A STUDY OF TRUMPET ENVELOPES

International Computer Music Conference, ICMC Proceedings

Volumn , Issue , 1998, Pages

  Dannenberg, Roger B ^a   Pellerin, Hank ^a   Derenyi, Istvan ^a  

^a Carnegie Mellon University   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

AMPLITUDE ENVELOPE; CONTINUOUS CONTROL; PARAMETRIC CONTROL; PERFORMANCE; SPECTRAL INTERPOLATION; SYNTHESIS TECHNIQUES; TRADITIONAL APPROACHES;

COMPUTER MUSIC;

EID: 73649144510     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (11)

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2. Beauchamp, J. 1993. “Unix Workstation Software for Analysis, Graphics, Modification, and Synthesis of Musical Sounds.” Audio Engineering Society Preprint, No. 3479 (Berlin Convention, March).
3. Canazza, S., G. De Poli, A. Roda’, and A. Vidolin. 1997. “Analysis and synthesis of expressive intentions in musical performance.” In Proceedings of the International Computer Music Conference 1997. San Francisco: International Computer Music Association, pp. 113–120.
4. Chafe, C. 1989. “Simulating Performance on a Bowed Instrument.” In M. Mathews and J. Pierce (Eds.): Current Directions in Computer Music Research. Cambridge MA: M.I.T. Press, pp. 185–198.
5. Clynes, M. 1985. “Secrets of Life in Music: Musicality Realised by Computer.” In Proceedings of the 1984 International Computer Music Conference, Computer Music Association, pp 225–232. (Note: 1984 proceedings were published in 1985.)
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7. Derenyi, I. and R. B. Dannenberg. 1998. “Synthesizing Trumpet Performances.” In Proceedings of the International Computer Music Conference. San Francisco: International Computer Music Association.
8. Moorer, J. A., J. Grey, and J. Strawn. 1978. “Lexicon of Analyzed Tones (Part III: The Trumpet).” Computer Music Journal 2(2), pp. 23–31.
9. Risset, J.-C. 1985. “Computer Music Experiments 1964–….” Computer Music Journal 9(1) (Spring), pp. 11–18.
10. Serra, M.-H., D. Rubine, and R. B. Dannenberg. 1990. “Analysis and Synthesis of Tones by Spectral Interpolation,.” Journal of the Audio Engineering Society, 38(3) (March), pp. 111–128.
11. Sundberg, J., A. Askenfelt, and L. Fryden. 1983. “Musical Performance: A Synthesis-by-Rule Approach.” Computer Music Journal 7(1), pp. 37–43.