Mapping control structures for sound synthesis: Functional and topological perspectives

Computer Music Journal

Volumn 38, Issue 3, 2014, Pages 6-22

  Van Nort, Doug ^a   Wanderley, Marcelo M ^b   Depalle, Philippe ^b  

^a YORK UNIVERSITY   (Canada)

^b MCGILL UNIVERSITY   (Canada)

Author keywords

[No Author keywords available]

Indexed keywords

ABSTRACTING;

CONCEPTUAL FRAMEWORKS; CONTROL STRUCTURE; HOLISTIC APPROACH; MAPPING DESIGN; MAPPING TECHNIQUES; PHYSICAL ACTION; SONIC EVENT; SOUND SYNTHESIS;

MAPPING;

EID: 84911215272     PISSN: 01489267     EISSN: 15315169     Source Type: Journal    
DOI: 10.1162/COMJ_a_00253     Document Type: Article

References (36)

1. Arfib, D., et al. 2002. "Strategies of Mapping between Gesture Data and Synthesis Model Parameters Using Perceptual Spaces." Organised Sound 7(2):127-144.
2. Axen, U. 1998. "Topological Analysis Using Morse Theory and Auditory Display." PhD Dissertation, University of Illinois at Urbana-Champaign.
3. Bencina, R. 2005. "The Metasurface: Applying Natural Neighbor Interpolation to Two-to-Many Mappings." In Proceedings of the Conference on New Interfaces for Musical Expression, pp. 101-104.
4. Bevilaqua, F., R. Muller, and N. Schnell. 2005. "MnM: A Max/MSP Mapping Toolbox." In Proceedings of the Conference on New Interfaces for Musical Expression, pp. 85-88.
5. Bowler, I., et al. 1990. "On Mapping N Articulation onto M Synthesiser-Control Parameters." In Proceedings of the International Computer Music Conference, pp. 181-184.
6. Chadabe, J. 2002. "The Limitations of Mapping as a Structural Descriptive in Electronic Music." In Proceedings of the Conference on New Interfaces for Musical Expression, pp. 38-42.
7. Doornbusch, P. 2010. "Mapping in Algorithmic Composition and Related Practices." PhD Dissertation, Royal Melbourne Institute of Technology, Melbourne, Victoria, Australia.
8. Eigenfeldt, A., and P. Pasquier. 2010. "Real-Time Timbral Organisation: Selecting Samples Based upon Similarity." Organised Sound 15(02):159-166.
9. Godøy, R. I., and M. Leman, eds. 2009. Musical Gestures: Sound, Movement, and Meaning. Abingdon, UK: Routledge.
10. Goudeseune, C. 2002. "Interpolated Mappings for Musical Instruments." Organised Sound 7(2):85-96.
11. Hülsen, H. 2008. "Learning Controller for Microrobots." In S. Fatikow, ed. Automated Nanohandling by Microrobots. Berlin: Springer, pp. 57-101.
12. Hunt, A., and R. Kirk. 2000. "Mapping Strategies for Musical Performance." In M. M. Wanderley and M. Battier, eds. Trends in Gestural Control of Music. Paris: Institut de Recherche et de Coordination Acoustique/Musique, pp. 231-258. Available online at www.music.mcgill.ca/∼mwanderley/Trends/Trends in Gestural Control of Music/DOS/HunKir.pdf. Accessed April 2014.
13. Hunt, A., and M. Wanderley. 2002. "Mapping Performance Parameters to Synthesis Engines." Organised Sound 7(2):97-108.
14. McAulay, R., and T. Quatieri. 1986. "Speech Analysis/Synthesis Based on a Sinusoidal Representation." IEEE Transactions on Acoustics, Speech, and Signal Processing 34(4):744-754.
15. Métois, E. 1996. "Musical Sound Information." PhD Dissertation, Massachusetts Institute of Technology, Cambridge, Massachusetts.
16. Milne, A., W. Sethares, and J. Plamondon. 2007. "Iso-morphic Controllers and Dynamic Tuning: Invariant Fingering over a Tuning Continuum." Computer Music Journal 31(4):15-32.
17. Miranda, E. R., and M. Wanderley. 2006. New Digital Musical Instruments: Control and Interaction beyond the Keyboard. Middleton, Wisconsin: A-R Editions.
18. Mitas, L., and H. Mitasova. 1988. "General Variational Approach to the Interpolation Problem." Computers and Mathematics with Applications 16:983-992.
19. Mitasova, H., and L. Mitas. 1993. "Interpolation by Regularized Spline with Tension: I. Theory and Implementation." Mathematical Geology 25(6):641-655.
20. Momeni, A., and C. Henry. 2006. "Dynamic Independent Mapping Layers for Concurrent Control of Audio and Video Synthesis." Computer Music Journal 30(1):49-66.
21. Momeni, A., and D. Wessel. 2003. "Characterizing and Controlling Musical Material Intuitively with Geometric Models." In Proceedings of the Conference on New Interfaces for Musical Expression, pp. 54-62.
22. Rovan, J., et al. 1997. "Instrumental Gestural Mapping Strategies as Expressive Determinants in Computer Music Performance." In Proceedings of Kansei: The Technology of Emotion Workshop, pp. 68-73.
23. Schnell, N., and M. Battier. 2002. "Introducing Composed Instruments, Technical and Musicological Implications." In Proceedings of the Conference on New Interfaces for Musical Expression, pp. 138-142.
24. Schoner, B., et al. 1999. "Data-Driven Modeling of Acoustical Instruments." Journal of New Music Research 28(2):81-89.
25. Serafin, S., et al. 1999. "Gestural Control of a Real-Time Physical Model of a Bowed String Instrument." In Proceedings of the International Computer Music Conference, pp. 375-378.
26. Sibson, R. 1981. "A Brief Description of Natural Neighbor Interpolation." In Interpreting Multivariate Data. Hoboken, New Jersey: Wiley, pp. 21-36.
27. Tanaka, A. 2010. "Mapping Out Instruments, Affordances, and Mobiles." In Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 88-93.
28. Van Nort, D. 2009. "Instrumental Listening: Sonic Gesture as Design Principle." Organised Sound 14(2):177-187.
29. Van Nort, D. 2010a. "Modular and Adaptive Control of Sound Processing." PhD Dissertation, McGill University, Montreal, Quebec.
30. Van Nort, D. 2010b. "Multidimensional Scratching, Sound Shaping and Triple Point." Leonardo Music Journal 20:17-18.
31. Van Nort, D., P. Oliveros, and J. Braasch. 2013. "Electro/Acoustic Improvisation and Deeply Listening Machines." Journal of New Music Research 42(4):303-324.
32. Van Nort, D., and M. Wanderley. 2006. "The LoM Mapping Toolbox for Max/MSP/Jitter." In Proceedings of the International Computer Music Conference, pp. 397-400.
33. Van Nort, D., and M. Wanderley. 2007. "Control Strategies for Navigation of Complex Sonic Spaces." In Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 379-382.
34. Van Nort, D., M. Wanderley, and P. Depalle. 2004. "On the Choice of Mappings Based on Geometric Properties." In Proceedings of the Conference on New Interfaces for Musical Expression, pp. 87-91.
35. Wanderley, M., N. Schnell, and J. Rovan. 1998. "Escher: Modeling and Performing Composed Instruments in Real Time." In Proceedings of the IEEE International Conference on Systems, Man, and Cybernetics, pp. 1040-1044.
36. Wessel, D., and M. Wright. 2002. "Problems and Prospects for Intimate Musical Control of Computers." Computer Music Journal 26(3):11-22.