Anime fandom and the liminal spaces between fan creativity and piracy

International Journal of Cultural Studies

Volumn 14, Issue 5, 2011, Pages 449-466

  Denison, Rayna ^a  

^a UNIVERSITY OF EAST ANGLIA   (United Kingdom)

Author keywords

anime; distribution; fan subtitling; fandom; Soul Eater

Indexed keywords

EID: 80051922334     PISSN: 13678779     EISSN: 1460356X     Source Type: Journal    
DOI: 10.1177/1367877910394565     Document Type: Article

References (38)

1. AniDB (n.d.) Anime: Soul Eater. Available at: http://anidb.net/perl-bin/animedb.pl?show=anime&aid=5610.
2. Anime News Network (2003) A new ethical code for digital fansubbing. 8June. Available at: http://www.animenewsnetwork.com/feature/2003-06-08/2.
3. Anime News Network (2008) '3 Titles' fansubs pulled on behalf of Japan's d-rights (Updated). Available at: http://www.animenewsnetwork.com/news/2008-08-11/3-titles-fansubs-pulled-on-behal.
4. Baym NKTune In, Log On: Soaps, Fandom and Online Community. Thousand Oaks, CA: Sage; 2000:.
5. BertschyZ (2008) Interview with the Fansubber. Anime News Network. Available at: http://www.animenewsnetwork.com/feature/2008-03-11.
6. CondryI (2004) Cultures of media piracy: an ethnographic comparison of the US and Japan. Massachusetts Institute of Technology Website. Available at: http://web.mit.edu/www/pubs/Condry-CultMusPiracy5-04.pdf.
7. Cubbison L.Anime fans, DVDs, and the authentic text.The Velvet Lighttrap. 2005;56 (fall): 45-57.
8. Daniels JM.Lost in translation: anime, moral rights, and market failure.Boston University Law Review. 2008;88 (1): 709-744.
9. Diaz Cintas J,Muñoz Sánchez P.Fansubs: adiovisual translation in an amateur environment.Journal of Specialised Translation. 2006;6 (July): 37-52.
10. Fowlkes C.Splitting the Difference.Anime Insider. 2008;59 (8): 14.
11. Hatcher JS.Of Otakus and fansubs: a critical look at anime online in light of current issues in copyright law.Script-ed. 2005;2 (4): 514-542.
12. HesmondhalghD (2007) Digitalisation, music and copyright. Centre for Research on Socio-Cultural Change (CRESC) Working Paper (January). Available at: http://www.cresc.ac.uk/publications/documents/wp30.pdf.
13. Hills MFan Cultures. London: Routledge; 2002:.
14. Hills MJapanese Horror Cinema. McRoy J, ed. Edinburgh: Edinburgh University Press; 2005:161-174.
15. Jenkins HTextual Poachers: Television Fans and Participatory Culture. Studies in culture and communication. New York: Routledge; 1992:.
16. JenkinsH (2006a) When piracy becomes promotion: how unauthorized copying made Japanese animation profitable in the United States. Reason OnlineDecember. Available at: http://www.reason.com/news/show/116788.html.
17. Jenkins HFans, Bloggers, and Gamers: Exploring Participatory Culture. New York: New York University Press; 2006b:.
18. jurtango (n.d.) Chatbox. Souleaterfan.com. Available at: http://www7.cbox.ws/box/?boxid=128794&boxtag=dqsg57&sec=archive&i=335&p=1.
19. Kamen M.Neo industry expose: the sky is falling?.Neo. 2009;61 (August): 7-11.
20. Klinger BBeyond the Multiplex: Cinema, New Technologies, and the Home. Berkeley, CA: University of California Press; 2006:.
21. KoulikovM (2008) Anime Expo 2008: Industry roundtable: Fansubs - the death of anime?'Anime News Network. Available at: http://www.animenewsnetwork.com/convention/2008/anime-expo/industry-roundtable.
22. Kwok SH.File-sharing activities over BT networks: pirated movies.ACM Computers in Entertainment. 2004;2 (1): 1-7.
23. Leonard S.Progress against the law: anime and fandom, with the key to the globalization of culture.International Journal of Cultural Studies. 2005;8 (3): 281-305.
24. Levi ACinema Anime. Brown ST, ed. New York: Palgrave Macmillan; 2006:43-64.
25. Live-eviL (n.d.) The official Live-eviL FAQ. Available at: http://www.live-evil.org/faq.
26. MacdonaldC (2003) Unethical fansubbers. Anime News Network, 8June. Available at: http://www.animenewsnetwork.com/editorial/2003-06-08/2.
27. McDonald PVideo and DVD Industries. London: BFI Publishing; 2007:.
28. Napier SJFrom Impressionism to Anime: Japan as Fantasy and Fan Cult in the Mind of the West. New York: Palgrave Macmillan; 2007:.
29. Pérez González L.Fansubbing anime: insights in the 'butterfly effect' of globalisation on audiovisual translation.Perspectives: Studies in Translatology. 2006;14 (4): 260-277.
30. Pouwelse JA,Garbacki P,Epema R,Sips H.Pirates and Samaritans: a decade of measurements on peer-to-peer production and their implications for net neutrality and copyright.Telecommunications Policy. 2008;32 (11): 701-712.
31. Raving Otaku (2006) Fansubs, Funimation and fan fury. Available at: http://ravingotaku.animeblogger.net/2006/10/08/funimation-fury/.
32. Rebuck M.Roll Playing.Anime Insider. 2008;57 (6): 66.
33. Rumbel Fansubs (n.d.) Soul Eater forum. Available at: http://rumbel-subs.com/forum/index.php?topic=595.0.
34. SmithA (2007) Open letter from GDH International's Arthur Smith. Anime News Network.Available at: http://www.animenewsnetwork.com/industry-comments/arthur-smith-open-letter-on-fansubbing.
35. Thornton SThe Subcultures Reader. Gelder KThornton S, ed. London: Routledge; 1995:.
36. Toffler AThe Third Wave. New York: Bantam; 1980:.
37. Tofusensei (n.d.) History of Live-eviL. Available at: http://www.live-evil.org/history-of-live-evil.
38. Tushnet RFandom: Identities and Communities in a Mediated World. Gray JSandvoss CHarrington CL, ed. New York: New York University Press; 2007:60-71.