Imagination, philosophy, and the arts

Imagination, Philosophy, and the Arts

Volumn , Issue , 2003, Pages 1-321

  Kieran, Matthew ^a   Lopes, Dominic McIver ^b  

^a UNIVERSITY OF LEEDS   (United Kingdom)

^b UNIVERSITY OF BRITISH COLUMBIA   (Canada)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84909326480     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203498644     Document Type: Book

References (320)

1. Allen, R. (1995) Projecting Illusion: Film Spectatorship and the Impression of Reality, New York: Cambridge University Press.
2. Allen, R. (1997) "Looking at Motion Pictures," in R.Allen and M.Smith (eds) Film Theory and Philosophy, Oxford: Oxford University Press.
3. Aristotle (1958) On Poetry and Style, trans. G.M.A.Grube, Indianapolis: Hackett.
4. Aristotle (1987) The Poetics, ed. and trans. S.Halliwell, London: Duckworth.
5. Austen, J. (1992) Sense and Sensibility, New York: Everymans Library.
6. Bal, M. (1997) Narratology: Introduction to the Theory of Narrative, 2nd edn, Toronto: University of Toronto Press.
7. Barkow, J., Cosmides, L. and Tooby, J. eds (1992) The Adapted Mind, New York: Oxford University Press.
8. Barnes, H. (1959) The Literature of Possibility, Lincoln: University of Nebraska Press.
9. Batson, C. (1991) The Altruism Question: Toward a Social Psychological Answer, Hillsdale NJ: Lawrence Erlbaum.
10. Batson C. and Shaw, L. (1991) "Evidence for Altruism: Towards a Pluralism of Prosocial Motives," Psychological Inquiry 2: 107-22.
11. Beardsmore, R.W. (1984) "Literary Examples and Philosophical Confusion," in A.P.Griffiths (ed.) Philosophy and Literature, Cambridge: Cambridge University Press.
12. Bechara, A., Damasio, A., Damasio, H. and Anderson, S. (1994) "Insensitivity to Future Consequences Following Damage to Human Prefrontal Cortex," Cognition 50: 7-15.
13. Berbaum, K. and Chung, C.C. (1981) "Müller-Lyer Illusion Induced by Imagination," Journal of Mental Imagery 5: 125-8.
14. Blum, L. (1994) Moral Perception and Particularity, Cambridge: Cambridge University Press.
15. Booth, W. (1961) The Rhetoric of Fiction, Chicago: Chicago University Press.
16. Bordwell, D. (1989) Making Meaning, Cambridge: Harvard University Press.
17. Bordwell D.and Thompson K. (1990) Film Art: An Introduction, New York: McGraw-Hill.
18. Bouldin, P. and Pratt, C. (2001) "The Ability of Children with Imaginary Companions to Differentiate Between Fantasy and Reality," British Journal of Developmental Psychology 19: 99-114.
19. Bourchier, A. and Davis, A. (2000a) "Individual and Developmental Differences in Children's Understanding of the Fantasy-Reality Distinction," British Journal of Developmental Psychology 18: 353-68.
20. Bourchier, A. (2000b) "The Influence of Availability and Affect on Children's Pretence," British Journal of Developmental Psychology 18: 137-56.
21. Bouwsma, A.K. (1954) "The Expression Theory of Art," in W.Elton (ed.) Aesthetics and Language, Oxford: Blackwell.
22. Boyd, R. and Richerson, P. (1996) "Why Culture Is Common but Cultural Evolution Is Rare," Proceedings of the British Academy 88: 77-93.
23. Bradley, A.C. (1974) Shakespearean Tragedy, London: Macmillan.
24. Brook, D. (1969) "Perception and the Appraisal of Sculpture," Journal of Aesthetics and Art Criticism 27: 323-30.
25. Bruell, M.J. and Woolley, J.D. (1998) "Young Children's Understanding of Diversity in Pretence," Cognitive Development 13: 257-77.
26. Budd, M. (1989) "Music and the Communication of Emotion," Journal of Aesthetics and Art Criticism 47: 129-38.
27. Budd, M. (1995) Values of Art: Pictures, Poetry, and Music, London: Penguin.
28. Bullough, E. (1957) "'Psychical Distance' as a Factor in Art and an Aesthetic Principle," in E.Wilkinson (ed.) Aesthetics: Lectures and Essays, Stanford: Stanford University Press.
29. Camus, A. (1948) The Plague, trans. S.Gilbert, New York: Modern Library.
30. Carpenter, P.A. and Eisenberg, P. (1978) "Mental Rotation and the Frame of Reference in Blind and Sighted Individuals," Perception andPsychophysics 23: 117-24.
31. Carpenter, R. (1960) Greek Sculpture, Chicago: University of Chicago Press.
32. Carroll, L. (2000) The Annotated Alice: The Definitive Edition, ed.Martin Gardner, London: Penguin.
33. Carroll, N. (1990) The Philosophy of Horror, Or Paradoxes of the Heart, London: Routledge.
34. Carroll N. (1991) "Art, Narrative, and Emotion," in M.Hjort and S.Laver (eds) Emotion and the Arts, New York: Oxford University Press.
35. Carroll N.(1996a) "Prospects for Film Theory," in D.Bordwell and N.Carroll (eds) Post-Theory: Reconstructing Film Studies, Wisconsin: University of Wisconsin Press.
36. Carroll N. (1996b) Theorizing the Moving Image, Cambridge: Cambridge University Press.
37. Carroll N. (1997) "Simulation, Emotions and Morality," in G.Hoffmann and A.Hornung (eds) Emotion in Postmodernism, Heidelberg: Universitätsverlag C.Winter.
38. Carroll N. (1998a) A Philosophy of Mass Art, New York: Oxford University Press.
39. Carroll N. (1998b) "Art, Narrative, and Moral Understanding," in J.Levinson (ed.) Aesthetics and Ethics, Cambridge: Cambridge University Press.
40. Carroll N. (1999) Philosophy of Art: A Contemporary Introduction, London: Routledge.
41. Carroll N. (2001a) "Moderate Moralism," in Beyond Aesthetics, Cambridge: Cambridge University Press.
42. Carroll N. (2001b) "The Wheel of Virtue: Art, Literature, and Moral Knowledge," Journal of Aesthetics and Art Criticism 60: 3-26.
43. Carruthers, P. (2002) "Human Creativity: Its Cognitive Basis, Its Evolution, and Its Connection with Childhood Pretence," British Journal for the Philosophy of Science 53: 225-49.
44. Carruthers P. and Smith, P. eds (1996) Theories of Theories of Mind, Cambridge: Cambridge University Press.
45. Ceci, S.J. and Bruck, M. (1993) "Suggestibility of the Child Witness," Psychological Bulletin 113: 403-39.
46. Ceci S.J. and Friedman, R. (2000) "The Suggestibility of Children," Cornell Law Review 86: 33-108.
47. Chambers, D. and Reisberg, D. (1985) "Can Mental Images Be Ambiguous?," Journal of Experimental Psychology: Human Perception and Performance 11: 317-28.
48. Chater, N. and Oaksford, M. (1996) "Deontic Reasoning, Modules and Innateness: A Second Look," Mind and Language 11: 191-202.
49. Chute, C. (1985) The Beans of Egypt, Maine, New York: Warner.
50. Cohen, J. (1999) "Holism: Some Reasons for Buyer's Remorse," Analysis 59: 63-77.
51. Cosmides, L. and Tooby, J. (1992) "Cognitive Adaptations for Social Exchange," in J.Barkow, L.Cosmides, and J.Tooby (eds) The Adapted Mind, New York: Oxford University Press.
52. Cook, J. (1969) "Human Beings," in P.Winch (ed.) Studies in the Philosophy of Wittgenstein, London: Routledge.
53. Crane, T. (1988) "The Waterfall Illusion," Analysis 48: 142-7.
54. Craver-Lemley, C. and Reeves, A. (1992) "How Visual Imagery Interferes with Vision," Psychological Review 99: 633-49.
55. Cummins, D.D. (1996) "Evidence for the Innateness of Deontic Reasoning," Mind and Language 11: 160-90.
56. Currie, G. (1990) The Nature of Fiction, Cambridge: Cambridge University Press.
57. Currie, G. (1991) "Visual Fictions," The Philosophical Quarterly 41: 129-43.
58. Currie, G. (1995a) Image and Mind: Film, Philosophy and Cognitive Science, Cambridge: Cambridge University Press.
59. Currie, G. (1995b) "Imagination and Simulation: Aesthetics Meets Cognitive Science," in M.Davies and T.Stone (eds) Mental Simulation, Oxford: Blackwell.
60. Currie, G. (1997) "The Paradox of Caring: Fiction and the Philosophy of Mind," in M.Hjort and S.Laver (eds) Emotion and the Arts, New York: Oxford University Press.
61. Currie, G. (1998) "Reply to my Critics," Philosophical Studies 89: 355-66.
62. Currie, G. (2002) "Desire in Imagination," in T.Gendler and J.Hawthorn (eds) Imagination, Conceivability and Possibility, New York: Oxford University Press.
63. Currie, G. forthcoming Meeting of Minds: Thought, Imagination and Perception, Oxford: Oxford University Press.
64. Currie, G. in preparation "Art and the Evolution of Mind," Journal of Aesthetics and Art Criticism.
65. Currie, G. and Jureidini J. (2003) "Making the World Fictional," Monist.
66. Currie, G. and Ravenscroft I. (2002) Recreative Minds: Image and Imagination in Philosophy and Psychology, Oxford: Oxford University Press.
67. Currie, G. and Sterelny K. (2000) "How to Think about the Modularity of Mindreading," Philosophical Quarterly 50: 145-60.
68. Dadlez, E. (1996) "Fiction, Emotion and Rationality," British Journal of Aesthetics 36: 290-304.
69. Damasio, A. (1994) Descartes' Error: Emotion, Reason and the Human Brain, New York: Harper Collins.
70. Damasio, A. (1999) The Feeling of What Happens: Body and Emotion in the Making of Consciousness, New York: Harcourt.
71. Damasio, A., Tranel, D. and Damasio, H. (1991) "Somatic Markers and the Guidance of Behavior: Theory and Preliminary Testing," in H.Levin, H.M.Eisenberg, and A.L.Benton (eds) Frontal Lobe Function and Dysfunction, New York: Oxford University Press.
72. Darwall, S. (1998) "Empathy, Sympathy, Care," Philosophical Studies 89: 261-82.
73. Davidson, D. (1974) "Belief and the Basis of Meaning," Synthese 27: 309-23.
74. Davidson, D. (1984) "What Metaphors Mean," in Inquiries into Truth and Interpretation, Oxford: Oxford University Press.
75. Davies, D. (1999) "Living in the 'Space of Reasons': The 'Rationality Debate' Revisited," International Studies in the Philosophy of Science 13: 231-44.
76. Davies, D. (2000) "Fiction," in B.Gaut and D.M.M.Lopes (eds) Routledge Companion to Aesthetics, London: Routledge.
77. Davies, M. and Stone, T. eds (1995a ) Folk Psychology: The Theory of Mind Debate, Oxford: Blackwell.
78. Davies, M. (1995b) Mental Simulation: Evaluations and Applications, Oxford: Blackwell.
79. Davies, S. (1994) Musical Meaning and Expression, Ithaca: Cornell University Press.
80. Debellis, M. (1995) Music and Conceptualization, Cambridge: Cambridge University Press.
81. DeRenzi, E. (1982) Disorders of Spatial Exploration and Cognition, New York: Wiley.
82. de Sousa, R. (1987) The Rationality of Emotion, Cambridge: MIT Press.
83. de Sousa R. (1997) "Fetishism and Objectivity in Aesthetic Emotion," in M.Hjort and S.Laver (eds) Emotion and the Arts, New York: Oxford University Press.
84. Dennett, D. (1984) Elbow Room, Cambridge: MIT Press.
85. Devereaux, M. (1998) "Beauty and Evil: the Case of Leni Riefenstahl's Triumph of the Will ," in J.Levinson (ed.) Aesthetics and Ethics, Cambridge: Cambridge University Press.
86. Dickie, G. (1964) "The Myth of the Aesthetic Attitude," American Philosophical Quarterly 1: 56-66.
87. Dodd, J. (1995) "McDowell and Identity Theories of Truth," Analysis 55: 160-5.
88. Epstein, E.J. (1992) "Epitaph for Jim Garrison: Romancing the Assassination," New Yorker, November 30.
89. Esrock, E. (1994) The Reader's Eye, Baltimore: Johns Hopkins University Press.
90. Estes, D., Wellman, H. and Wooley, J. (1989) "Children's Understanding of Mental Phenomena," in H.W.Reese (ed.) Advances in Child Development and Behavior, San Diego: Academic Press.
91. Farr, R. and Moscovici, S. eds (1984 ) Social Representations, Cambridge: Cambridge University Press.
92. Fauconnier, G. and Mark, T. (1998) "Conceptual Integration Networks," Cognitive Science 22: 133-87.
93. Feagin, S. (1996) Reading with Feeling: The Aesthetics of Appreciation, Ithaca: Cornell University Press.
94. Finke, R.A. (1990) Creative Imagery: Discoveries and Inventions in Visualization, Hillsdale NJ: Lawrence Erlbaum.
95. Fiske, S.T. and Taylor, S.E. (1984) Social Cognition, New York: Random House.
96. Flew, A. ed. (1979) A Dictionary of Philosophy, London: Pan.
97. Fodor, J. (1983) The Modularity of Mind. An Essay on Faculty Psychology, Cambridge: MIT Press.
98. Fodor J. (1998) Concepts, Oxford: Oxford University Press.
99. Frankfurt, H. (1982) "Freedom of the Will and the Concept of a Person," in G.Watson (ed.) Free Will, Oxford: Oxford University Press.
100. Fraser, A. (2001) Marie Antoinette: The Journey, London: Weidenfeld and Nicolson.
101. Freud, S. (1959) The Standard Edition of the Complete Psychological Works of Sigmund Freud, ed. and trans.James Strachey, London: Hogarth.
102. Friedman, M. (2000) A Parting of the Ways: Carnap, Cassirer and Heidegger, Chicago: Open Court Press.
103. Friend, S. (2000a) "Real People in Unreal Contexts," in A.Everett and T.Hofweber (eds) Empty Names, Fiction and the Puzzles of Non-Existence, Stanford: CSLI Publications.
104. Friend, S. (2000b) Review of Fiction and Metaphysics by Amie L.Thomasson, Mind 109: 997-1000.
105. Fuchser, L.W. (1982) Neville Chamberlain and Appeasement, New York: Norton.
106. Fuller, G. (1995) "Simulation and Psychological Concepts," in M.Davies and T.Stone (eds) Mental Simulation: Evaluations and Applications, Oxford: Blackwell.
107. Gaut, B. (1993) "The Paradox of Horror," British Journal of Aesthetics 33: 333-5.
108. Gaut B. (1998) "The Ethical Criticism of Art," in J.Levinson (ed.) Aesthetics and Ethics, Cambridge: Cambridge University Press.
109. Gaut B. forthcoming "Philosophy of the Movies: Cinematic Narration," in P.Kivy (ed.) The Blackwell Guide to Aesthetics, Oxford: Blackwell.
110. Gelman, S.A. and Wellman, H.M. (1999) "Insides and Essences: Early Understandings of the Non-Obvious," in E.Margolis and S.Laurence (eds) Concepts, Cambridge: MIT Press.
111. Gendler, T.S. (2000) "The Puzzle of Imaginative Resistance," Journal of Philosophy 97: 55-81.
112. Gendler T.S. forthcoming "Fictional Emotions," in M.Kieran (ed.) Contemporary Debates in Aesthetics and the Philosophy of Art, Oxford: Blackwell.
113. Genette, G. (1980) Narrative Discourse, trans. J.Lewin, Ithaca: Cornell University Press.
114. German, T.P. and Leslie, A.M. (2001) "Children's Inferences from 'Knowing' to 'Pretending' and 'Believing,'" British Journal of Developmental Psychology 19: 59-83.
115. Gerrig, R. (1993) Experiencing Narrative Worlds, New Haven: Westview.
116. Gibson, J.J. (1950) The Perception of the Visual World, Cambridge: Riverside Press.
117. Gibson J.J. (1986) The Ecological Approach to Visual Perception, Hillsdale NJ: Lawrence Erlbaum.
118. Goldie, P. (1999) "How We Think of Others' Emotions," Mind and Language 14: 394-423.
119. Goldie P. (2000) The Emotions: A Philosophical Exploration, Oxford: Oxford University Press.
120. Goldie P. (2002a) "Compassion: A Natural, Moral Emotion," in S.Doering and V.Mayer (eds) Die Moralitaet der Gefuehle, Special Issue of Deutsche Zeitschrift fur Philosophie 4, Berlin: Akademie.
121. Goldie P. (2002b) "Emotion, Personality and Simulation," in P.Goldie (ed.) Understanding Emotions: Mind and Morals, Aldershot: Ashgate.
122. Goldie P. forthcoming "Narrative and Perspective; Values and Appropriate Emotions," in A.Hatzimoysis (ed.) Philosophy and the Emotions, Cambridge: Cambridge University Press.
123. Goldman, A. (1993) "The Psychology of Folk Psychology," Behavioral and Brain Sciences 16: 101-8.
124. Goldman A. (1995a) "Interpretation Psychologised," in M.Davies and T.Stone (eds) Folk Psychology: The Theory of Mind Debate, Oxford: Blackwell.
125. Goldman A. (1995b) "Empathy, Mind and Morals," in M.Davies and T.Stone (eds) Mental Simulation: Evaluations and Applications, Oxford: Blackwell.
126. Golomb, C. and Kuersten, R. (1996) "On the Transition from Pretence Play to Reality: What Are the Rules of the Game?," British Journal of Developmental Psychology 14: 203-17.
127. Goodman, N. (1976) Languages of Art, 2nd edn, Indianapolis: Hackett
128. Gordon, R. (1992) "The Simulation Theory: Objections and Misconceptions," Mind and Language 7: 11-34.
129. Gordon R. (1995a) "Folk Psychology as Simulation," in M.Davies and T.Stone (eds) Folk Psychology: The Theory of Mind Debate, Oxford: Blackwell.
130. Gordon, R. (1995b) "Simulation Without Introspection or Inference from Me to You," in M.Davies and T.Stone (eds) Mental Simulation: Evaluations and Applications, Oxford: Blackwell.
131. Gordon, R. (1996a) "Sympathy, Simulation, and the Impartial Spectator," in L.May, M.Friedman, and A.Clark (eds) Mind and Morals, Cambridge: MIT Press.
132. Gordon, R. (1996b) "Radical Simulation," in P.Carruthers and P.Smith (eds) Theories of Theories of Mind, Cambridge: Cambridge University Press.
133. Greenspan, P. (1988) Emotions and Reasons: An Inquiry into Emotional Justification, London: Routledge.
134. Hagberg, G.L. (1994) Meaning and Interpretation, Ithaca: Cornell University Press.
135. Hamlyn, D.W. (1994) "Imagination," in S.Guttenplan (ed.) Companion to the Philosophy of Mind, Oxford: Blackwell.
136. Hampson, P.J. and Duffy, C. (1984) "Verbal and Spatial Interference Effects in Congenitally Blind and Sighted Subjects," Canadian Journal of Psychology 38: 411-20.
137. Harris, P.L. (1994) "Understanding Pretence," in C.Lewis and P.Mitchell (eds) Children s Early Understanding of Mind, Hillsdale NJ: Lawrence Erlbaum.
138. Harris, P.L. (1995) "From Simulation to Folk Psychology: The Case for Development," in M.Davies and T.Stone (eds) Folk Psychology: The Theory of Mind Debate, Oxford: Blackwell.
139. Harris, P.L. (2000) The Work of the Imagination, Oxford: Blackwell.
140. Harris, P.L. and Kavanaugh, R.D. (1993) "Young Children's Understanding of Pretense," Society for Research in Child Development Monographs, 231.
141. Harris, P.L. , Kavanaugh, R.D. and Meredith, M. (1994a) "Young Children's Comprehension of Pretend Episodes: The Integration of Successive Actions," Child Development 65: 16-30.
142. Harris, P.L., Lillard, A. and Perner, J. (1994b) "Commentary: Triangulating Pretence and Belief," in C.Lewis and P.Mitchell (eds) Children s Early Understanding of Mind, Hillsdale NJ: Lawrence Erlbaum.
143. Harvey, N. (1992) "Wishful Thinking Impairs Belief-Desire Reasoning: A Case of Decoupling Failure in Adults?" Cognition 45: 141-62.
144. Hayes, A. and Ross, J. (1995) "Lines of Sight," in R.Gregory (ed.) The Artful Eye, Oxford: Oxford University Press.
145. Heal, J. (1998) "Co-Cognition and Off-Line Simulation: Two Ways of Understanding the Simulation Approach," Mind and Language 13: 477-98.
146. Hegel, G.W.F. (1974) Aesthetics: Lectures on Fine Art, trans. T.M.Knox, Oxford: Oxford University Press.
147. Herman, B. (1993) The Practice of Moral Judgment, Cambridge: Harvard University Press.
148. Hildebrand, A. (1932) The Problem of Form in Painting and Sculpture, New York: Stechert.
149. Hjort, M. and Laver, S. eds (1997) Emotion and the Arts, New York: Oxford University Press.
150. Hopkins, R. (1994) "Resemblance and Misrepresentation," Mind 103: 421-38.
151. Hopkins, R. (1998) Picture, Image and Experience, Cambridge: Cambridge University Press.
152. Hopkins, R. (2002) "Sculpture," in J.Levinson (ed.) Oxford Companion to Aesthetics, Oxford: Oxford University Press.
153. Horowitz, T. and, G. Massey (1991) Thought Experiments in Science and Philosophy, Savage MD: Rowman and Littlefield.
154. Hume, D. (1978) A Treatise on Human Nature, ed. L.A.Selby-Bigge and P.H.Nidditch, Oxford: Oxford University Press.
155. Hume, D. (1985) "Of the Standard of Taste," in E.F.Miller (ed.) David Hume: Essays Moral, Political, and Literary, Indianapolis: Liberty Classics.
156. Hume D. (1993) An Enquiry Concerning Human Understanding, Indianapolis: Hackett
157. Humphrey, N.K. (1976) "The Social Function of Intellect," in P.P.G.Bateson and R.A.Hinde (eds) Growing Points in Ethology, Cambridge: Cambridge University Press.
158. Iseminger, G. ed. (1992) Intention and Interpretation, Philadelphia: Temple University Press.
159. Ishiguro, H. (1966) "Imagination," in B.Williams and A.Montefiore (eds) British Analytical Philosophy, London: Routledge.
160. James, H. (1944) "The Author of Beltraffio," in P.Rahv (ed.) The Great Short Novels of Henry James, New York: Carroll and Graf.
161. John, E. forthcoming "Fiction and the Critique of Evaluative Concepts," in D.A.Masolo (ed.) Philosophy and Pluralism: Recent Perspectives and Debates, Bloomington: Indiana University Press.
162. Joyce, R. (2000) "Rational Fear of Monsters," British Journal of Aesthetics 40: 209-24.
163. Kahneman, D., Slovic, P. and Tversky, A. eds (1982) Judgment Under Uncertainty: Heuristics and Biases, New York: Cambridge University Press.
164. Kant, I. (1997) The Critique of Pure Reason, trans.Paul Guyer and Allen Wood, Cambridge: Cambridge University Press.
165. Kant I. (2000) Critique of the Power of Judgment, trans. Paul Guyer and Eric Matthews, Cambridge: Cambridge University Press.
166. Kerr, N.H. (1983) "The Role of Vision in 'Visual Imagery' Experiments: Evidence from the Congenitally Blind," Journal of Experimental Psychology: General 112: 265-77.
167. Kieran, M. (2001) "Value of Art," in B.Gaut and D.M.M.Lopes (eds) The Routledge Companion to Aesthetics, London: Routledge.
168. Kieran M. forthcoming "Forbidden Knowledge: The Challenge of Immoralism," in J.Bermúdez and S.Gardner (eds) Art and Morality, London: Routledge.
169. Kivy, P. (1989) Sound Sentiment, Philadelphia: Temple University Press.
170. Kivy P. (1997) Philosophies of Arts: An Essay in Differences, Cambridge: Cambridge University Press.
171. Knight, D. and McKnight, G. (1999) "Suspense and its Master," in R.Allen and S.I.Gonzales (eds) Alfred Hitchcock: Centenary Essays, London: British Film Institute.
172. Kripke, S. (1980) Naming and Necessity, Oxford: Blackwell.
173. Lamarque, P. (1981) "How Can We Fear and Pity Fictions?" British Journal of Aesthetics 21: 291-304.
174. Lamarque P. (1991) "Essay Review of Mimesis as Make-Believe " Journal of Aesthetics and Art Criticism 49: 161-6.
175. Lamarque P. and Olsen, S.H. (1994) Truth, Fiction, and Literature, Oxford: Oxford University Press.
176. Langer, S. (1953) Feeling and Form, New York: Scribner.
177. Laurence, S. and Margolis, E. (1999) "Concepts and Cognitive Science," in E.Margolis and S.Laurence (eds) Concepts, Cambridge and London: MIT Press.
178. LeDoux, J. (1996) The Emotional Brain: The Mysterious Underpinnings of Emotional Life, New York: Simon and Schuster.
179. Leslie, A. (1987) "Pretense and Representation: The Origins of 'Theory of Mind,'" Psychological Review 94: 412-26.
180. Leslie A. (1994) "Pretending and Believing: Issues in the Theory of ToMM," Cognition 50: 211-38.
181. Lessing, G.E. (1962) Laocoon, New York: Dover.
182. Levinson, J. (1996a) "Musical Expressiveness," in The Pleasures of Aesthetics, Ithaca: Cornell University Press.
183. Levinson J. (1996b) "Pleasure and the Value of Works of Art," in The Pleasure of Aesthetics, Ithaca: Cornell University Press.
184. Levinson J. (1997) "Emotion in Response to Art: A Survey of the Terrain," in M.Hjort and S.Laver (eds) Emotion and the Arts, New York: Oxford University Press.
185. Levinson J. (2001) "Who's Afraid of a Paraphrase?," Theoria 67: 7-23.
186. Lewis, C. and Mitchell, P. eds (1994) Children's Early Understanding of Mind, Hillsdale, NJ: Lawrence Erlbaum.
187. Lewis, D. (1983) "Truth in Fiction," in Philosophical Papers, Oxford: Oxford University Press.
188. Lewis, D. (1989) "Dispositional Theories of Value," Aristotelian Society Supplementary Volume 63: 113-37.
189. Lillard, A. (1993) "Young Children's Conceptualization of Pretend: Action or Mental Representational State?," Child Development 64: 372-86.
190. Lillard A. (1994) "Making Sense of Pretence," in C.Lewis and P.Mitchell (eds) Children's Early Understanding of Mind, Hillsdale NJ: Lawrence Erlbaum.
191. Locke, J. (1975) An Essay Concerning Human Understanding, ed. P.Nidditch, Oxford: Oxford University Press.
192. Loftus, E. (1996) Eyewitness Testimony, Cambridge: Harvard University Press.
193. Lopes, D.M.M. (1998) "Imagination, Illusion, and Experience in Film," Philosophical Studies 89: 343-53.
194. Lopes D.M.M. (2000) "From Languages of Art to Art in Mind," Journal of Aesthetics and Art Criticism 58: 227-31.
195. Lyons, W. (1980) Emotion, Cambridge: Cambridge University Press.
196. McBrearty, S. and Brooks, A. (2000) "The Revolution that Wasn't," Journal of Human Evolution 39: 453-63.
197. McDowell, J. (1981) "Non-Cognitivism and Rule-Following," in S.H.Holtzman and C.M.Leich (eds) Wittgenstein: To Follow a Rule, London: Routledge.
198. McDowell J. (1994) Mind and World, Cambridge: Harvard University Press.
199. McGinn, C. (1997) Ethics, Evil, and Fiction, Oxford: Oxford University Press.
200. McGinn, M. (1997) Wittgenstein and the Philosophical Investigations, London: Routledge.
201. Marks, J. ed. (1986) The Ways of Desire, Chicago: Precedent.
202. Marmor, G.S. and Zaback, L.A. (1976) "Mental Rotation by the Blind: Does Mental Rotation Depend on Mental Imagery?," Journal of Experimental Psychology: Human Perception and Performance 2: 515-21.
203. Martin, D.F. (1976) "The Autonomy of Sculpture," Journal of Aesthetics and Art Criticism 34: 273-86.
204. Martin, M. (1995) "Imagination," in T.Honderich (ed.) The Oxford Companion to Philosophy, Oxford: Oxford University Press.
205. Martin, M.G.F. (1998) "An Eye Directed Outward," in C.Wright, B.C.Smith, and C.MacDonald (eds) Knowing Our Own Minds, Oxford: Oxford University Press.
206. Matravers, D. (1991) "Who's Afraid of Virginia Woolf?" Ratio (n.s.) 4: 25-37.
207. Matravers D. (1997) "The Paradox of Fiction: The Report Versus the Perceptual Model," in M.Hjort and S.Laver (eds) Emotion and the Arts, New York: Oxford University Press.
208. Matravers D. (1998) Art and Emotion, Oxford: Oxford University Press.
209. Medin, D.L. (1989) "Concepts and Conceptual Structure," American Psychologist 44: 1469-81.
210. Mele, A. (1987) Irrationality: An Essay onAkrasia, Self-Deception, and Self-Control, New York: Oxford University Press.
211. Merleau-Ponty, M. (1962) The Phenomenology of Perception, trans. C.Smith, London: Routledge.
212. Milgram, S. (1963) "Behavioural Study of Obedience," Journal of Abnormal and Social Psychology 67: 371-8.
213. Milgram S. (1974) Obedience to Authority: An Experimental View, New York: Harper and Row.
214. Miller, G. (1997) "Protean Primates," in A.Whiten and R.Byrne (eds) Machiavellian Intelligence II: Extensions and Evaluations, Cambridge: Cambridge University Press.
215. Miller, G. (1974) Obedience to Authority: An Experimental View, New York: Harper and Row.
216. Miller, G. (1999) "Sexual Selection for Cultural Displays," in R.Dunbar, C.Knight, and C.Power (eds) The Evolution of Culture, Edinburgh: Edinburgh University Press.
217. Mithen, S. (1996) The Prehistory of the Mind, London: Thames and Hudson.
218. Moran, R. (1989) "Seeing and Believing: Metaphor, Image and Force," Critical Inquiry 16: 87-112.
219. Moran R. (1994) "The Expression of Feeling in Imagination," Philosophical Review 103: 75-106.
220. Morreall, J. (1993) "Fear Without Belief," Journal of Philosophy 90: 359-66.
221. Morrison, T. (1970) The Bluest Eye, New York: Washington Square.
222. Murdoch, I. (1992) Metaphysics as a Guide to Morals, New York: Allen Lane.
223. Murdoch I. (1998) Existentialists and Mystics, New York: Allen Lane.
224. Nabokov, V (1953) Pnin, New York: Vintage.
225. Neill, A. (1991) "Fiction and Make-Believe," Journal of Aesthetics and Art Criticism 49: 47-56.
226. Neill A. (1992) "Who's 'Afraid' of Virginia Woolf?," Ratio (n.s.) 5: 94-7.
227. Neill A. (1993) "Fiction and the Emotions," American Philosophical Quarterly 30: 1-13.
228. New, C. (1999) Philosophy of Literature, London: Routledge.
229. Nichols, S. and Stich, S. (2000) "A Cognitive Theory of Pretense," Cognition 74: 115-47.
230. Nietzsche, F. (1967) The Birth of Tragedy, trans. W.Kaufmann, New York: Random House.
231. Novitz, D. (1987) Knowledge, Fiction and Imagination, Philadelphia: Temple University Press.
232. Nussbaum, M. (1990) Love's Knowledge, New York: Oxford University Press.
233. O' Neill, O. (1986) "The Power of Example," Philosophy 61: 5-29.
234. Oatley, K. and Gholamain, M. (1997) "Emotions and Identification: Connections Between Readers and Fictions," in M.Hjort and S.Laver (eds) Emotion and the Arts, Oxford: Oxford University Press.
235. Packer, M. (1989) "Dissolving the Paradox of Tragedy," Journal of Aesthetics and Art Criticism 47: 211-19.
236. Peacocke, C. (1985) "Imagination, Experience and Possibility," in J.Foster and H.Robinson (eds) Essays on Berkeley, Oxford: Oxford University Press.
237. Perner, J. (1991) Understanding the Representational Mind, Cambridge: MIT Press.
238. Perner J., Baker, S. and Hutton, D. (1994) " Prelief: The Conceptual Origins of Belief and Pretence," in C.Lewis and P.Mitchell (eds) Children's Early Understanding of Mind, Hillsdale NJ: Lawrence Erlbaum.
239. Peterson, M.A., Kihlstrom, J.F., Rose, P.M. and Glisky, M.L. (1992) "Mental Images Can Be Ambiguous: Reconstruals and Reference-Frame Reversals," Memory and Cognition 20: 102-23.
240. Piaget, J. (1945)/(1962) Plays, Dreams and Imitation in Childhood, trans. C.Gattegno and F.M.Hodgson, New York: Norton.
241. Pietroski, P. (1996) "Critical Notice of McDowell's Mind and World, " Canadian Journal of Philosophy 26: 613-36.
242. Pitino, R. and Reynolds, B. (1997) Success is a Choice: Ten Steps to Overachieving in Business and Life, New York: Broadway.
243. Plato (1961) Ion, in E.Hamilton and H.Cairns (eds) The Collected Dialogues, Princeton: Princeton University Press.
244. Power, C. (1999) "'Beauty Magic': The Origins of Art," in R.Dunbar, C.Knight, and C.Power (eds) The Evolution of Culture, Edinburgh: Edinburgh University Press.
245. Powers, L.H. (1970) Henry James: An Introduction and Interpretation, New York: Holt, Rinehart, and Winston.
246. Pressy, A.W., and Wilson, A.E. (1974) "The Poggendorff Illusion in Imagination," Bulletin of the Psychonomic Society 3: 447-9.
247. Price, H.H. (1960)/(1969) Belief, London: George Allen and Unwin.
248. Putnam, H. (1973) "Meaning and Reference," Journal of Philosophy 70: 699-711.
249. Radford, C. (1975) "How Can We Be Moved by the Fate of Anna Karenina?" Proceedings of the Aristotelian Society Supplementary Volume 49: 67-80.
250. Read, H. (1961) The Art of Sculpture, Princeton: Bollingen.
251. Reese, H.W. ed. (1989) Advances in Child Development and Behavior, San Diego: Academic Press.
252. Ricoeur, P. (1984)- Time and Narrative, 3 vols, trans. K.McLaughlin and D.Pellauer, Chicago: University of Chicago Press.
253. Ridley, A. (1995) Music, Value and the Passions, Ithaca: Cornell University Press.
254. Roberts, R.C. (1988) "What An Emotion Is: A Sketch," Philosophical Review 97: 183-209.
255. Robertson, R. (1999) "Introduction to Freud's 'The Interpretation of Dreams,'" in S.Freud (ed.) The Interpretation of Dreams, Oxford: Oxford University Press.
256. Rorty, A.O. ed. (1980) Explaining Emotions, Berkeley: University of California Press.
257. Rozin, P. and Nemeroff, C.J. (1991) "The Laws of Sympathetic Magic: A Psychological Analysis of Similarity and Contagion," in J.Stigler, G.Herdt, and R.A.Shweder (eds) Cultural Psychology: Essays on Comparative Human Development, Cambridge: Cambridge University Press.
258. Ryle, G. (1949) The Concept of Mind, London: Hutchinson.
259. Ryle G.(1971) "Jane Austen and the Moralists," in Collected Papers, vol.1, New York: Barnes and Noble.
260. Samuels, R. (2000) "Massively Modular Minds: Evolutionary Psychology and Cognitive Architecture," in P.Carruthers and A.Chamberlain (eds) Evolution and the Human Mind, Cambridge: Cambridge University Press.
261. Santayana, G. (1988) The Sense of Beauty: Being the Outlines of Aesthetic Theory, ed. W Holzberger and H.Saatkamp, Jr., Cambridge: MIT Press.
262. Sartre, J.-P. (1948) The Psychology of Imagination, New York: Philosophical Library.
263. Savile, A. (1998) "Imagination and the Content of Fiction," British Journal of Aesthetics 38: 136-49.
264. Schier, F. (1986) Deeper Into Pictures, Cambridge: Cambridge University Press.
265. Schopenhauer, A. (1969) The World as Will and Representation, New York: Dover.
266. Scruton, R. (1992) "Imagination," in D.Cooper (ed.) Companion to Aesthetics, Oxford: Blackwell.
267. Scruton R.(1997) The Aesthetics of Music, Oxford: Oxford University Press.
268. Segal, S.J. and Fusella, V. (1970) "Influences of Imaged Pictures and Sounds on Detection of Visual and Auditory Studies," Journal of Experimental Psychology 83: 458-64.
269. Sinaiko, H.L. (1998) "The Ancient Quarrel: Socrates's Critique of Poetry in Republic, Book X," in Reclaiming the Canon, New Haven: Yale University Press.
270. Smith, Michael (1994) The Moral Problem, Oxford: Blackwell.
271. Smith, Murray (1997) "Imagining from the Inside," in R.Allen and M.Smith (eds) Film Theory and Philosophy, Oxford: Oxford University Press.
272. Sorensen, R. (1992) Thought Experiments, New York: Oxford University Press.
273. Stecker, R. (2001) "Expression and Expressiveness in Music and Poetry," Journal of Aesthetics and Art Criticism, 59: 85-96.
274. Stokes, A. (1934) "The Stones of Rimini," in The Critical Writings of Adrian Stokes, London: Thames and Hudson.
275. Strawson, P.F. (1966) The Bounds of Sense, London: Methuen.
276. Strawson P.F. (1974) "Imagination and Perception," in Freedom and Resentment and Other Essays, London: Methuen.
277. Tanner, M. (1994) "Morals in Fiction and Fictional Morality," Aristotelian Society Supplementary Volume 68: 51-66.
278. Tarkovsky, A. (2000) Sculpting in Time, Austin: University of Texas Press.
279. Thomas, N.J.T. (2000) "Imagination," in C.Eliasmith (ed.) Dictionary of Philosophy of Mind, http://www.artsci.wustl.edu/~philos/MindDict/imagination.html
280. Thomson, J.J. (1986) "A Defense of Abortion," in P.Singer (ed.) Applied Ethics, Oxford: Oxford University Press.
281. Tomasello, M. (2000) The Cultural Basis of Human Cognition, Cambridge: Harvard University Press.
282. Travers, P.L. (1962) Mary Poppins, New York: Harcourt, Brace and World.
283. Trivedi, S. (2000) "Review of Music, Value and the Passions by Aaron Ridley," Mind 109: 434.
284. Trivedi S. (2001) "Expressiveness as a Property of the Music Itself," Journal of Aesthetics and Art Criticism 59: 411-20.
285. Truffaut, F. (1984) Hitchcock, New York: Simon and Schuster.
286. Tversky, A. and Kahneman, D. (1982) "Availability: A Heuristic for Judging Frequency and Probability," in D.Kahneman, P.Slovic, and A.Tversky (eds) Judgment Under Uncertainty: Heuristics and Biases, New York: Cambridge University Press.
287. Tye, M. (1995) 10 Problems of Consciousness, Cambridge: MIT Press.
288. Vance, R.D. (1995) "Sculpture," British Journal of Aesthetics 35: 217-25.
289. Velleman, J.D. (2000) "The Aim of Belief," in The possibility of Practical Reason, Oxford: Oxford University Press.
290. Wallace, B. (1984) "Apparent Equivalence between Perception and Imagery in the Production of Various Visual Illusions," Memory and Cognition 12: 156-62.
291. Walker-Andrews, A.S. and Kahana-Kelman, R. (1997) "The Understanding of Pretence Across the Second Year of Life," British Journal of Developmental Psychology 17: 523-36.
292. Walton, K. (1973) "Pictures and Make-Believe," Philosophical Review 82: 283-319.
293. Walton K. (1978) "Fearing Fictions," Journal of Philosophy 75: 5-27.
294. Walton K. (1988) "What is Abstract About the Art of Music?," Journal of Aesthetics and Art Criticism 46: 351-64.
295. Walton, K. (1990) Mimesis as Make-Believe, Cambridge: Harvard University Press.
296. Walton K. (1994a) "Morals in Fiction and Fictional Morality," Aristotelian Society Supplementary Volume 68: 27-50.
297. Walton K. (1994b) "Listening with Imagination: Is Music Representational?," Journal of Aesthetics and Art Criticism: 52: 47-62.
298. Walton K. (1997) "Spelunking, Simulation, and Slime: On Being Moved by Fiction," in M.Hjort and S.Laver (eds) Emotion and the Arts, New York: Oxford University Press.
299. Watts, E. (1999) "The Origin of Symbolic Culture," in R.Dunbar, C.Knight, and C.Power (eds) The Evolution of Culture, Edinburgh: Edinburgh University Press.
300. Wellman, H. and Estes, D. (1986) "Early Understanding of Mental Entities: A Reexamination of Childhood Realism," Child Development 57: 910-23.
301. Wharton, E. (1920) The Age of Innocence, New York: Collier.
302. Wicker, T. (1991) "Does 'J. F.K.' Conspire Against Reason?" New York Times, December 15.
303. Wiggins, D. (1987) "A Sensible Subjectivism," in Needs, Values, Truth, Oxford: Blackwell.
304. Wilkes, K. (1988) Real People, Oxford: Oxford University Press.
305. Williams, B. (1972) "The Truth in Relativism," Reprinted in Moral Luck, Cambridge: Cambridge University Press, 1981, pp. 132-43.
306. Williams B. (1973a) "Critique of Utilitarianism," in J.J.C.Smart and B.Williams (eds) Utilitarianism: For and Against, Cambridge: Cambridge University Press.
307. Williams B. (1973)b "Imagination and the Self," in Problems of the Self, Cambridge: Cambridge University Press.
308. Williams B. (1981) "The Truth in Relativism," in Moral Luck, Cambridge: Cambridge University Press.
309. Williams B. (1985) Ethics and the Limits of Philosophy, Cambridge: Harvard University Press.
310. Wilson, C. (1983) "Literature and Knowledge," Philosophy 58: 489-96.
311. Wollheim, R. (1974) On Art and the Mind, Cambridge: Harvard University Press.
312. Wollheim R. (1980) Art and its Objects, 2nd edn, Cambridge: Cambridge University Press.
313. Wollheim R. (1984) The Thread of Life, Cambridge: Harvard University Press.
314. Wollheim R. (1987) Painting as an Art, London: Thames and Hudson.
315. Woolf, V. (1955) To the Lighthouse, New York: Harcourt Brace Jovanovich.
316. Wright, C. (1998) "Self-Knowledge," in C.Wright, B.C.Smith, and C.MacDonald (eds) Knowing Our Own Minds, Oxford: Oxford University Press.
317. Wynn, T. (2000) "Symmetry and the Evolution of the Modular Mind," in P.Carruthers and A.Chamberlain (eds) Evolution and the Human Mind, Cambridge: Cambridge University Press.
318. Yablo, S. (1993) "Is Conceivability a Guide to Possibility?," Philosophy and Phenomenological Research 53: 1-42.
319. Yovel, Y. (1980) Kant and the Philosophy of History, Princeton: Princeton University Press.
320. Zimler, J. and Keenan, J.M. (1983) "Imagery in the Congenitally Blind: How Visual Are Visual Images?," Journal of Experimental Psychology: Learning, Memory and Cognition 9: 269-82.