Using factor oracles for machine improvisation

Soft Computing

Volumn 8, Issue 9, 2004, Pages 604-610

  Assayag, G ^a   Dubnov, S ^a  

^a IRCAM   (France)

Author keywords

Computer music; Factor oracle; Improvisation; Incremental parsing; Machine learning; Prediction suffix trees; Suffix trees; Variable markov models

Indexed keywords

EID: 25844465951     PISSN: 14327643     EISSN: None     Source Type: Journal    
DOI: 10.1007/s00500-004-0385-4     Document Type: Review

References (19)

1. [All99] Allauzen C, Crochemore M, Raffinot M, (1725) Factor oracle: a new structure for pattern matching, in Proceedings of SOFSEM'99, Theory and Practice of Informatics, J. Pavelka, G. Tel and M. Bartosek ed., Milovy, Czech Republic, Lecture Notes in Computer Science pp. 291-306, Springer-Verlag, Berlin
2. [Ass99] Assayag G, Dubnov S, Delerue O (1999) Guessing the Composer's Mind: Applying Universal Prediction to Musical Style, Proc. Int'l Computer Music Conf., Int'l Computer Music Assoc., pp. 496-499
3. [Ass99b] Assayag G et al (1999) Computer Assisted Composition at Ircam: PatchWork and OpenMusic, The Computer Music J., Vol. 23, no. 3, pp. 59-72
4. [Bej01] Bejerano G, Yona G (2001) Variations on Probabilistic Suffix Trees: Statistical Modeling and Prediction of Protein Families, Bioinformatics, Vol. 17, pp. 23-43
5. [Dub03] Dubnov S, Assayag G, Lartillot O, Bejerano G (2003) Using Machine-Learning Methods for Musical Style Modeling, IEEE Computer, Vol. 10, no 38, p.73-80
6. [Dub02] Dubnov S, Assayag G (2002) Universal Prediction Applied to Stylistic Music Generation in Mathematics and Music, A Diderot Mathematical Forum, Assayag, Gerard; Feichtinger, Hans-Georg; Rodrigues, Jose Francisco (Eds.), pp.147-160, Springer-Verlag, Berlin
7. [Dub98] Dubnov S, Assayag G, El-Yaniv R (1998) Universal Classification Applied to Musical Sequences, Proc. Int'l Computer Music Conf., Int'l Computer Music Assoc., pp. 332-340
8. [Dur03] Durand N (2003) Apprentissage du style musical et interaction sur deux échelles temporelles, Master's Thesis, Ircam, UPMC Paris 6, http://www.ircam.fr/equipes/repmus/Rapports/
9. [Con95] Conklin D, Witten I (1995) Multiple Viewpoint Systems for Music Prediction, Interface, Vol. 24, pp. 51-73
10. [Con03] Conklin D (2003) Music Generation from Statistical Models, Proceedings of the AISB 2003 Symposium on Artificial Intelligence and Creativity in the Arts and Sciences, Aberystwyth, Wales, 30-35
11. [Fed03] Feder M, Merhav N, Gutman M (1992) Universal Prediction of Individual Sequences, IEEE Trans. Information Theory, Vol. 38, pp. 1258-1270. August 2003
12. [Lef00] Lefebvre A, Lecroq T Computing repeated factors with a factor oracle, In: Brankovic L, Ryan J (Eds.), Proceedings of the 11th Australasian Workshop On Combinatorial Algorithms, Hunter Valley, Australia, 2000, pp. 145-158
13. [Pac02] Pachet (2002) Interacting with a Musical Learning System: The Continuator, Proc. ICMAI 2002, Springer-Verlag, pp. 119-132
14. [Poir02] Poirson E Simulations d'improvisations à l'aide d'un automate de facteurs et validation expérimentale, Master's Thesis, Ircam, LEAD U. Bourgogne, UPMC Paris 6, Jul 2002 http://www.ircam.fr/equipes/repmus/ Rapports/
15. [Puc02] Puckette M Max at seventeen. Computer Music Journal 26(4): pp. 31-43
16. [Ron96] Ron D, Singer Y, Tishby N (1996) The Power of Amnesia: Learning Probabilistic Automata with Variable Memory Length, Machine Learning, Vol. 25, pp. 117-149
17. [Tri01] Triviño-Rodriguez JL, Morales-Bueno R (2001) Using Multiattribute Prediction Suffix Graphs To Predict And Generate Music, Computer Music Journal, Spring Volume 25 No. 3, pp. 62-79
18. [Zic87] Zicarelli D (1987) M and Jam Factory, The Computer Music J., Vol. 11, No. 4, pp. 13-29
19. [Ziv78] Ziv J, Lempel A (1978) Compression of Individual Sequences via Variable Rate Coding, IEEE Trans. Information Theory, Vol. 24, No. 5, pp. 530-536