Corpus-based concatenative synthesis

IEEE Signal Processing Magazine

Volumn 24, Issue 2, 2007, Pages 92-104

  Schwarz, Diemo ^a  

^a IRCAM   (France)

Author keywords

[No Author keywords available]

Indexed keywords

COMPUTER SIMULATION; DATABASE SYSTEMS; MUSICAL INSTRUMENTS;

MUSICAL SOUND SYNTHESIS; SOUND DATABASE;

ACOUSTIC WAVES;

EID: 85032751306     PISSN: 10535888     EISSN: None     Source Type: Journal    
DOI: 10.1109/MSP.2007.323274     Document Type: Review

References (44)

1. X. Amatriain, J. Bonada, A. Loscos, J. Arcos, and V. Verfaille, "Content-based transformations," J. New Music Res., vol. 32, no. 1, pp. 95-114, 2003.
2. J.-J. Aucouturier and F. Pachet, "Jamming with plunderphonics: Interactive concatenative synthesis of music," J. New Music Res., vol. 35, no. 1, pp. 35-50, 2006.
3. J.-J. Aucouturier, F. Pachet, and P. Hanappe, "From sound sampling to song sampling," in Proc. Int. Symp. Music Information Retrieval (ISMIR), Barcelona, Spain, 2004, pp.1-8.
4. G. Beller, "Un synthétiseur vocal par sélection d'unités," Rapport de stage DEA ATIAM, Ircam - Centre Pompidou, Paris, France, 2004.
5. G. Beller, D. Schwarz, T. Hueber, and X. Rodet, "A hybrid concatenative synthesis system on the intersection of music and speech," in Journées d'Informatique Musicale (JIM), MSH Paris Nord, St. Denis, France, pp. 41-45, 2005.
6. J. Bonada and X. Serra, "Synthesis of the singing voice by performance sampling and spectral models," IEEE Signal Processing Mag., vol. 24, no. 2, pp. 67-79, 2007.
7. M. Cardle, "Automated sound editing," Comput. Laboratory, Univ. of Cambridge, UK:, Tech. Rep., 2004.
8. M. Casey, "Acoustic lexemes for organizing internet audio," Contemp. Music Rev., vol. 24, no. 6, pp. 489-508, 2005.
9. P. Codognet and D. Diaz, "Yet another local search method for constraint solving," in Proc. AAAI Symp., North Falmouth, MA, 2001, pp. 73-90.
10. A. de Cheveigné, "Scalable metadata for search, sonification and display," in Proc. Int. Conf. Auditory Display (ICAD 2002), Kyoto, Japan, 2002, pp. 279-284.
11. W. D'haes, D. van Dyck, and X. Rodet, "PCA-based branch and bound search algorithms for computing nearest neighbors," Pattern Recognit. Lett., vol. 24, no. 9-10, pp. 1437-1451, 2003.
12. M. Helen and T. Virtanen, "Perceptually motivated parametric representation for harmonic sounds for data compression purposes," in Proc. Digital Audio Effects (DAFx), London, 2003, pp. 249-253.
13. R. Hoskinson and D. Pai, "Manipulation and resynthesis with natural grains," in Proc. Int.Computer Music Conf. (ICMC), Havana, Cuba, 2001, pp. 338-341.
14. A.J. Hunt and A.W. Black, "Unit selection in a concatenative speech synthesis system using a large speech database," in Proc. IEEE Int. Conf. Acoustics, Speech, Signal Processing (ICASSP), Atlanta, GA, 1996, pp. 373-376.
15. T. Jehan, "Event-Synchronous Music Analysis/Synthesis," in Proc. COST-G6 Conf. Digital Audio Effects (DAFx), Naples, Italy, 2004, pp. 361-366.
16. K. Jensen, "Timbre models of musical sounds," Ph.D. dissertation, Dept. Comp. Sci., Univ. Copenhagen, Denmark, 1999.
17. E. Lindemann, "Music synthesis with reconstructive phrase modeling," IEEE Signal Processing Mag., vol. 24, no. 2, pp. 80-91,2007.
18. A.T. Lindsay, A.P. Parkes, and R.A. Fitzgerald, "Description-driven context-sensitive effects," in Proc.COST-G6 Conf. Digital Audio Effects (DAFx), London, UK, 2003, pp. 350-353.
19. A. Livshin, G. Peeters, and X. Rodet, "Studies and improvements in automatic classification of musical sound samples," in Proc. Int. Computer Music Conf. (ICMC), Singapore, 2003.
20. Y. Meron, "High quality singing synthesis using the selection-based synthesis scheme," Ph.D. dissertation, Dept. Electron. Inform. Eng., Univ. Tokyo, 1999.
21. N. Orio and D. Schwarz, "Alignment of monophonic and polyphonic music to a score," in Proc. Int. Computer Music Conf. (ICMC), Havana, Cuba, 2001, pp. 155-158.
22. G. Peeters, "A large set of audio features for sound description (similarity and classification) in the Cuidado project," Ircam, Centre Pompidou, Paris, France, Tech. Rep. No. version 1.0), 2004.
23. R. Prudon, "A selection/concatenation TTS synthesis system," Ph.D. dissertation, LIMSI, Université Paris XI, Orsay, France, 2003.
24. M. Puckette, "Low-dimensional parameter mapping using spectral envelopes," in Proc. Int. Computer Music Conf. (ICMC), Miami, FL, 2004, pp. 406-408.
25. C. Roads, The Computer Music Tutorial. Cambridge, MA: MIT Press, 1996, pp. 117-124.
26. C. Roads, Microsound. Cambridge, MA: MIT Press, 2001.
27. X. Rodet, "Synthesis and processing of the singing voice," in Proc. 1st IEEE Benelux Workshop Model Based Processing Coding Audio (MPCA), Leuven, Belgium, 2002, pp. 99-108.
28. P. Roy, J.-J. Aucouturier, F. Pachet, and A. Beurivé, "Exploiting the tradeoff between precision and CPU-time to speed up nearest neighbor search," in Proc. ISMIR, London, 2005, pp. 230-237.
29. P. Schaeffer and G. Reibel, Solfège de l'objet sonore. Paris, France: ORTF., 1967, (Reedited by INA Publications-GRM 1998).
30. D. Schwarz, "A system for data-driven concatenative sound synthesis," in Proc. COST-G6 Conf. Digital Audio Effects (DAFx), Verona, Italy, 2000, pp. 97-102.
31. D. Schwarz, "The Caterpillar system for data-driven concatenative sound synthesis," in Proc. COST-G6 Conf. Digital Audio Effects (DAFx), London, 2003, pp. 135-140.
32. D. Schwarz, "Data-driven concatenative sound synthesis," Thèse de doctorat, Université Paris 6, Pierre et Marie Curie, Paris, 2004.
33. D. Schwarz, "Concatenative sound synthesis: The early years," J. New Music Res., vol. 35, no. 1, pp. 3-22, 2006.
34. D. Schwarz, G. Beller, B. Verbrugghe, and S. Britton, "Real-time corpus-based concatenative synthesis with CataRT," in Proc. COST-G6 Conf. Digital Audio Effects (DAFx), Montreal, Canada, 2006, pp. 279-282.
35. D. Schwarz and S. Britton, "Performing with the real-time corpus-based concatenative synthesis system CataRT," in Proc. Live Algorithms for Music Conf., London, UK, 2006.
36. J.I. Shonle and K.E. Horan, "The pitch of vibrato tones," JASA, vol. 67, no. 1, pp. 246-252, 1980.
37. I. Simon, S. Basu, D. Salesin, and M. Agrawala, "Audio analogies: Creating new music from an existing performance by concatenative synthesis," in Proc. Int. Computer Music Conf. (ICMC), Barcelona, Spain, 2005, pp. 65-72.
38. F. Soulez, X. Rodet, and D. Schwarz, "Improving polyphonic and poly-instrumental music to score alignment," in Proc. Int. Symp. Music Information Retrieval (ISMIR), Baltimore, MD, 2003, pp. 143-148.
39. B.L. Sturm, "MATConcat: An application for exploring concatenative sound synthesis using MATLAB," in Proc. Int. Computer Music Conf. (ICMC), Miami, FL, 2004, pp. 641-644.
40. Y. Stylianou, "Removing phase mismatches in concatenative speech synthesis," in Proc. 3rd ESCA/COCOSDA Workshop Speech Synthesis, Jenolan Caves, Australia, 1998, pp. 267-277.
41. M. Wright, A. Chaudhary, A. Freed, S. Khoury, and D. Wessel, "Audio applications of the sound description interchange format standard," in Proc. AES 107th Conv., New York, 1999.
42. A. Zils and F. Pachet, "Musical mosaicing," in Proc. COST-G6 Conf. Digital Audio Effects (DAFx), Limerick, Ireland, 2001.
43. A. Zils and F. Pachet, "Automatic extraction of music descriptors from acoustic signals using EDS,"in Proc. 116th AES Conv., Atlanta, GA, 2004.
44. Y. Sagisaka, "Speech synthesis by rule using an optimal selection of non-uniform synthesis units," in Proc. ICASSP, New York, 1988, pp. 679-682.