. 1996. Rituals of Self-Revelation: Shishòsetsu as Literary Genre and Socio-Cultural Phenomenon. Cambridge, Mass.: Council on East Asian Studies, Harvard University.
156. Hill, John, and Pamela Church Gibson, eds. 1998. The Oxford Guide to Film Studies. Oxford: Oxford University Press.
157. Hinsch, Bret. 1990. Passions of the Cut Sleeve: The Male Homosexual Tradition in China. Berkeley and Los Angeles: University of California Press.
158. Hjort, Mette, and Scott MacKenzie, eds. 2000. Cinema and Nation. London and New York: Routledge.
159. Ho, S. Y. Petula. 1997. "Politicising Identity: Decriminalisation of Homosexuality and the Emergence of Gay Identity in Hong Kong." PhD diss., University of Essex.
160. Howard, Richard. 1975. "A Note on the Text." In Barthes 1975, v-viii.
161. Hsia, C. T. 1971. A History of Modern Chinese Fiction, 2nd ed. New Haven and London: Yale University Press.
162. Hu, Hsing-chi. 1998. "The Stories of Red Ribbons: Red Ribbons in Asia." Jump Cut 42: 116-120.
163. Hu Youfeng. 1997. "Zhongguo de Jieke Pailiansi: Miao Tian" (The Chinese Jack Palance: Miao Tian). In Chiao 1997b, 106-111.
164. Huang Jianhong 1998. "Chenmo de yingxiang" (Silent images). Dianying xinshang (Film appreciation journal) 93 (May/June): 52-55.
165. Huang, Nicole. 2003. "Eileen Chang and Alternative Wartime Narrative." In Columbia Companion to Modern East Asian Literatures. Ed. Joshua Mostow, 458-462. New York: Columbia University Press.
166. Huang Shuxian. 2000. "Xingxiang de jueli: Lun jiuba nian sanchu Xianggang dianying de changshi [jielu]" (Wrestling with sexuality: On the attempt of three Hong Kong lms from 1998 [Excerpt]). In 1998 Xianggang dianying huigu 1998 (Review of 1998 Hong Kong lms). Ed. Lie Fu, 251-254. Hong Kong: Xianggang dianying pinglun xuehui.
167. Huang Wulan, ed. 1999. Dangdai Zhongguo dianying: 1998 (Contemporary Chinese cinemas: 1998). Taipei: Shibao.
168. Iser, Wolfgang. 1987. "Representation: A Performative Act." In The Aims of Representation: Subject/Text/History. Ed. Murray Kreiger, 217-232. New York: Columbia University Press.
169. Jagose, Annamarie. 1996. Queer Theory: An Introduction. New York: New York University Press.
170. Jameson, Fredric. 1971. "Meta commentary." PMLA 86: 9-18. Quoted in Culler 1975, 151.
171. OEOEOE. 1998. "Notes on Globalization as a Philosophical Issue." In The Cultures of Globalization. Ed. Fredric Jameson and Masao Miyoshi. Durham, N.C., and London: Duke University Press.
172. Ji Yu. 1994. "Bawang bie ji gei guanzhong dailai le shenme?" (What has Farewell My Concubine brought to the audience?) Qiushi 134 (2): 45-47.
173. Jones, Kent. 1998. "Cucao yu pinghua" (Coarseness and smoothness). In Chiao and Tsai 1998, 145-168.
174. Jousse, Thierry. 1997. "Happy Together de Wong Kar-wai." Cahiers du cinéma 514 (June): 20. Quoted in Siegel 2001, 279.
175. Kang Zhengguo 1996. Chongshen fengyue jian: Xing yu Zhongguo gudian wenxue (Aspects of sexuality and literature in ancient China). Taipei: Maitian.
176. Kaplan, Caren. 1996. Questions of Travel: Postmodern Discourses of Displacement. Durham, N.C., and London: Duke University Press.
177. Kaplan, E. Ann. 1997. "Reading Formations and Chen Kaige's Farewell My Concubine." In Lu 1997c, 265-275.
178. OEOEOE, ed. 2000. Feminism and Film. Oxford: Oxford University Press.
179. Kellner, Douglas. 1998. "New Taiwan Cinema in the 80s." Jump Cut 42: 101-115.
180. King, Yeo-chi Ambrose. 1994. "Kuan-hsi and Network Building: A Sociological Interpretation." In Tu 1994b, 109-126.
181. Kluge, Alexander. 1981/1982. "On Film and the Public Sphere." New German Critique 24/25: 206-220.
182. Kong, S. K. Travis. 2002. "The Seduction of the Golden Boy: The Body Politics of Hong Kong Gay Men." Body and Society 8 (1): 29-48.
183. OEOEOE. 2005. "Queering Masculinity in Hong Kong Movies." In Pang and Wong 2005, 57-80.
184. Kopelson, Kevin. 1994. Love's Litany: The Writing of Modern Homoerotics. Stanford, Calif.: Stanford University Press.
185. Kraicer, Shelly. 2000. "Interview with Tsai Ming-liang." positions 8 (2): 579-588.
186. Kuzniar, Alice A. 2000. The Queer German Cinema. Stanford, Calif.: Stanford University Press.
187. Kwan, Stanley. 1993. "Carrying the Past Lightly." Cinemaya 19: 10-13.
188. Lalanne, Jean-Marc. 1997. "Images from the Inside." Trans. Stephen Wright. In Lalanne et al. 1997, 9-27.
189. Lalanne, Jean-Marc, David Martinez, Ackbar Abbas, Jimmy Ngai, and Wong Kar-wai. 1997. Wong Kar-Wai. Paris: Dis Voir.
190. Lam, Edward (Lin Yihua). 1993. "Yichang huanxi yichang kong: Xiyan hougan" (Happy for nothing: Afterthought on The Wedding Banquet). Yingxiang (Imagekeeper monthly) 36 (April): 69-72.
191. OEOEOE. 1998. "Chunguang beihou, Kuaile jintou" (Behind Happy Together, at the end of Hold You Tight). Dianying shuangzhoukan (City entertainment) 495: 80-81.
192. Landry, Donna, and Gerald MacLean, eds. 1996. The Spivak Reader: Selected Works of Gayatri Chakravorty Spivak. New York and London: Routledge.
193. Larson, Wendy. 1997. "The Concubine and the Figure of History: Chen Kaige's Farewell My Concubine." In Lu 1997c, 331-346.
194. Lau, Jenny Kwok Wah. 1995. "Farewell My Concubine: History, Melodrama, and Ideology in Contemporary Pan-Chinese Cinema." Film Quarterly 49 (1): 16-27.
195. Lee, Ang. 1994. Eat Drink Man Woman/The Wedding Banquet: Two Films by Ang Lee. Woodstock, N.Y.: Overlook Press.
196. Lee, Ang (Li An), and Neil Peng ( Feng Guangyuan). 1993. Xiyan (The Wedding Banquet). Taipei: Shibao.
197. Lee Ou-fan Leo (Li Oufan). 1998. "Xiang yiwei xiandai yishujia zhijing" (A Tribute to a modern artist). In Chiao and Tsai 1998, 169-176.
198. Lentricchia, Frank, and Thomas McLaughlin, eds. 1995. Critical Terms for Literary Study, 2nd ed. Chicago and London: University of Chicago Press.
199. Leung, Helen Hok-sze. 2001. "Queerscapes in Contemporary Hong Kong Cinema." positions 9 (2): 423-447.
200. Leung Ping-kwan (Liang Bingjun). 1995. "Minzu dianying yu Xianggang wenhua shenfen: Cong Bawang bie ji, Qiwang, Ruan Lingyu kan wenhua dingwei" (National cinema and Hong Kong's cultural identity: Examining cultural positioning in Farewell My Concubine, King of Chess, Center Stage). In Zhang Jingyuan 1995, 355-373.
201. Li, Cheuk-to. 1994. "The Return of the Father: Hong Kong New Wave and Its Chinese Context in the 1980s." In Browne et al. 1994, 160-179.
202. Li, Siu Leung. 2003. Cross-Dressing in Chinese Opera. Hong Kong: Hong Kong University Press.
203. Li Tianduo, ed. 1996. Dangdai huayu dianying lunshu (Discourses on contemporary Chinese-language lms). Taipei: Shibao.
204. Li, Wai-yee. 1993. Enchantment and Disenchantment: Love and Illusion in Chinese Literature. Princeton, N.J.: Princeton University Press.
205. Li Xiaoxian 1997. "Guan Jinpeng zouchu yigui zhihou: Tan Nansheng Nüxiang" (After Stanley Kwan walked out of the closet: On Yang ± Yin: Gender in Chinese Cinema). Dianying xinshang (Film appreciation journal) 88 (August): 55-60.
206. Li Yinhe. 1998. Tongxinglian yawenhua (Subculture of homosexuality). Beijing: Jinri Zhongguo chubanshe.
207. OEOEOE, trans. 2000. Ku'er lilun: Xifang jiuling niandai xing sichao 1990 (Queer theory: Western sexual thought in the 1990s). Beijing: Shishi chubanshe.
208. Li Yinhe and Wang Xiaobo. 1992. Tamen de shijie: Zhongguo nantongxinglian qunluo toushi (Their world: A clear look into China's male homosexual community). Shanxi: Shanxi renmin chubanshe.
209. Li Zhaoxing. 2002. "Lan Yu: Guan Jinpeng de tongzhi shuxie" (Lan Yu: Stanley Kwan's comrade writing). In Xianggang dianying mianmian guan 2001-2002, (Hong Kong panorama 2001-2002), 62-63. Hong Kong: Hong Kong Arts Development Council.
210. Liao Ping-hui (Liao Binghui). 1994. Huigu xiandai: Houxiandai yu houzhimin lunwenji (Modernity in Re-vision: Reading postmodern/postcolonial theories). Taipei: Maitian.
211. OEOEOE. 2000. "Postcolonial Studies and Multiculturalism in Taiwan: Issues in Critical Debates." Pullman: Washington State University, Department of Comparative American Cultures, 1-16. Working Paper Series.
212. Lilley, Rozanna. 1998. Staging Hong Kong: Gender and Performance in Transition. Surrey: Curzon Press.
213. Lim, Song Hwee (Lin Songhui). Forthcoming-a. "Fanyi ku'er: Jiuling niandai yilai Taiwan dui ku'er huayu de yinjie yu shijian" (Translating queer: Introduction and practice of a queer discourse in Taiwan s ince the 1990s). In Guojia jiangjie yu wenhua tuxiang: Nüxing yu xingbie de lunshu (National boundaries and cultural congurations: Issues of women and gender). Ed. Hsien-kuan Hsiung. Singapore: Global Publishing.
214. OEOEOE. Forthcoming-b. "How to Be Queer in Taiwan: Translation, Appropriation and the Construction of a Queer Identity in Taiwan." In AsiaPaciQueer: Rethinking Gender and Sexuality in the Asia-Pacic. Ed. Peter A. Jackson, Mark McLelland, Fran Martin, and Audrey Yue. Champaign: University of Illinois Press.
215. OEOEOE. Forthcoming-c. "Queer Theory Goes to Taiwan." In Critical InQueery: An Interdisciplinary Queer Studies Reader. Ed. Noreen Giffney and Michael O'Rourke. Perth, Western Australia: Black Swan Press.
216. OEOEOE. Forthcoming-d. "Queering Chineseness: Searching for Roots and the Politics of Shame in (Post)Colonial Singapore." In Cosmopatriots: Globalization, Patriotism, Cosmopolitanism in Contemporary Asian Culture/s. Ed. Edwin Jurriens and Jeroen de Kloet. Amsterdam and New York: Rodopi.
217. Liu Jen-peng (Liu Renpeng) and Ding Naifei. 1998. "Wangliang wen jing: Hanxu meixue yu ku'er zhenglüe" (Reticent poetics, queer politics). Xing/bie yanjiu (Working papers in gender/sexuality studies) 3/4: 109-155.
218. Liu, Cynthia W. 1995. "'To Love, Honor and Dismay': Subverting the Feminine in Ang Lee's Trilogy of Resuscitated Patriarchs." Hitting Critical Mass: A Journal of Asian American Cultural Criticism 3 (1): 37-40.
219. Liu, Lydia H. 1995. Translingual Practice: Literature, National Culture and Translated Modernity: China 1900-1937. Stanford, Calif.: Stanford University Press.
220. Liu Zeyuan. 1997. "Happy Together with Leslie." Dianying shuangzhoukan (City entertainment) 474: 32-33.
221. Louie, Kam. 2002. Theorising Chinese Masculinity: Society and Gender in China. Cambridge: Cambridge University Press.
222. Lu, Sheldon Hsiao-peng. 1997a. "Historical Introduction: Chinese Cinemas (1896- 1996) and Transnational Film Studies." In Lu 1997c, 1-31.
223. OEOEOE. 1997b. "National Cinema, Cultural Critique, Transnational Capital: The Films of Zhang Yimou." In Lu 1997c, 105-136.
224. OEOEOE, ed. 1997c. Transnational Chinese Cinemas: Identity, Nationhood, Gender. Honolulu: University of Hawai'i Press.
225. Lu, Hsiao-peng Sheldon, and Emilie Yueh-yu Yeh, eds. 2005a. Chinese-Language Film: Historiography, Poetics, Politics. Honolulu: University of Hawai'i Press.
226. OEOEOE. 2005b. "Introduction: Mapping the Field of Chinese-Language Cinema." In Lu and Yeh 2005a, 1-24.
227. Luo Feng. 2002. Shengshi bianyuan: Xianggang dianying de xingbie, teji yu jiuqi zhengzhi (City on the edge of time). Hong Kong: Oxford University Press.
228. Ma, Sheng-mei. 1996. "Ang Lee's Domestic Tragicomedy: Immigrant Nostalgia, Exotic/Ethnic Tour, Global Market." Journal of Popular Culture 30 (1): 191-201.
229. Ma Yingli. 1997. "Rensheng jiu xiang yitiao he: Yu Cai Ming-liang tan Heliu" (Life Is just like a river: Conversations with Tsai Ming-liang on The River). Dianying shuangzhoukan (City entertainment) 460: 40-42.
230. Macey, David. 1995. The Lives of Michel Foucault. New York: Vintage Books.
231. Mackerras, Colin P. 1975. The Chinese Theatre in Modern Times: From 1840 to the Present Day. London: Thames and Hudson.
232. Mai Ke. 2003. Huchui buru danda (Single-minded, double entendre). Hong Kong: Oxford University Press.
233. Manalansan, Martin F. IV. 1995. "In the Shadows of Stonewall: Examining Gay Transnational Politics and the Diasporic Dilemma." GLQ 2 (4): 425-438.
234. Mann, Susan. 1997. Precious Records: Women in China's Long Eighteenth Century. Stanford, Calif.: Stanford University Press.
235. Mann, Thomas. 1971. Death in Venice. Trans. H. T. Lowe-Porter. Harmondsworth, England: Penguin Books.
236. Marchetti, Gina. 1998. "Plural and Transnational." Jump Cut 42: 68-72.
237. OEOEOE. 2000. "The Wedding Banquet: Global Chinese Cinema and the Asian American Experience." In Countervisions: Asian American Film Criticism. Ed. Darrell Y. Hamamoto and Sandra Liu, 275-297. Philadelphia: Temple University Press.
238. Martel, Frédéric. 1999. The Pink and the Black: Homosexuals in France since 1968. Trans. Marie Todd. Stanford, Calif.: Stanford University Press.
239. Martin, Fran, trans. 2003a. Angelwings: Contemporary Queer Fiction from Taiwan. Honolulu: University of Hawai'i Press.
240. OEOEOE. 2003b. "Introduction: Taiwan's Literature of Transgressive Sexuality." In Martin 2003a, 1-28.
241. OEOEOE. 2003c. Situating Sexualities: Queer Representation in Taiwanese Fiction, Film and Public Culture. Hong Kong: Hong Kong University Press.
242. Martinez, David. 1997. "Chasing the Metaphysical Express." Trans. Andrew Rothwell. In Lalanne et al. 1997, 29-35.
243. McLelland, Mark. 2000. "Interview with Samshasha, Hong Kong's First Gay Rights Activist and Author." Intersections 4, http://wwwsshe.murdoch.edu.au/intersections/issue4/interview-mclelland.html (accessed March 8, 2004).
244. OEOEOE. 2005. Queer Japan from the Pacic War to the Internet Age. Lanham, Md.: Rowman and Littleeld.
245. Medhurst, Andy. 1984. "Notes on Recent Gay Film Criticism." In Gays and Film. Ed. Richard Dyer. New York: New York Zoetrope.
246. Medhurst, Andy, and Sally R. Munt, eds. 1997. Lesbian and Gay Studies: A Critical Introduction. London and Washington, D.C.: Cassell.
247. Mencius. 1970. Mencius, vol. 1. Trans. D. C. Lau. Harmondsworth, England: Penguin Books.
248. Mercer, Kobena. 1990. "Black Art and the Burden of Representation." Third Text 10: 61-78.
249. Mitchell, W. J. T. 1995. "Representation." In Lentricchia and McLaughlin 1995, 11-22.
250. Moi, Toril. 1985. Sexual/Textual Politics: Feminist Literary Theory. London and New York: Methuen.
251. Mullaney, Thomas S., ed. 2004. "Ethnic Classication." Special issue, China Information 18 (2) (July).
252. Munt, Sally R. 1997. "The Personal, Experience, and the Self." In Medhurst and Munt 1997, 186-197.
253. Nacy, Hamid. 2001. An Accented Cinema: Exilic and Diasporic Filmmaking. Princeton, N.J.: Princeton University Press.
254. Ngai, Jimmy (Wei Shao'en). 1998. Baojin ni, baojin ni (Hold you tight, hold you tight). Hong Kong: Hongye.
255. Ngai, Jimmy (Wei Shao'en), and Wong Kar-wai. 1997. "A Dialogue with Wong Kar-wai: Cutting between Time and Two Cities." In Lalanne et al. 1997, 83-117.
256. Nichols, Bill. 1994a. Blurred Boundaries: Questions of Meaning in Contemporary Culture. Bloomington and Indianapolis: Indiana University Press.
257. OEOEOE. 1994b. "Global Image Consumption in the Age of Late Capitalism." East-West Film Journal 8 (1): 68-85.
258. Nowell-Smith, Geoffrey, ed. 1997. The Oxford History of World Cinema. Oxford: Oxford University Press.
259. OED (Oxford English Dictionary). Online ed. S.v. "Abjection, " http://dictionary.oed.com/cgi/entry/50000420?single=1&query-type=word&queryword=abjection&rst=1&max-to-show=10 (accessed August 30, 2005).
260. Ong, Aihwa, and Donald M. Nonini. 1997. "Toward a Cultural Politics of Diaspora and Transnationalism." In Ungrounded Empires: The Cultural Politics of Modern Chinese Transnationalism. Ed. Aihwa Ong and Donald M. Nonini, 323-332. New York and London: Routledge.
261. O'Sullivan, Charlotte. 1998. Review of Happy Together. Sight and Sound, May, 49.
262. Pai, Hsien-yung. 1995. Crystal Boys. Trans. Howard Goldblatt. San Francisco: Gay Sunshine Press.
263. Pang, Laikwan, and Day Wong, eds. 2005. Masculinities and Hong Kong Cinema. Hong Kong: Hong Kong University Press.
264. Peng Yiping. 1997. "Chunguang zhaxie: Jiuqi qian rang women kuaile zai yiqi" (Happy Together: Let Us Be Happy Together before 97). Dianying shuangzhoukan (City entertainment) 473: 40-45.
265. Pines, Jim, and Paul Willemen, eds. 1989. Questions of Third Cinema. London: BFI.
266. Radhakrishnan, R. 1996. Diasporic Mediations: Between Home and Location. Minneapolis and London: University of Minnesota Press.
267. Rayns, Tony. 1994a. Review of Farewell My Concubine. Sight and Sound, January, 41-42.
268. OEOEOE. 1994b. "The Narrow Path: Chen Kaige in Conversation with Tony Rayns." In Projections 3: Film-Makers on Film-Making. Ed. John Boorman and Walter Donohue, 46-58. London: Faber and Faber.
269. OEOEOE. 1994c. Review of The Wedding Banquet. In Sight and Sound Film Review Volume, January 1993-December 1993, 208. London: British Film Institute.
270. OEOEOE. 1996. "Provoking Desire." Sight and Sound, July, 26-29.
271. OEOEOE. 1997. "The Chinese Syndrome." Sight and Sound, July, 25.
272. Reynaud, Bérénice. 1997. "Gay Overtures: Zhang Yuan's Dong Gong, Xi Gong." Cinemaya 36: 31-33.
273. Rich, B. Ruby. 1993. "Re¶ections on a Queer Screen." GLQ 1 (1): 83-91.
274. Rivière, Danièle, and Tsai Ming-liang. 1999. "Scouting." In Tsai Ming-liang, by Jean- Pierre Rehm, Olivier Joyard, and Danièle Rivière. Paris: Dis Voir.
275. Roberts, Martin. 1998. "Baraka: World Cinema and the Global Culture Industry." Cinema Journal 37 (3): 62-82.
276. Rofel, Lisa. 1999. "Qualities of Desire: Imagining Gay Identities in China." GLQ 5 (4): 451-474.
277. Rojas, Carlos. 2003. "'Nezha Was Here': Structures of Dis/placement in Tsai Mingliang's Rebels of the Neon God." Modern Chinese Literature and Culture 15 (1): 63-89.
278. Ross, Michael W. 1983. The Married Homosexual: A Psychological Study. London, Boston, Melbourne, and Henley: Routledge and Kegan Paul.
279. Ruan, Fang-fu. 1991. Sex in China: Studies in Sexology in Chinese Culture. New York and London: Plenum Press.
280. Russo, Vito. 1987. The Celluloid Closet: Homosexuality in the Movies, rev. ed. New York: Harper and Row.
281. Ryan, Michael. 1988. "The Politics of Film: Discourse, Psychoanalysis, Ideology." In Marxism and the Interpretation of Culture. Ed. Cary Nelson and Lawrence Grossberg, 477-486. Hampshire and London: Macmillan Education.
282. Said, Edward W. 1994. Representations of the Intellectual: 1993 Reith Lectures. London: Vintage.
283. Sang Tze-lan Deborah (Sang Zilan). 1993. "Cheng Dieyi: Yige quanshi de qidian" (Cheng Dieyi: A starting point for interpretation). Dangdai (Contemporary) 96 (April): 54-73.
284. OEOEOE. 1999. "Translating Homosexuality: The Discourse of Tongxing'ai in Republican China (1912-1949)." In Tokens of Exchange: The Problem of Translation in Global Circulations. Ed. Lydia H. Liu, 276-304. Durham, N.C., and London: Duke University Press.
285. OEOEOE. 2003. The Emerging Lesbian: Female Same-Sex Desire in Modern China. Chicago and London: University of Chicago Press.
286. Sangren, P. Steven. 2000. Chinese Sociologics: An Anthropological Account of the Role of Alienation in Social Reproduction. London and New Brunswick, N.J.: Athlone Press.
287. Sartre, Jean-Paul. 1988. Saint Genet: Actor and Martyr. Trans. Bernard Frechtman. London: Heinemann.
288. Savin-Williams, Ritch C. 2000. Mom, Dad, I'm Gay: How Families Negotiate Coming Out. Washington, D.C.: American Psychological Association.
289. Schneider, Laurence A. 1980. A Madman of Ch'u: The Chinese Myth of Loyalty and Dissent. Berkeley and Los Angeles: University of California Press.
290. Scott, Joan W. 1992. "'Experience.'" In Feminists Theorize the Political. Ed. Judith Butler and Joan W. Scott, 22-40. New York and London: Routledge.
291. Sedgwick, Eve Kosofsky. 1990. Epistemology of the Closet. Berkeley and Los Angeles: University of California Press.
292. Shan Zhimin. 1998. "Cong relian dao pingwen guanxi dao waiyu: Yu kuaile yu duoluo, fangwen Guan Jinpeng" (From madly in love to stable relationship to extramarital affair: Hold You Tight, interview with Stanley Kwan). In Xianggang dianying mianmian guan 1997-1998 (Hong Kong Panorama 1997-1998), 68-69. Hong Kong: Provisional Urban Council of Hong Kong.
293. Shattuc, Jane. 1995. Televisions, Tabloids, and Tears: Fassbinder and Popular Culture. Minneapolis and London: University of Minnesota Press.
294. Shaviro, Steven. 1993. The Cinematic Body. Minneapolis and London: University of Minnesota Press.
295. Shen, Shiao-ying. 1995. "Where Has All the Capital Gone? The State of Taiwan's Film Investment." Cinemaya 30: 4-12.
296. Shih, Shu-mei. 2000. "Globalisation and Minoritisation: Ang Lee and the Politics of Flexibility." New Formations 40: 86-101.
297. Shohat, Ella, and Robert Stam. 1994. Unthinking Eurocentrism: Multiculturalism and the Media. London and New York: Routledge.
298. Shu, Kei. 1993. "Letter to Chen Kaige." Cinemaya 20: 18-20.
299. Siegel, Marc. 2001. "The Intimate Spaces of Wong Kar-wai." In At Full Speed: Hong Kong in a Borderless World. Ed. Esther C. M. Yau, 277-294. Minneapolis and London: University of Minnesota Press.
300. Silbergeld, Jerome. 1999. China into Film: Frames of Reference in Contemporary Chinese Cinema. London: Reaktion Books.
301. Silverman, Kaja. 1992. Male Subjectivity at the Margins. New York and London: Routledge.
302. Silvio, Teri. 1999. "Re¶exivity, Bodily Praxis and Identity in Taiwanese Opera." GLQ 5 (4): 585-604.
303. OEOEOE. 2002. "Chinese Opera, Global Cinema, and the Ontology of the Person: Chen Kaige's Farewell My Concubine." In Between Opera and Cinema. Ed. Jeongwon Joe and Rose Theresa, 177-197. New York and London: Routledge.
304. Simon, Scott. 2004. "From Hidden Kingdom to Rainbow Community: The Making of Gay and Lesbian Identity in Taiwan." In The Minor Arts of Daily Life: Popular Culture in Taiwan. Ed. David K. Jordan, Andrew D. Morris, and Marc L. Moskowitz, 67-88. Honolulu: University of Hawai'i Press.
305. Simpson, Mark, ed. 1996. Anti-Gay. London and New York: Freedom Editions.
306. Sineld, Alan. 1994a. Cultural Politics: Queer Reading. London and New York: Routledge.
307. OEOEOE. 1994b. The Wilde Century: Effeminacy, Oscar Wilde and the Queer Moment. London and New York: Cassell.
308. Sklair, Leslie. 1995. Sociology of the Global System, 2nd ed. Baltimore, Md.: Johns Hopkins University Press. Quoted in Chiang 2002, 275.
309. Sklar, Robert. 1996. "Beyond Hoopla: The Cannes Film Festival and Cultural Signi- cance." Cineaste 22 (3): 18-20.
310. Smith, Paul Julian. 1992. The Body Hispanic: Gender and Sexuality in Spanish and Spanish American Literature. Oxford: Clarendon Press.
311. OEOEOE. 1996. Vision Machines: Cinema, Literature and Sexuality in Spain and Cuba, 1983- 93. London and New York: Verso.
312. Sontag, Susan. 1991. Illness as Metaphor and AIDS and Its Metaphors. Harmondsworth, England: Penguin Books.
313. Stein, Edward, ed. 1992. Forms of Desire: Sexual Orientation and the Social Constructionist Controversy. New York and London: Routledge.
314. Stewart, William. 1995. Cassell's Queer Companion: A Dictionary of Lesbian and Gay Life and Culture. London and New York: Cassell.
315. Stokes, Lisa Odham, and Michael Hoover. 1999. City on Fire: Hong Kong Cinema. London and New York: Verso.
316. Sullivan, Andrew. 1995. Virtually Normal: An Argument about Homosexuality. New York: Alfred A. Knopf.
317. Sun Cizhou. 1944. "Qu Yuan shi 'wenxue nongchen' de fayi: Jian da Qu Yuan chongbaizhe" (Questioning Qu Yuan as "literary jester": Also answering Qu Yuan worshippers). Zhongyang Ribao, September 6, 7- 8, Chengdu edition.
318. Suner, Asuman. 1998. "Postmodern Double Cross: Reading David Cronenberg's M. Butter¶y as a Horror Story." Cinema Journal 37: 49-64.
319. Sutcliffe, Lynn. 1996. There Must Be 50 Ways to Tell Your Mother: Coming Out Stories. New York and London: Continuum.
320. Suzuki, Tomi. 1996. Narrating the Self: Fictions of Japanese Modernity. Stanford, Calif.: Stanford University Press.
321. Tam, Kwok-kan, and Wimal Dissanayake. 1998. New Chinese Cinema. Hong Kong, Oxford, and New York: Oxford University Press.
322. Tambling, Jeremy. 1990. Confession: Sexuality, Sin, the Subject. Manchester and New York: Manchester University Press.
323. OEOEOE. 2003. Wong Kar-wai's Happy Together. Hong Kong: Hong Kong University Press.
324. Tang Qiandai and Xu Ruilan 1995. "Xu Ligong tan canzhan xinde yu yingzhan celüe" (Hsu Li-kong on lessons from and strategies in participating in lm festivals). Yingxiang (Imagekeeper monthly) 61 (May): 51-57.
325. Tang, Xiaobing, and Stephen Snyder, eds. 1996. In Pursuit of Contemporary East Asian Culture. Boulder, Colo.: Westview Press.
326. Tay, William (Zheng Shusen), ed. 1995. Wenhua piping yu huayu dianying (Cultural criticism and Chinese cinema). Taipei: Maitian.
327. Taylor, Charles. 1994. "The Politics of Recognition." In Gutmann 1994, 25-73.
328. Teng, Jinhua Emma. 2004. Taiwan's Imagined Geography: Chinese Colonial Travel Writing and Pictures, 1683-1895. Cambridge, Mass., and London: Harvard University Asia Center.
329. Teo, Stephen. 1998. "Hong Kong Cinema. (a) Discovery and Pre-discovery." In Hill and Gibson 1998, 550-553.
330. Thomsen, Christian Braad. 1997. Fassbinder: The Life and Work of a Provocative Genius. Trans. Martin Chalmers. London and Boston: Faber and Faber.
331. Tsai Kang-yung (Cai Kangyong). 1994. "'Canren yu wenrou': Cai Mingliang de Aiqing wansui" ("Cruelty and tenderness": Tsai Ming-liang's Vive l'amour). In Tsai et al. 1994, 160-164.
332. Tsai Ming-liang (Cai Mingliang). 1993. Fangjian li de yigui (The Wardrobe in the Room). Taipei: Zhou Kai juchang jijinhui.
333. Tsai Ming-liang (Cai Mingliang) et al. 1994. Aiqing wansui (Vive l'amour). Taipei: Wanxiang.
334. Tu, Wei-ming. 1994a. "Cultural China: The Periphery as the Center." In Tu 1994b, 1-34.
335. OEOEOE, ed. 1994b. The Living Tree: The Changing Meaning of Being Chinese Today. Stanford, Calif.: Stanford University Press.
336. Vitiello, Giovanni. 1992. "The Dragon's Whim: Ming and Qing Homoerotic Tales from The Cut Sleeve." T'oung Pao 78: 341-372.
337. Wachman, Alan M. 1994. Taiwan: National Identity and Democratization. Armonk, N.Y., and London: M. E. Sharpe.
338. Wan, Yanhai. 2001. "Becoming a Gay Activist in Contemporary China." Trans. Chris Berry. In Gay and Lesbian Asia: Culture, Identity, Community. Ed. Gerard Sullivan and Peter A. Jackson, 47-64. New York: Harrington Park Press.
339. Wang, Der-wei David. 1997. Fin-de-siècle Splendor: Repressed Modernities of Late Qing Fiction, 1848-1911. Stanford, Calif.: Stanford University Press.
340. Wang Hongzhi, Li Xiaoliang, and Chen Qingqiao. 1997. Fouxiang Xianggang: Lishi, wenhua, weilai (Hong Kong unimagined: History, culture, and the future). Taipei: Maitian.
341. Wang, Ping, and Amie Parry. 2000. "Documenting a Beautiful Youth: Boys for Beauty and 2, 1." Inter-Asia Cultural Studies 1 (1): 181-184.
342. Wang, Qi. 2004. "The Ruin Is Already a New Outcome: An Interview with Cui Zi'en." positions 12 (1): 181-194.
343. Wang Xiaobo. 1998. Dijiu tianchang: Wang Xiaobo xiaoshuo juben ji (Till the end of the world: Collected novels and plays of Wang Xiaobo). Changchun: Shidai wenyi chubanshe.
344. Wang Yage. 1999. Taiwan nantongzhi pingquan yundongshi (History of the male homosexual equal rights movement in Taiwan). Taipei: Kaixin yangguang.
345. Wang Zhicheng. 1999. "Yu kuaile yu duoluo: Baojin aiyu, shengpa luokong" (Hold You Tight: Holding desire tight for fear of losing). In Huang Wulan 1999, 41-43.
346. Warner, Michael. 1993. "Introduction." In Fear of a Queer Planet: Queer Politics and Social Theory. Ed. Michael Warner, vii-xxxi. Minneapolis and London: University of Minnesota Press.
347. OEOEOE. 1999. The Trouble with Normal: Sex, Politics, and the Ethics of Queer Life. New York: Free Press.
348. Wen T'ien-hsiang (Wen Tianxiang). 2002. Guangying dingge: Cai Mingliang de xinling changyu (Freeze-frame of light and image: The eld of Tsai Ming-liang's heart and soul). Taipei: Hengxing.
349. Wen Yiduo. 1948. "Qu Yuan wenti: Jing zhi Sun Cizhou xiansheng" (The question of Qu Yuan: Respectfully querying Mr. Sun Cizhou). In Wen Yiduo quanji (The complete works of Wen Yiduo), vol. 1. Ed. Zhu Ziqing, Guo Moruo, Wu Han, and Ye Shengtao, 245-258. Shanghai: Kaiming shuju.
350. West, Cornel. 1990. "The New Cultural Politics of Difference." In Out There: Marginalization and Contemporary Cultures. Ed. Russell Ferguson, Martha Gever, Trinh T. Minh-ha, and Cornel West, 19-36. New York: New Museum of Contemporary Art, and Cambridge, Mass., and London: MIT Press.
351. Weston, Kath. 1995. "Get Thee to a Big City: Sexual Imaginary and the Great Gay Migration." GLQ 2 (3): 253-277.
352. Wilson, Elizabeth. 1993. "Is Transgression Trans gressive?" In Activating Theory: Lesbian, Gay, Bisexual Politics. Ed. Joseph Bristow and Angelia R. Wilson, 107-117. London: Lawrence and Wishart.
353. Wright, Elizabeth. 1999. Speaking Desires Can Be Dangerous: The Poetics of the Unconscious. Cambridge: Polity Press.
354. Wu, Cun Cun. 2004. Homoerotic Sensibilities in Late Imperial China. London and New York: Routledge Curzon.
355. Wu Jintao. 1998. "Shui, xing, yanghuan: Wosi wokan Heliu zai Lundun" (Water, sex, masculine plague: Thinking and watching The River in London). Dianying xinshang (Film appreciation journal) 95 (September/October): 101-104.
356. Wythe, Douglas, Andrew Merling, Roslyn Merling, and Sheldon Merling. 2000. The Wedding: A Family's Coming Out Story. New York: Avon Books.
357. Xiao Wenhui. 1994. "Zhege ren feichang Lin Yihua" (This guy is very Edward Lam). Chengpin yuedu (eslitebookreview) 17 (August): 54-56.
358. Xu, Ben. 1997. "Farewell My Concubine and Its Nativist Critics." Quarterly Review of Film and Video 16 (2): 155-170.
359. Yau, C. M. Esther. 1993. "International Fantasy and the 'New Chinese Cinema.'" Quarterly Review of Film and Video 14 (3): 95-107.
360. Ye Yueyu, Zhuo Botang, and Wu Hao, eds. 1999. Sandi chuanqi: Huayu dianying ershi nian (Romance of three cities: Studies in Chinese cinemas). Taipei: Guojia dianying ziliaoguan.
361. Yeh, Yueh-yu. 1998. "Dening 'Chinese.'" Jump Cut 42: 73-76.
362. OEOEOE. 1999. "A Life of Its Own: Musical Discourses in Wong Kar-wai's Films." Post- Script 19 (1): 120-136.
363. Yeh, Yueh-yu Emilie, and Darrell William Davis. 2005. Taiwan Film Directors: A Treasure Island. New York: Columbia University Press.
364. Yin Hong. 1996. "Guojihua yujing zhong de dangqian Zhongguo dianying" (Current Chinese cinema in the context of internationalization). Dangdai dianying, November, 21-29.
365. Yu Zhenfei, ed. 1982. Zhenfei qupu (Zhenfei's scores). Shanghai: Shanghai wenyi chubanshe.
366. Yue, Audrey. 2000. "What's So Queer about Happy Together? A.k.a. Queer (N)Asian: Interface, Community, Belonging." Inter-Asia Cultural Studies 1 (2): 251-264.
367. Zeng Wobu. 2001. "Lan Yu/Nanyu" (Lan Yu/male talk). Dianying shuangzhoukan (City entertainment) 590: 50-52.
368. Zha, Jianying. 1994. "Beijing Subnotebooks." Public Culture 6 (2): 397-406.
369. Zhang Ailing (Eileen Chang). 1984. Liuyan (Rumor). Taipei: Huangguan.
370. OEOEOE. 1996. "My Writing." Trans. Wendy Larson. In Modern Chinese Literary Thought: Writings on Literature, 1893-1945. Ed. Kirk A. Denton, 436-442. Stanford, Calif.: Stanford University Press.
371. Zhang Beichuan. 1994. Tongxing'ai (Homosexuality). Shandong: Shandong kexue jishu chubanshe.
372. Zhang, Benzi. 1999. "Figures of Violence and Tropes of Homophobia: Reading Farewell My Concubine between East and West." Journal of Popular Culture 33 (2): 101-109.
373. Zhang Jingbei. 1994. "Shishi beijing qian huodong de renmen: Chen Kaige tan Bawang bie ji" (People moving in front of epic background: Chen Kaige on Farewell My Concubine). Dianying xinshang (Film appreciation journal) 67 (January/February): 68-74.
374. OEOEOE. 2002. Shinian yijiao dianying meng (Ten years of dreaming about cinema). Taipei: Shibao.
375. Zhang Jingyuan, ed. 1995. Houzhimin lilun yu wenhua rentong (Postcolonial criticism and cultural identity). Taipei: Maitian.
376. Zhang Yingjin. 1996. "Chongsi kuawenhua yanjiu: Xifang Zhongguo dianying yanjiu zhong de quanwei, quanli ji chayi wenti" (Rethinking transcultural studies: Authority, power, and difference in Western studies of Chinese lms). Dianying yishu, March, 19-23.
377. OEOEOE. 1997. "From 'Minority Film' to 'Minority Discourse': Questions of Nationhood and Ethnicity in Chinese Cinema." In Lu 1997c, 81-104.
378. OEOEOE. 1998. "Chinese Cinema and Transnational Cultural Politics: Re¶ections on Film Festivals, Film Productions, and Film Studies." Journal of Modern Literature in Chinese 2 (1): 105-132.
379. OEOEOE. 2002. Screening China: Critical Interventions, Cinematic Recongurations, and the Transnational Imaginary in Contemporary Chinese Cinema. Ann Arbor: Center for Chinese Studies, University of Michigan.
380. OEOEOE. 2004. Chinese National Cinema. New York and London: Routledge.
381. Zhang, Yingjin, and Xiao Zhiwei, eds. 1998. Encyclopedia of Chinese Film. London and New York: Routledge.
382. Zhang Yiwu. 1995. "Quanqiuxing houzhimin yujing zhong de Zhang Yimou" (Zhang Yimou in the context of global postcoloniality). In Zhang Jingyuan 1995, 401-420.
383. Zhong Xueping. 2000. Masculinity Besieged? Issues of Modernity and Male Subjectivity in Chinese Literature of the Late Twentieth Century. Durham, N.C., and London: Duke University Press.
384. Zhonghuaminguo bashiyi nian dianying nianjian (Cinema in the Republic of China, yearbook). 1992. Taipei: Guojia dianying ziliaoguan.