Music, emotion and authenticity: A study of Celtic music festival consumers

Journal of Tourism and Cultural Change

Volumn 6, Issue 1, 2008, Pages 57-74

  Matheson, Catherine M ^a  

^a QUEEN MARGARET UNIVERSITY   (United Kingdom)

Author keywords

Authenticity; Celtic; Emotion; Festivals; Music

Indexed keywords

EID: 77950047070     PISSN: 14766825     EISSN: 17477654     Source Type: Journal    
DOI: 10.1080/14766820802140448     Document Type: Article

References (94)

1. Atkinson, C.Z. (1997) Whose New Orleans? Music's place in the packaging of New Orleans for tourism. In A. Abram, J. Waldren and D.V.L. Macleod (eds) Tourists and Tourism: Identifying with People and Places (pp. 91-106). Oxford: Berg.
2. Baudrillard, J. (1983) Simulations. New York: Semiotext.
3. Baudrillard, J. (1988) Selected Writings. Edited and introduced by Mark Poster. Cambridge: Polity Press.
4. Baudrillard, J. (1990) Cool Memories. London: Verso (trans. C. Turner).
5. Becker, J. (2001) Anthropological perspectives on music and emotion. In P.N. Juslin and J.A. Sloboda (eds) Music and Emotion: Theory and Research (pp. 135-160). Oxford: Oxford University Press.
6. Benjamin, W. (1973) The work of art in the age of mechanical reproduction. In Illuminations. Edited and with an introduction by H. Arendt (trans. H. Zohn) (pp. 219-254). London: Fontanta/Collins.
7. Bloomfield, T. (1993) Resisting songs: Negative dialects in pop. Popular Music 12, 13-31.
8. Boissevain, J. (ed.) (1996a) Coping with Tourists: European Reactions to Mass Tourism. Oxford: Berghahn Books.
9. Boissevain, J. (1996b) Introduction. In J. Boissevain (ed.) Coping with Tourists: European Reactions to Mass Tourism (pp. 1-26). Oxford: Berghahn Books.
10. Brown, D. (1996) Genuine fakes. In T. Selwyn (ed.) The Tourist Image: Myths and Myth Making in Tourism (pp. 33-47). Chichester: John Wiley.
11. Brown, A., O'Connor, J. and Cohen, S. (2000) Local music policies within a global music industry: Cultural quarters in Manchester and Sheffield. Geoforum 31 (4), 437-451.
12. Busteed, M. (1998) Songs in a strange land-ambiguities of identity amongst Irish migrants in mid-Victorian Manchester. Political Geography 17 (6), 627-665.
13. Celtic Connections (2005) About the Festival. On WWW at http://www.celticconnections.com. Accessed 6.7.06.
14. Celtic Connections (2006) Celtic Connections and Scottish Power. On WWW at http://www.celticconnections.com. Accessed 27.8.07.
15. Chang, J. (2006) Segmenting tourists to Aboriginal cultural festivals: An example in the Rukai Tribal Area, Taiwan. Tourism Management 27, 1224-1234.
16. Chapman, M. (1992) The Celts: The Construction of a Myth. Basingstoke: Macmillan.
17. Cohen, E. (1988) Authenticity and commodification in tourism. Annals of Tourism Research 15, 371-386.
18. Cohen, S. (1997) More than the Beatles: Popular music, tourism and urban regeneration. In A. Abram, J. Waldren and D.V.L. Macleod (eds) Tourists and Tourism: Identifying with People and Places (pp. 71-90). Oxford: Berg.
19. Cohen, S. (1991) Rock Culture in Liverpool: Popular Music in the Making. Oxford: Oxford University Press.
20. Connell, J. (1993) Bali revisited: Death, rejuvenation, and the tourist cycle. Environment and Planning D: Society and Space 11 (6), 641-661.
21. Connell, J. and Gibson, C. (2004) World music: Deterritorialising place and identity. Progress in Human Geography 28 (3), 342-361.
22. Cooke, D. (1959) The Language of Music. Oxford: Oxford University Press.
23. Crain, M.M. (1996) Contested territories: The politics of touristic development at the shrine of El Rocio in Southwestern Andalusia. In J. Boissevain (ed.) Coping with Tourists: European Reactions to Mass Tourism (pp. 27-55). Oxford: Berghahn Books.
24. Crang, M. (1996) Magic kingdom or a quixotic quest for authenticity. Annals of Tourism Research 23 (2), 415-431.
25. Daniel, Y.P. (1996) Tourism dance performances: Authenticity and creativity. Annals of Tourism Research 23(4), P 780-797.
26. DeNora, T. (2000) Music in Everyday Life. Cambridge: Cambridge University Press.
27. Dietler, M. (1994) Our ancestors the Gauls: Archaeology, ethnic nationalism and the manipulation of ethnic identity. American Anthropologist 96 (3), 584-605.
28. Donaldson, W. (1988) The Jacobite Song: Political Myth and National Identity. Aberdeen: Aberdeen University Press.
29. Duffy, M. (2000) Lines of drift: Festival participation and performing a sense of place. Popular Music 19 (1), 51-64.
30. Eco, U. (1986) Travels in Hyperreality (trans. W. Weaver). London: Pan Books Ltd.
31. Ellis, P.B. (1993) The Celtic Dawn: A History of Pan Celticism. London: Constable.
32. Fawcett, C. and Cormack, P. (2001) Guarding authenticity at literary tourism sites. Annals of Tourism Research 28 (3), 686-704.
33. Fees, C. (1996) Tourism and the politics of authenticity in a North Cotswold town. In T. Selwyn (ed.) The Tourist Image: Myths and Myth Making in Tourism (pp. 121-146). Chichester: John Wiley.
34. Finnegan, R. (2003) Music, experience and the anthropology of emotion. In M. Clayton, T. Herbert and R. Middleton (eds) The Cultural Study of Music: A Critical Introduction (pp. 181-192). New York: Routledge.
35. Frith, S. (1996a) Performing Rites: On the Value of Popular Music. Oxford: Oxford University Press.
36. Frith, S. (1996b) Music and identity. In S. Hall and P. du Gay (eds) Questions of Cultural Identity (pp. 108-127). London: Sage.
37. Frith, S. (2003) Music and everyday life. In M. Clayton, T. Herbert and R. Middleton (eds) The Cultural Study of Music: A Critical Introduction (pp. 92-101). New York: Routledge.
38. Geertz, C. (1973) The Interpretation of Cultures. London: Fontana Press.
39. Gibson, C. and Connell, J. (2005) Music and Tourism: On the Road Again. Clevedon: Channel View Publications.
40. Goffman, E. (1959) The Presentation of Self in Everyday Life. Mayflower: Doubleday.
41. Greenwood, D.J. (1977) Culture by the pound: An anthropological perspective on tourism as cultural commodification. In V.L. Smith (ed.) Hosts and Guests (pp. 129-139). Philadelphia: Philadelphia University Press.
42. Hale, A. and Payton, P. (eds) (2000) New Directions in Celtic Studies. Exeter: University of Exeter Press.
43. Halewood, C. and Hannam, K. (2001) Viking heritage tourism: Authenticity and commodification. Annals of Tourism Research 28 (3), 565-580.
44. Harvey, D.C., Jones, R., McInroy, N. and Milligan, C. (eds) (2002) Celtic Geographies: Old Culture, New Times. London: Routledge.
45. Hudson, R. (1995) Making music work? Alternative regeneration strategies in a deindustrialised locality: The case of Derwentside. Transactions of the Institute of British Geographers 20 (4), 460-473.
46. Hughes, G. (1995) Authenticity in tourism. Annals of Tourism Research 22 (4), 781-803.
47. James, S. (1999) The Atlantic Celts: Ancient People or Modern Invention. London: British Museum Press.
48. Juslin, P.N. and Sloboda, J.A. (eds) (2001) Music and Emotion: Theory and Research. Oxford: Oxford University Press.
49. Kirtsoglou, E. and Theodossopoulos, D. (2004) 'They are taking our culture away': Tourism and culture commodification in the Garifuna community of Roatan. Critique of Anthropology 24(2), 135-157.
50. Kneafsey, M. (2001) Rural cultural economy: Tourism and social relations. Annals of Tourism Research 28 (3), 762-783.
51. Lee, C-K., Lee, Y-K. and Wicks, B.E. (2004) Segmentation of festival motivation by nationality and satisfaction. Tourism Management 25 (1), 61-70.
52. MacCannell, D. (1973) Staged authenticity: Arrangements of social space in tourist settings. American Journal of Sociology 79 (9), 589-603.
53. MacCannell, D. (1976, 1989) The Tourist: A New Theory of the Leisure Class. New York: Schoken Books.
54. Macdonald, S. (1997) Reimagining Culture: Histories, Identities and the Gaelic Renaissance. Oxford: Berg.
55. MacLellan, L. (2000) A Story in Every Song: The Songs and Tales of Lauchie MacLellan. Montreal: McGill-Queen's University Press.
56. MacLeod, G. (2001) Identity, hybridity and the institutionalization of territory: On the geohistory of Celtic devolution. In D. Harvey, R. Jones, N. McInroy and C. Milligan (eds) Celtic Geographies: Landscape, Identity, Culture (pp. 53-68). London: Routledge.
57. Matheson, C.M. (2004) Festivity and sociability: A study of a Celtic music festival. Tourism, Culture and Communication 5 (3), 149-163.
58. May, J. (1996) In search of authenticity off and on the beaten track. Environment and Planning D: Society and Space 14 (6), 709-736.
59. McCarthy, J. and Hague, E. (2004) Race, nation, and nature: The cultural politics of 'Celtic' identification in the American West. Annals of the Association of American Geographers 94 (2), 387-408.
60. McIntosh, A.J. and Prentice, R.C. (1999) Affirming authenticity: Consuming cultural heritage. Annals of Tourism Research 26 (3), 589-612.
61. McLaughlin, N. and McLoone, M. (2000) Hybridity and national musics: The case of Irish rock music. Popular Music 19 (2), 181-199.
62. Meethan, K. (2003) Mobile cultures? Hybridity, tourism and cultural change. Tourism and Cultural Change 1 (1), 11-28.
63. Moscardo, G.M. and Pearce, P.L. (1986) Historic theme parks: An Australian experience in authenticity. Annals of Tourism Research 13 (3), 467-479.
64. Muggleton, R. and Weinzierl, R. (eds) (2003) The Post-Subcultures Reader. Oxford: Berg.
65. Ondimu, K.I. (2002) Cultural tourism in Kenya. Annals of Tourism Research 29 (4), 1063-1047.
66. O'Neill, M. (2006) Museums and identity in Glasgow. International Journal of Heritage Studies 12 (1), 29-48.
67. Picard, M. (1995) Cultural heritage and tourist capital: Cultural tourism in Bali. In M-F. Lanfant, J.B. Allcock and E.M. Bruner (eds) International Tourism: Identity and Change (pp. 44-66). London: Sage.
68. Pine, B.J. and Gilmore, J.H. (1999) The Experience Economy: Work is Theatre and Every Business a Stage. Boston: Harvard Business School Press.
69. Pittock, M.G.H. (1999) Celtic Identity and the British Image. Manchester: Manchester University Press.
70. Prentice, R. and Andersen, V. (2003) Festival as creative destination. Annals of Tourism Research 30 (1), 7-30.
71. Ravenscroft, N. and Matteucci, X. (2003) The festival as carnivalesque: Social governance and control at Pamplona's San Fermin fiesta. Tourism, Culture and Communication 4 (1), 1-15.
72. Redhead, S. and Street, J. (1989) Have I the right? Legitimacy, authenticity and community in folk's politics. Popular Music 8 (2), 177-184.
73. Reisinger, Y. and Steiner, C.J. (2006) Reconceptualizing object authenticity. Annals of Tourism Research 33 (1), 65-86.
74. Reiss, S. (2003) Tradition and imaginary: Irish traditional music and the Celtic phenomenon. In M. Stokes and P.V. Bohlman (eds) Celtic Modern: Music at the Global Fringe (pp. 145-169). Maryland: Scarecrow Press.
75. Richards, R. (1996) Production and consumption of European cultural tourism. Annals of Tourism Research 23 (2), 261-283.
76. Rojek, C. and Urry, J. (1997) Transformations of travel and theory. In C. Rojek and J. Urry (eds) Touring Cultures: Transformations of Travel and Theory (pp. 1-19). London: Routledge.
77. Saayman, A. and Saayman, M. (2006) Sociodemographics and visiting patterns of arts festivals in South Africa. Event Management 9 (4), 211-222.
78. Saldanha, A. (2002) Music tourism and factions of bodies in Goa. Tourist Studies 2 (1), 43-62.
79. Scottish Executive (2002) Four Days of Scotland in Sweden. On WWW at http://www.scotland.gov.uk/News/Releases/2002/09/2288. Accessed 6.7.06.
80. Shepherd, R. (2002) Commodification, culture and tourism. Tourist Studies 2 (2), 183-201.
81. Sims-Williams, P. (1998) Celtomania and Celtosceptism. Cambrian Medieval Celtic Studies 36 (1), 1-35.
82. Smith, G. (2003) Celtic Australia: Bush bands, Irish music, folk music, and the new nationalism. In M. Stokes and P.V. Bohlman (eds) Celtic Modern: Music at the Global Fringe (pp. 73-92). Maryland: Scarecrow Press.
83. Smith, S.J. (2000) Performing the (sound) world. Environment and Planning D: Society and Space 18 (5), 615-637.
84. Steiner, C.J. and Reisinger, Y. (2006) Understanding existential authenticity. Annals of Tourism Research 33 (2), 299-318.
85. Sternberg, E. (1997) The iconography of the tourism experience. Annals of Tourism Research 24 (4), 951-969.
86. Symon, P. (2002) From Blas to Bothy culture: The musical re-making of Celtic culture in a Hebridean festival. In D. Harvey, R. Jones, N. McInroy and C. Milligan (eds) Celtic Geographies: Old Cultures, New Times (pp. 192-207). London: Routledge.
87. Thornton, S. (1995) Club Cultures: Music, Media and Subcultural Capital. Cambridge: Polity.
88. Vallely, F. (2003) The Apollos of Shamrockery: Traditional musics in the modern age. In M. Stokes and P.V. Bohlman (eds) Celtic Modern: Music at the Global Fringe (pp. 201-217). Maryland: Scarecrow Press.
89. Waitt, G. (2000) Consuming heritage: Perceived historical authenticity. Annals of Tourism Research 27 (4), 835-862.
90. Wang, N. (1999) Rethinking authenticity in tourism experience. Annals of Tourism Research 26 (2), 349-370.
91. Wilkinson, D. (2003) 'Celtitude,' professionalism, and the Fest Noz in traditional music in Brittany. In M. Stokes and P.V. Bohlman (eds) Celtic Modern: Music at the Global Fringe (pp. 219-256). Maryland: Scarecrow Press.
92. Wood, N. and Smith, S.J. (2004) Instrumental routes to emotional geographies. Social and Cultural Geography 5 (4), 533-548.
93. Yin, R.K. (1994) Case Study Research: Design and Methods. Newbury Park, CA: Sage.
94. Zimmerman, G-D. (1967) Songs of Irish Rebellion: Political Street Ballads and Rebel Songs 1780-1900. Dublin: Allen Figgis.