-
4
-
-
0000590078
-
Intervals, Scales, and Tuning
-
D. Deutsch Ed, 2nd ed, pp, San Diego: Academic Press
-
Burns, E.M. (1999). Intervals, Scales, and Tuning. In D. Deutsch (Ed.), The psychology of music (2nd ed., pp. 215-264). San Diego: Academic Press.
-
(1999)
The psychology of music
, pp. 215-264
-
-
Burns, E.M.1
-
5
-
-
36949015657
-
Generative music and laptop performance
-
Collins, N. (2003). Generative music and laptop performance. Contemporary Music Review, 22(4), 67-79.
-
(2003)
Contemporary Music Review
, vol.22
, Issue.4
, pp. 67-79
-
-
Collins, N.1
-
8
-
-
36949038367
-
The mirage of real-time algorithmic synaesthesia: Some compositional mechanisms and research agendas in computer music and sonification
-
Dean, R.T., Whitelaw, M., Smith, H. & Worrall, D. (2006). The mirage of real-time algorithmic synaesthesia: some compositional mechanisms and research agendas in computer music and sonification. Contemporary Music Review, 25(4), 311-326.
-
(2006)
Contemporary Music Review
, vol.25
, Issue.4
, pp. 311-326
-
-
Dean, R.T.1
Whitelaw, M.2
Smith, H.3
Worrall, D.4
-
9
-
-
0004757520
-
A perceptual approach to contemporary musical forms
-
Deliège, I. (1989). A perceptual approach to contemporary musical forms. Contemporary Music Review, 4, 213-230.
-
(1989)
Contemporary Music Review
, vol.4
, pp. 213-230
-
-
Deliège, I.1
-
10
-
-
33748470898
-
Similarity perception - categorization cue abstraction
-
Deliège, I. (2001). Similarity perception - categorization cue abstraction. Music Perception, 18(3), 233-243.
-
(2001)
Music Perception
, vol.18
, Issue.3
, pp. 233-243
-
-
Deliège, I.1
-
11
-
-
0040559159
-
Musical schemata in real-time listening to a piece of music
-
Deliège, L, Mélen, M., Stammers, D. & Cross, I. (1996). Musical schemata in real-time listening to a piece of music. Music Perception, 14(2), 117-160.
-
(1996)
Music Perception
, vol.14
, Issue.2
, pp. 117-160
-
-
Deliège, L.1
Mélen, M.2
Stammers, D.3
Cross, I.4
-
12
-
-
0027266548
-
Differences between headphones and loudspeakers listening in spatial properties of sound perception
-
Fischetti, A., Hemim, Y. & Jouhaneau, J. (1993). Differences between headphones and loudspeakers listening in spatial properties of sound perception. Applied Acoustics, 39, 291-305.
-
(1993)
Applied Acoustics
, vol.39
, pp. 291-305
-
-
Fischetti, A.1
Hemim, Y.2
Jouhaneau, J.3
-
13
-
-
0017595342
-
Multidimensional perceptual scaling of musical timbres
-
Grey, J.M. (1977). Multidimensional perceptual scaling of musical timbres. Journal of the Acoustical Society of America, 61, 1270-1277.
-
(1977)
Journal of the Acoustical Society of America
, vol.61
, pp. 1270-1277
-
-
Grey, J.M.1
-
14
-
-
33646197356
-
A generic model for compositional approaches to audiovisual media
-
Hunt, A., Kirk, R., Orton, R. & Merrison, B. (1998). A generic model for compositional approaches to audiovisual media. Organised Sound, 3, 199-209.
-
(1998)
Organised Sound
, vol.3
, pp. 199-209
-
-
Hunt, A.1
Kirk, R.2
Orton, R.3
Merrison, B.4
-
15
-
-
84968149001
-
Crescendo/diminuendo asymmetries in Beethoven's Piano Sonatas
-
Huron, D. (1990a). Crescendo/diminuendo asymmetries in Beethoven's Piano Sonatas. Music Perception, 7(3), 395-402.
-
(1990)
Music Perception
, vol.7
, Issue.3
, pp. 395-402
-
-
Huron, D.1
-
16
-
-
84968181444
-
Increment/decrement asymmetries in polyphonic sonorities
-
Huron, D. (1990b). Increment/decrement asymmetries in polyphonic sonorities. Music Perception, 7(3), 385-394.
-
(1990)
Music Perception
, vol.7
, Issue.3
, pp. 385-394
-
-
Huron, D.1
-
17
-
-
2942661673
-
How do we perceive atonal music? Suggestions for a theoretical approach
-
Imberty, M. (1993). How do we perceive atonal music? Suggestions for a theoretical approach. Contemporary Music Review, 9(1 & 2), 325-337.
-
(1993)
Contemporary Music Review
, vol.9
, Issue.1 2
, pp. 325-337
-
-
Imberty, M.1
-
18
-
-
36949031988
-
Compositional processes from an ecological perspective
-
Keller, D. (2000). Compositional processes from an ecological perspective. Leonardo Music Journal, 10, 55-60.
-
(2000)
Leonardo Music Journal
, vol.10
, pp. 55-60
-
-
Keller, D.1
-
19
-
-
85069022943
-
Grouping and segmentation in music cognition
-
Krumhansl, C.L. (1996). Grouping and segmentation in music cognition. International Journal of Psychology, 31(3-4), 2423-2424.
-
(1996)
International Journal of Psychology
, vol.31
, Issue.3-4
, pp. 2423-2424
-
-
Krumhansl, C.L.1
-
21
-
-
33847157931
-
The perceptual structure of thematic material in The Angel of Death
-
Lalitte, P., Bigand, E., Poulin-Charronnat, B., McAdams, S., Delbé, C & D'Adamo, D. (2004). The perceptual structure of thematic material in The Angel of Death. Music Perception, 22(2), 265-296.
-
(2004)
Music Perception
, vol.22
, Issue.2
, pp. 265-296
-
-
Lalitte, P.1
Bigand, E.2
Poulin-Charronnat, B.3
McAdams, S.4
Delbé, C.5
D'Adamo, D.6
-
22
-
-
0004789337
-
Timbre hierarchies
-
Lerdahl, F. (1987). Timbre hierarchies. Contemporary Music Review, 2(1), 135-160.
-
(1987)
Contemporary Music Review
, vol.2
, Issue.1
, pp. 135-160
-
-
Lerdahl, F.1
-
23
-
-
0011605226
-
-
New York: Cornell University Press
-
Levinson, J. (1997). Music in the moment. New York: Cornell University Press.
-
(1997)
Music in the moment
-
-
Levinson, J.1
-
24
-
-
0004796311
-
Psychological constraints on formbearing dimensions in music
-
McAdams, S. (1989). Psychological constraints on formbearing dimensions in music. Contemporary Music Review, 4, 181-198.
-
(1989)
Contemporary Music Review
, vol.4
, pp. 181-198
-
-
McAdams, S.1
-
25
-
-
33847116778
-
Perception of musical similarity among contemporary thematic materials in two instrumentations
-
McAdams, S., Vieillard, S., Houix, O. & Reynolds, R. (2004). Perception of musical similarity among contemporary thematic materials in two instrumentations. Music Perception, 22(2), 207-237.
-
(2004)
Music Perception
, vol.22
, Issue.2
, pp. 207-237
-
-
McAdams, S.1
Vieillard, S.2
Houix, O.3
Reynolds, R.4
-
26
-
-
33847750929
-
Influences of large-scale form on continuous ratings in response to a contemporary piece in a live concert setting
-
McAdams, S., Vines, B.W., Vieillard, S., Smith, B.K, & Reynolds, R. (2004). Influences of large-scale form on continuous ratings in response to a contemporary piece in a live concert setting. Music Perception, 22(2), 297-350.
-
(2004)
Music Perception
, vol.22
, Issue.2
, pp. 297-350
-
-
McAdams, S.1
Vines, B.W.2
Vieillard, S.3
Smith, B.K.4
Reynolds, R.5
-
27
-
-
85024262180
-
Listening to environmental scenes in real time
-
July 2-5, Paper presented at the, Kyoto, Japan
-
Rivenez, M., Drake, C., Guillaume, A. & Sebastien, D. (2002, July 2-5). Listening to environmental scenes in real time. Paper presented at the 2002 International Conference on Auditory Display, Kyoto, Japan.
-
(2002)
2002 International Conference on Auditory Display
-
-
Rivenez, M.1
Drake, C.2
Guillaume, A.3
Sebastien, D.4
-
29
-
-
0001894143
-
Timbre space as a musical control structure
-
Wessel, D.L. (1979). Timbre space as a musical control structure. Computer Music Journal, 3(2), 45 - 52.
-
(1979)
Computer Music Journal
, vol.3
, Issue.2
, pp. 45-52
-
-
Wessel, D.L.1
|