Theses on liveness

Organised Sound

Volumn 12, Issue 1, 2007, Pages 59-66

  Croft, John ^a  

^a BRUNEL UNIVERSITY   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84870939993     PISSN: 13557718     EISSN: 14698153     Source Type: Journal    
DOI: 10.1017/S1355771807001604     Document Type: Article

References (10)

1. Adorno, T. W. 1991. The Culture Industry, ed. J. M. Bernstein. London: Routledge.
2. Barthes, R. 1977. Image Music Text, trans. Stephen Heath. London: Fontana.
3. D'Escrivan J. 2006. To sing the body electric: instruments and effort in the performance of electronic music. Contemporary Music Review 25(1/2): 183–91.
4. Emmerson, S. 1998. Acoustic/electroacoustic: the relationship with instruments. Journal of New Music Research 27(1-2): 146–64.
5. Ferneyhough, B. 1997. Collected Writings. Amsterdam: Harwood.
6. Heile, B. 2006. The Music of Mauricio Kagel. Aldershot: Ashgate.
7. Jameson, F. 1991. Postmodernism, or, the Cultural Logic of Late Capitalism. London: Verso.
8. Rebello, P. 2006. Haptic sensation and instrumental transgression. Contemporary Music Review 25(1-2): 27–35.
9. Smalley, D. 1986. Spectro-morphology and structuring processes. In S. Emmerson (ed.) The Language of Electroacoustic Music. London: Macmillan.
10. Schroeder, F. 1986. Bodily instruments and instrumental bodies: critical views on the relation of body and instrument in technologically informed performance environments. Contemporary Music Review 25(1-2): 1–5.