Whose New Orleans? Music's Place in the Packaging of New Orleans for Tourism

Tourists and Tourism: Identifying with People and Places

Volumn , Issue , 2021, Pages 91-106

  Atkinson, Connie ^a  

^a UNIVERSITY OF LIVERPOOL   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85110325809     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (10)

1. Berry, Jason, Tad Jones, and Jon Foose (1990). Up From the Cradle Of Jazz. Athens: University of Georgia Press.
2. Esolen, Gary (1994). Interview with the author, March 1994.
3. Floyd, Samuel (1995). The Power Of Black Music: Interpreting Its History From Africa to the United States. New York: Oxford University Press.
4. Hall, Gwendolyn Midlo (1994). Africans in Colonial Louisiana, The Development of Afro-Creole Culture In the Eighteenth Century. Baton Rouge: LSU Press.
5. Kaslow, Andrew (1981). Oppression and Adaptation: The Social Organization and Expressive Culture of An Afro-American Community in New Orleans, Louisiana. Unpublished Ph.D. thesis, Columbia University.
6. Kmen, Henry (1966). Music In New Orleans, The Formative Years 1791-1841. Baton Rouge: LSU Press.
7. Monson, Ingrid (1994). Improvisation and the Art of Signifyin(g). Critical Inquiry 20(2) (Winter 1994).
8. Robins, Kevin (1991). Tradition and Translation: National Culture in its Global Context. In J. Comer and S. Harvey (eds), Enterprise and Heritage. London: Routledge.
9. Ryan, Tim (1990). Economic Impact of Music on the New Orleans Economy. Report to the City of New Orleans. University of New Orleans.
10. Wallis, R. and Malm, K. (1984). Big Sounds From Small Peoples. The Music Industry In Small Countries. London: Constable.