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Volumn , Issue , 2009, Pages 223-226

Corpus-based transcription as an approach to the compositional control of timbre

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TRANSCRIPTION;

EID: 84905898404     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper
Times cited : (15)

References (12)
  • 1
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    • Cambridge, MA: Harvard University Press
    • P. Boulez, On Music Today. Cambridge, MA: Harvard University Press, 1971.
    • (1971) On Music Today
    • Boulez, P.1
  • 2
    • 49549110098 scopus 로고    scopus 로고
    • SDIF sound description data representation and manipulation in computer assisted composition
    • Miami, USA
    • J. Bresson and C. Agon, "SDIF sound description data representation and manipulation in computer assisted composition," in Proc. ICMC, Miami, USA, 2004.
    • (2004) In Proc. ICMC
    • Bresson, J.1    Agon, C.2
  • 3
    • 63349095045 scopus 로고    scopus 로고
    • Scores, programs and time representation: The sheet object in openmusic
    • J. Bresson and C. Agon, "Scores, programs and time representation: The sheet object in openmusic," Computer Music Journal, vol. 32, no. 4, 2008.
    • (2008) Computer Music Journal , vol.32 , Issue.4
    • Bresson, J.1    Agon, C.2
  • 5
    • 84905909166 scopus 로고    scopus 로고
    • CAC as maieutics: OM-Virtuoso and Concerto
    • Paris: Editions Delatour France/Ircam
    • E. Cipollone, "CAC as maieutics: OM-Virtuoso and Concerto," in OM Composer's Book, vol. 2. Paris: Editions Delatour France/Ircam, 2008.
    • (2008) In OM Composer's Book , vol.2
    • Cipollone, E.1
  • 6
    • 0017595342 scopus 로고
    • Multidimensional perceptual scaling of musical timbres
    • J. M. Grey, "Multidimensional perceptual scaling of musical timbres," J. Acoust. Soc. Am., vol. 61, 1977.
    • (1977) J. Acoust. Soc. Am , vol.61
    • Grey, J.M.1
  • 7
    • 85084394706 scopus 로고    scopus 로고
    • Characterizing and controlling musical material intuitively with geometric models
    • Montreal, Canada
    • A. Momeni and D. Wessel, "Characterizing and controlling musical material intuitively with geometric models," in Proc. NIME, Montreal, Canada, 2003.
    • (2003) In Proc. NIME
    • Momeni, A.1    Wessel, D.2
  • 8
    • 85032751306 scopus 로고    scopus 로고
    • Corpus-based concatenative synthesis
    • Mar
    • D. Schwarz, "Corpus-based concatenative synthesis," IEEE Sig. Proc. Mag., vol. 24, no. 2, Mar. 2007.
    • (2007) IEEE Sig. Proc. Mag , vol.24 , Issue.2
    • Schwarz, D.1
  • 9
    • 84924949279 scopus 로고    scopus 로고
    • Principles and Applications of Interactive Corpus-based Concatenative Synthesis
    • Albi, France Mar
    • D. Schwarz, R. Cahen, and S. Britton, "Principles and applications of interactive corpus-based concatenative synthesis," in JIM, GMEA, Albi, France, Mar. 2008.
    • (2008) In JIM, GMEA
    • Schwarz, D.1    Cahen, R.2    Britton, S.3
  • 10
    • 0001894143 scopus 로고
    • Timbre space as a musical control structure
    • D. Wessel, "Timbre space as a musical control structure," Computer Music Journal, vol. 3, no. 2, 1979.
    • (1979) Computer Music Journal , vol.2 , pp. 3
    • Wessel, D.1
  • 11
    • 0041126709 scopus 로고    scopus 로고
    • London: Harwood Academic Publishers
    • T. Wishart, On Sonic Art. London: Harwood Academic Publishers, 1996.
    • (1996) On Sonic Art
    • Wishart, T.1
  • 12
    • 34047236447 scopus 로고    scopus 로고
    • Audio applications of the sound description interchange format standard
    • New York
    • M. Wright et al., "Audio applications of the sound description interchange format standard," in Audio Engineering Society 107th Convention, New York, 1999
    • (1999) In Audio Engineering Society 107th Convention
    • Wright, M.1


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