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Volumn , Issue , 2010, Pages 215-222

Clap-along: A negotiation strategy for creative musical interaction with computational systems

Author keywords

[No Author keywords available]

Indexed keywords

COMPUTATIONAL SYSTEM; HUMAN-COMPUTER COLLABORATION; INTERACTIVE STRATEGY; INTERACTIVE SYSTEM; MUSICAL PERFORMANCE; NEGOTIATION STRATEGY;

EID: 80052437425     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper
Times cited : (7)

References (15)
  • 2
    • 33749650815 scopus 로고    scopus 로고
    • Searching for computational creativity
    • Wiggins, G.A.: Searching for computational creativity. New Generation Computing 24(3) (2006) 209-222
    • (2006) New Generation Computing , vol.24 , Issue.3 , pp. 209-222
    • Wiggins, G.A.1
  • 5
    • 78650119270 scopus 로고    scopus 로고
    • Soundspotting: A new kind of process?
    • Dean, R., ed. Oxford University Press
    • Casey, M.: Soundspotting: A new kind of process? In Dean, R., ed.: The Oxford Handbook of Computer Music. Oxford University Press (2009)
    • (2009) The Oxford Handbook of Computer Music
    • Casey, M.1
  • 6
    • 0742320867 scopus 로고    scopus 로고
    • Beyond the cybernetic jam fantasy: The continuator
    • Pachet, F.: Beyond the cybernetic jam fantasy: The continuator. IEEE Computer Graphics and Applications 24(1) (2004) 31-35
    • (2004) IEEE Computer Graphics and Applications , vol.24 , Issue.1 , pp. 31-35
    • Pachet, F.1
  • 7
    • 84870939993 scopus 로고    scopus 로고
    • Theses on liveness
    • Croft, J.: Theses on liveness. Organised Sound 12(1) (2007) 59-66
    • (2007) Organised Sound , vol.12 , Issue.1 , pp. 59-66
    • Croft, J.1
  • 9
    • 85003513261 scopus 로고    scopus 로고
    • Self-organised music
    • Blackwell, T., Young, M.: Self-organised music. Organised Sound 9(2) (2004) 137-150
    • (2004) Organised Sound , vol.9 , Issue.2 , pp. 137-150
    • Blackwell, T.1    Young, M.2
  • 10
    • 0007193487 scopus 로고    scopus 로고
    • From symbol to semiotic: Representation, signification, and the composition of music interaction
    • Hamman, M.: From symbol to semiotic: Representation, signification, and the composition of music interaction. Journal of New Music Research 28(2) (1999) 90-104
    • (1999) Journal of New Music Research , vol.28 , Issue.2 , pp. 90-104
    • Hamman, M.1
  • 12
    • 84953599704 scopus 로고
    • Task characteristics and the experience of optimal flow in human-computer interaction
    • Ghani, J.A., Deshpande, S.P.: Task characteristics and the experience of optimal flow in human-computer interaction. Journal of Psychology 128(4) (1994) 381-391
    • (1994) Journal of Psychology , vol.128 , Issue.4 , pp. 381-391
    • Ghani, J.A.1    Deshpande, S.P.2
  • 14
    • 0004237412 scopus 로고
    • George Weidenfeld and Nicholson Ltd
    • Boden, M.: The Creative Mind. George Weidenfeld and Nicholson Ltd (1990)
    • (1990) The Creative Mind
    • Boden, M.1
  • 15
    • 84928843707 scopus 로고
    • Skinner on creativity: A critical commentary
    • Abra, J.: Skinner on creativity: A critical commentary. Leonardo 21(4) (1988) 407-412
    • (1988) Leonardo , vol.21 , Issue.4 , pp. 407-412
    • Abra, J.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.