Chinese opera, global cinema, and the ontology of the person: Chen kaige’s farewell my concubine

Between Opera and Cinema

Volumn , Issue , 2012, Pages 177-197

  Silvio, Teri ^a  

^a UNIVERSITY OF NEW SOUTH WALES   (Australia)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84952942035     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203055540-16     Document Type: Chapter

References (17)

1. Jenny Kwok Wah Lau, “Farewell My Concubine: History, Melodrama, and Ideology in Contemporary Pan-Chinese Cinema.�? Film Quarterly 49, no. 1 (1995): 16-27.
2. George Semsel, Xia Hong, and Hou Jianping, eds., Chinese Film Theory: A Guide to the New Era, (New York: Praeger, 1990).
3. Wang Yuejin, “The Cinematic Other and the Cultural Self? De-centering the Cultural Identity on Cinema.�? Wide Angle 11, no. 2 (1989): 37.
4. Jackie Chan (with Jeff Yang), I Am Jackie Chan: My Lije in Action (New York: Ballantine, 1999), 56.
5. Lisa Rofel, Other Modernities: Gendered Yearnings in China After Socialism &(Berkeley: University of California Press, 1999), 217-18.
6. Ann Anagnost, National Past-Times: Narrative, Representation, and Power in Modern China (Durham, N.C.: Duke University Press, 1997), 19
7. Godfrey Cheshire. “The Long Way Home.�? Film Comment 28, no. 4 (July 1992): 38.
8. Tony Rayns, “Ba Wang Bie Ji (Farewell My Concubine) {review}.�? Sight and Sound 4, no. 1 (January 1994): 42.
9. Shu Kei. “Letter to Chen Kaige.�? Cinemaya 20 (summer 1993): 19.
10. Chris Berry, “At What Price Success?�? Cinemaya 20 (summer 1993): 21.
11. Chris Berry, “Sexual DisOrientations: Homosexual Rights, East Asian Films, and Postmodern Postnationalism,�? in Xiaobing Tang and Stephen Snyder, eds., In Pursuit of Contemporary East Asian Culture (Boulder: Westview Press, 1996): 171.
12. Sang Zilan (“Cheng Dieyi-Yige Quanshi de Qidian,�? Dang Dai, 1 April 1994, 54-73)
13. Joshua Goldstein, “Mei Lanfang and the Nationalization of Peking Opera, 1912-1930," Positions 7, no. 2 (1999): 377-420.
14. Wendy Larson, “The Concubine and the Figure of History: Chen Kaige’s Farewell My Concubine,�? in Sheldon Hsiao-ping Lu, ed., Transnational Chinese Cinemas: Identity, Nationhood, Gender(Honolulu: University of Hawaii Press, 1997).
15. James Naremore, Acting in the Cinema (Berkeley: University of California Press, 1988), 72.
16. Mei Lan-fang, “The Filming of a Tradition,�? Eastern Horizon 4, no. 7 (July 1965): 13-22.
17. Esther C. M. Yau, “Cultural and Economic Dislocations: Filmic Phantasies of Chinese Women in the 1980s,�? Wide Angle 11, no. 2 (1989): 9