The printing revolution: A reappraisal

Agent of Change: Print Culture Studies after Elizabeth L. Eisenstein

Volumn , Issue , 2007, Pages 397-408

  Chartier, Roger ^a  

^a UNIVERSITY OF PENNSYLVANIA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84895915343     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (59)

1. Elizabeth Eisenstein and Adrian Johns in AHR Forum, "How Revolutionary Was the Print Revolution?" American Historical Review 107. 1(2002):84-128.
2. McKenzie, "The Economies of Print, 1550-1750: Scales of Production and Conditions of Constraint", in Produzione e commercio della carta e del libro, secc. XIII-XVIII, Istituto Internazionale di Storia Economica F. Datini, Prato, ser. 2, no. 23, ed. Simonetta Cavaciocchi (Florence: Le Monnier, 1992), 389-425.
3. Antonio Castillo Gómez, Escrituras y escribientes: Prácticas de la cultura escrita en una ciudad del Renacimiento (Las Palmas de Gran Canaria: Gobierno de Canarias y Fundación de Enseñanza Superior a Distancia de Las Palmas de Gran Canaria, 1997).
4. Harold Love, Scribal Publication in Seventeenth-Century England (Oxford: Oxford Univ. Press, 1993);
5. Arthur F. Marotti, Manuscript, Print, and the English Lyric (Ithaca, NY: Cornell Univ. Press, 1995);
6. H. R. Woudhuysen, Sir Philip Sydney and the Circulation of Manuscripts, 1558-1640 (Oxford: Clarendon Press, 1996);
7. David McKitterick, Print, Manuscript, and the Search for Order, 1450-1830 s (Cambridge: Cambridge Univ. Press, 2002).
8. Fernando Bouza, Corre manuscrito: Una historia cultural del Siglo de Oro (Madrid: Marcial Pons, 2001).
9. François Moureau, ed., De bonne main: La communication manuscrite au XVIIIe siècle (Paris: Universitas; Oxford: Voltaire Foundation, 1993);
10. Miguel Benitez, La face cachée des Lumières: Recherches sur les manuscrits philosophiques clandestins à l'âge classique (Paris: Universitas; Oxford: Voltaire Foundation, 1996);
11. François Moureau, Répertoire des nouvelles à la main: Dictionnaire de la presse manuscrite clandestine XVIe-XVIIIe siècle (Paris: Universitas; Oxford: Voltaire Foundation, 1999).
12. Roger Chartier, "Le manuscrit à l'âge de l'imprimé (XVe-XVIIIe siècles)", La lettre clandestine 7(1998):175-93.
13. Anthony Grafton, "Teacher, Text, and Pupil in the Renaissance Class-Room: A Case-Study from a Parisian College", History of Unversities 1(1981):37-70;
14. Ann Blair, "Ovidius Methodizatus: The Metamorphoses of Ovid in a Sixteenth-Century Paris College", History of Universities 9(1990):72-118;
15. Jean Letrouit, "La prise de notes de cours sur support imprimé dans les collèges parisiens au XVIe siècle", Revue de la Bibliothèque nationale de France 2(1999):47-56.
16. Roger Chartier, "Du rituel au for privé: Les chartes de mariage lyonnaises au XVIIe siècle", in Les usages de l'imprimé (Xve-XIXe siècles), ed. Chartier (Paris: Fayard, 1987), 229-51;
17. translated by Lydia G. Cochrane as "From Ritual to the Hearth: Marriage Charters in Seventeenth-Century Lyons", in The Culture of Print: Power and the Uses of Print in Early Modern Europe, 15th-19th Centuries, ed. Roger Chartier (Princeton, NJ: Princeton Univ. Press, 1989), 174-90.
18. Lodovica Braida, "Dall'almanacco all'agenda: Lo spazio per le osservazioni del lettore nelle guide del tempo italiane (XVIII-XIX seccolo)", Acme: Annali della Facoltà di Lettere e Filosofi a dell'Università degli Studi di Milano LI, fasc. 3(1998):137-67.
19. Sabrina Alcorn Baron, ed., The Reader Revealed (Washington, DC: Folger Shakespeare Library, 2001)
20. "Le livre annoté", Revue de la Bibliothèque nationale de France 2 (1999).
21. Max W Thomas, "Reading and Writing in the Renaissance Commonplace Book: A Question of Authorship?" in The Construction of Authorship: Textual Appropriation in Law and Literature, ed. Martha Woodmansee and Peter Jaszi (Durham, NC: Duke Univ. Press, 1994), 401-15.
22. Alonso Víctor De Paredes, Institución y origen del arte de la imprenta y reglas generales para los componedores, ed. Jaime Moll (Madrid: Bibliotheca Literae, Calambur, 2002).
23. See the essays collected in Late Imperial China 17. 1 (June 1996)
24. Kai-wing Chow, Publishing Culture, and Power in Early Modern China (Stanford, CA: Stanford Univ. Press, 2004);
25. Cynthia J. Brokaw and Kai-wing Chow, eds., Printing and Book Culture in Late Imperial China (Berkeley and Los Angeles: Univ. of California Press, 2005).
26. D. F. McKenzie, "Typography and Meaning: The Case of William Congreve", in Buch und Buchhandel in Europa im achtzehnten Jahrhundert, ed. Giles Barber and Bernhard Fabian (Hamburg: Hauswedell, 1981), 81-125
27. reprinted in McKenzie, Making Meaning: "Printers of the Mind" and Other Essays, ed. Peter McDonald and Michael F Suarez, SJ. (Amherst: Univ. of Massachusetts Press, 2002), 198-236.
28. Philip Gaskell, A New Introduction to Bibliography (Oxford: Clarendon Press, 1972), 7-8;
29. Juan Caramuel, Syntagma de Arte Typographica (Lyon, 1664), ed. Pablo Andrés Escapa (Salamanca: Instituto de Historia del Libro y de la Lectura, 2004), 134-43.
30. Gemma Guerrini, "Il sistema di communicazione di un corpus di manoscriiti quattrocenteschi", Scrittura e Civiltà 10(1986):122-97;
31. Armando Petrucci, "Del libro unitario al libro miscellaneo", in Tradizione dei classici, trasformazioni della cultura, vol. 4 of Società romana e impero tardoantico, ed. Andrea Giardina (Bari: Laterza, 1986), 173-87;
32. translated by Charles Radding as "From the Unitary Book to Miscellany", in Petrucci, Writers and Readers in Medieval Italy: Studies in the History of Written Culture (New Haven, CT: Yale Univ. Press, 1995), 1-18.
33. Charles Sorel, La Bibliothèque françoise (1664; repr., Geneva: Slatkine, 1970).
34. Roger Chartier, "La Europa castellana", in La España en tiempos del Quijote, ed. Antonio Feros y Juan Gelabert (Madrid: Taurus, 2004), 129-58.
35. Barbara M. Benedict, Making the Modern Reader: Cultural Mediation in Early Modern Literary Anthologies (Princeton, NJ: Princeton Univ. Press, 1996);
36. Leah Price, The Anthology and the Rise of the Novel: From Richardson to George Eliot (Cambridge and New York: Cambridge Univ. Press, 2000).
37. Roger Chartier and Hans-Jürgen Lüsebrink, eds., Colportage et lecture populaire: Imprimés de large circulation en Europe, XVIe-XIXe siècles (Paris: IMEC Editions and Editions de la Maison des Sciences de l'Homme, 1996).
38. Meredith L. McGill, American Literature and the Culture of Reprinting, 1834-1853 (Philadelphia: Univ. of Pennsylvania Press, 2003).
39. Carlos Alberto González Sánchez, Los mundos del libro: Medios de difusión de la cultura occidental en las Indias de los siglos XVI y XVII (Seville: Deputación de Sevilla; Universidad de Sevilla, 1999).
40. McKenzie, "The Sociology of Texts: Orality, Literacy, and Print in Early New Zealand", The Library, 6th ser., 6(1984):333-65
41. reprinted in McKenzie, Bibliography and the Sociology of Texts (Cambridge: Cambridge Univ. Press, 1999), 77-130.
42. Patrick Karl O'Brien, "Perspectives on Global History: Concepts and Methodology/Mondialisation de l'histoire: concepts et méthodologie", Proceedings, 19th International Congress of Historical Sciences/Actes, XIXe Congrès International des Sciences Historiques (Oslo, 2000), 3-52.
43. Johns, The Nature of the Book: Print and Knowledge in the Making (Chicago: Univ. of Chicago Press, 1998).
44. Fernando Bouza, "Para qué imprimir: De autores, públicos, impresores y manuscritos en el Siglo de Oro", Cuadernos de historia moderna 18(1997):31-50.
45. Ann Blair, "Reading Strategies for Coping with Information Overload", Journal of the History of Ideas 64(2003):11-28.
46. Simon Schaffer and Steven Shapin, Leviathan and the Air-Pump: Hobbes, Boyle, and the Experimental Life (Princeton, NJ: Princeton Univ. Press, 1985);
47. Steven Shapin, A Social History of Truth: Civility and Science in Seventeenth-Century England (Chicago: Univ. of Chicago Press, 1994).
48. David Scott Kastan, Shakespeare and the Book (Cambridge: Cambridge Univ. Press, 2001).
49. Michel De Certeau, "Lire: Un braconnage", in L' invention du quotidian (Paris: U. G. E., 1980; rev., 1990), 239-55;
50. translated by Steven F. Rendall as "Reading as Poaching", in The Practice of Everyday Life (Berkeley and Los Angeles: Univ. of California Press, 1984), 165-76.
51. Wolfgang Iser, der Akt des Lesens: Theorie ästetischer Wirkung (Munich: Wilhelm Fink, 1976)
52. translated by the author as The Act of Reading: A Theory of Aesthetic Response (Baltimore, MD: Johns Hopkins Univ. Press, 1978);
53. Susan R Suleiman and Inge Crosman, eds., The Reader in the Text: Essays on Audience and Interpretation (Princeton, NJ: Princeton Univ. Press, 1980).
54. Roger Chartier, "Languages, Books, and Reading from the Printed Word to the Digital Text", Critical Inquiry 31(Autumn 2004):133-54.
55. Guglielmo Cavallo, "Testo, libro, lettura", in La circolazione del testo, vol. 2 of Lo spazio letterario di Roma antica, ed. Cavallo, Paolo Fedele, and Andrea Giardina (Rome: Salerno Editrice, 1989), 307-34
56. "Libro e cultura scritta", in Caratteri e morfologie, vol. 4 of Storia di Roma, ed. Aldo Sciavone (Turin: Einaud, 1989), 693-734.
57. Alain Blanchard, ed., Les débuts du codex (Turnhout: Brepols, 1989).
58. Lucien Febvre and Henri-Jean Martin, L'apparition du livre (Paris: A. Michel, LEvolution de l'Humanité, 1958; reissued Paris: A. Michel, 1999);
59. translated by David Gerard as The Coming of the Book: The Impact of Printing 1450-1800, ed. Geoffrey Nowell-Smith and David Wootton (London: N. L. B., 1976; reissued London: Verso, 1990).