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Volumn 6, Issue 1, 2003, Pages 5-35

The social life of opera

Author keywords

access; high culture; inclusive exclusive culture; popular entertainment

Indexed keywords


EID: 84993737745     PISSN: 13675494     EISSN: None     Source Type: Journal    
DOI: 10.1177/1367549403006001466     Document Type: Article
Times cited : (12)

References (35)
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  • 7
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    • DiMaggio, P. (1998) ‘Cultural Entrepreneurship in Nineteenth-century Boston: The Creation of an Organizational Base for High Culture in America’, in J. Storey (ed.) Cultural Theory and Popular Culture: A Reader, 2nd edn, pp. 454–75. Hemel Hempstead: Prentice Hall.
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  • 10
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  • 11
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    • Notes on Deconstructing “the Popular”
    • 2nd edn in J. Storey (ed.) Hemel Hempstead: Prentice Hall.
    • Hall, S. (1998) ‘Notes on Deconstructing “the Popular” ’, in J. Storey (ed.) Cultural Theory and Popular Culture: A Reader, 2nd edn, pp. 442–53. Hemel Hempstead: Prentice Hall.
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  • 16
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    • Afterword: The Politics of Silence and Sound
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  • 17
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  • 19
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    • The Appeal and Cost of Opera
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    • (1983) Universities Quarterly , vol.37 , Issue.3 , pp. 186-195
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  • 20
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  • 28
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    • Opera Lovers with Attitude Call the Tune
    • July 6
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    • (1994) The Sunday Times , pp. 4
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  • 30
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    • Expecting Rain: Opera as Popular Culture?
    • in J. Collins (ed.) Malden, MA: Blackwell.
    • Storey, J. (2002) ‘Expecting Rain: Opera as Popular Culture?’, in J. Collins (ed.) High-pop: Making Culture into Popular Entertainment, pp. 32–55. Malden, MA: Blackwell.
    • (2002) High-pop: Making Culture into Popular Entertainment , pp. 32-55
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  • 35
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    • The Opera: The Meeting of Popular and Elite Culture in the Nineteenth Century
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    • (1993) History of European Ideas , vol.16 , Issue.1-3 , pp. 261-266
    • Zelechow, B.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.