The Magic is in Handling

Practice as Research: approaches to Creative Arts Enquiry

Volumn , Issue , 2014, Pages 27-34

  Bolt, Barbara ^a  

^a UNIVERSITY OF MELBOURNE   (Australia)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85201631872     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (12)

1. Bolt, B. (2004) Art Beyond Representation: The Performative Power of the Image. London. I.B.Tauris.
2. Bolt, B. (2004) ‘The exegesis and the shock of the new’, Text, Special Issue (Website Series) 3 [On-line] http://wwwgriffith.edu.au/school/art/text/speciss/issue3/ content.htm accessed May 29 2006.
3. Carter, P (2004) Material Thinking: The Theory and Practice of Creative Research, Carlton, Vic.: Melbourne University Press.
4. De Freitas, N. (2004) ‘Towards a definition of studio documentation: working tool and transparent record’, Selected Working Papers in Art and Design, No 2. [On-line] http://www.herts.ac.uk/artdes1/research/papers/wpades/vol2/freitasfull.html, accessed May 29 2006.
5. Gray, C. and Marlins, J. (2004) Visualizing Research—A Guide to the Research Process in Art and Design, London: Ashgate.
6. Heidegger, M. (1977) Basic Writings, D. Farrell Krell (ed.), San Francisco: Harper and Row
7. Heidegger, M. (1996) Being and Time. trans. J. Stambaugh, Albany: State University of New York Press.
8. Hockney, D. (2001) Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters, London: Thames and Hudson.
9. Ihde, D. (1979) Technics and Praxis, Dordrecht: Reidel.
10. Judovitz, D. (1988) ‘Representation and its limits in Descartes; in H.J. Silverman and D. Welton (eds.) Postmodernism and Continental Philosophy, Albany: State University Press of New York: 68-84.
11. Levinas, E. (1996) ‘Martin Heidegger and ontology’, Diacritics, Vol 26 No 1: 11-32.
12. Sullivan, G. (2005) Art Practice as Research: Inquiry in the Visual Arts. Thousand Oaks, Cal.: Sage Publications.