메뉴 건너뛰기




Volumn 26, Issue 2, 2009, Pages 189-211

Children’s graphical notations as representational tools for musical sense-making in a music-listening task

Author keywords

[No Author keywords available]

Indexed keywords


EID: 77953862942     PISSN: 02650517     EISSN: 14692104     Source Type: Journal    
DOI: 10.1017/S0265051709008432     Document Type: Article
Times cited : (23)

References (27)
  • 1
    • 34249691033 scopus 로고    scopus 로고
    • Compositional strategies and musical creativity when composing with staff notation versus graphic notations among Korean students
    • Auh, M. & Walker, R. (1999) ‘Compositional strategies and musical creativity when composing with staff notation versus graphic notations among Korean students’, Bulletin of the Council for Research in Music Education, 141, 2–9.
    • (1999) Bulletin of the Council for Research in Music Education , vol.141 , pp. 2-9
    • Auh, M.1    Walker, R.2
  • 4
    • 77953813974 scopus 로고    scopus 로고
    • How the conventions of music notation shape musical perception and performance
    • D. Miell, R. Macdonald & D. Hargreaves, Oxford: Oxford University Press
    • Bamberger, J. (2005). ‘How the conventions of music notation shape musical perception and performance’, in D. Miell, R. Macdonald & D. Hargreaves (Eds), Musical Communication (pp. 143–170). Oxford: Oxford University Press.
    • (2005) Musical Communication , pp. 143-170
    • Bamberger, J.1
  • 5
    • 60949926188 scopus 로고    scopus 로고
    • Invented notation: A view of young childrens musical thinking’
    • Barrett, M. (1997) ‘Invented notation: a view of young children’s musical thinking’, Research Studies in Music Education, 8, 1–14.
    • (1997) Research Studies in Music Education , vol.8 , pp. 1-14
    • Barrett, M.1
  • 6
    • 60950258963 scopus 로고    scopus 로고
    • Modal dissonance: an analysis of childrens invented notations of known songs, original songs, and instrumental compositions’
    • Barrett, M. (1999) ‘Modal dissonance: an analysis of children’s invented notations of known songs, original songs, and instrumental compositions’, Bulletin of the Council for Research in Music Education, 141, 14–20.
    • (1999) Bulletin of the Council for Research in Music Education , vol.141 , pp. 14-20
    • Barrett, M.1
  • 7
    • 60949696091 scopus 로고    scopus 로고
    • Windows, mirrors, and reflections: A case study of adult constructions of childrens musical thinking’
    • Barrett, M. (2000) ‘Windows, mirrors, and reflections: a case study of adult constructions of children’s musical thinking’, Bulletin of the Council for Research in Music Education, 145, 43–61.
    • (2000) Bulletin of the Council for Research in Music Education , vol.145 , pp. 43-61
    • Barrett, M.1
  • 8
    • 60950193594 scopus 로고    scopus 로고
    • Constructing a view of childrens meaning-making as notators: A case-study of a five-year-old’s descriptions and explanations of invented notations’
    • Barrett, M. (2001) ‘Constructing a view of children’s meaning-making as notators: a case-study of a five-year-old’s descriptions and explanations of invented notations’, Research Studies in Music Education, 1, 33–45.
    • (2001) Research Studies in Music Education , vol.1 , pp. 33-45
    • Barrett, M.1
  • 9
    • 60950215195 scopus 로고    scopus 로고
    • Invented notations and mediated memory: A case-study of two childrens use of invented notations’
    • Barrett, M. (2002) ‘Invented notations and mediated memory: a case-study of two children’s use of invented notations’, Bulletin of the Council for Research in Music Education, 153 (4), 55–62.
    • (2002) Bulletin of the Council for Research in Music Education , vol.153 , Issue.4 , pp. 55-62
    • Barrett, M.1
  • 10
    • 84883549494 scopus 로고    scopus 로고
    • Representation, cognition, and communication: Invented notation in childrens musical communication’
    • D. Miell, R. MacDonald & D. Hargreaves, Oxford: Oxford University Press
    • Barrett, M. (2005) ‘Representation, cognition, and communication: invented notation in children’s musical communication’, in D. Miell, R. MacDonald & D. Hargreaves (Eds), Musical Communication (pp. 117–142). Oxford: Oxford University Press.
    • (2005) Musical Communication , pp. 117-142
    • Barrett, M.1
  • 11
    • 0040168211 scopus 로고
    • Young childrens musical representations: Windows on music cognition’
    • J. Sloboda (Ed.), Oxford: Oxford University Press
    • Davidson, L. & Scripp, L. (1988) ‘Young children’s musical representations: windows on music cognition’, in J. Sloboda (Ed.), Generative processes in music (pp. 195–230). Oxford: Oxford University Press.
    • (1988) Generative Processes in Music , pp. 195-230
    • Davidson, L.1    Scripp, L.2
  • 12
    • 77953846066 scopus 로고    scopus 로고
    • An investigation into childrens responses through drawing, to short musical fragments and complete compositions’
    • Elkoshi, R. (2002) ‘An investigation into children’s responses through drawing, to short musical fragments and complete compositions’, Music Education Research, 4, 199–211.
    • (2002) Music Education Research , vol.4 , pp. 199-211
    • Elkoshi, R.1
  • 13
    • 84927080385 scopus 로고    scopus 로고
    • Interpreting childrens invented graphic notation’
    • Elkoshi, R. (2003) ‘Interpreting children’s invented graphic notation’, Arts and Learning Research Journal, 20, 61–84.
    • (2003) Arts and Learning Research Journal , vol.20 , pp. 61-84
    • Elkoshi, R.1
  • 14
    • 0004786561 scopus 로고    scopus 로고
    • Developmental trends and relationships in childrens aural perception and symbol use’
    • Gromko, J. & Poorman, A. (1998) ‘Developmental trends and relationships in children’s aural perception and symbol use’, Journal of Research in Music Education, 46, 16–23.
    • (1998) Journal of Research in Music Education , vol.46 , pp. 16-23
    • Gromko, J.1    Poorman, A.2
  • 15
    • 79959724024 scopus 로고    scopus 로고
    • Childrens verbal, visual, and kinesthetic responses: Insight into their music listening experience’
    • Kerchner, J. (2000) ‘Children’s verbal, visual, and kinesthetic responses: insight into their music listening experience’, Bulletin of the Council for Research in Music Education, 146, 31–50.
    • (2000) Bulletin of the Council for Research in Music Education , vol.146 , pp. 31-50
    • Kerchner, J.1
  • 16
    • 84890450220 scopus 로고    scopus 로고
    • The musical sign between sound and meaning
    • I. Zannos (Ed.), Bratislava: ASCO Art & Science
    • Reybrouck, M. (1999) ‘The musical sign between sound and meaning’, in I. Zannos (Ed.), Music and Signs, Semiotic and Cognitive Studies in Music (pp. 39–58). Bratislava: ASCO Art & Science.
    • (1999) Music and Signs, Semiotic and Cognitive Studies in Music , pp. 39-58
    • Reybrouck, M.1
  • 17
    • 84905154990 scopus 로고    scopus 로고
    • Musical semantics between epistemological assumptions and operational claims
    • E. Tarasti (Ed.), Acta Semiotica Fennica XV. Imatra: International Semiotics Institute
    • Reybrouck, M. (2003) ‘Musical semantics between epistemological assumptions and operational claims’, in E. Tarasti (Ed.), Musical Semiotics Revisited (pp. 272–287). Acta Semiotica Fennica XV. Imatra: International Semiotics Institute.
    • (2003) Musical Semiotics Revisited , pp. 272-287
    • Reybrouck, M.1
  • 18
    • 33846030286 scopus 로고    scopus 로고
    • Music cognition, semiotics and the experience of time. Ontosemantical and epistemological claims
    • Reybrouck, M. (2004) ‘Music cognition, semiotics and the experience of time. Ontosemantical and epistemological claims’, Journal of New Music Research, 33, 411–428.
    • (2004) Journal of New Music Research , vol.33 , pp. 411-428
    • Reybrouck, M.1
  • 20
    • 33847762062 scopus 로고    scopus 로고
    • Graphic representations of short musical compositions
    • Tan, S. & Kelly, M. (2004) ‘Graphic representations of short musical compositions’, Psychology of Music, 32, 191–212.
    • (2004) Psychology of Music , vol.32 , pp. 191-212
    • Tan, S.1    Kelly, M.2
  • 22
    • 61049230229 scopus 로고
    • Childrens invented symbols systems: Exploring parallels between music and mathematics’
    • Upitis, R. (1993) ‘Children’s invented symbols systems: exploring parallels between music and mathematics’, Psychomusicology, 12, 52–57.
    • (1993) Psychomusicology , vol.12 , pp. 52-57
    • Upitis, R.1
  • 23
    • 34247511398 scopus 로고
    • The presence of internalised images of musical sounds
    • Walker, A. (1981) ‘The presence of internalised images of musical sounds’, Council for Research in Music Education, 66–67, 107–112.
    • (1981) Council for Research in Music Education , vol.66-67 , pp. 107-112
    • Walker, A.1
  • 25
    • 0023448867 scopus 로고
    • The effects of culture, environment, age, and musical training on choices of visual metaphors for sound
    • Walker, A. (1987) ‘The effects of culture, environment, age, and musical training on choices of visual metaphors for sound’, Perception and Psychophysics, 42, 491–502.
    • (1987) Perception and Psychophysics , vol.42 , pp. 491-502
    • Walker, A.1
  • 26
    • 60950443943 scopus 로고
    • Auditory-visual perception and musical behavior
    • R. Colwell (Ed.), New York: Schirmer
    • Walker, A. (1992) ‘Auditory-visual perception and musical behavior’, in R. Colwell (Ed.), Handbook of Research on Music Teaching and Learning (pp. 344–359). New York: Schirmer.
    • (1992) Handbook of Research on Music Teaching and Learning , pp. 344-359
    • Walker, A.1
  • 27
    • 60950653715 scopus 로고
    • Perception and music notation
    • Walker, R. (1978) ‘Perception and music notation’, Psychology of Music, 6, 21–47.
    • (1978) Psychology of Music , vol.6 , pp. 21-47
    • Walker, R.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.