Reclaiming salsa

Cultural Studies

Volumn 13, Issue 2, 1999, Pages 237-250

  González, Lisa Sánchez ^a  

^a NONE

Author keywords

Aesthetics; Colonial diasporas; Critical race studies; R ben blades; Salsa; Willie col n

Indexed keywords

EID: 34247283853     PISSN: 09502386     EISSN: 14664348     Source Type: Journal    
DOI: 10.1080/095023899335266     Document Type: Article

References (27)

1. Aparicio, Francis (1998) Listening to Salsa, Hanover and London: University of New England Press.
2. Benmayor, Rina, Torruellas, Rosa and Juarbe, Ana L. (1992) Responses to Poverty Among Puerto Rican Women: Identity, Community and Cultural Citizenship, New York: Centro de Estudios Puertorriqueños.
3. Blades, Rubén (1992) (With Son del Solar). Amor y control, Sony Discos Internacional, CDZ-80839, 471643-2.
4. Blades, Rubén and Colón, Willie (1995) Tras la tormenta, Sony Tropical, CDT-81498/478354-2.
5. Boggs, Vernon W. (1992) 'Founding fathers and changes in Cuban music called salsa', in his (ed.) Salsiology, New York: Excelsior Music: 95-105.
6. Chabram-Dernersesian, Angie (1994) '"Chicana! Rican? No, Chicana-Riqueña!" Refashioning the transnational connection', in D.T. Goldberg (ed.) Multiculturalism: A Critical Reader, Oxford: Blackwell.
7. (1996) 'The Spanish Colón-ialista narrative: their prospectus for us in 1992', in A. Gordon and C. Newfield (eds) Mapping Multiculturalism, Minneapolis and London: University of Minnesota Press.
8. Colón, Willie (1993) Hecho en Puerto Rico, Sony Discos Internacional, DCC-881040, 4-469580.
9. Deleuze, Gilles and Guatarri, Felix (1972-1980/1987) A Thousand Plateaux: Capitalism and Schizophrenia, trans. Brian Massumi, Minneapolis: University of Minnesota Press.
10. Duany, Jorge (1992) 'Popular music in Puerto Rico: toward an anthropology of salsa', in Boggs (ed.) op. cit.: 72-89.
11. Figueroa Hernández, Rafael (1992) Ismael Rivera: El sonero mayor, San Juan: Instituto de Cultura Puertorriquena.
12. García Canclini, Nestor (1993) Transforming Modernity:Popular Culture in Mexico, trans. Lidia Lozano, Austin: University of Texas Press.
13. Gilroy, Paul (1993) Small Acts, London and New York: Serpent's Tail.
14. Glasser, Ruth (1995) My Music is My Flag: Puerto Rican Musicians and Their New York Communities, 1917-1940, Berkeley, Los Angeles and London: University of California Press.
15. Guerra, Juan Luis (1992) Areíto, With 4:40, BMG Music, 3456-2RL.
16. Lipsitz, George (1994) Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place, London and New York: Verso.
17. Nayarin, Kirin (1993) 'How native is a "native" anthropologist?', American Anthropologist, 95: 671-86.
18. Nieto Gómez, Anna (1974) 'La feminista', Encuentro Femenil, 1(2): 34-47.
19. Nietzsche, Friedrich (1886/1966) Beyond Good and Evil: Prelude to a Philosophy of the Future, trans. Walter Kaufman, New York: Vintage.
20. Ortiz, Fernando (1975) La música afrocubana, Madrid: Ediciones Jucar.
21. Sánchez-Korrol, Virginia (1983) From Colonia to Community: The History of Puerto Ricans in New York City, 1917-1948, Westport and London: Greenwood Press.
22. Storm Roberts, John (1979) The Latin Tinge, New York: Oxford University Press.
23. (1992) The roots', in Boggs (ed.) op. cit.: 5-22.
24. Sued Badillo, Jalil (1986) Puerto Rico Negro, Río Piedras: Editorial Cultural.
25. Visweswaran, Kamala (1994) Fictions of Feminist Ethnography, Minneapolis and London: University of Minnesota Press.
26. Yúdice, George, Franco, Jean and Flores, Juan (Introduction and eds) (1992) On Edge: The Crisis of Contemporary Latin American Culture, Minneapolis and London: University of Minnesota Press.
27. Zamudio-Taylor, Victor (1993) 'Demystifying marginality: identity, tradition and resistance', in his Exhibit Catalogue In/Out of the Cold, San Francisco, CA: Center for the Arts Yerba Buena Gardens, 18-21.