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From the official 2008 ISA Annual Convention Call for Papers, International Studies Association. See .
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Smith, S.1
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I frequently receive requests from academic colleagues for feminist IR readings, specialists, and specialties, as though this information were obscure or difficult to access. It only seems invisible when one inhabits other camps of the field
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I frequently receive requests from academic colleagues for feminist IR readings, specialists, and specialties, as though this information were obscure or difficult to access. It only seems invisible when one inhabits other camps of the field.
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7
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Why International Relations has Failed as an Intellectual Project and What to Do about It
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Ken Booth and Steve Smith eds, Oxford: Polity Press
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Jean Bethke Elshtain, 'International Politics and International Theory', in Ken Booth and Steve Smith (eds), International Relations Theory Today (Oxford: Polity Press, 1995);
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Steve Smith, 'Positivism and Beyond', in Steve Smith, Ken Booth, and Marysia. Zalewski (eds), International Theory: Positivism and Beyond (Cambridge: Cambridge University Press), and Smith, 'Singing Our World'.
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Steve Smith, 'Positivism and Beyond', in Steve Smith, Ken Booth, and Marysia. Zalewski (eds), International Theory: Positivism and Beyond (Cambridge: Cambridge University Press), and Smith, 'Singing Our World'.
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18
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0003931980
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trans. Daniel Heller-Roazen Stanford: Stanford University Press
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Giorgio Agamben, Homo Sacer: Sovereign Power and Bare Life, trans. Daniel Heller-Roazen (Stanford: Stanford University Press, 1998).
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Veronique Pin-Fat and Maria Stern, 'The Scripting of Private Jessica Lynch: Biopolitics, Gender, and the "Feminization" of the U.S. Military', Alternatives, 30 (2005): 25-53;
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Christine Sylvester: 'The Art of War/The War Question in (Feminist) IR', Millennium: Journal of International Studies, 33, no. 3 (2005): 855-78, and 'Bringing Art/Museums to Feminist International Relations', in Brooke Ackerly,
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trans. Christopher Wood Chicago: University of Chicago Press
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Hans Belting, The End of the History of Art, trans. Christopher Wood (Chicago: University of Chicago Press, 1987);
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36248954786
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Ibid., xx.
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Ann Tickner, 'Why Women Can't Run the World: International Politics According to Francis Fukuyama', International Studies Review, 1, no. 3 (1999) 3-11. Fukuyama's views in End of History and the Last Man seem to be changing.
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Ann Tickner, 'Why Women Can't Run the World: International Politics According to Francis Fukuyama', International Studies Review, 1, no. 3 (1999) 3-11. Fukuyama's views in End of History and the Last Man seem to be changing.
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36248933477
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In America at the Crossroads, he takes a quasi-feminist line, saying that the US must undertake'a dramatic demilitarization of American foreign policy, p. 184, engage networks of relationships and organizations that supplement bilateral interactions, and warns of short-run conditions in some fundamentalist regions that 'may seem pretty unappealing if you care about women's rights, religious tolerance, and the like p.187
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In America at the Crossroads, he takes a quasi-feminist line, saying that the US must undertake'a dramatic demilitarization of American foreign policy' (p. 184), engage networks of relationships and organizations that supplement bilateral interactions, and warns of short-run conditions in some fundamentalist regions that 'may seem pretty unappealing if you care about women's rights, religious tolerance, and the like" (p.187).
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I am referring to works done by Picasso and Braque in the early days of collage, such as Picasso's Guitar and Sheet Music (1912) or Braque's Fruit of a Long Experience (1919),
-
I am referring to works done by Picasso and Braque in the early days of collage, such as Picasso's Guitar and Sheet Music (1912) or Braque's Fruit of a Long Experience (1919),
-
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-
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101
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36248932915
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and Lee Krasner's later collages of pieces cut from paintings done by Jackson Pollock, which she reassembled by a different logic, e.g., Bald Eagle (1955).
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and Lee Krasner's later collages of pieces cut from paintings done by Jackson Pollock, which she reassembled by a different logic, e.g., Bald Eagle (1955).
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