Beyond the Cybernetic Jam Fantasy: The Continuator

IEEE Computer Graphics and Applications

Volumn 24, Issue 1, 2004, Pages 31-35

  Pachet, François ^a  

^a SONY COMPUTER SCIENCE LABORATORY   (France)

Author keywords

[No Author keywords available]

Indexed keywords

ALGORITHMS; AUTOMATA THEORY; COMPUTER PROGRAMMING; HARMONIC GENERATION; INTERACTIVE COMPUTER SYSTEMS; LEARNING SYSTEMS; LOGIC DESIGN; MARKOV PROCESSES; MUSICAL INSTRUMENTS; PROBABILITY; SOFTWARE ENGINEERING;

CONTINUATORS; MUSICAL INTERACTION PROTOCOLS;

ARTIFICIAL INTELLIGENCE;

ALGORITHM; ARTICLE; ARTIFICIAL INTELLIGENCE; AUTOMATED PATTERN RECOGNITION; AUTOMATION; COMPUTER INTERFACE; CYBERNETICS; METHODOLOGY; MUSIC; STATISTICAL MODEL;

ALGORITHMS; ARTIFICIAL INTELLIGENCE; CYBERNETICS; MODELS, STATISTICAL; MUSIC; PATTERN RECOGNITION, AUTOMATED; USER-COMPUTER INTERFACE; WORD PROCESSING;

EID: 0742320867     PISSN: 02721716     EISSN: None     Source Type: Journal    
DOI: 10.1109/MCG.2004.1255806     Document Type: Article

References (6)

1. S. Kay, The Korg Karma Music Work Station, Korg Inc., 2000.
2. J.-C. Risset and S. Van Duyne, "Real-Time Performance Interaction with a Computer-Controlled Acoustic Piano," Computer Music J., vol. 20, no. 1, 1996, pp. 62-75.
3. D. Cope, Experiments in Musical Intelligence, A-R Editions, 1996.
4. R. Kurzweil, The Age of Spiritual Machines, Viking Press, 1999.
5. F. Pachet, "Music Interaction with Style," Proc. Int'l Computer Music Conf. (ICMC 2002), ICMA Eds., 2002, pp. 211-218.
6. F. Pachet, "Playing with Virtual Musicians: The Continuator in Practice," IEEE MultiMedia, vol. 9, no. 3, 2002, pp. 77-82.