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Volumn 2, Issue 2, 1997, Pages 208-228

The sublime and the vulgar: The Hallé concerts and the constitution of ‘high culture’ in Manchester c. 1850-1880

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EID: 84968769333     PISSN: 13555502     EISSN: 17500133     Source Type: Journal    
DOI: 10.1080/13555509709505950     Document Type: Note
Times cited : (14)

References (33)
  • 17
    • 3242792968 scopus 로고
    • Anatomy of the promenade: The politics of bourgeois sociability in nineteenth-century New York
    • May
    • D. Scobey, ‘Anatomy of the promenade: the politics of bourgeois sociability in nineteenth-century New York', Social History 17.2 (May 1992): 206.
    • (1992) Social History , vol.17 , Issue.2 , pp. 206
    • Scobey, D.1
  • 24
    • 0001497429 scopus 로고
    • Conspiracies of meaning: Music hall and the knowingness of popular culture
    • P. Bailey, ‘Conspiracies of meaning: music hall and the knowingness of popular culture', Past and Present 144 (1994): 145-6.
    • (1994) Past and Present , vol.144 , pp. 145-146
    • Bailey, P.1
  • 27
    • 0004182045 scopus 로고
    • 1977; London: Faber and Faber
    • R. Sennett, The Fall of Public Man (1977; London: Faber and Faber, 1993), 205-18
    • (1993) The Fall of Public Man , pp. 205-218
    • Sennett, R.1
  • 33
    • 84965736367 scopus 로고
    • Cultural entrepreneurship in nineteenth-century Boston: The creation of an organisational base for high culture in America
    • P. Dimaggio, ‘Cultural entrepreneurship in nineteenth-century Boston: the creation of an organisational base for high culture in America’, Media, Culture and Society 4 (1982): 45
    • (1982) Media, Culture and Society , vol.4 , pp. 45
    • Dimaggio, P.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.