The changing geography of third cinema

Screen

Volumn 38, Issue 4, 1997, Pages 372-387

  Chanan, Michael ^a  

^a NONE

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EID: 33847091559     PISSN: 00369543     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Article

References (25)

1. This is a revised version of an article entitled 'Le troisième cinéma de Solanas et Getino', CinémAction, no. 60 (1991)
2. Robert Stam, 'The Hour of the Furnaces and the two avantgardes', in Julianne Burton (ed.), The Social Documentary in Latin America (Pittsburgh: University of Pittsburgh Press, 1990), p. 253
3. Table Ronde avec Fernando Solanas et al., 'Cinéma d'auteur ou cinéma d'intervention?', CinémAction, no. 1 (1978), p. 60
4. Fernando Solanas and Octavio Getino, Cine, cultura y descolonización (Buenos Aires: Siglo XXI, 1973), p. 10
5. quoted in Ana López, 'Argentina, 1955-1976: the film industry and its margins', in John King and Nissa Torrents (eds), The Garden of Forking Paths: Argentine Cinema (London: British Film Institute, 1987), p. 67
6. Stam, The Hour of the Furnaces. pp. 251-66
7. CinémAction, no. 1, p. 61
8. The essay first appeared in the journal Tricontinental, published in Paris in October 1969, and has been republished several times since, in different languages and in different versions, some abbreviated. For the purposes of the present article I have used the version published in Michael Chanan (ed.), Twenty-Five Years of the New Latin American Cinema (London: British Film Institute/Channel Four, 1983)
9. For a more detailed account, see Roger Scruton, 'Three World Theory', in A Dictionary of Political Thought (London: Pan Books, 1983)
10. Solanas and Getino, 'Towards a Third Cinema', in Chanan (ed.), Twenty-Five Years, p. 17
11. Octavio Getino, 'Some notes on the concept of a "Third Cinema"', excerpted from Notas sobre cine argentino y latinoamericano (Mexico: Edimedios. 1984), in Tim Barnard (ed.), Argentine Cinema (Toronto: Nightwood Editions, 1986), p. 102
12. Barnard (ed.), Argentine Cinema. p. 101
13. See Alberto Hijar (ed.), Hacia un tercer eine, Cuardemos de Cine, no. 20 (Mexico: UNAM, 1972)
14. Frantz Fanon, The Wretched of the Earth (New York: Grove Press, 1964)
15. Teshome Gabriel, Third Cinema in the Third World: the Aesthetics of Liberation, (Ann Arbor: UMI Research Press, 1982)
16. In Third World Affairs 1985 (London: Third World Foundation, 1985)
17. José Carlos Mariátegui, Siete ensayos de interpretación de la realidad peruana (Casa de las Americas, 1975), p. 21
18. See Michael Chanan, 'Playing the access card'. New Socialist, no. 50 (June 1987), p. 45
19. David Will, 'Edinburgh Film Festival, 1986', Framework, nos 32/33 (1986)
20. Clyde Taylor, 'Eurocentrics vs new thought at Edinburgh', Framework, no. 34 (1987), pp. 141-2. I can only declare a certain sympathy with Taylor's arguments, even though he perhaps overstates the case
21. Will, 'Edinburgh Film Festival, 1986', p. 206
22. Taylor, 'Eurocentrics vs new thought'. 1987. p. 144
23. Will, 'Edinburgh Film Festival', p. 203
24. and Homi K. Bhabha, 'The commitment to theory', in Jim Pines and Paul Willeman (eds). Questions of Third Cinema (London: British Film Institute, 1989), pp. 111-32
25. Taylor, 'Eurocentrics' vs. new thought', passim