Women in chinese learned culture: Complexities, exclusivities and connecting narratives

Gender and History

Volumn 26, Issue 1, 2014, Pages 23-35

  Zurndorfer, Harriet ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

COMPLEXITY; CULTURAL LANDSCAPE; CULTURAL RELATIONS; HISTORICAL GEOGRAPHY; WOMENS STATUS;

CHINA;

EID: 84896129986     PISSN: 09535233     EISSN: 14680424     Source Type: Journal    
DOI: 10.1111/1468-0424.12049     Document Type: Article

References (64)

1. Susan Mann, East Asia (China, Japan, and Korea): Women's and Gender History in Global Perspective (Washington, DC: American Historical Association and the Committee onWomen Historians, 1999), p. 1.
2. David Keightley, 'At the Beginning: The Status of Women in Neolithic and Shang China', Nan Nü: Men, Women and Gender in Early and Imperial China 1 (1999), pp. 1-63.
3. Wilt Idema and Lloyd Haft, A Guide to Chinese Literature (Ann Arbor: Center for Chinese Studies, 1997), p. 7.
4. Wilt Idema and Lloyd Haft, Guide to Chinese Literature, p. 20.
5. Bret Hinsch, Women in Early Imperial China (Lanham, MD: Rowman and Littlefield, 2002), pp. 114-21.
6. John Wills, Jr, claims in his book Mountain of Fame: Portraits in Chinese History (Princeton: Princeton University Press, 1994), p. 99
7. Hinsch, Women in Early Imperial China, p. 119.
8. Wilt Idema and Beata Grant, The Red Brush: WritingWomen of Imperial China (Cambridge: Harvard University Center, 2004), pp. 17-42
9. Bret Hinsch, 'The Textual History of Liu Xiang's Lienüzhuan', Monumenta Serica 52 (2004), pp. 95-112.
10. Chen Yu-shih, 'The Historical Template of Pan Chao's Nü Chieh', T'oung Pao 82/4-5 (1996), pp. 229-57.
11. Sherry Mou, Gentleman's Prescriptions for Women's Lives: A Thousand Years of Biographies of Chinese Women (New York: M. E. Sharpe, 2004).
12. Harriet Zurndorfer, 'The Lienü zhuan Tradition and Wang Zhaoyuan's (1663-1851) Production of the Lienü zhuan buzhu (1812)', in Joan Judge and Hu Ying (eds), Beyond Exemplar Tales: Women's Biography in Chinese History (Berkeley: University of California Press, 2011), pp. 55-69
13. J. Emma Teng, 'The Construction of the "Traditional" Chinese Woman in the Western Academy: A Critical Review', Signs 22 (1996), pp. 115-51.
14. Tienchi Martin-Liao, 'Traditional Handbooks of Women's Education', in A. Gerstlacher, R. Keen, W. Kubin, M. Mosga and J. Schon (eds), Women and Literature in China (Bochum: Studienverlag Brockmeyer, 1985), pp. 165-89.
15. Judith Zinsser, 'Introduction', Forum: Women and Learned Culture, Gender & History 26 (2014), pp. 1-4.
16. John Chaffee, The Thorny Gates of Learning in Song China: A Social History of the Examinations (Cambridge: Cambridge University Press, 1985).
17. Patricia Ebrey, The Inner Quarters: Marriage and the Lives of Chinese Women in the Sung Period (Berkeley: University of California Press, 1993), pp. 120-24.
18. Dieter Kuhn, The Age of Confucian Rule: The Song Transformation of China (Cambridge: Harvard University Press, 2009), pp. 143-4.
19. Bettine Birge, 'Chu Hsi and Women's Education', in William Theodore de Bary and John Chaffee (eds), Neo-Confucian Education: The Formative Stage (Berkeley: University of California Press, 1989), pp. 325-67;
20. Jian Zang, 'Women and the Transmission of Confucian Culture in Song China', in Dorothy Ko, Jahyun Kim Haboush and Joan Piggott (eds), Women and Confucian Cultures in Premodern China, Korea, and Japan (Berkeley: University of California Press, 2003), pp. 123-41.
21. Wilt Idema, 'Male Fantasies and Female Realities: Chu Shu-chen and Chang Yü-niang and their Biographers', in Harriet Zurndorfer (ed.), Chinese Women in the Imperial Past: New Perspectives (Leiden: E. J. Brill, 1999), pp. 19-52.
22. Wilt Idema,'Women and Confucianism from Song to Ming: The Institutionalization of Patrilineality', in Paul J. Smith and Richard von Glahn (eds), The Song-Yuan-Ming Transition in Chinese History (Cambridge: Harvard University Asia Center, 2003), pp. 212-40
23. Dorothy Ko, Teachers of the Inner Chambers:Women and Culture in Seventeenth-Century China (Stanford: Stanford University Press, 1994), p. 18.
24. Kang-i Sun Chang, 'AGuide toMing-Ch'ing Anthologies of Female Poetry and Their Selection Strategies', in Ellen Widmer and Kang-i Sun Chang (eds), Writing Women in Late Imperial China (Stanford: Stanford University Press, 1997), pp. 147-70.
25. Katherine Carlitz, 'The Social Uses of Female Virtue in LateMing Editions of Lienü Zhuan', Late Imperial China 12 (1991), pp. 117-52.
26. Widmer, 'Introduction', in Widmer and Sun Chang (eds), Writing Women, pp. 1-14, here p. 2.
27. Maram Epstein, Competing Discourses: Orthodoxy, Authenticity, and Engendered Meanings in Late Imperial Chinese Fiction (Cambridge:Harvard University Press, 2001), pp. 62-74;
28. Halvor Eifring, 'Introduction: Emotions and Conceptual History of "Qing"', in Halvor Eifring (ed.), Love and Emotions in Traditional Chinese Literature (Leiden: Brill, 2004), pp. 1-36, esp. pp.11-14.
29. Ellen Widmer, 'The Epistolary World of Female Talent in Seventeenth-Century China', Late Imperial China 10 (1989), pp. 1-43;
30. EllenWidmer, 'Xiaoqing's Literary Legacy and the Place of theWoman Writer in Late Imperial China', Late Imperial China 13 (1992), pp. 111-55.
31. Harriet Zurndorfer, 'Prostitutes and Courtesans in the Confucian Moral Universe of Late Ming China', International Review of Social History 56 (Special Issue 19) (2011), pp. 197-216.
32. Li Waiyee, 'The Late Ming Courtesan: Invention of a Cultural Ideal', in Widmer and Sun Chang (eds), Writing Women in Late Imperial China, pp. 46-73.
33. Monica Merlin, 'The Nanjing Courtesan Ma Shouzhen (1548-1604): Gender, Space and Painting in the Late Ming Pleasure Quarter', Gender & History 23 (2011), pp. 630-52.
34. Grace Fong, 'Introduction', in Grace Fong and Ellen Widmer (eds), The Inner Quarters and Beyond: Women Writers from Ming through Qing (Leiden: Brill, 2010), pp. 1-15, esp. pp. 10-12.
35. Ellen Widmer, 'Retrieving the Past: Women Editors and Women's Poetry, 1636-1941', in Fong and Widmer, Inner Quarters, pp. 81-105, esp. pp. 81-93.
36. SusanMann, Precious Records:Women in China's Long Eighteenth Century (Stanford: Stanford University Press, 1997), pp. 23-6.
37. Kai-wing Chow, The Rise of Confucian Ritualism in Late Imperial China: Ethics, Classics, and Lineage Discourse (Stanford: Stanford University Press, 1994), pp. 204-15.
38. Susan Mann, 'The Education of Daughters in the Mid-Ch'ing Period', in Benjamin Elman and Alexander Woodside (eds), Education and Society in Late Imperial China, 1600-1900 (Berkeley: University of California Press, 1994), pp. 19-49
39. Mann, 'Education of Daughters', p. 22.
40. Mann, 'Education of Daughters', p. 22.
41. Paul Ropp, 'Ambiguous Images of Courtesan Culture in Late Imperial China', in Widmer and Sun Chang (eds), Writing Women, pp. 17-45.
42. EllenWidmer, The Beauty and the Book: Women and Fiction in Nineteenth Century China (Cambridge, MA: Harvard University Asia Center, 2006), pp. 1-22;
43. Grace Fong, Herself an Author: Gender, Agency, and Writing in Late Imperial China (Honolulu: University of Hawai'i Press, 2008).
44. Hu Wenkai, Lidai funü zhuzuo kao (Studies of women's writings through the ages) (Shanghai: Shanghai guji chubanshe, 1985).
45. Benjamin Elman, From Philosophy to Philology: Intellectual and Social Aspects of Change in Late Imperial China (Cambridge: Harvard University Press, 1984).
46. Susan Mann's 'Women in the Life and Thought of Zhang Xuecheng', in Philip J. Ivanhoe (ed.), Chinese Language, Thought, and Culture: Nivison and His Critics (La Salle, IL: Open Court Press, 1996), pp. 94-120
47. Kang-i Sun Chang and Haun Saussy (eds), Women Writers of Traditional China: An Anthology of Poetry and Criticism (Stanford: Stanford University Press, 1999), pp. 783-99.
48. Clara Ho, 'Encouragement from the Opposite Gender: Male Scholars' Interests inWomen's Publications in Ch'ing China -ABibliographical Study', in Zurndorfer (ed.), ChineseWomen in the Imperial Past, pp. 308
49. Xiaorong Li, Women's Poetry of Late Imperial China: Transforming the Inner Chambers (Seattle: University of Washington Press, 2012);
50. Paul Ropp, Banished Immortal: Searching for Shuangqing, China's Peasant Woman Poet (Ann Arbor: University of Michigan Press, 2001);
51. Binbin Yang, 'A Disease of Passion: The "Self-Iconizing" Project of an Eighteenth-Century Chinese Woman Poet, Jin Yi (1769-1994)', Journal of Women's History 24 (2012), pp. 62-90.
52. Harriet Zurndorfer, 'Wang Zhaoyuan', in Ho, Biographical Dictionary of Chinese Women, pp. 227-30.
53. Zurndorfer, 'The "Constant World" of Wang Chao-yüan: Women, Education, and Orthodoxy in 18th-Century China -A Preliminary Investigation', in Institute of Modern History, Family Process and Political Process in Modern Chinese History, Part 1 (Taibei: Academia Sinica, 1992), pp. 581-619;
54. Zurndorfer, 'How to Be a Good Wife and a Good Scholar at the Same Time: 18th-Century Prescriptions on Chinese Female Behavior -A Preliminary Investigation', in Léon Vandermeersch (ed.), La Société civil face á l'État dans la tradition chinoise, japonaise, coŕeene et vietnamienne (Paris: ́ Ecole française d'Extrême-Orient, 1994), pp. 249-70.
55. Sufeng Xu, 'Domesticating Romantic Love during the High Qing Classical Revival: The Poetic Exchanges between Wang Zhaoyuan (1763-1851) and Her Husband Hao Yixing (1757-1829)', Nan Nü: Men, Women and Gender in China 15 (2013), pp. 219-64.
56. Widmer, 'Considering a Coincidence: The "Female Reading Public" circa 1828', in Judith T. Zeitlin and Lydia Liu, with Ellen Widmer (eds), Writing and Materiality in China: Essays in Honor of Patrick Hanan (Cambridge: Harvard University Asia Center, 2003), pp. 273-314, esp. pp. 294-5.
57. Harriet Zurndorfer, 'Wang Zhaoyuan (1763-1851) and the Erasure of "TalentedWomen" by LiangQichao', in Grace Fong, Nanxiu Qian and Richard Smith (eds), Different Worlds of Discourse: Transformations of Gender and Genre in Late Qing and Early Republican China (Leiden: Brill, 2008), pp. 29-56.
58. Hu Ying, 'Naming the First "NewWoman": The Case of Kang Aide', Nan Nü: Men,Women and Gender in Early and Imperial China 3 (2001), pp. 196-231;
59. Joan Judge, 'BlendedWish Images: Chinese andWestern Exemplary Women at the Turn of the Twentieth Century', Nan Nü: Men, Women and Gender in China 6 (2004), pp. 102-35, esp. pp. 118-24.
60. Ellen Widmer, 'The Rhetoric of Retrospection: May Fourth Literary History and the Ming-Qing Woman Writer', in Milena Dole?zelov́a andOld?rich Kŕal (eds), The Appropriation of Cultural Capital: China'sMay Fourth Project (Cambridge: Harvard University Asia Center, 2001), pp. 193-221;
61. Megan Ferry, 'Women's Literary History: Inventing Tradition in Modern China', Modern Language Quarterly 66 (2005), pp. 299-327.
62. Wen-hsin Yeh, 'Historian and Courtesan: Chen Yinke and the Writing of Liu Rushi Biezhuan', East Asian History 27 (2004), pp. 57-70.
63. Gail Hershatter and Wang Zheng, 'Chinese History: A Useful Category of Gender Analysis', American Historical Review 113 (2008), pp. 1404-21.
64. http://digital.library.mcgill.ca/mingqing