메뉴 건너뛰기




Volumn 29, Issue 1, 2007, Pages 39-54

An exploratory study of the role of performance feedback and musical imagery in piano playing

Author keywords

Expressive IOI and intensity profiles; Mental imagery; Performance feedback; Piano performance

Indexed keywords


EID: 61049364474     PISSN: 1321103X     EISSN: 18345530     Source Type: Journal    
DOI: 10.1177/1321103X07087567     Document Type: Article
Times cited : (31)

References (50)
  • 2
    • 84970491162 scopus 로고
    • The role of visual and auditory feedback during the sight-reading of music
    • Banton, L.J. (1995). The role of visual and auditory feedback during the sight-reading of music. Psychology of Music, 23, 3-16
    • (1995) Psychology of Music , vol.23 , pp. 3-16
    • Banton, L.J.1
  • 3
    • 0013239882 scopus 로고
    • Expression in performance: Generativity, perception and semiotics
    • J. Rink (Ed.), Cambridge, England: Cambridge University Press
    • Clarke, E.F. (1995). Expression in performance: Generativity, perception and semiotics. In J. Rink (Ed.), The practice of performance: Studies in musical interpretation (pp. 21-54). Cambridge, England: Cambridge University Press
    • (1995) The Practice of Performance: Studies in Musical Interpretation , pp. 21-54
    • Clarke, E.F.1
  • 4
    • 34250749331 scopus 로고    scopus 로고
    • Empirical methods in the study of performance
    • E. Clarke & N. Cook (Eds.), Oxford: Oxford University Press
    • Clarke, E.F. (2004). Empirical methods in the study of performance. In E. Clarke & N. Cook (Eds.), Empirical musicology: Aims, methods, prospects (pp. 77-102). Oxford: Oxford University Press
    • (2004) Empirical Musicology: Aims, Methods, Prospects , pp. 77-102
    • Clarke, E.F.1
  • 5
    • 0347560956 scopus 로고
    • Neurobiological functions of rhythm, time, and pulse in music
    • M. Clynes (Ed.), New York: Plenum
    • Clynes, M., & Walker, J. (1982). Neurobiological functions of rhythm, time, and pulse in music. In M. Clynes (Ed.), Music, mind, and brain: The neurophysiology of music (pp. 171-216). New York: Plenum
    • (1982) Music, Mind, and Brain: The Neurophysiology of Music , pp. 171-216
    • Clynes, M.1    Walker, J.2
  • 6
    • 84970393138 scopus 로고
    • Effects of mental practice, physical practice, and knowledge of results on piano performance
    • Coffman, D.D. (1990). Effects of mental practice, physical practice, and knowledge of results on piano performance. Journal of Research in Music Education, 38, 187-196
    • (1990) Journal of Research in Music Education , vol.38 , pp. 187-196
    • Coffman, D.D.1
  • 8
    • 84968181432 scopus 로고
    • Accent structures in music performance
    • Drake, C., & Palmer, C. (1993). Accent structures in music performance. Music Perception, 10, 343-379
    • (1993) Music Perception , vol.10 , pp. 343-379
    • Drake, C.1    Palmer, C.2
  • 10
    • 0042261467 scopus 로고    scopus 로고
    • Differentiating visual and kinesthetic imagery in mental practice
    • Féry, Y.-A. (2003). Differentiating visual and kinesthetic imagery in mental practice. Canadian Journal of Experimental Psychology, 57, 1-10
    • (2003) Canadian Journal of Experimental Psychology , vol.57 , pp. 1-10
    • Féry, Y.-A.1
  • 11
    • 0012555770 scopus 로고    scopus 로고
    • Auditory feedback and musical keyboard performance
    • Finney, S.A. (1997). Auditory feedback and musical keyboard performance. Music Perception, 15, 153-174
    • (1997) Music Perception , vol.15 , pp. 153-174
    • Finney, S.A.1
  • 12
    • 0037231009 scopus 로고    scopus 로고
    • Auditory feedback and memory for music performance: Sound evidence for an encoding effect
    • Finney, S.A., & Palmer, C. (2003). Auditory feedback and memory for music performance: Sound evidence for an encoding effect. Memory & Cognition, 31 (1). 51-64
    • (2003) Memory & Cognition , vol.31 , Issue.1 , pp. 51-64
    • Finney, S.A.1    Palmer, C.2
  • 13
    • 0002583251 scopus 로고    scopus 로고
    • The performance of music
    • D. Deutsch (Ed.), 2nd ed., pp. San Diego, CA: Academic Press
    • Gabrielsson, A. (1999). The performance of music. In D. Deutsch (Ed.), The psychology of music (2 nd ed., pp. 501-602). San Diego, CA: Academic Press
    • (1999) The Psychology of Music , pp. 501-602
    • Gabrielsson, A.1
  • 14
    • 0016295698 scopus 로고
    • Effects of auditory feedback on a musical performance task
    • Gates, A., & Bradshaw, J.L. (1974). Effects of auditory feedback on a musical performance task. Perception and Psychophysics, 16, 105-109
    • (1974) Perception and Psychophysics , vol.16 , pp. 105-109
    • Gates, A.1    Bradshaw, J.L.2
  • 15
    • 85009886613 scopus 로고    scopus 로고
    • The development of memorisation strategies in musicians: Implications for education
    • Hallam, S. (1997). The development of memorisation strategies in musicians: Implications for education. British Journal of Music Education, 14, 87-97
    • (1997) British Journal of Music Education , vol.14 , pp. 87-97
    • Hallam, S.1
  • 18
    • 54449091495 scopus 로고    scopus 로고
    • Imagination in practice: A study of the integrated roles of interpretation, imagery and technique in the learning and memorisation processes of two experienced solo performers
    • Holmes, P. (2005). Imagination in practice: A study of the integrated roles of interpretation, imagery and technique in the learning and memorisation processes of two experienced solo performers. British Journal of Music Education, 22, 217-235
    • (2005) British Journal of Music Education , vol.22 , pp. 217-235
    • Holmes, P.1
  • 19
    • 61049423424 scopus 로고
    • POCO: An environment for analyzing, modifying, and generating expression in music
    • P. Desain, & H. Honing (Eds.), Amsterdam, The Netherlands: Thesis Publishers
    • Honing, H. (1992). POCO: An environment for analyzing, modifying, and generating expression in music. In P. Desain, & H. Honing (Eds.), Music, mind and machine (pp. 323-330). Amsterdam, The Netherlands: Thesis Publishers
    • (1992) Music, Mind and Machine , pp. 323-330
    • Honing, H.1
  • 24
    • 0005069687 scopus 로고    scopus 로고
    • Mental representations in music performance. Anecdotal and preliminary empirical evidence
    • H. Jørgensen & A. C. Lehmann (Eds.), Oslo, Norway: Norges musikkhøgskole
    • Lehmann, A.C. (1997). Mental representations in music performance. Anecdotal and preliminary empirical evidence. In H. Jørgensen & A. C. Lehmann (Eds.), Does practice make perfect? (pp. 141-164). Oslo, Norway: Norges musikkhøgskole
    • (1997) Does Practice Make Perfect? , pp. 141-164
    • Lehmann, A.C.1
  • 25
    • 0042651222 scopus 로고    scopus 로고
    • Expert pianists' mental representations: Evidence from successful adaptation to unexpected performance demands
    • A. Gabrielsson (Ed.). Sweden: Uppsala University
    • Lehmann, A.C., & Ericsson, K.A. (1997). Expert pianists' mental representations: Evidence from successful adaptation to unexpected performance demands. In A. Gabrielsson (Ed.), Proceedings of the 3rd Triennial ESCOM Conference (pp. 165-169). Sweden: Uppsala University
    • Proceedings of the 3rd Triennial ESCOM Conference , pp. 165-169
    • Lehmann, A.C.1    Ericsson, K.A.2
  • 26
    • 58149241675 scopus 로고    scopus 로고
    • Preparation of a public piano performance: The relation between practice and performance
    • Lehmann, A.C., & Ericsson, K.A. (1998). Preparation of a public piano performance: The relation between practice and performance. Musicae Scientiae, 2, 67-94
    • (1998) Musicae Scientiae , vol.2 , pp. 67-94
    • Lehmann, A.C.1    Ericsson, K.A.2
  • 28
    • 0010157802 scopus 로고
    • Mental practice and memorization of piano music
    • Lim, S., & Lippman, L.G. (1991). Mental practice and memorization of piano music. Journal of General Psychology, 118, 21-30
    • (1991) Journal of General Psychology , vol.118 , pp. 21-30
    • Lim, S.1    Lippman, L.G.2
  • 30
    • 34147125860 scopus 로고    scopus 로고
    • Nature of memory for music performance skills
    • E. Altenmüller, M. Wiesendanger, J. Kesselring (Eds.), Oxford, England: Oxford University Press
    • Palmer, C. (2006). Nature of memory for music performance skills. In E. Altenmüller, M. Wiesendanger, J. Kesselring (Eds.), Music, motor control and the brain (pp. 39-53). Oxford, England: Oxford University Press
    • (2006) Music, Motor Control and the Brain , pp. 39-53
    • Palmer, C.1
  • 31
    • 0002226677 scopus 로고    scopus 로고
    • Sources of timing variations in music performance: A psychological segmentation model
    • Penel, A., & Drake, C. (1998). Sources of timing variations in music performance: A psychological segmentation model. Psychological Research, 61, 12-32
    • (1998) Psychological Research , vol.61 , pp. 12-32
    • Penel, A.1    Drake, C.2
  • 33
    • 33748367421 scopus 로고    scopus 로고
    • Effects of hearing the past, present, or future during music performance
    • Pfordresher, P.Q., & Palmer, C. (2006). Effects of hearing the past, present, or future during music performance. Perception & Psychophysics, 68, 362-376
    • (2006) Perception & Psychophysics , vol.68 , pp. 362-376
    • Pfordresher, P.Q.1    Palmer, C.2
  • 34
    • 0028879086 scopus 로고
    • Expressive timing in Schumann's "träumerei": An analysis of performances by graduate student pianists. Journal of the Acoustical Society of
    • Repp, B.H. (1995). Expressive timing in Schumann's "Trä umerei": An analysis of performances by graduate student pianists. Journal of the Acoustical Society of America, 98, 2413-2427
    • (1995) America , vol.98 , pp. 2413-2427
    • Repp, B.H.1
  • 35
    • 0012556928 scopus 로고    scopus 로고
    • Effects of auditory feedback deprivation on expressive piano performance
    • Repp, B.H. (1999 a). Effects of auditory feedback deprivation on expressive piano performance. Music Perception, 16, 409-438
    • (1999) Music Perception , vol.16 , pp. 409-438
    • Repp, B.H.1
  • 36
    • 0032989454 scopus 로고    scopus 로고
    • Control of expressive and metronomic timing in pianists. Journal of Motor
    • Repp, B.H. (1999 b). Control of expressive and metronomic timing in pianists. Journal of Motor Behavior, 31, 145-164
    • (1999) Behavior , vol.31 , pp. 145-164
    • Repp, B.H.1
  • 37
    • 84965737226 scopus 로고
    • The effectiveness of mental practice in improving the performance of college trombonists
    • Ross, S.L. (1985). The effectiveness of mental practice in improving the performance of college trombonists. Journal of Research in Music Education, 33, 221-230
    • (1985) Journal of Research in Music Education , vol.33 , pp. 221-230
    • Ross, S.L.1
  • 39
    • 33751417140 scopus 로고
    • The influence of analytical pre-study in memorizing piano music
    • Rubin-Rabson, G. (1937). The influence of analytical pre-study in memorizing piano music. Archives of Psychology, 220, 3-53
    • (1937) Archives of Psychology , vol.220 , pp. 3-53
    • Rubin-Rabson, G.1
  • 40
    • 0000776148 scopus 로고
    • Studies in the psychology of memorizing piano music. VI: A comparison of two forms of mental rehearsal and keyboard overlearning
    • Rubin-Rabson, G. (1941). Studies in the psychology of memorizing piano music. VI: A comparison of two forms of mental rehearsal and keyboard overlearning. Journal of Educational Psychology, 32, 593-602
    • (1941) Journal of Educational Psychology , vol.32 , pp. 593-602
    • Rubin-Rabson, G.1
  • 42
    • 49049152648 scopus 로고
    • Performances of Chopin, Bach, and Bartok: Studies in motor programming
    • Shaffer, L.H. (1981). Performances of Chopin, Bach, and Bartok: Studies in motor programming. Cognitive Psychology, 13, 326-376
    • (1981) Cognitive Psychology , vol.13 , pp. 326-376
    • Shaffer, L.H.1
  • 44
    • 0000624009 scopus 로고
    • Effects of mental practice and modeling on guitar and vocal performance
    • Theiler, A.M., & Lippman, L.G. (1995). Effects of mental practice and modeling on guitar and vocal performance. Journal of General Psychology, 122, 329-343
    • (1995) Journal of General Psychology , vol.122 , pp. 329-343
    • Theiler, A.M.1    Lippman, L.G.2
  • 45
    • 33846018340 scopus 로고
    • Variability of practice and knowledge of results as factors in learning to sing in tune
    • Welch, G. (1985). Variability of practice and knowledge of results as factors in learning to sing in tune. Bulletin of the Council for Research in Music Education, 85, 238-247
    • (1985) Bulletin of the Council for Research in Music Education , vol.85 , pp. 238-247
    • Welch, G.1
  • 46
    • 9244221971 scopus 로고    scopus 로고
    • Memorising music
    • J. Rink (Ed.), Cambridge, England: Cambridge University Press
    • Williamon, A. (2002). Memorising music. In J. Rink (Ed.), Musical performance: A guide to understanding (pp. 113-126). Cambridge, England: Cambridge University Press
    • (2002) Musical Performance: A Guide to Understanding , pp. 113-126
    • Williamon, A.1
  • 47
    • 0036483956 scopus 로고    scopus 로고
    • The role of retrieval structures in memorizing music
    • Williamon, A., & Valentine, E. (2002). The role of retrieval structures in memorizing music. Cognitive Psychology, 44, 1-32
    • (2002) Cognitive Psychology , vol.44 , pp. 1-32
    • Williamon, A.1    Valentine, E.2
  • 49
    • 43049140657 scopus 로고    scopus 로고
    • The effects of distracted inner hearing on sight-reading
    • Wöllner, C., Halfpenny, E., Ho, S., & Kurosawa, K. (2003). The effects of distracted inner hearing on sight-reading. Psychology of Music, 31 (4). 377-389
    • (2003) Psychology of Music , vol.31 , Issue.4 , pp. 377-389
    • Wöllner, C.1    Halfpenny, E.2    Ho, S.3    Kurosawa, K.4
  • 50
    • 21544444722 scopus 로고    scopus 로고
    • Mental concerts: Musical imagery and auditory cortex
    • Zatorre, R.J., & Halpern, A.R. (2005). Mental concerts: Musical imagery and auditory cortex. Neuron, 47 (1). 9-12
    • (2005) Neuron , vol.47 , Issue.1 , pp. 9-12
    • Zatorre, R.J.1    Halpern, A.R.2


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.