메뉴 건너뛰기




Volumn 33, Issue 4, 2009, Pages 23-42

Expressive concatenative synthesis by reusing samples from real performance recordings

Author keywords

[No Author keywords available]

Indexed keywords

PERFORMANCE CHARACTERISTICS; PERFORMANCE MODEL; SYNTHESIS PROCESS;

EID: 73649087629     PISSN: 01489267     EISSN: 15315169     Source Type: Journal    
DOI: 10.1162/comj.2009.33.4.23     Document Type: Article
Times cited : (21)

References (44)
  • 1
    • 33749062245 scopus 로고    scopus 로고
    • Spectral Processing
    • U. Zoelzer, ed, New York: Wiley, pp
    • Amatriain, X., et al. 2002. "Spectral Processing." In U. Zoelzer, ed. DAFX Digital Audio Effects. New York: Wiley, pp. 373-438.
    • (2002) DAFX Digital Audio Effects , pp. 373-438
    • Amatriain, X.1
  • 2
    • 84905193038 scopus 로고    scopus 로고
    • SaxEx: A Case-Based Reasoning System for Generating Expressive Musical Performances
    • San Francisco, California: International Computer Music Association, pp
    • Arcos, J., R. de Mantaras, and X. Serra. 1997. "SaxEx: A Case-Based Reasoning System for Generating Expressive Musical Performances." Proceedings of the 1997 International Computer Music Conference. San Francisco, California: International Computer Music Association, pp. 329-336.
    • (1997) Proceedings of the 1997 International Computer Music Conference , pp. 329-336
    • Arcos, J.1    de Mantaras, R.2    Serra, X.3
  • 3
    • 33745061013 scopus 로고    scopus 로고
    • Jamming with Plunderphonics: Interactive Concatenative Synthesis of Music
    • Aucouturier, J. J., and F. Pachet. 2006. "Jamming with Plunderphonics: Interactive Concatenative Synthesis of Music." Journal of New Music Research 35(1):35-50.
    • (2006) Journal of New Music Research , vol.35 , Issue.1 , pp. 35-50
    • Aucouturier, J.J.1    Pachet, F.2
  • 4
    • 34047217303 scopus 로고    scopus 로고
    • A Hybrid Concatenative Synthesis System on the Intersection of Music and Speech
    • Lyon, France: GRAME, pp
    • Beller, G., et al. 2005. "A Hybrid Concatenative Synthesis System on the Intersection of Music and Speech." Proceedings of 2005 Jounées d'Informatique Musicale. Lyon, France: GRAME, pp. 41-45.
    • (2005) Proceedings of 2005 Jounées d'Informatique Musicale , pp. 41-45
    • Beller, G.1
  • 5
    • 0016974207 scopus 로고
    • The Piecewise Linear Technique of Electronic Music Synthesis
    • Bernstein, A. D., and E. D. Cooper. 1976. "The Piecewise Linear Technique of Electronic Music Synthesis." Journal of the Audio Engineering Society 24(6):446-454.
    • (1976) Journal of the Audio Engineering Society , vol.24 , Issue.6 , pp. 446-454
    • Bernstein, A.D.1    Cooper, E.D.2
  • 8
    • 85032751318 scopus 로고    scopus 로고
    • Synthesis of the Singing Voice by Performance Sampling and Spectral Models
    • Bonada, J., and X. Serra. 2007. "Synthesis of the Singing Voice by Performance Sampling and Spectral Models." IEEE Signal Processing Magazine 24(2):67-78.
    • (2007) IEEE Signal Processing Magazine , vol.24 , Issue.2 , pp. 67-78
    • Bonada, J.1    Serra, X.2
  • 9
    • 0010944615 scopus 로고    scopus 로고
    • Articulation Rules for Automatic Music Performance
    • San Francisco, California: International Computer Music Association, pp
    • Bresin, R. 2002. "Articulation Rules for Automatic Music Performance." Proceedings of the 2001 International Computer Music Conference. San Francisco, California: International Computer Music Association, pp. 294-297.
    • (2002) Proceedings of the 2001 International Computer Music Conference , pp. 294-297
    • Bresin, R.1
  • 10
    • 14844361706 scopus 로고    scopus 로고
    • Modelling and Control of Expressiveness in Music Performance
    • Canazza, S., et al. 2004. "Modelling and Control of Expressiveness in Music Performance." Proceedings of the IEEE 92(4):686-701.
    • (2004) Proceedings of the IEEE , vol.92 , Issue.4 , pp. 686-701
    • Canazza, S.1
  • 11
    • 84961791960 scopus 로고    scopus 로고
    • Combining Instrument and Performance Models for High Quality Music Synthesis
    • Danneberg, R. B., and I. Derenyi. 1998. "Combining Instrument and Performance Models for High Quality Music Synthesis." Journal of New Music Research 27(3):211-238.
    • (1998) Journal of New Music Research , vol.27 , Issue.3 , pp. 211-238
    • Danneberg, R.B.1    Derenyi, I.2
  • 13
    • 0032308707 scopus 로고    scopus 로고
    • Study of Spectro-Temporal Parameters in Musical Performance, With Applications for Expressive Instrument Synthesis
    • Piscataway, New Jersey: Institute of Electrical and Electronics Engineers, pp
    • Dubnov, S., and X. Rodet. 1998. "Study of Spectro-Temporal Parameters in Musical Performance, With Applications for Expressive Instrument Synthesis." Proceedings of the 1998 IEEE International Conference on Systems Man and Cybernetics. Piscataway, New Jersey: Institute of Electrical and Electronics Engineers, pp. 1091-1094.
    • (1998) Proceedings of the 1998 IEEE International Conference on Systems Man and Cybernetics , pp. 1091-1094
    • Dubnov, S.1    Rodet, X.2
  • 14
    • 85066219105 scopus 로고    scopus 로고
    • Musical Punctuation on the Microlevel: Automatic Identification and Performance of Small Melodic Units
    • Friberg, A., et al. 1998. "Musical Punctuation on the Microlevel: Automatic Identification and Performance of Small Melodic Units." Journal of New Music Research 27(3):217-292.
    • (1998) Journal of New Music Research , vol.27 , Issue.3 , pp. 217-292
    • Friberg, A.1
  • 15
    • 0002583251 scopus 로고    scopus 로고
    • The Performance of Music
    • D. Deutsch, ed, 2nd ed. New York: Academic Press, pp
    • Gabrielsson, A. 1999. "The Performance of Music." In D. Deutsch, ed. The Psychology of Music, 2nd ed. New York: Academic Press, pp. 501-602.
    • (1999) The Psychology of Music , pp. 501-602
    • Gabrielsson, A.1
  • 16
    • 33645421689 scopus 로고    scopus 로고
    • Melodic Characterization of Monophonic Recordings for Expressive Tempo Transformations
    • Stockholm: KTH, pp
    • Gomez, E., et al. 2003. "Melodic Characterization of Monophonic Recordings for Expressive Tempo Transformations." Proceedings of the 2003 Stockholm Music and Acoustics Conference. Stockholm: KTH, pp. 203-206.
    • (2003) Proceedings of the 2003 Stockholm Music and Acoustics Conference , pp. 203-206
    • Gomez, E.1
  • 17
    • 0029765811 scopus 로고    scopus 로고
    • Unit Selection in a Concatenative Speech Synthesis System Using a Large Speech Database
    • Piscataway, New Jersey: Institute of Electrical and Electronics Engineers, pp
    • Hunt, A. J., and A. W. Black. 1996. "Unit Selection in a Concatenative Speech Synthesis System Using a Large Speech Database." Proceedings of the 1996 IEEE International Conference on Acoustics, Speech, and Signal Processing. Piscataway, New Jersey: Institute of Electrical and Electronics Engineers, pp. 373-376.
    • (1996) Proceedings of the 1996 IEEE International Conference on Acoustics, Speech, and Signal Processing , pp. 373-376
    • Hunt, A.J.1    Black, A.W.2
  • 19
    • 0032649117 scopus 로고    scopus 로고
    • Sound Onset Detection by Applying Psychoacoustic Knowledge
    • Piscataway, New Jersey: Institute of Electrical and Electronics Engineers, pp
    • Klapuri, A. 1999. "Sound Onset Detection by Applying Psychoacoustic Knowledge." Proceedings of the 1999 IEEE International Conference on Acoustics, Speech and Signal Processing. Piscataway, New Jersey: Institute of Electrical and Electronics Engineers, pp. 3089-3092.
    • (1999) Proceedings of the 1999 IEEE International Conference on Acoustics, Speech and Signal Processing , pp. 3089-3092
    • Klapuri, A.1
  • 20
    • 0023407575 scopus 로고
    • Review of Text-to-Speech Conversion for English
    • Klatt, D. H. 1983. "Review of Text-to-Speech Conversion for English." Journal of the Acoustics Society of America 82(3):737-793.
    • (1983) Journal of the Acoustics Society of America , vol.82 , Issue.3 , pp. 737-793
    • Klatt, D.H.1
  • 21
    • 84856287160 scopus 로고    scopus 로고
    • Frequency-Domain Techniques for High-Quality Voice Modification
    • London: Queen Mary, University of London, pp
    • Laroche, J. 2003. "Frequency-Domain Techniques for High-Quality Voice Modification." Proceedings of the 2003 DAFx (Digital Audio Effects) Conference. London: Queen Mary, University of London, pp. 328-332.
    • (2003) Proceedings of the 2003 DAFx (Digital Audio Effects) Conference , pp. 328-332
    • Laroche, J.1
  • 22
    • 85032751560 scopus 로고    scopus 로고
    • Music Synthesis with Reconstructive Phrase Modeling
    • Lindemann, E. 2007. "Music Synthesis with Reconstructive Phrase Modeling." IEEE Signal Processing Magazine 24(2):80-91.
    • (2007) IEEE Signal Processing Magazine , vol.24 , Issue.2 , pp. 80-91
    • Lindemann, E.1
  • 23
    • 0036748814 scopus 로고    scopus 로고
    • AI and Music, from Composition to Expressive Performance
    • Lopez de Mantaras, R., and J. L. Arcos. 2002. "AI and Music, from Composition to Expressive Performance. AI Magazine 23(3):43-57.
    • (2002) AI Magazine , vol.23 , Issue.3 , pp. 43-57
    • Lopez de Mantaras, R.1    Arcos, J.L.2
  • 24
    • 84866524338 scopus 로고    scopus 로고
    • Automatic Characterization of Dynamics and Articulation of Monophonic Expressive Recordings
    • New York: Audio Engineering Society, paper number 6364
    • Maestre, E., and E. Gomez. 2005. "Automatic Characterization of Dynamics and Articulation of Monophonic Expressive Recordings." Proceedings of the 118th AES Convention. New York: Audio Engineering Society, paper number 6364.
    • (2005) Proceedings of the 118th AES Convention
    • Maestre, E.1    Gomez, E.2
  • 25
    • 34548071202 scopus 로고    scopus 로고
    • Using Concatenative Synthesis for Expressive Performance in Jazz Saxophone
    • San Francisco, California: International Computer Music Association, pp
    • Maestre, E., et al. 2006. "Using Concatenative Synthesis for Expressive Performance in Jazz Saxophone." Proceedings of the 2006 International Computer Music Conference. San Francisco, California: International Computer Music Association, pp. 219-222.
    • (2006) Proceedings of the 2006 International Computer Music Conference , pp. 219-222
    • Maestre, E.1
  • 27
    • 44849124900 scopus 로고    scopus 로고
    • A Large Set of Audio Features for Similarity and Classification
    • IRCAM
    • Peeters, G. 2004. "A Large Set of Audio Features for Similarity and Classification." CUIDADO IST Project Report. IRCAM.
    • (2004) CUIDADO IST Project Report
    • Peeters, G.1
  • 28
    • 33745059821 scopus 로고    scopus 로고
    • A Selection/Concatenation TTS Synthesis System
    • PhD Thesis, LIMSI, University of Paris XI
    • Prudon, R. 2003. "A Selection/Concatenation TTS Synthesis System." PhD Thesis, LIMSI, University of Paris XI.
    • (2003)
    • Prudon, R.1
  • 29
    • 84923878811 scopus 로고    scopus 로고
    • Intra-Note Features Prediction Model for Jazz Saxophone Performance
    • San Francisco, California: International Computer Music Association, pp
    • Ramirez, R., A. Hazan, and E. Maestre. 2005. "Intra-Note Features Prediction Model for Jazz Saxophone Performance." Proceedings of the 2005 International Computer Music Conference. San Francisco, California: International Computer Music Association, pp. 373-376.
    • (2005) Proceedings of the 2005 International Computer Music Conference , pp. 373-376
    • Ramirez, R.1    Hazan, A.2    Maestre, E.3
  • 30
    • 33745776724 scopus 로고    scopus 로고
    • A Tool for Generating and Explaining Expressive Music Performances of Monophonic Jazz Melodies
    • Ramirez, R., A. Hazan, and E. Maestre. 2006a. "A Tool for Generating and Explaining Expressive Music Performances of Monophonic Jazz Melodies." International Journal on Artificial Intelligence Tools 15(4):673-691.
    • (2006) International Journal on Artificial Intelligence Tools , vol.15 , Issue.4 , pp. 673-691
    • Ramirez, R.1    Hazan, A.2    Maestre, E.3
  • 31
    • 84892011769 scopus 로고    scopus 로고
    • A Data Mining Approach to Expressive Music Performance Modeling
    • V. A. Petrushin and L. Khan, eds, London: Springer, pp
    • Ramirez, R., A. Hazan, and E. Maestre. 2006b. "A Data Mining Approach to Expressive Music Performance Modeling." In V. A. Petrushin and L. Khan, eds. Multimedia Data Mining and Knowledge Discovery. London: Springer, pp. 362-379.
    • (2006) Multimedia Data Mining and Knowledge Discovery , pp. 362-379
    • Ramirez, R.1    Hazan, A.2    Maestre, E.3
  • 32
    • 33847777383 scopus 로고    scopus 로고
    • Performance-based Interpreter Identification in Saxophone Audio Recordings
    • Ramirez R., et al. 2007. "Performance-based Interpreter Identification in Saxophone Audio Recordings." IEEE Transactions on Circuits and Systems for Video Technology 7(3):356-364.
    • (2007) IEEE Transactions on Circuits and Systems for Video Technology , vol.7 , Issue.3 , pp. 356-364
    • Ramirez, R.1
  • 33
    • 73649088596 scopus 로고    scopus 로고
    • A Genetic Rule-based Expressive Performance Model for Jazz Saxophone
    • Ramirez, R., et al. 2008. "A Genetic Rule-based Expressive Performance Model for Jazz Saxophone." Computer Music Journal 32(1):338-350.
    • (2008) Computer Music Journal , vol.32 , Issue.1 , pp. 338-350
    • Ramirez, R.1
  • 34
    • 0026467329 scopus 로고
    • Diversity and Commonality in Music Performance: An Analysis of Timing Microstructure in Schumann's Traumerei
    • Repp, B. H. 1992. "Diversity and Commonality in Music Performance: An Analysis of Timing Microstructure in Schumann's Traumerei." Journal of the Acoustical Society of America 92(5):2546-2568.
    • (1992) Journal of the Acoustical Society of America , vol.92 , Issue.5 , pp. 2546-2568
    • Repp, B.H.1
  • 35
    • 0023756465 scopus 로고
    • Speech Synthesis by Rule Using an Optimal Selection of Non-Uniform Synthesis Units
    • Piscataway, New Jersey: Institute of Electrical and Electronics Engineers, pp
    • Sagisaka, T. 1988. "Speech Synthesis by Rule Using an Optimal Selection of Non-Uniform Synthesis Units." Proceedings of the 1988 IEEE International Conference on Acoustics, Speech, and Signal Processing. Piscataway, New Jersey: Institute of Electrical and Electronics Engineers, pp. 679-682.
    • (1988) Proceedings of the 1988 IEEE International Conference on Acoustics, Speech, and Signal Processing , pp. 679-682
    • Sagisaka, T.1
  • 36
    • 85138713674 scopus 로고    scopus 로고
    • A System for Data-Driven Concatenative Sound Synthesis
    • Verona: University of Verona, pp
    • Schwarz, D. 2000. "A System for Data-Driven Concatenative Sound Synthesis." Proceedings of the 2000 DAFx (Digital Audio Effects) Conference. Verona: University of Verona, pp. 97-102.
    • (2000) Proceedings of the 2000 DAFx (Digital Audio Effects) Conference , pp. 97-102
    • Schwarz, D.1
  • 37
    • 33745103994 scopus 로고    scopus 로고
    • Data-Driven Concatenative Sound Synthesis
    • PhD Thesis, University of Paris VI, France
    • Schwarz, D. 2004. "Data-Driven Concatenative Sound Synthesis." PhD Thesis, University of Paris VI, France.
    • (2004)
    • Schwarz, D.1
  • 38
    • 33745088642 scopus 로고    scopus 로고
    • Concatenative Sound Synthesis: The Early Years
    • Schwarz, D. 2006. "Concatenative Sound Synthesis: The Early Years." Journal of New Music Research 35(1):3-22.
    • (2006) Journal of New Music Research , vol.35 , Issue.1 , pp. 3-22
    • Schwarz, D.1
  • 39
    • 85032751306 scopus 로고    scopus 로고
    • Corpus-Based Concatenative Synthesis
    • Schwarz, D. 2007. "Corpus-Based Concatenative Synthesis." IEEE Signal Processing Magazine 24(2):92-104.
    • (2007) IEEE Signal Processing Magazine , vol.24 , Issue.2 , pp. 92-104
    • Schwarz, D.1
  • 40
    • 0642307574 scopus 로고
    • Seashore, C. E, ed, Iowa City: University of Iowa Press
    • Seashore, C. E., ed. 1936. Objective Analysis of Music Performance. Iowa City: University of Iowa Press.
    • (1936) Objective Analysis of Music Performance
  • 41
    • 33745060363 scopus 로고    scopus 로고
    • Audio Analogies: Creating New Music from an Existing Performance by Concatenative Synthesis
    • San Francisco, California: International Computer Music Association, pp
    • Simon, I., et al. 2005. "Audio Analogies: Creating New Music from an Existing Performance by Concatenative Synthesis." Proceedings of the 2005 International Computer Music Conference. San Francisco, California: International Computer Music Association, pp. 65-72.
    • (2005) Proceedings of the 2005 International Computer Music Conference , pp. 65-72
    • Simon, I.1
  • 42
    • 0026653777 scopus 로고
    • The Dynamics of Dynamics: A Model of Musical Expression
    • Todd, N. 1992. "The Dynamics of Dynamics: A Model of Musical Expression." Journal of the Acoustical Society of America 91(6):3540-3550.
    • (1992) Journal of the Acoustical Society of America , vol.91 , Issue.6 , pp. 3540-3550
    • Todd, N.1
  • 43
    • 84935113569 scopus 로고
    • Error Bounds for Convolutional Codes and an Asymptotically Optimum Decoding Algorithm
    • Viterbi, A. J. 1967. "Error Bounds for Convolutional Codes and an Asymptotically Optimum Decoding Algorithm." IEEE Transactions on Information Theory 13(2):260-269.
    • (1967) IEEE Transactions on Information Theory , vol.13 , Issue.2 , pp. 260-269
    • Viterbi, A.J.1
  • 44
    • 84948168225 scopus 로고    scopus 로고
    • Discovering Strong Principles of Expressive Music Performance with the PLCG Rule Learning Strategy
    • Berlin: Springer-Verlag, pp
    • Widmer, G. 2001. "Discovering Strong Principles of Expressive Music Performance with the PLCG Rule Learning Strategy." Proceedings of the 12th European Conference on Machine Learning (ECML'01). Berlin: Springer-Verlag, pp. 552-563.
    • (2001) Proceedings of the 12th European Conference on Machine Learning (ECML'01) , pp. 552-563
    • Widmer, G.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.