Salsa as Popular Culture: Ethnic Audiences Constructing an Identity

A Companion to Media Studies

Volumn , Issue , 2007, Pages 399-418

  Valdivia, Angharad N ^a  

^a UNIVERSITY OF ILLINOIS AT URBANA CHAMPAIGN   (United States)

Author keywords

Authenticity; Community; Dance; Identity; Popular culture

Indexed keywords

EID: 84889873852     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1002/9780470999066.ch20     Document Type: Chapter

References (55)

1. Ang, I. (1991). Desperately Seeking the Audience. New York: Routledge.
2. Aparicio, F. R. (1998). Listening to Salsa: Gender, Latin popular music, and Puerto Rican cultures. Hanover, NH: Wesleyan University Press.
3. Aparicio, F. R. (1999). The blackness of sugar: Celia Cruz and the performance of (trans)nationalism. Cultural Studies, 13(2), 223-6.
4. Aparicio, F. R. and Chávez-Silverman, S. (eds.) (1997). Tropicalizations: Transcultural representations of latinidad. Hanover: University Press of New England.
5. Benítez-Rojo, A. (1992). The Repeating Island: The Caribbean and the postmodern perspective. Durham, NC: Duke University Press.
6. Bergman, B. (1985). Hot Sauces: Latin and Caribbean pop. New York: Quill.
7. Best, C. (ed.) (1995). Barbadian Popular Music and the Politics of Caribbean Culture. New York: Alterations Consultants Inc.
8. Brathwaite, E. (1977). Contradictory Omens: Cultural diversity and integration in the Caribbean. Kingston, Jamaica: Savacou Publications Ltd.
9. Calvo Ospina, H. (1995). !Salsa!: Havana heat, Bronx beat. New York: Monthly Review Press.
10. Darder, A. and Torres, R. D. (eds.) (1998). The Latino Studies Reader: Culture, economy and society. London: Blackwell.
11. Dávila, A. (2000). Mapping Latinidad: Language and culture in the Spanish TV battlefront. Television and New Media, 1(1), 75-94.
12. Dávila, A. (2001). Latinos Inc.: The marketing and making of a people. Berkeley: University of California Press.
13. Davis, M. (1999). Magical urbanism: Latinos reinvent the US big city. New Left Review, 234 (March/April): 3-43.
14. Delgado, C. F. and Muñoz, J. E. (eds.) (1997). Everynight Life: Culture and dance in Latin/o America. Durham, NC: Duke University Press.
15. Denzin, N. K. (1997). Interpretive Ethnography: Ethnographic practices for the 21st century. Thousand Oaks, CA: Sage.
16. Desmond, J. C. (ed.) (1997). Meaning in Motion: New cultural studies of dance. Durham, NC: Duke University Press.
17. Flores, J. (1993). Divided Borders: Essays on Puerto Rican identity. Houston: Arte Público Press.
18. Flores, J. (2000). From Bomba to Hip-Hop: Puerto Rican culture and Latino identity. New York: Columbia.
19. Flores, L. and McPhail, M. (1997). From Black and White to Living Color. A dialogic exposition into the social (re)construction of race, gender, and crime. Critical Studies in Mass Communica-tton, 14(1), 106-122.
20. Fusco, C. (1995). English is Broken Here: Notes on cultural fusion in the Americas. New York: The New Press.
21. Fusco, C. (1999). Personal conversation.
22. garcia, m. (1997). "Memories of El Monte": Intercultural dance halls in post-World War II greater Los Angeles. In J. Austin and M. Nevin Willard (eds.), Generations of Youth: Youth cultures and history in twentieth-century America. New York: New York University Press.
23. garcia, m. Leger, M., and Valdivia, A. (forthcoming). Geographies of Latinidad: Mapping Latina/o studies into the twenty-first century. Durham, NC: Duke.
24. García Canclini, N. (1995). Hybrid Cultures: Strategies for entering and leaving modernity. Minneapolis: University of Minnesota Press.
25. Gilroy, P. (1993). The Black Atlantic: Modernity and double consciousness. Cambridge, MA: Harvard University Press.
26. Grossberg, L. (1996). Identity and cultural studies-Is that all there is? In S. Hall and P. du Gay (eds.). Questions of Cultural Identity. London: Sage.
27. Gutiérrez, D. (1999). Migration, emergent ethnicity, and the "third space": The shifting politics of nationalism in Greater Mexico. The Journal of American History, 86(2), 481-517.
28. Hall, S. (1996). Introduction: Who needs "identity"? In S. Hall and P. du Gay (eds.), Questions of Cultural Identity. London: Sage.
29. Halter, M. (2000). Shopping for Identity: The marketing of ethnicity. New York: Shocken Books.
30. Haney López, I. F. (1996). White lines. In White By Law: The legal construction of race. New York: New York University Press, pp. 1-35.
31. Hermes, J. (1995). Reading Women's Magazines. An analysis of everyday media use. Cambridge: Polity Press.
32. Hosokawa, S. (1999). "Salsa no tiene frontera": Orquesta de la Luz and the globalization of popular music. Cultural Studies, 13(3), 509-34.
33. Leymarie, I. (1985). Salsa and Latin jazz. In B. Bergman (ed.), Hot Sauces: Latin and Caribbean pop. New York: Quill.
34. Lipsitz, G. (1999a). Remarks made to the "Territories and Boundaries: Interdisciplinary Perspectives on Theory, Methodology, and Curriculum in Latina/o Studies" at the Center for Advanced Study, University of Illinois, Champaign-Urbana, March 24.
35. Lipsitz, G. (1999b). "Home is where the hatred is": Work, music, and the transnational economy." In H. Naficy (ed.), Home, Exile, Homeland: Film, media and the politics of place. New York: Routledge.
36. Lugo, A. (forthcoming). Border Inspections: The case of the El Paso-Juarez area. In m. garcia, M. Leger, and A. Valdivia (eds.), Geographies of Latinidad: Latina/o studies into the twenty-first century. Durham, NC: Duke University Press.
37. Manuel, P. (1995). Caribbean Currents: Caribbean music from rumba to reggae. Philadelphia: Temple University Press.
38. McCarthy, C. (1998). The Uses of Culture: Education and the limit of ethnic affiliation. New York: Routledge.
39. Nightingale, V. (1993). What's "ethnographic" about ethnographic audience research? In J. Frow and M. Morris (eds.), Australian Cultural Studies: A reader. Urbana: University of Illinois Press.
40. Nightingale, V. (1996). Studying Audiences: The shock of the real. London: Routledge.
41. Oboler, S. (1995). Ethnic Labels, Latino Lives: Identity and the politics of (re)presentation in the United States. Minneapolis: University of Minnesota Press.
42. Parameswaran, R. (1999). Western romance fiction as English-language media in postcolonial India. Journal of Communication, 49(2), 84-105.
43. Rodriguez, C. E. (1997). Latin Looks: Images of Latinas and Latinos in the U.S. media. Boulder, CO: Westview Press.
44. Rohler, G. (1990). Calypso and Society in Pre-Independence Trinidad. Port of Spain, Trinidad: Gordon Rohler.
45. Roman Velazquez, P. (1999). Making of Latin London. London: Ashgate.
46. Saldivar, J. D. (1997). Border Matters: Remapping American cultural studies. Berkeley: University of California Press.
47. Sánchez González, L. (1999). Reclaiming Salsa. Cultural Studies, 13(2), 237-50.
48. Sarup, M. (1996). Identity, Culture and the Postmodern World. Athens, GA: The University of Georgia Press.
49. Shohat, E. (1998). Talking Visions: Multicultural feminism in a transnational Age. New York: MIT Press.
50. Shohat, E. and Stam, B. (1994). Unthinking Eurocentrism: Multiculturalism and the media. New York: Routledge.
51. Storm Roberts, J. (1999). The Latin Tinge: The impact of Latin American music on the United States. New York: Oxford.
52. Valdivia, A. N. (1999). Reconstructing Latinidad through salsa: Cultural struggle and formation in the prairie. Paper presented to the "Culture, Place, and the Cultures of Displacement" First Annual Spring Conference of the Illinois Program for Research in the Humanities at the University of Illinois, April.
53. Valdivia, A. N. (2000). A Latina in the Land of Hollywood and Other Essays on Media Culture. Tucson: University of Arizona Press.
54. Waxer, L. (1999). Consuming memories: The record centered salsa scene in Cali. In C. McCarthy et al., Sound Identities: Popular music and the cultural politics of education. New York: Peter Lang.
55. Wilson, R. and Dissanayake, W. (eds.) (1996). Global/Local: Cultural production and the transnational imaginary. Durham, NC: Duke University Press.