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Volumn 9, Issue 4, 2006, Pages 435-456

Inventing opera as art in nineteenth-century Manchester

Author keywords

Art; Class; Manchester; Manchester guardian; Manchester theatre royal; Opera; Opera going

Indexed keywords


EID: 37849187552     PISSN: 13678779     EISSN: 1460356X     Source Type: Journal    
DOI: 10.1177/1367877906069894     Document Type: Article
Times cited : (7)

References (24)
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    • Dahlaus, C.1
  • 6
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    • Cultural Boundaries and Structural Change: The Extension of the High Culture Model to Theater, Opera, and the Dance, 1900-1940
    • Michele Lamont and Marcel Fournier (eds) Chicago, IL: University of Chicago Press.
    • DiMaggio, P. (1992) 'Cultural Boundaries and Structural Change: The Extension of the High Culture Model to Theater, Opera, and the Dance, 1900-1940', in Michele Lamont and Marcel Fournier (eds) Cultivating Differences: Symbolic Boundaries and the Making of Inequality, pp. 21 - 57. Chicago, IL: University of Chicago Press.
    • (1992) Cultivating Differences: Symbolic Boundaries and the Making of Inequality , pp. 21-57
    • Dimaggio, P.1
  • 7
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    • Cultural Entrepreneurship in Nineteenth-Century Boston: The Creation of an Organizational Base for High Culture in America
    • John Storey (ed.) third edition, pp. London: Pearson.
    • DiMaggio, P. (2006) 'Cultural Entrepreneurship in Nineteenth-Century Boston: The Creation of an Organizational Base for High Culture in America', in John Storey (ed.) Cultural Theory and Popular Culture: A Reader, third edition, pp. 488 - 508. London: Pearson.
    • (2006) Cultural Theory and Popular Culture: A Reader , pp. 488-508
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  • 11
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    • The Sublime and the Vulgar: The Hallé Concerts and the Constitution of "high Culture" in Manchester c.1850-1880
    • Gunn, S. (1997) 'The Sublime and the Vulgar: The Hallé Concerts and the Constitution of "High Culture" in Manchester c.1850-1880', Journal of Victorian Culture 2: 208 - 228.
    • (1997) Journal of Victorian Culture , vol.2 , pp. 208-228
    • Gunn, S.1
  • 12
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    • Notes on Deconstructing "the Popular"
    • John Storey (ed.) third edition, pp. London: Pearson.
    • Hall, S. (2006) 'Notes on Deconstructing "the Popular"', in John Storey (ed.) Cultural Theory and Popular Culture: A Reader, third edition, pp. 442 - 453. London: Pearson.
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    • Hall, S.1
  • 15
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    • New York Operagoing, 1825-50: Creating an Elite Social Ritual
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  • 19
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    • Expecting Rain: Opera as Popular Culture?
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    • Storey, J. (2002) 'Expecting Rain: Opera as Popular Culture?', in J. Collins (ed.) High-Pop: Making Culture into Popular Entertainment, pp. 32 - 55. Malden, MA: Blackwell.
    • (2002) High-Pop: Making Culture into Popular Entertainment , pp. 32-55
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  • 22
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    • Popular
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    • Storey, J. (2005) 'Popular', in T. Bennett, L. Grossberg and M. Morris (eds) New Keywords, pp. 262 - 264. Malden, MA: Blackwell.
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  • 24
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    • The Opera: The Meeting of Popular and Elite Culture in the Nineteenth Century
    • Zelechow, B. (1993) 'The Opera: The Meeting of Popular and Elite Culture in the Nineteenth Century', History of European Ideas 16 (1-3). 261 - 266.
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    • Zelechow, B.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.