-
2
-
-
72449146200
-
The interrogator as critic: The turing test and the evaluation of generative music systems
-
Ariza, C. (2009). The interrogator as critic: The turing test and the evaluation of generative music systems. Computer Music Journal, 33(2), 48-70.
-
(2009)
Computer Music Journal
, vol.33
, Issue.2
, pp. 48-70
-
-
Ariza, C.1
-
3
-
-
34547550540
-
Omax brothers: A dynamic topology of agents for improvisation learning
-
New York,: ACM
-
Assayag, G., Bloch, G., Chemillier, M., Cont, A., & Dubnov, S. (2006). Omax brothers: A dynamic topology of agents for improvisation learning. In ACM multimedia workshop on audio and music computing for multimedia (pp. 125-132). New York: ACM.
-
(2006)
ACM multimedia workshop on audio and music computing for multimedia
, pp. 125-132
-
-
Assayag, G.1
Bloch, G.2
Chemillier, M.3
Cont, A.4
Dubnov, S.5
-
4
-
-
25844465951
-
Using factor oracles for machine improvisation
-
Assayag, G., & Dubnov, S. (2004). Using factor oracles for machine improvisation. Soft Computing-A Fusion of Foundations, Methodologies and Applications, 8(9), 604-610.
-
(2004)
Soft Computing-A Fusion of Foundations, Methodologies and Applications
, vol.8
, Issue.9
, pp. 604-610
-
-
Assayag, G.1
Dubnov, S.2
-
6
-
-
2942528770
-
On the use of phase and energy for musical onset detection in the complex domain
-
Bello, J. P., Duxbury, C., Davies, M., & Sandler, M. (2004). On the use of phase and energy for musical onset detection in the complex domain. IEEE Signal Processing Letters, 11, 553-556.
-
(2004)
IEEE Signal Processing Letters
, vol.11
, pp. 553-556
-
-
Bello, J.P.1
Duxbury, C.2
Davies, M.3
Sandler, M.4
-
7
-
-
77951838117
-
Wireless sensor interface and gesture-follower for music pedagogy
-
ACM
-
Bevilacqua, F., Guédy, F., Schnell, N., Fléty, E., & Leroy, N. (2007). Wireless sensor interface and gesture-follower for music pedagogy. In Proceedings of the 7th international conference on new interfaces for musical expression (pp. 124-129). ACM.
-
(2007)
Proceedings of the 7th international conference on new interfaces for musical expression
, pp. 124-129
-
-
Bevilacqua, F.1
Guédy, F.2
Schnell, N.3
Fléty, E.4
Leroy, N.5
-
8
-
-
78650411088
-
Continuous realtime gesture following and recognition
-
Berlin,: Springer
-
Bevilacqua, F., Zamborlin, B., Sypniewski, A., Schnell, N., Guédy, F., & Rasamimanana, N. (2010). Continuous realtime gesture following and recognition. Gesture in embodied communication and human-computer interaction, (Lecture Notes in Computer Science, Vol. 5934, pp. 73-84). Berlin: Springer.
-
(2010)
Gesture in embodied communication and human-computer interaction
, pp. 73-84
-
-
Bevilacqua, F.1
Zamborlin, B.2
Sypniewski, A.3
Schnell, N.4
Guédy, F.5
Rasamimanana, N.6
-
9
-
-
85003513261
-
-
Blackwell, T., & Young, M. (2004). Self-organised music. Organised Sound, 9(2), 123-136.
-
(2004)
Self-organised music. Organised Sound
, vol.9
, Issue.2
, pp. 123-136
-
-
Blackwell, T.1
Young, M.2
-
10
-
-
54249147450
-
A loudspeaker-based projection technique for spatial music applications using virtual microphone control
-
Braasch, J., Peters, N., & Valente, D. L. (2008). A loudspeaker-based projection technique for spatial music applications using virtual microphone control. Computer Music Journal, 32(3), 55-71.
-
(2008)
Computer Music Journal
, vol.32
, Issue.3
, pp. 55-71
-
-
Braasch, J.1
Peters, N.2
Valente, D.L.3
-
11
-
-
84890748675
-
A creative artificially-intuitive and reasoning agent in the context of live music improvisation
-
Ewing, NJ,: The College of New Jersey
-
Braasch, J., Van Nort, D., Oliveros, P., Bringsjord, S., Govindarajulu, N.S., Kuebler, C., & Parks, A. (2012). A creative artificially-intuitive and reasoning agent in the context of live music improvisation. In Music, mind, and invention workshop: creativity at the intersection of music and computation (available at http://www.tcnj.edu/mmi/papers/Paper41.pdf). Ewing, NJ: The College of New Jersey.
-
(2012)
Music, mind, and invention workshop: Creativity at the intersection of music and computation
-
-
Braasch, J.1
Van Nort, D.2
Oliveros, P.3
Bringsjord, S.4
Govindarajulu, N.S.5
Kuebler, C.6
Parks, A.7
-
14
-
-
84923884578
-
Beginner's mind: An environment for sonic improvisation
-
International Computer Music Association (ICMA)
-
Ciufo, T. (2005). Beginner's mind: an environment for sonic improvisation. Proceedings of the International Computer Music Conference (ICMC) (pp. 781-784). International Computer Music Association (ICMA).
-
(2005)
Proceedings of the International Computer Music Conference (ICMC)
, pp. 781-784
-
-
Ciufo, T.1
-
15
-
-
82455172782
-
-
In: Collins N., d'Escrivan J., editors Cambridge,: Cambridge University Press
-
Collins, N. (2007). In N. Collins, and J. d'Escrivan (Eds.), The Cambridge companion to electronic music (pp. 171-184). Cambridge: Cambridge University Press.
-
(2007)
The Cambridge companion to electronic music
, pp. 171-184
-
-
Collins, N.1
-
17
-
-
0036214787
-
YIN, a fundamental frequency estimator for speech and music
-
de Cheveigné, A., & Kawahara, H. (2002). YIN, a fundamental frequency estimator for speech and music. The Journal of the Acoustical Society of America, 111, 1917-1930.
-
(2002)
The Journal of the Acoustical Society of America
, vol.111
, pp. 1917-1930
-
-
Cheveigné, A.1
Kawahara, H.2
-
18
-
-
0037410616
-
PCA-based branch and bound search algorithms for computing nearest neighbors
-
D'haes, W., van Dyck, D., & Rodet, X. (2003). PCA-based branch and bound search algorithms for computing nearest neighbors. Pattern Recognition Letters, 24(9-10), 1437-1451.
-
(2003)
Pattern Recognition Letters
, vol.24
, Issue.9-10
, pp. 1437-1451
-
-
D'haes, W.1
Dyck, D.2
Rodet, X.3
-
21
-
-
54249160852
-
A performer-controlled live sound-processing system: New developments and implementations of the expanded instrument system
-
Gamper, D., & Oliveros, P. (1998). A performer-controlled live sound-processing system: New developments and implementations of the expanded instrument system. Leonardo Music Journal, 8, 33-38.
-
(1998)
Leonardo Music Journal
, vol.8
, pp. 33-38
-
-
Gamper, D.1
Oliveros, P.2
-
23
-
-
78650134618
-
Strategies for managing timbre and interaction in automatic improvisation systems
-
Hsu, W. (2010). Strategies for managing timbre and interaction in automatic improvisation systems. Leonardo Music Journal, 20, 33-39.
-
(2010)
Leonardo Music Journal
, vol.20
, pp. 33-39
-
-
Hsu, W.1
-
24
-
-
79957608430
-
Evaluating interactive music systems: An HCI approach
-
Pittsburgh, Pennsylvania,: Carnegie Mellon University
-
Hsu, W., & Sosnick, M. (2009). Evaluating interactive music systems: An HCI approach. Proceedings of New Interfaces for Musical Expression (NIME) (pp. 25-28). Pittsburgh, Pennsylvania: Carnegie Mellon University.
-
(2009)
Proceedings of New Interfaces for Musical Expression (NIME)
, pp. 25-28
-
-
Hsu, W.1
Sosnick, M.2
-
28
-
-
33745872102
-
Too many notes: Computers, complexity and culture in voyager
-
Lewis, G. (2000). Too many notes: Computers, complexity and culture in voyager. Leonardo Music Journal, 10, 33-39.
-
(2000)
Leonardo Music Journal
, vol.10
, pp. 33-39
-
-
Lewis, G.1
-
30
-
-
61049241623
-
-
San Diego, CA,: Center for Music Experiment and Related Research, University of California at San Diego
-
Oliveros, P. (1979). Software for people. San Diego, CA: Center for Music Experiment and Related Research, University of California at San Diego.
-
(1979)
Software for people
-
-
Oliveros, P.1
-
31
-
-
84890680300
-
-
London,: Paradigm Records
-
Oliveros, P. (1997). Electronic Works 1965/66. Paradigm Records PD04. [Tracks originally released on vinyl in 1965-1966.] London: Paradigm Records.
-
(1997)
Electronic Works 1965/66
-
-
Oliveros, P.1
-
32
-
-
84890626590
-
The expanded instrument system: Introduction and brief history
-
In: Hugilland A., Harwood T., editors Leicester, UK,: De Montfort University
-
Oliveros, P. (2008). The expanded instrument system: Introduction and brief history. In A. Hugilland T. Harwood (Eds.), The Future of Creative Technologies, Journal of the Institute of Creative Technologies (pp. 21-23). Leicester, UK: De Montfort University.
-
(2008)
The Future of Creative Technologies, Journal of the Institute of Creative Technologies
, pp. 21-23
-
-
Oliveros, P.1
-
33
-
-
84890676529
-
Expanded instrument system (EIS)
-
International Computer Music Association (ICMA)
-
Oliveros, P. & Panaiotis, (1991). Expanded instrument system (EIS). In Proceedings of the 1991 International Computer Music Conference (ICMC 91), Montreal, QC, Canada (pp. 404-407). International Computer Music Association (ICMA).
-
(1991)
Proceedings of the 1991 International Computer Music Conference (ICMC 91), Montreal, QC, Canada
, pp. 404-407
-
-
Oliveros, P.1
Panaiotis2
-
34
-
-
33751537867
-
The continuator: Musical interaction with style
-
Pachet, F. (2003). The continuator: Musical interaction with style. Journal of New Music Research, 32(3), 333-341.
-
(2003)
Journal of New Music Research
, vol.32
, Issue.3
, pp. 333-341
-
-
Pachet, F.1
-
35
-
-
76949107820
-
Sound indexing using morphological description
-
Peeters, G., & Deruty, E. (2010). Sound indexing using morphological description. IEEE Transactions on Audio, Speech and Language Processing, 3(18), 675-687.
-
(2010)
IEEE Transactions on Audio, Speech and Language Processing
, vol.3
, Issue.18
, pp. 675-687
-
-
Peeters, G.1
Deruty, E.2
-
36
-
-
44649129602
-
An efffect of the coherence between envelopes across frequency regions on the perception of roughness
-
London,: World Scientific
-
Pressnitzer, D., & McAdams, S. (1999). An efffect of the coherence between envelopes across frequency regions on the perception of roughness. In Psychophysics, Physiology and Models of Hearing (pp. 105-108). London: World Scientific.
-
(1999)
Psychophysics, Physiology and Models of Hearing
, pp. 105-108
-
-
Pressnitzer, D.1
McAdams, S.2
-
37
-
-
0035439837
-
Localization of amplitude-panned virtual sources, Part 1: Stereophonic panning
-
Pulkki, V., & Karjalainen, M. (2001). Localization of amplitude-panned virtual sources, Part 1: Stereophonic panning. Journal of the Audio Engineering Society, 49, 739-752.
-
(2001)
Journal of the Audio Engineering Society
, vol.49
, pp. 739-752
-
-
Pulkki, V.1
Karjalainen, M.2
-
39
-
-
79959587505
-
Emergent formal structures of factor oracle-driven musical improvisations
-
Berlin,: Springer
-
Schankler, I., Smith, J. B., François, A. R., & Chew, E. (2011). Emergent formal structures of factor oracle-driven musical improvisations. In Mathematics and Computation in Music (pp. 241-254). Berlin: Springer.
-
(2011)
Mathematics and Computation in Music
, pp. 241-254
-
-
Schankler, I.1
Smith, J.B.2
François, A.R.3
Chew, E.4
-
40
-
-
33745093388
-
FTM - Complex data structures for Max
-
Schnell, N., Borghesi, R., Schwarz, D., Bevilacqua, F. & Muller, R. (2005). FTM - Complex data structures for Max. In Proceedings of 2005 International Computer Music Conference (ICMC 05).
-
(2005)
Proceedings of 2005 International Computer Music Conference (ICMC 05)
-
-
Schnell, N.1
Borghesi, R.2
Schwarz, D.3
Bevilacqua, F.4
Muller, R.5
-
41
-
-
85032751306
-
Corpus-based concatenative synthesis
-
Schwarz, D. (2007). Corpus-based concatenative synthesis. IEEE Signal Processing Magazine, 24(2), 92-104.
-
(2007)
IEEE Signal Processing Magazine
, vol.24
, Issue.2
, pp. 92-104
-
-
Schwarz, D.1
-
42
-
-
84872734914
-
Principles and applications of interactive corpus-based concatenative synthesis
-
GMEA, Albi, France
-
Schwarz, D., Cahen, R. & Britton, S. (2008). Principles and applications of interactive corpus-based concatenative synthesis. In Journees d'Informatique Musicale. GMEA, Albi, France.
-
(2008)
Journees d'Informatique Musicale
-
-
Schwarz, D.1
Cahen, R.2
Britton, S.3
-
43
-
-
78650991436
-
Ozone: Continuous state-based media choreography system for live performance
-
New York,: ACM
-
Sha, X. W., Fortin, M., Navab, N., & Sutton, T. (2010). Ozone: continuous state-based media choreography system for live performance. Proceedings of the international conference on multimedia (pp. 1383-1392). New York: ACM.
-
(2010)
Proceedings of the international conference on multimedia
, pp. 1383-1392
-
-
Sha, X.W.1
Fortin, M.2
Navab, N.3
Sutton, T.4
-
44
-
-
0038200315
-
Spectromorphology: Explaining sound-shapes
-
Smalley, D. (1997). Spectromorphology: Explaining sound-shapes. Organised Sound, 2(2), 107-126.
-
(1997)
Organised Sound
, vol.2
, Issue.2
, pp. 107-126
-
-
Smalley, D.1
-
45
-
-
84890586480
-
-
(2009. Sound Shadows. Deep Listening DL-DD1, Kingston, NY,: Deep Listening Records
-
Triple Point, & Dempster, S. (2009. Sound Shadows. Deep Listening DL-DD1. Kingston, NY: Deep Listening Records.
-
-
-
Triple, P.1
Dempster, S.2
-
46
-
-
84890686992
-
-
n.d., (Last accessed September 30, 2013)
-
Van Nort, D. (n.d.). FILTER. http://www.dvntsea.com/filter.html(Last accessed September 30, 2013).
-
FILTER
-
-
Van Nort, D.1
-
48
-
-
77951782822
-
Instrumental listening: Sonic gesture as design principle
-
Van Nort, D. (2009). Instrumental listening: Sonic gesture as design principle. Organised Sound, 14(2), 177-187.
-
(2009)
Organised Sound
, vol.14
, Issue.2
, pp. 177-187
-
-
Nort, D.1
-
50
-
-
84905164080
-
A system for musical improvisation combining sonic gesture recognition and genetic algorithms
-
Van Nort, D., Braasch, J., & Oliveros, P. (2009). A system for musical improvisation combining sonic gesture recognition and genetic algorithms. In Proceedings of the 6th sound and music computing conference, Porto, Portugal (pp. 131-136).
-
(2009)
Proceedings of the 6th sound and music computing conference, Porto, Portugal
, pp. 131-136
-
-
Van Nort, D.1
Braasch, J.2
Oliveros, P.3
-
51
-
-
84867386557
-
Sound texture recognition through dynamical systems modeling of empirical mode decomposition
-
Van Nort, D., Braasch, J., & Oliveros, P. (2012). Sound texture recognition through dynamical systems modeling of empirical mode decomposition. Journal of the Acoustical Society of America, 132(4), 2734-2744.
-
(2012)
Journal of the Acoustical Society of America
, vol.132
, Issue.4
, pp. 2734-2744
-
-
Nort, D.1
Braasch, J.2
Oliveros, P.3
-
54
-
-
0001894143
-
Timbre space as a musical control structure
-
Wessel, D. (1979). Timbre space as a musical control structure. Computer Music Journal, 3(2), 45-52.
-
(1979)
Computer Music Journal
, vol.3
, Issue.2
, pp. 45-52
-
-
Wessel, D.1
-
56
-
-
2542525254
-
A study of the characteristics of white noise using the empirical mode decomposition method
-
Wu, Z., & Huang, N. E. (2004). A study of the characteristics of white noise using the empirical mode decomposition method. Proceedings of the Royal Society. Mathematical, Physical and Engineering Sciences, 460(2046), 1597-1611.
-
(2004)
Proceedings of the Royal Society. Mathematical, Physical and Engineering Sciences
, vol.460
, Issue.2046
, pp. 1597-1611
-
-
Wu, Z.1
Huang, N.E.2
|