Introduction: Practice-led research, research-led practice - towards the iterative cyclic web

Practice-led Research, Research-led Practice in the Creative Arts

Volumn , Issue , 2009, Pages 1-38

  Smith, Hazel ^a   Dean, Roger T ^a  

^a UNIVERSITY OF WESTERN SYDNEY   (Australia)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 79958794896     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Editorial

References (31)

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2. Bailes, F. and R. T. Dean (2007), 'Listener detection of segmentation in computer-generated sonic texture: an experimental study', Journal of New Music Research, 36 (2), 83-93.
3. Barrett, E. (2007), 'The exegesis as meme', in E. Barrett and B. Bolt (eds), Practice as Research: Approaches to Creative Arts Enquiry, London and New York: I. B. Tauris.
4. Bernstein, C. (1999), My Way: Speeches and Poems, Chicago: University of Chicago Press.
5. Bolt, Barbara (2007), 'The magic is in handling', in E. Barrett and B. Bolt (eds), Practice as Research: Approaches to Creative Arts Enquiry, London and New York: I. B. Tauris, pp. 27-34.
6. Cahnmann-Taylor, M. and R. Siegesmund (eds) (2008), Arts-Based Research in Education: Foundations in Practice, London and New York: Routledge.
7. Candy, L. (2006), Practice-based Research: A Guide, Creativity and Cognition Studios Report 2006-V1.0, Sydney: Creativity and Cognition Studios, University of Technology. Available at: http://www.creativityandcognition.com.
8. Csikszentmihalyi, M. (1997), Creativity: Flow and the Psychology of Discovery and Invention, New York: Harper Perennial.
9. Dawson, P. (2005), Creative Writing and the New Humanities, New York and London: Routledge.
10. Dean, R. T. (1989), Creative Improvisation: Jazz, Contemporary Music and Beyond, Milton Keynes: Open University Press.
11. Dean, R. T. (1992), New Structures in Jazz and Improvised Music since 1960, Milton Keynes: Open University Press.
12. Dean, R. T. (2003), Hyperimprovisation: Computer Interactive Sound Improvisation, with CD(R) of sound works, intermedia, and performance software patches, Middleton, WI: A-R Editions.
13. Deleuze, G. and F. Guattari (1987), A Thousand Plateaus: Capitalism and Schizophrenia, Minneapolis, MN and London: University of Minnesota Press.
14. Edmonds, E. A., A. Weakley, L. Candy, M. Fell, R. Knott and S. Pauletto (2005), 'The studio as laboratory: combining creative practice and digital technology research', International Journal of Human-Computer Studies, 63 (4-5), 452-81.
15. Haseman, B. C. (2006), 'A manifesto for performative research', Media International Australia incorporating Culture and Policy. Available at: http://www.emsah.uq.edu.au/mia/issues/miacpl 18.htm.
16. Kennedy, M. (2008), 'Stonehenge: "ancient A & E"', Guardian Weekly, 3 October, p. 15.
17. Krauth, N. and T. Brady (2006), Creative Writing: Theory beyond Practice, Teneriffe, QLD: Post Pressed.
18. McCormack, J. (2003), 'Evolving sonic ecosystems', Kybernetes, 32 (1/2), 184-202.
19. Macleod, K. and L. Holdridge (2006), Thinking Through Art: Reflections on Art as Research, London and New York: Routledge.
20. Marsh, H. W., U. W. Jayasinghe and N. W. Bond (2008), 'Improving the peer-review process for grant applications: reliability, validity, bias, and generalizability', American Psychologist, 63 (3), 160.
21. Rust, C. (2004), 'Design enquiry: tacit knowledge and invention in science', Design Issues, 20 (4), 76-85.
22. Smith, H. (2000), Hyperscapes in the Poetry of Frank O'Hara: Difference, Homosexuality, Topography, Liverpool: Liverpool University Press.
23. Smith, H. (2005a), 'The erotics of gossip: fictocriticism, performativity, technology', Continuum, 19 (3), 403-4.
24. Smith, H. (2005b), The Writing Experiment: Strategies for Innovative Creative Writing, Sydney: Allen & Unwin.
25. Smith, H. (2008), The Erotics of Geography: Poetry, Performance Texts, New Media Works, (book plus CD Rom), Kane'ohe, HI: TinFish.
26. Smith, H. (forthcoming), 'The voice in computer music and its relationship to place, identity and community', in R. T. Dean (ed.), The Oxford Handbook of Computer Music, New York: Oxford University Press.
27. Smith, H. and R. T. Dean (1997), Improvisation, Hypermedia and the Arts Since 1945, London and New York: Harwood Academic.
28. Smith, H. and R. T. Dean (2001), 'The egg, the cart, the horse, the chicken', infLect: A Journal of Multimedia Writing. Available at: http://www.canberra.edu.au/centres/inflect/01/eggsite.3/theegg/eggfset1.html.
29. Smith, H. and R. T. Dean (2003), 'Voicescapes and sonic structures in the creation of sound technodrama', Performance Research, 8 (1), 112-23.
30. Throsby, D. (2006), 'An artistic production function: theory and an application to Australian visual artists', Journal of Cultural Economics, 30, 1-14.
31. Wilkie, S., C. Stevens and R. T. Dean (2008), 'Psychoacoustic manipulation of the sound-induced illusory flash', Lecture Notes in Computer Science, 4969, 1-15.