-
1
-
-
0001238220
-
A spreading activation theory of memory
-
doi: 10.1016/S0022-5371(83)90201-3
-
Anderson, J. R. (1983). A spreading activation theory of memory. J. Verb. Learn. Verb. behav. 22, 261-295. doi: 10.1016/S0022-5371(83)90201-3.
-
(1983)
J. Verb. Learn. Verb. behav
, vol.22
, pp. 261-295
-
-
Anderson, J.R.1
-
3
-
-
0034328207
-
Beyond behaviorism: on the automaticity of higher mental processes
-
doi: 10.1037/0033-2909.126.6.925
-
Bargh, J. A., and Ferguson, M. J. (2000). Beyond behaviorism: on the automaticity of higher mental processes. Psychol. Bull. 126, 925-945. doi: 10.1037/0033-2909.126.6.925.
-
(2000)
Psychol. Bull
, vol.126
, pp. 925-945
-
-
Bargh, J.A.1
Ferguson, M.J.2
-
4
-
-
0001629112
-
Novelty, complexity, and hedonic value
-
doi: 10.3758/BF03212593
-
Berlyne, D. E. (1970). Novelty, complexity, and hedonic value. Percept. Psychophys. 8, 279-286. doi: 10.3758/BF03212593.
-
(1970)
Percept. Psychophys
, vol.8
, pp. 279-286
-
-
Berlyne, D.E.1
-
5
-
-
84968265167
-
Music cognition and perceptual facilitation: a connectionist framework
-
doi: 10.2307/40285384
-
Bharucha, J. J. (1987). Music cognition and perceptual facilitation: a connectionist framework. Music Percept. 5, 1-30. doi: 10.2307/40285384.
-
(1987)
Music Percept
, vol.5
, pp. 1-30
-
-
Bharucha, J.J.1
-
6
-
-
84887533299
-
Models of implicit and explicit mental representation
-
eds B. Gawronski and B. K. Payne (New York: Guilford Press)
-
Carlston, D. (2010). "Models of implicit and explicit mental representation," in Handbook of Implicit Social Cognition: Measurement, Theory, and Applications, eds B. Gawronski and B. K. Payne (New York: Guilford Press), 38-61.
-
(2010)
Handbook of Implicit Social Cognition: Measurement, Theory, and Applications
, pp. 38-61
-
-
Carlston, D.1
-
7
-
-
72949088838
-
Mimicry: its ubiquity, importance, and functionality
-
eds E. Morsella, J. A. Bargh and P. M. Gollwitzer (New York: Oxford University Press.)
-
Chartrand, T. L., and Dalton, A. N. (2009). "Mimicry: its ubiquity, importance, and functionality," in Oxford Handbook of Human Action, eds E. Morsella, J. A. Bargh and P. M. Gollwitzer (New York: Oxford University Press.), 458-483.
-
(2009)
Oxford Handbook of Human Action
, pp. 458-483
-
-
Chartrand, T.L.1
Dalton, A.N.2
-
8
-
-
0031230936
-
Reinterpreting the empathy-altruism relationship: when one into one equals oneness
-
doi: 10.1037/0022-3514.73.3.481
-
Cialdini, R. B., Brown, S. L., Lewis, B. P., Luce, C., and Neuberg, S. L. (1997). Reinterpreting the empathy-altruism relationship: when one into one equals oneness. J. Pers. Soc. Psychol. 73, 481-494. doi: 10.1037/0022-3514.73.3.481.
-
(1997)
J. Pers. Soc. Psychol
, vol.73
, pp. 481-494
-
-
Cialdini, R.B.1
Brown, S.L.2
Lewis, B.P.3
Luce, C.4
Neuberg, S.L.5
-
9
-
-
58149409019
-
Spreading activation theory of semantic processing
-
doi: 10.1037/0033-295X.82.6.407
-
Collins, A. M., and Loftus, E. F. (1975). Spreading activation theory of semantic processing. Psychol. Rev. 82, 407-428. doi: 10.1037/0033-295X.82.6.407.
-
(1975)
Psychol. Rev
, vol.82
, pp. 407-428
-
-
Collins, A.M.1
Loftus, E.F.2
-
10
-
-
84977060621
-
Walking: a complex behavior controlled by simple networks
-
doi: 10.1177/105971239500300403
-
Cruse, H., Bartling, C., Dreifert, M., Schmitz, J., Brunn, D., Dean, J., et al. (1995). Walking: a complex behavior controlled by simple networks. Adapt. Behav. 3, 385-418. doi: 10.1177/105971239500300403.
-
(1995)
Adapt. Behav
, vol.3
, pp. 385-418
-
-
Cruse, H.1
Bartling, C.2
Dreifert, M.3
Schmitz, J.4
Brunn, D.5
Dean, J.6
-
11
-
-
41149092794
-
Putting the altruism back into altruism: the evolution of empathy
-
doi: 10.1146/annurev.psych.59.103006.093625
-
De Waal, F. B. (2008). Putting the altruism back into altruism: the evolution of empathy. Annu. Rev. Psychol. 59, 279-300. doi: 10.1146/annurev.psych.59.103006.093625.
-
(2008)
Annu. Rev. Psychol
, vol.59
, pp. 279-300
-
-
De Waal, F.B.1
-
12
-
-
77954728852
-
To what extent is the experience of empathy mediated by shared neural circuits?
-
doi: 10.1177/1754073910361981
-
Decety, J. (2010). To what extent is the experience of empathy mediated by shared neural circuits? Emot. Rev. 2, 204-207. doi: 10.1177/1754073910361981.
-
(2010)
Emot. Rev
, vol.2
, pp. 204-207
-
-
Decety, J.1
-
13
-
-
33748470898
-
Introduction-similarity perception↔categorization↔cue abstraction
-
Deliege, I. (2001a). Introduction-similarity perception↔categorization↔cue abstraction. Music Percept. 18, 233-243.
-
(2001)
Music Percept
, vol.18
, pp. 233-243
-
-
Deliege, I.1
-
14
-
-
0011664762
-
Prototype effects in music listening: an empirical approach to the notion of imprint
-
doi: 10.1525/mp.2001.18.3.371
-
Deliege, I. (2001b). Prototype effects in music listening: an empirical approach to the notion of imprint. Music Percept. 18, 371-407. doi: 10.1525/mp.2001.18.3.371.
-
(2001)
Music Percept
, vol.18
, pp. 371-407
-
-
Deliege, I.1
-
15
-
-
33644493869
-
The role of peripheral feedback in emotional experience with music
-
doi: 10.1525/mp.2004.22.1.79
-
Dibben, N. (2004). The role of peripheral feedback in emotional experience with music. Music Percept. 22, 79-115. doi: 10.1525/mp.2004.22.1.79.
-
(2004)
Music Percept
, vol.22
, pp. 79-115
-
-
Dibben, N.1
-
16
-
-
40349093353
-
Relationships between expressed and felt emotions in music
-
doi: 10.1177/102986490801200105
-
Evans, P., and Schubert, E. (2008). Relationships between expressed and felt emotions in music. Music. Sci. 12, 75-99. doi: 10.1177/102986490801200105.
-
(2008)
Music. Sci
, vol.12
, pp. 75-99
-
-
Evans, P.1
Schubert, E.2
-
17
-
-
0011504599
-
How can musical preferences be modified-a research review
-
Finnäs, L. (1989). How can musical preferences be modified-a research review. Bull. Council Res. Music Educ. 102, 1-58.
-
(1989)
Bull. Council Res. Music Educ
, vol.102
, pp. 1-58
-
-
Finnäs, L.1
-
18
-
-
84865256383
-
Digital tools and discourse in music: the ecology of composition
-
eds D. J. Hargreaves, D. E. Miell and R. R. MacDonald (Oxford: Oxford University Press.)
-
Folkestad, G. (2012). "Digital tools and discourse in music: the ecology of composition," in Musical Imaginations, eds D. J. Hargreaves, D. E. Miell and R. R. MacDonald (Oxford: Oxford University Press.), 193-205.
-
(2012)
Musical Imaginations
, pp. 193-205
-
-
Folkestad, G.1
-
19
-
-
0348120390
-
Aesthetic emotions and reality
-
doi: 10.1037/0003-066X.44.12.1546
-
Frijda, N. H. (1989). Aesthetic emotions and reality. Am. Psychol. 44, 1546-1547. doi: 10.1037/0003-066X.44.12.1546.
-
(1989)
Am. Psychol
, vol.44
, pp. 1546-1547
-
-
Frijda, N.H.1
-
20
-
-
0030756297
-
Network memory
-
doi: 10.1016/S0166-2236(97)01128-4
-
Fuster, J. M. (1997). Network memory. Trends Neurosci. 20, 451-459. doi: 10.1016/S0166-2236(97)01128-4.
-
(1997)
Trends Neurosci
, vol.20
, pp. 451-459
-
-
Fuster, J.M.1
-
21
-
-
0034682269
-
Cross-modal and cross-temporal association in neurons of frontal cortex
-
doi: 10.1038/35012613
-
Fuster, J. M., Bodner, M., and Kroger, J. K. (2000). Cross-modal and cross-temporal association in neurons of frontal cortex. Nature 405, 347-351. doi: 10.1038/35012613.
-
(2000)
Nature
, vol.405
, pp. 347-351
-
-
Fuster, J.M.1
Bodner, M.2
Kroger, J.K.3
-
22
-
-
0031602724
-
Cognitive neuroscience of human memory
-
doi: 10.1146/annurev.psych.49.1.87
-
Gabrieli, J. D. (1998). Cognitive neuroscience of human memory. Annu. Rev. Psychol. 49, 87-115. doi: 10.1146/annurev.psych.49.1.87.
-
(1998)
Annu. Rev. Psychol
, vol.49
, pp. 87-115
-
-
Gabrieli, J.D.1
-
23
-
-
33745759392
-
Perceived emotion and felt emotion: same or different?
-
doi: 10.1177/10298649020050S105
-
Gabrielsson, A. (2002). Perceived emotion and felt emotion: same or different? Music. Sci. 6, 123-148. doi: 10.1177/10298649020050S105.
-
(2002)
Music. Sci
, vol.6
, pp. 123-148
-
-
Gabrielsson, A.1
-
24
-
-
0012641568
-
The roots of empathy: the shared manifold hypothesis and the neural basis of intersubjectivity
-
doi: 10.1159/000072786
-
Gallese, V. (2003). The roots of empathy: the shared manifold hypothesis and the neural basis of intersubjectivity. Psychopathology 36, 171-180. doi: 10.1159/000072786.
-
(2003)
Psychopathology
, vol.36
, pp. 171-180
-
-
Gallese, V.1
-
25
-
-
0003371213
-
Play it again, Sam: on liking music
-
doi: 10.1080/02699938708408051
-
Gaver, W. W., and Mandler, G. (1987). Play it again, Sam: on liking music. Cogn. Emot. 1, 259-282. doi: 10.1080/02699938708408051.
-
(1987)
Cogn. Emot
, vol.1
, pp. 259-282
-
-
Gaver, W.W.1
Mandler, G.2
-
26
-
-
0344585442
-
Learning more by crossing levels: evidence from airplanes, hospitals, and orchestras
-
doi: 10.1002/job.226
-
Hackman, J. R. (2003). Learning more by crossing levels: evidence from airplanes, hospitals, and orchestras. J. Organ. Behav. 24, 905-922. doi: 10.1002/job.226.
-
(2003)
J. Organ. Behav
, vol.24
, pp. 905-922
-
-
Hackman, J.R.1
-
27
-
-
60950378184
-
The development of aesthetic reactions to music
-
Hargreaves, D. J. (1982). The development of aesthetic reactions to music. Psychol. Music Spec. Issue 1982, 51-54.
-
(1982)
Psychol. Music Spec. Issue
, vol.1982
, pp. 51-54
-
-
Hargreaves, D.J.1
-
28
-
-
84973679025
-
The effects of repetition on liking for music
-
doi: 10.2307/3345279
-
Hargreaves, D. J. (1984). The effects of repetition on liking for music. J. Res. Music Educ. 32, 35-47. doi: 10.2307/3345279.
-
(1984)
J. Res. Music Educ
, vol.32
, pp. 35-47
-
-
Hargreaves, D.J.1
-
29
-
-
84865243616
-
Musical imagination: perception and production, beauty and creativity
-
doi: 10.1177/0305735612444893
-
Hargreaves, D. J. (2012). Musical imagination: perception and production, beauty and creativity. Psychol. Music 40, 539-557. doi: 10.1177/0305735612444893.
-
(2012)
Psychol. Music
, vol.40
, pp. 539-557
-
-
Hargreaves, D.J.1
-
30
-
-
84965695771
-
Effects of age, gender, and training on musical preferences of British secondary school students
-
doi: 10.2307/3345639
-
Hargreaves, D. J., Comber, C., and Colley, A. (1995). Effects of age, gender, and training on musical preferences of British secondary school students. J. Res. Music Educ. 43, 242-250. doi: 10.2307/3345639.
-
(1995)
J. Res. Music Educ
, vol.43
, pp. 242-250
-
-
Hargreaves, D.J.1
Comber, C.2
Colley, A.3
-
31
-
-
84885987316
-
Imagination and creativity in music listening
-
eds D. Hargreaves, D. Miell and R. MacDonald (Oxford: Oxford University Press)
-
Hargreaves, D. J., Hargreaves, J. J., and North, A. C. (2012). "Imagination and creativity in music listening," in Musical Imaginations: Multidisciplinary Perspectives on Creativity, Performance and Perception, eds D. Hargreaves, D. Miell and R. MacDonald (Oxford: Oxford University Press), 156-172.
-
(2012)
Musical Imaginations: Multidisciplinary Perspectives on Creativity, Performance and Perception
, pp. 156-172
-
-
Hargreaves, D.J.1
Hargreaves, J.J.2
North, A.C.3
-
32
-
-
40849141822
-
How do people communicate using music
-
eds D. Miell, R. MacDonald and D. J. Hargreaves (Oxford: Oxford University Press)
-
Hargreaves, D. J., MacDonald, R., and Miell, D. (2005). "How do people communicate using music," in Musical Communication, eds D. Miell, R. MacDonald and D. J. Hargreaves (Oxford: Oxford University Press), 1-25.
-
(2005)
Musical Communication
, pp. 1-25
-
-
Hargreaves, D.J.1
MacDonald, R.2
Miell, D.3
-
33
-
-
84857472718
-
Experimental aesthetics and liking for music
-
eds P. N. Juslin and J. A. Sloboda (Oxford: Oxford University Press)
-
Hargreaves, D. J., and North, A. (2010). "Experimental aesthetics and liking for music," in Handbook of Music and Emotion: Theory, Research, Applications, eds P. N. Juslin and J. A. Sloboda (Oxford: Oxford University Press), 515-546.
-
(2010)
Handbook of Music and Emotion: Theory, Research, Applications
, pp. 515-546
-
-
Hargreaves, D.J.1
North, A.2
-
35
-
-
63449115626
-
Emotional contagion and empathy
-
eds J. Decety and W. Ickes (Cambridge: The MIT Press)
-
Hatfield, E., Rapson, R. L., and Le, Y.-C. L. (2009). "Emotional contagion and empathy," in The Social Neuroscience of Empathy, eds J. Decety and W. Ickes (Cambridge: The MIT Press), 19-30.
-
(2009)
The Social Neuroscience of Empathy
, pp. 19-30
-
-
Hatfield, E.1
Rapson, R.L.2
Le, Y.-C.L.3
-
36
-
-
0016434612
-
Rated preference for musical compositions as it relates to complexity and exposure frequency
-
doi: 10.3758/BF03204003
-
Heyduk, R. G. (1975). Rated preference for musical compositions as it relates to complexity and exposure frequency. Attent. Percept. Psychophys. 17, 84-90. doi: 10.3758/BF03204003.
-
(1975)
Attent. Percept. Psychophys
, vol.17
, pp. 84-90
-
-
Heyduk, R.G.1
-
37
-
-
33847043850
-
What is mental representation? And how does it relate to consciousness?
-
Hubbard, T. (2007). What is mental representation? And how does it relate to consciousness? J. Conscious. Stud. 14, 1-2.
-
(2007)
J. Conscious. Stud
, vol.14
, pp. 1-2
-
-
Hubbard, T.1
-
39
-
-
77956698822
-
Recognition without awareness: an elusive phenomenon
-
doi: 10.1101/lm.1815010
-
Jeneson, A., Kirwan, C. B., and Squire, L. R. (2010). Recognition without awareness: an elusive phenomenon. Learn. Mem. 17, 454-459. doi: 10.1101/lm.1815010.
-
(2010)
Learn. Mem
, vol.17
, pp. 454-459
-
-
Jeneson, A.1
Kirwan, C.B.2
Squire, L.R.3
-
41
-
-
49949087918
-
Emotional responses to music: the need to consider underlying mechanisms
-
doi: 10.1017/S0140525X08005293
-
Juslin, P. N., and Västfjäll, D. (2008). Emotional responses to music: the need to consider underlying mechanisms. Behav. Brain Sci. 31, 559-575. doi: 10.1017/S0140525X08005293.
-
(2008)
Behav. Brain Sci
, vol.31
, pp. 559-575
-
-
Juslin, P.N.1
Västfjäll, D.2
-
42
-
-
1842448375
-
Music perception and cognition
-
(3rd Edn), eds H. Pashler and S. Yantis (New York, NY: John Wiley & Sons, Inc)
-
Justus, T. C., and Bharucha, J. J. (2002). "Music perception and cognition," in Steven's Handbook of Experimental Psychology (3rd Edn), Vol. 1: Sensation and Perception, eds H. Pashler and S. Yantis (New York, NY: John Wiley & Sons, Inc), 453-492.
-
(2002)
Steven's Handbook of Experimental Psychology: Sensation and Perception
, vol.1
, pp. 453-492
-
-
Justus, T.C.1
Bharucha, J.J.2
-
43
-
-
84992810924
-
Emotion perceived and emotion felt: same and different
-
doi: 10.1177/102986490601000203
-
Kallinen, K., and Ravaja, N. (2006). Emotion perceived and emotion felt: same and different. Music. Sci. 10, 191-213. doi: 10.1177/102986490601000203.
-
(2006)
Music. Sci
, vol.10
, pp. 191-213
-
-
Kallinen, K.1
Ravaja, N.2
-
44
-
-
84855945886
-
Cognitive and affective judgements of syncopated musical themes
-
doi: 10.2478/v10053-008-0094-0
-
Keller, P. E., and Schubert, E. (2011). Cognitive and affective judgements of syncopated musical themes. Adv. Cogn. Psychol. 7, 142-156. doi: 10.2478/v10053-008-0094-0.
-
(2011)
Adv. Cogn. Psychol
, vol.7
, pp. 142-156
-
-
Keller, P.E.1
Schubert, E.2
-
45
-
-
0141645490
-
Communication in neuronal networks
-
doi: 10.1126/science.1089662
-
Laughlin, S. B., and Sejnowski, T. J. (2003). Communication in neuronal networks. Science 301, 1870-1874. doi: 10.1126/science.1089662.
-
(2003)
Science
, vol.301
, pp. 1870-1874
-
-
Laughlin, S.B.1
Sejnowski, T.J.2
-
46
-
-
33748765485
-
Outline of a proposed model of sources of variation in musical taste
-
LeBlanc, A. (1980). Outline of a proposed model of sources of variation in musical taste. Bull. Council Res. Music Educ. 61, 29-34.
-
(1980)
Bull. Council Res. Music Educ
, vol.61
, pp. 29-34
-
-
LeBlanc, A.1
-
47
-
-
0041310470
-
An interactive theory of music preference
-
doi: 10.1093/jmt/19.1.28
-
LeBlanc, A. (1982). An interactive theory of music preference. J. Music Ther. 19, 28-45. doi: 10.1093/jmt/19.1.28.
-
(1982)
J. Music Ther
, vol.19
, pp. 28-45
-
-
LeBlanc, A.1
-
48
-
-
4243148847
-
Effect of age, country, and gender on music listening preferences
-
LeBlanc, A., Jin, Y. C., Stamou, L., and McCrary, J. (1999). Effect of age, country, and gender on music listening preferences. Bull. Council Res. Music Educ. 72-76.
-
(1999)
Bull. Council Res. Music Educ
, pp. 72-76
-
-
LeBlanc, A.1
Jin, Y.C.2
Stamou, L.3
McCrary, J.4
-
49
-
-
84867377824
-
Emotional response to musical repetition
-
doi: 10.1037/a0023747
-
Livingstone, S. R., Palmer, C., and Schubert, E. (2011). Emotional response to musical repetition. Emotion 12, 552-567. doi: 10.1037/a0023747.
-
(2011)
Emotion
, vol.12
, pp. 552-567
-
-
Livingstone, S.R.1
Palmer, C.2
Schubert, E.3
-
50
-
-
0007708887
-
Music and peak experiences: an empirical study
-
Lowis, M. J. (1998). Music and peak experiences: an empirical study. Mankind Q. 39, 203-224.
-
(1998)
Mankind Q
, vol.39
, pp. 203-224
-
-
Lowis, M.J.1
-
51
-
-
84878772977
-
Aesthetic responses to repetition in unfamiliar music
-
doi: 10.2190/EM.31.1.c
-
Margulis, E. H. (2013a). Aesthetic responses to repetition in unfamiliar music. Empirical Stud. Arts 31, 45-57. doi: 10.2190/EM.31.1.c.
-
(2013)
Empirical Stud. Arts
, vol.31
, pp. 45-57
-
-
Margulis, E.H.1
-
52
-
-
84878775609
-
Repetition and emotive communication in music versus speech
-
doi: 10.3389/fpsyg.2013.00167
-
Margulis, E. H. (2013b). Repetition and emotive communication in music versus speech. Front. Psychol. 4:167. doi: 10.3389/fpsyg.2013.00167.
-
(2013)
Front. Psychol
, vol.4
, pp. 167
-
-
Margulis, E.H.1
-
53
-
-
0141664293
-
The pleasures of thought: a theory of cognitive hedonics
-
Martindale, C. (1984). The pleasures of thought: a theory of cognitive hedonics. J. Mind Behav. 5, 49-80.
-
(1984)
J. Mind Behav
, vol.5
, pp. 49-80
-
-
Martindale, C.1
-
54
-
-
0040215139
-
Aesthetics, psychobiology, and cognition
-
eds F. H. Farley and R. W. Neperud (New York: Praeger Publisher)
-
Martindale, C. (1988). "Aesthetics, psychobiology, and cognition," in The Foundations of Aesthetics, Art, & Art Education, eds F. H. Farley and R. W. Neperud (New York: Praeger Publisher), 7-42.
-
(1988)
The Foundations of Aesthetics, Art, & Art Education
, pp. 7-42
-
-
Martindale, C.1
-
55
-
-
0003311462
-
Priming, prototypicality, and preference
-
doi: 10.1037/0096-1523.14.4.661
-
Martindale, C., and Moore, K. (1988). Priming, prototypicality, and preference. J. Exp. Psychol. Hum. Percept. Perform. 14, 661-670. doi: 10.1037/0096-1523.14.4.661.
-
(1988)
J. Exp. Psychol. Hum. Percept. Perform
, vol.14
, pp. 661-670
-
-
Martindale, C.1
Moore, K.2
-
56
-
-
84968290865
-
Relationship of musical preference to collative, ecological, and psychophysical variables
-
doi: 10.2307/40285441
-
Martindale, C., and Moore, K. (1989). Relationship of musical preference to collative, ecological, and psychophysical variables. Music Percept. 6, 431-445. doi: 10.2307/40285441.
-
(1989)
Music Percept
, vol.6
, pp. 431-445
-
-
Martindale, C.1
Moore, K.2
-
57
-
-
0002867146
-
Aesthetic preference: anomalous findings for Berlyne's psychobiological theory
-
doi: 10.2307/1423259
-
Martindale, C., Moore, K., and Borkum, J. (1990). Aesthetic preference: anomalous findings for Berlyne's psychobiological theory. Am. J Psychol. 103, 53-80. doi: 10.2307/1423259.
-
(1990)
Am. J Psychol
, vol.103
, pp. 53-80
-
-
Martindale, C.1
Moore, K.2
Borkum, J.3
-
58
-
-
0034326982
-
Subliminal mere exposure: specific, general, and diffuse effects
-
doi: 10.1111/1467-9280.00289
-
Monahan, J. L., Murphy, S. T., and Zajonc, R. B. (2000). Subliminal mere exposure: specific, general, and diffuse effects. Psychol. Sci. 11, 462-466. doi: 10.1111/1467-9280.00289.
-
(2000)
Psychol. Sci
, vol.11
, pp. 462-466
-
-
Monahan, J.L.1
Murphy, S.T.2
Zajonc, R.B.3
-
59
-
-
0141877565
-
Affective and evaluative responses to the arts
-
doi: 10.2190/K96D-085M-T07Y-61AB
-
North, A. C., and Hargreaves, D. J. (1996). Affective and evaluative responses to the arts. Empirical Stud. Arts 14, 207-222. doi: 10.2190/K96D-085M-T07Y-61AB.
-
(1996)
Empirical Stud. Arts
, vol.14
, pp. 207-222
-
-
North, A.C.1
Hargreaves, D.J.2
-
60
-
-
84990349905
-
Liking for musical styles
-
doi: 10.1177/102986499700100107
-
North, A. C., and Hargreaves, D. J. (1997). Liking for musical styles. Music. Sci. 1, 109-128. doi: 10.1177/102986499700100107.
-
(1997)
Music. Sci
, vol.1
, pp. 109-128
-
-
North, A.C.1
Hargreaves, D.J.2
-
61
-
-
84937342571
-
Collative variables versus prototypicality
-
doi: 10.2190/K96D-085M-T07Y-61AB
-
North, A. C., and Hargreaves, D. J. (2000). Collative variables versus prototypicality. Empirical Stud. Arts 18, 13-17. doi: 10.2190/K96D-085M-T07Y-61AB.
-
(2000)
Empirical Stud. Arts
, vol.18
, pp. 13-17
-
-
North, A.C.1
Hargreaves, D.J.2
-
62
-
-
10844297399
-
The effects of musical and voice 'fit' on responses to advertisements
-
doi: 10.1111/j.1559-1816.2004.tb02793.x
-
North, A. C., MacKenzie, L. C., Law, R. M., and Hargreaves, D. J. (2004). The effects of musical and voice "fit" on responses to advertisements. J. Appl. Soc. Psychol. 34, 1675-1708. doi: 10.1111/j.1559-1816.2004.tb02793.x.
-
(2004)
J. Appl. Soc. Psychol
, vol.34
, pp. 1675-1708
-
-
North, A.C.1
MacKenzie, L.C.2
Law, R.M.3
Hargreaves, D.J.4
-
63
-
-
3042767912
-
Dynamical minimalism: why less is more in psychology
-
doi: 10.1207/s15327957pspr0802_12
-
Nowak, A. (2004). Dynamical minimalism: why less is more in psychology. Pers. Soc. Psychol. Rev. 8, 183-192. doi: 10.1207/s15327957pspr0802_12.
-
(2004)
Pers. Soc. Psychol. Rev
, vol.8
, pp. 183-192
-
-
Nowak, A.1
-
65
-
-
84968137305
-
The emotional sources of 'chills' induced by music
-
doi: 10.2307/40285693
-
Panksepp, J. (1995). The emotional sources of "chills" induced by music. Music Percept. 13, 171-207. doi: 10.2307/40285693.
-
(1995)
Music Percept
, vol.13
, pp. 171-207
-
-
Panksepp, J.1
-
66
-
-
84858778415
-
Music and emotions in the brain: familiarity matters
-
doi: 10.1371/journal.pone.0027241
-
Pereira, C. S., Teixeira, J., Figueiredo, P., Xavier, J., and Brattico, E. (2011). Music and emotions in the brain: familiarity matters. PLoS ONE 6:e27241. doi: 10.1371/journal.pone.0027241.
-
(2011)
PLoS ONE
, vol.6
-
-
Pereira, C.S.1
Teixeira, J.2
Figueiredo, P.3
Xavier, J.4
Brattico, E.5
-
67
-
-
84937551035
-
Changing tunes: musical experience and self-perception amongst school and university music students
-
doi: 10.1177/102986490200600104
-
Pitts, S. E. (2002). Changing tunes: musical experience and self-perception amongst school and university music students. Music. Sci. 6, 73-92. doi: 10.1177/102986490200600104.
-
(2002)
Music. Sci
, vol.6
, pp. 73-92
-
-
Pitts, S.E.1
-
68
-
-
17044364044
-
Contagious yawning and the brain
-
doi: 10.1016/j.cogbrainres.2004.11.011
-
Platek, S. M., Mohamed, F. B., and Gallup, G. G. Jr. (2005). Contagious yawning and the brain. Cogn. Brain Res. 23, 448-452. doi: 10.1016/j.cogbrainres.2004.11.011.
-
(2005)
Cogn. Brain Res
, vol.23
, pp. 448-452
-
-
Platek, S.M.1
Mohamed, F.B.2
Gallup Jr., G.G.3
-
69
-
-
0036488272
-
Empathy: its ultimate and proximate bases
-
doi:10.1017/S0140525X02000018
-
Preston, S. D., and De Waal, F. (2002). Empathy: its ultimate and proximate bases. Behav. Brain Sci. 25, 1-20. doi:10.1017/S0140525X02000018.
-
(2002)
Behav. Brain Sci
, vol.25
, pp. 1-20
-
-
Preston, S.D.1
De Waal, F.2
-
70
-
-
33746812067
-
Intense emotional responses to music: a test of the physiological arousal hypothesis
-
doi: 10.1177/0305735604046096
-
Rickard, N. S. (2004). Intense emotional responses to music: a test of the physiological arousal hypothesis. Psychol. Music 32, 371-388. doi: 10.1177/0305735604046096.
-
(2004)
Psychol. Music
, vol.32
, pp. 371-388
-
-
Rickard, N.S.1
-
72
-
-
84874577872
-
Changing the tune: listeners like music that expresses a contrasting emotion
-
doi: 10.3389/fpsyg.2012.00574
-
Schellenberg, E. G., Corrigall, K. A., Ladinig, O., and Huron, D. (2012). Changing the tune: listeners like music that expresses a contrasting emotion. Front. Psychol. 3:574. doi: 10.3389/fpsyg.2012.00574.
-
(2012)
Front. Psychol
, vol.3
, pp. 574
-
-
Schellenberg, E.G.1
Corrigall, K.A.2
Ladinig, O.3
Huron, D.4
-
73
-
-
0012233661
-
Enjoyment of negative emotions in music: an associative network explanation
-
doi: 10.1177/0305735696241003
-
Schubert, E. (1996). Enjoyment of negative emotions in music: an associative network explanation. Psychol. Music 24, 18-28. doi: 10.1177/0305735696241003.
-
(1996)
Psychol. Music
, vol.24
, pp. 18-28
-
-
Schubert, E.1
-
74
-
-
40349094311
-
The influence of emotion, locus of emotion and familiarity upon preference in music
-
doi: 10.1177/1029864909013002051
-
Schubert, E. (2007a). The influence of emotion, locus of emotion and familiarity upon preference in music. Psychol. Music 35, 499-515. doi: 10.1177/1029864909013002051.
-
(2007)
Psychol. Music
, vol.35
, pp. 499-515
-
-
Schubert, E.1
-
75
-
-
38049131879
-
Locus of emotion: the effect of task order and age on emotion perceived and emotion felt in response to music
-
doi: 10.1093/jmt/44.4.344
-
Schubert, E. (2007b). Locus of emotion: the effect of task order and age on emotion perceived and emotion felt in response to music. J. Music Ther. 44, 344-368. doi: 10.1093/jmt/44.4.344.
-
(2007)
J. Music Ther
, vol.44
, pp. 344-368
-
-
Schubert, E.1
-
76
-
-
84856726067
-
The fundamental function of music
-
doi: 10.1177/1029864909013002051
-
Schubert, E. (2009-2010). The fundamental function of music. Music. Sci. 13, 63-81. doi: 10.1177/1029864909013002051.
-
(2009)
Music. Sci
, vol.13
, pp. 63-81
-
-
Schubert, E.1
-
77
-
-
77649200189
-
Affective, evaluative and collative responses to hated and loved music
-
doi: 10.1037/a0016316
-
Schubert, E. (2010). Affective, evaluative and collative responses to hated and loved music. Psychol. Aesthet. Creat. Arts 4, 36-46. doi: 10.1037/a0016316.
-
(2010)
Psychol. Aesthet. Creat. Arts
, vol.4
, pp. 36-46
-
-
Schubert, E.1
-
78
-
-
84875104774
-
Spreading activation and dissociation: a cognitive mechanism for creative processing in music
-
eds D. J. Hargreaves, D. E. Miell and R. R. MacDonald (Oxford: Oxford University Press)
-
Schubert, E. (2012). "Spreading activation and dissociation: a cognitive mechanism for creative processing in music," in Musical Imaginations Multidisciplinary Perspectives on Creativity, Performance, and Perception, eds D. J. Hargreaves, D. E. Miell and R. R. MacDonald (Oxford: Oxford University Press), 124-140.
-
(2012)
Musical Imaginations Multidisciplinary Perspectives on Creativity, Performance, and Perception
, pp. 124-140
-
-
Schubert, E.1
-
79
-
-
84891687736
-
Emotion felt by the listener and expressed by the music: literature review and theoretical perspectives
-
doi: 10.3389/fpsyg.2013.00837
-
Schubert, E. (2013). Emotion felt by the listener and expressed by the music: literature review and theoretical perspectives. Front. Psychol. 4:837. doi: 10.3389/fpsyg.2013.00837.
-
(2013)
Front. Psychol
, vol.4
, pp. 837
-
-
Schubert, E.1
-
80
-
-
34547136135
-
Social background and musical taste
-
doi: 10.2307/2086574
-
Schuessler, K. F. (1948). Social background and musical taste. Am. Soc. Rev. 13, 330-335. doi: 10.2307/2086574.
-
(1948)
Am. Soc. Rev
, vol.13
, pp. 330-335
-
-
Schuessler, K.F.1
-
81
-
-
34547647319
-
Mirror neuron and theory of mind mechanisms involved in face-to-face interactions: a functional magnetic resonance imaging approach to empathy
-
doi: 10.1162/jocn.2007.19.8.1354
-
Schulte-Rüther, M., Markowitsch, H. J., Fink, G. R., and Piefke, M. (2007). Mirror neuron and theory of mind mechanisms involved in face-to-face interactions: a functional magnetic resonance imaging approach to empathy. J. Cogn. Neurosci. 19, 1354-1372. doi: 10.1162/jocn.2007.19.8.1354.
-
(2007)
J. Cogn. Neurosci
, vol.19
, pp. 1354-1372
-
-
Schulte-Rüther, M.1
Markowitsch, H.J.2
Fink, G.R.3
Piefke, M.4
-
82
-
-
63449101077
-
The social neuroscience of empathy
-
doi: 10.1111/j.1749-6632.2009.04418.x
-
Singer, T., and Lamm, C. (2009). The social neuroscience of empathy. Ann. N. Y. Acad. Sci. 1156, 81-96. doi: 10.1111/j.1749-6632.2009.04418.x.
-
(2009)
Ann. N. Y. Acad. Sci
, vol.1156
, pp. 81-96
-
-
Singer, T.1
Lamm, C.2
-
83
-
-
33746905976
-
Mental representations
-
eds M. B. Brewer and M. Hewstone (Malden, MA: Blackwell)
-
Smith, E. R., and Queller, S. (2004). "Mental representations," in Social Cognition, eds M. B. Brewer and M. Hewstone (Malden, MA: Blackwell), 5-27.
-
(2004)
Social Cognition
, pp. 5-27
-
-
Smith, E.R.1
Queller, S.2
-
85
-
-
0035488150
-
Social categorization, self-esteem, and the estimated musical preferences of male adolescents
-
doi: 10.1080/02699930601000672
-
Tarrant, M., North, A. C., and Hargreaves, D. J. (2001). Social categorization, self-esteem, and the estimated musical preferences of male adolescents. J. Soc. Psychol. 141, 565-581. doi: 10.1080/02699930601000672.
-
(2001)
J. Soc. Psychol
, vol.141
, pp. 565-581
-
-
Tarrant, M.1
North, A.C.2
Hargreaves, D.J.3
-
86
-
-
34347296405
-
'Simply Irresistible': recurring accent patterns as hooks in mainstream 1980 s music
-
doi: 10.1017/S0261143004000303
-
Traut, D. (2005).'Simply Irresistible': recurring accent patterns as hooks in mainstream 1980 s music. Pop. Music 24, 57-77. doi: 10.1017/S0261143004000303.
-
(2005)
Pop. Music
, vol.24
, pp. 57-77
-
-
Traut, D.1
-
87
-
-
84856456932
-
Social cognitive neuroscience of empathy: concepts, circuits, and genes
-
doi: 10.1177/1754073911421379
-
Walter, H. (2012). Social cognitive neuroscience of empathy: concepts, circuits, and genes. Emot. Rev. 4, 9-17. doi: 10.1177/1754073911421379.
-
(2012)
Emot. Rev
, vol.4
, pp. 9-17
-
-
Walter, H.1
-
88
-
-
27844600149
-
Social bonds and the nature of empathy
-
Watt, D. F. (2005). Social bonds and the nature of empathy. J. Conscious. Stud. 12, 8-10.
-
(2005)
J. Conscious. Stud
, vol.12
, pp. 8-10
-
-
Watt, D.F.1
-
89
-
-
33845490229
-
Play it again Sam: repeated exposure to emotionally evocative music polarises liking and smiling responses, and influences other affective reports, facial EMG, and heart rate
-
doi: 10.1080/02699930601000672
-
Witvliet, C., and Vrana, S. (2007). Play it again Sam: repeated exposure to emotionally evocative music polarises liking and smiling responses, and influences other affective reports, facial EMG, and heart rate. Cogn. Emot. 21, 3-25. doi: 10.1080/02699930601000672.
-
(2007)
Cogn. Emot
, vol.21
, pp. 3-25
-
-
Witvliet, C.1
Vrana, S.2
-
90
-
-
84863333840
-
Emotion and motivation in the lives of performers
-
eds P. N. Juslin and J. A. Sloboda (Oxford: Oxford University Press)
-
Woody, R. H., and McPherson, G. E. (2010). "Emotion and motivation in the lives of performers," in Handbook of Music and Emotion: Theory, Research, Applications, eds P. N. Juslin and J. A. Sloboda (Oxford: Oxford University Press), 401-424.
-
(2010)
Handbook of Music and Emotion: Theory, Research, Applications
, pp. 401-424
-
-
Woody, R.H.1
McPherson, G.E.2
-
92
-
-
84867698115
-
The effects of musical fit on choice between competing pairs of cultural products
-
Yeoh, J. P. S., and North, A. C. (2009). The effects of musical fit on choice between competing pairs of cultural products. Empirical Musicol. Rev. 4, 130-133.
-
(2009)
Empirical Musicol. Rev
, vol.4
, pp. 130-133
-
-
Yeoh, J.P.S.1
North, A.C.2
-
93
-
-
39749175096
-
Attitudinal effects of mere exposure
-
doi: 10.1037/h0025848
-
Zajonc, R. B. (1968). Attitudinal effects of mere exposure. J. Personal. Soc. Psychol. 9, 1-27.doi: 10.1037/h0025848.
-
(1968)
J. Personal. Soc. Psychol
, vol.9
, pp. 1-27
-
-
Zajonc, R.B.1
|