메뉴 건너뛰기




Volumn 14, Issue 5, 2006, Pages 1817-1831

Adaptive Digital Audio Effects (A-DAFx): A new class of sound transformations

Author keywords

Adaptive control; Feature extraction; Information retrieval; Music; Psychoacoustic models; Signal processing

Indexed keywords

ADAPTIVE DIGITAL AUDIO EFFECTS; PSYCHOACOUSTIC MODELS; SOUND PERCEPTION; SOUND TRANSFORMATIONS;

EID: 33745105930     PISSN: 15587916     EISSN: None     Source Type: Journal    
DOI: 10.1109/TSA.2005.858531     Document Type: Article
Times cited : (87)

References (92)
  • 2
    • 1542316436 scopus 로고    scopus 로고
    • U. Zölzer, Ed, New York: Wiley
    • U. Zölzer, Ed., DAFX - Digital Audio Effects. New York: Wiley, 2002.
    • (2002) DAFX - Digital Audio Effects
  • 3
    • 85022767565 scopus 로고    scopus 로고
    • Musical gestures and audio effects processing
    • Barcelona, Spain
    • E. Métois, "Musical gestures and audio effects processing," in Proc. COST-G6 Workshop on Digital Audio Effects, Barcelona, Spain, 1998, pp. 249-253.
    • (1998) Proc. COST-G6 Workshop on Digital Audio Effects , pp. 249-253
    • Métois, E.1
  • 6
    • 0002648826 scopus 로고
    • A model of loudness summation
    • E. Zwicker and B. Scharf, "A model of loudness summation," Psychol. Rev., vol. 72, pp. 3-26, 1965.
    • (1965) Psychol. Rev , vol.72 , pp. 3-26
    • Zwicker, E.1    Scharf, B.2
  • 7
    • 0017531208 scopus 로고
    • Procedure for calculating loudness of temporally variable sounds
    • E. Zwicker, "Procedure for calculating loudness of temporally variable sounds," J. Acoust. Soc. Amer., vol. 62, no. 3, pp. 675-682, 1977.
    • (1977) J. Acoust. Soc. Amer , vol.62 , Issue.3 , pp. 675-682
    • Zwicker, E.1
  • 10
    • 0020164538 scopus 로고
    • Geometrical approximations to the structure of musical pitch
    • R. Shepard, "Geometrical approximations to the structure of musical pitch," Psychol. Rev., vol. 89, no. 4, pp. 305-333, 1982.
    • (1982) Psychol. Rev , vol.89 , Issue.4 , pp. 305-333
    • Shepard, R.1
  • 11
    • 34047251771 scopus 로고    scopus 로고
    • A. de Cheveigné, Pitch, C. Plack and A. Oxenham, Eds. Berlin, Germany: Springer-Verlag, 2004, ch. Pitch Perception Models.
    • A. de Cheveigné, Pitch, C. Plack and A. Oxenham, Eds. Berlin, Germany: Springer-Verlag, 2004, ch. Pitch Perception Models.
  • 12
    • 34047260344 scopus 로고    scopus 로고
    • USA Standard Acoustic Terminology, ANSI, 1960.
    • USA Standard Acoustic Terminology, ANSI, 1960.
  • 14
    • 85159720054 scopus 로고    scopus 로고
    • Improved modeling of attack transients in music analysis-resynthesis
    • Hong Kong
    • P. Masri and A. Bateman, "Improved modeling of attack transients in music analysis-resynthesis," in Proc. Int. Computer Music Conf., Hong Kong, 1996, pp. 100-103.
    • (1996) Proc. Int. Computer Music Conf , pp. 100-103
    • Masri, P.1    Bateman, A.2
  • 15
    • 0029442124 scopus 로고
    • Perceptual scaling of synthesized musical timbres: Common dimensions, specificities, and latent subject classes
    • S. McAdams, S. Winsberg, G. de Soete, and J. Krimphoff, "Perceptual scaling of synthesized musical timbres: Common dimensions, specificities, and latent subject classes," Psychol. Res., vol. 58, pp. 177-192, 1995.
    • (1995) Psychol. Res , vol.58 , pp. 177-192
    • McAdams, S.1    Winsberg, S.2    de Soete, G.3    Krimphoff, J.4
  • 16
    • 33750340315 scopus 로고    scopus 로고
    • PsySound': A computer program for the psychoacoustical analysis of music
    • presented at the, Wellington, New Zealand
    • D. Cabrera, "'PsySound': A computer program for the psychoacoustical analysis of music," presented at the Australasian Computer Music Conf., MikroPolyphonie, vol. 5, Wellington, New Zealand, 1999.
    • (1999) Australasian Computer Music Conf., MikroPolyphonie , vol.5
    • Cabrera, D.1
  • 17
    • 0024653544 scopus 로고
    • Calculation of a narrowed autocorrelation function
    • J. C. Brown and M. S. Puckette, "Calculation of a narrowed autocorrelation function," J. Acoust. Soc. Amer., vol. 85, pp. 1595-1601, 1989.
    • (1989) J. Acoust. Soc. Amer , vol.85 , pp. 1595-1601
    • Brown, J.C.1    Puckette, M.S.2
  • 18
    • 34047253693 scopus 로고    scopus 로고
    • Testing for gaussianity and non linearity in the sustained portion of musical sounds
    • S. Dubnov and N. Tishby, "Testing for gaussianity and non linearity in the sustained portion of musical sounds," in Proc. Journées Informatique Musicale, 1996, pp. 288-295.
    • (1996) Proc. Journées Informatique Musicale , pp. 288-295
    • Dubnov, S.1    Tishby, N.2
  • 19
    • 34047251943 scopus 로고    scopus 로고
    • D. Arfib, F. Keiler, and U. Zölzer, DAFX - Digital Audio Effects, U. Zoelzer, Ed. New York: Wiley, 2002, ch. Source-Filter Processing, pp. 299-372.
    • D. Arfib, F. Keiler, and U. Zölzer, DAFX - Digital Audio Effects, U. Zoelzer, Ed. New York: Wiley, 2002, ch. Source-Filter Processing, pp. 299-372.
  • 21
    • 0007691658 scopus 로고
    • Berkeley, CA: Univ. California Press
    • W. Slawson, Sound Color. Berkeley, CA: Univ. California Press, 1985.
    • (1985) Sound Color
    • Slawson, W.1
  • 24
    • 0040410764 scopus 로고
    • The simulation of moving sound sources
    • J. Chowning, "The simulation of moving sound sources," J. Audio Eng. Soc., vol. 19, no. 1, pp. 1-6, 1971.
    • (1971) J. Audio Eng. Soc , vol.19 , Issue.1 , pp. 1-6
    • Chowning, J.1
  • 25
    • 0016962212 scopus 로고
    • Implementation of the digital phase vocoder using the fast fourier transform
    • Jun
    • M. Portnoff, "Implementation of the digital phase vocoder using the fast fourier transform," IEEE Trans. Acoustics, Speech, Signal Process., vol. ASSP-24, no. 3, pp. 243-248, Jun. 1976.
    • (1976) IEEE Trans. Acoustics, Speech, Signal Process , vol.ASSP-24 , Issue.3 , pp. 243-248
    • Portnoff, M.1
  • 26
    • 0022909412 scopus 로고
    • The phase vocoder: A tutorial
    • M. Dolson, "The phase vocoder: A tutorial," Comput. Music J., vol. 10, no. 4, pp. 14-27, 1986.
    • (1986) Comput. Music J , vol.10 , Issue.4 , pp. 14-27
    • Dolson, M.1
  • 27
    • 34047275678 scopus 로고    scopus 로고
    • D. Arfib, F. Keiler, and U. Zölzer, DAFX-Digital Audio Effects, U. Zoelzer, Ed. New York: Wiley, 2002, ch. Time-Frequency Processing, pp. 237-297.
    • D. Arfib, F. Keiler, and U. Zölzer, DAFX-Digital Audio Effects, U. Zoelzer, Ed. New York: Wiley, 2002, ch. Time-Frequency Processing, pp. 237-297.
  • 28
    • 0025543906 scopus 로고
    • Pitch synchronous waveform processing techniques for text-to-speech synthesis using diphones
    • E. Moulines and F. Charpentier, "Pitch synchronous waveform processing techniques for text-to-speech synthesis using diphones," Speech Commun., vol. 9, no. 5/6, pp. 453-467, 1990.
    • (1990) Speech Commun , vol.9 , Issue.5-6 , pp. 453-467
    • Moulines, E.1    Charpentier, F.2
  • 29
    • 34047248479 scopus 로고    scopus 로고
    • J. Laroche, Applications of Digital Signal Processing to Audio & Acoustics, M. Kahrs and K. Brandenburg, Eds. Norwell, MA: Kluwer, 1998, ch. Time and Pitch Scale Modification of Audio Signals, pp. 279-309.
    • J. Laroche, Applications of Digital Signal Processing to Audio & Acoustics, M. Kahrs and K. Brandenburg, Eds. Norwell, MA: Kluwer, 1998, ch. Time and Pitch Scale Modification of Audio Signals, pp. 279-309.
  • 30
    • 84863772450 scopus 로고
    • Speech analysis/synthesis based on a sinusoidal representation
    • Aug
    • R. J. McAulay and T. F. Quatieri, "Speech analysis/synthesis based on a sinusoidal representation," IEEE Trans. Acoust., Speech, Signal Process., vol. ASSP-34, no. 4, pp. 744-754, Aug. 1986.
    • (1986) IEEE Trans. Acoust., Speech, Signal Process , vol.ASSP-34 , Issue.4 , pp. 744-754
    • McAulay, R.J.1    Quatieri, T.F.2
  • 31
    • 0007855343 scopus 로고
    • A sound decomposition system based on a deterministic plus residual model
    • X. Serra and J. O. Smith, "A sound decomposition system based on a deterministic plus residual model," J. Acoust. Soc. Amer., vol. 89, no. 1, pp. 425-134, 1990.
    • (1990) J. Acoust. Soc. Amer , vol.89 , Issue.1 , pp. 425-134
    • Serra, X.1    Smith, J.O.2
  • 32
    • 85159475599 scopus 로고    scopus 로고
    • Transient modeling synthesis: A flexible analysis/synthesis tool for transient signals
    • Thessaloniki, Greece
    • T. Verma, S. Levine, and T. Meng, "Transient modeling synthesis: A flexible analysis/synthesis tool for transient signals," in Proc. Int. Computer Music Conf., Thessaloniki, Greece, 1997, pp. 164-167.
    • (1997) Proc. Int. Computer Music Conf , pp. 164-167
    • Verma, T.1    Levine, S.2    Meng, T.3
  • 33
    • 0017552006 scopus 로고
    • A unified approach to short-time fourier analysis and synthesis
    • Oct
    • J. B. Allen and L. R. Rabiner, "A unified approach to short-time fourier analysis and synthesis," Proc. IEEE, vol. 65, no. 10, pp. 1558-1564, Oct. 1977.
    • (1977) Proc. IEEE , vol.65 , Issue.10 , pp. 1558-1564
    • Allen, J.B.1    Rabiner, L.R.2
  • 34
    • 0017626192 scopus 로고
    • Short term spectral analysis, synthesis and modification by discrete fourier transform
    • Jun
    • J. B. Allen, "Short term spectral analysis, synthesis and modification by discrete fourier transform," IEEE Trans. Acoust., Speech, Signal Process., vol. ASSP-25, no. 3, pp. 235-238, Jun. 1977.
    • (1977) IEEE Trans. Acoust., Speech, Signal Process , vol.ASSP-25 , Issue.3 , pp. 235-238
    • Allen, J.B.1
  • 35
    • 17944403268 scopus 로고
    • Phase-locked vocoder
    • presented at the, Mohonk, NY
    • M. S. Puckette, "Phase-locked vocoder," presented at the IEEE ASSP Conf., Mohonk, NY, 1995.
    • (1995) IEEE ASSP Conf
    • Puckette, M.S.1
  • 36
    • 85159411268 scopus 로고    scopus 로고
    • About this phasiness business
    • Thessaloniki, Greece
    • J. Laroche and M. Dolson, "About this phasiness business," in Proc. Int. Computer Music Conf., Thessaloniki, Greece, 1997, pp. 55-58.
    • (1997) Proc. Int. Computer Music Conf , pp. 55-58
    • Laroche, J.1    Dolson, M.2
  • 37
    • 34047253146 scopus 로고    scopus 로고
    • Selective transformations of sound using time-frequency representations: An application to the vibrato modification
    • presented at the, Amsterdam, The Netherlands
    • D. Arfib and N. Delprat, "Selective transformations of sound using time-frequency representations: An application to the vibrato modification," presented at the 104th Conv. Audio Eng. Soc., Amsterdam, The Netherlands, 1998.
    • (1998) 104th Conv. Audio Eng. Soc
    • Arfib, D.1    Delprat, N.2
  • 38
    • 0029304982 scopus 로고
    • A detailed analysis of time-domain formant-corrected pitch-shifting algorithm
    • R. Bristow-Johnson, "A detailed analysis of time-domain formant-corrected pitch-shifting algorithm," J. Audio Eng. Soc., vol. 43, no. 5, pp. 340-352, 1995.
    • (1995) J. Audio Eng. Soc , vol.43 , Issue.5 , pp. 340-352
    • Bristow-Johnson, R.1
  • 39
    • 0029254163 scopus 로고
    • Non-parametric technique for pitch-scale and time-scale modification
    • E. Moulines and J. Laroche, "Non-parametric technique for pitch-scale and time-scale modification," Speech Commun., vol. 16, pp. 175-205, 1995.
    • (1995) Speech Commun , vol.16 , pp. 175-205
    • Moulines, E.1    Laroche, J.2
  • 40
    • 84939647455 scopus 로고    scopus 로고
    • Higher-level composition control in music sketcher: Modifiers and smart harmony
    • Beijing, China
    • S. Abrams, D. V. Oppenheim, D. Pazel, and J. Wright, "Higher-level composition control in music sketcher: Modifiers and smart harmony," in Proc. Int. Computer Music Conf., Beijing, China, 1999, pp. 13-16.
    • (1999) Proc. Int. Computer Music Conf , pp. 13-16
    • Abrams, S.1    Oppenheim, D.V.2    Pazel, D.3    Wright, J.4
  • 41
    • 34047250048 scopus 로고    scopus 로고
    • Prism. TC-Helicon, Online, Available
    • (2002) Voice One, Voice Prism. TC-Helicon. [Online]. Available: http://www.tc-helicon.tc/
    • Voice
    • One, V.1
  • 42
    • 34047249345 scopus 로고    scopus 로고
    • Online, Available
    • (2003) Autotune. Antares. [Online]. Available: http://www.antarestech. com/
    • Antares
    • Autotune1
  • 43
    • 0025636578 scopus 로고
    • An investigation of vocal vibrato for synthesis
    • R. C. Maher and J. Beauchamp, "An investigation of vocal vibrato for synthesis," Appl. Acoust., vol. 30, pp. 219-245, 1990.
    • (1990) Appl. Acoust , vol.30 , pp. 219-245
    • Maher, R.C.1    Beauchamp, J.2
  • 44
    • 0011039241 scopus 로고
    • Psychology of the vibrato in voice and speech
    • C. E. Seashore, "Psychology of the vibrato in voice and speech," Studies Psychol. Music, vol. 3, 1936.
    • (1936) Studies Psychol. Music , vol.3
    • Seashore, C.E.1
  • 46
    • 0005477110 scopus 로고
    • The vibrato problem, comparing two solutions
    • H. Honing, "The vibrato problem, comparing two solutions," Comput. Music J., vol. 19, no. 3, pp. 32-49, 1995.
    • (1995) Comput. Music J , vol.19 , Issue.3 , pp. 32-49
    • Honing, H.1
  • 47
    • 0015832412 scopus 로고
    • Electronic simulation of violin resonances
    • M. Mathews and J. Kohut, "Electronic simulation of violin resonances," J. Acoust. Soc. Amer., vol. 53, no. 6, pp. 1620-1626, 1973.
    • (1973) J. Acoust. Soc. Amer , vol.53 , Issue.6 , pp. 1620-1626
    • Mathews, M.1    Kohut, J.2
  • 48
    • 0031244971 scopus 로고    scopus 로고
    • Effect design, part 2: Delay-line modulation and chorus
    • J. Dattoro, "Effect design, part 2: Delay-line modulation and chorus," J. Audio Eng. Soc., pp. 764-788, 1997.
    • (1997) J. Audio Eng. Soc , pp. 764-788
    • Dattoro, J.1
  • 49
    • 34047243938 scopus 로고
    • A scientific explanation of phasing (flanging)
    • B. Bartlett. "A scientific explanation of phasing (flanging)," J. Audio Eng. Soc., vol. 18, no. 6, pp. 674-675, 1970.
    • (1970) J. Audio Eng. Soc , vol.18 , Issue.6 , pp. 674-675
    • Bartlett, B.1
  • 50
    • 0017982549 scopus 로고
    • Flanging and phasers
    • W. M. Hartmann, "Flanging and phasers," J. Audio Eng. Soc., vol. 26, pp. 439-443, 1978.
    • (1978) J. Audio Eng. Soc , vol.26 , pp. 439-443
    • Hartmann, W.M.1
  • 51
    • 85137059799 scopus 로고
    • An allpass approach to digital phasing and flanging
    • Paris, France
    • J. O. Smith, "An allpass approach to digital phasing and flanging," in Proc. Int. Computer Music Conf., Paris, France, 1984, pp. 103-108.
    • (1984) Proc. Int. Computer Music Conf , pp. 103-108
    • Smith, J.O.1
  • 52
    • 85138782698 scopus 로고    scopus 로고
    • Phase vocoder applications in GRM tools environment
    • Limerick, Ireland
    • E. Favreau, "Phase vocoder applications in GRM tools environment," in Proc. COST-G6 Workshop on Digital Audio Effects, Limerick, Ireland, 2001, pp. 134-137.
    • (2001) Proc. COST-G6 Workshop on Digital Audio Effects , pp. 134-137
    • Favreau, E.1
  • 53
    • 0003807773 scopus 로고    scopus 로고
    • 3rd ed. Englewood Cliffs, NJ: Prentice-Hall
    • S. Haykin, Adaptive Filter Theory, 3rd ed. Englewood Cliffs, NJ: Prentice-Hall, 1996.
    • (1996) Adaptive Filter Theory
    • Haykin, S.1
  • 54
    • 0031165536 scopus 로고    scopus 로고
    • Virtual sound source positioning using vector base amplitude panning
    • V. Pulkki, "Virtual sound source positioning using vector base amplitude panning," J. Audio Eng. Soc., vol. 45, no. 6, pp. 456-466, 1997.
    • (1997) J. Audio Eng. Soc , vol.45 , Issue.6 , pp. 456-466
    • Pulkki, V.1
  • 55
    • 0022162094 scopus 로고
    • Ambisonics in mutichannel broadcasting and video
    • M. A. Gerzon, "Ambisonics in mutichannel broadcasting and video," J. Audio Eng. Soc., vol. 33, no. 11, pp. 859-871, 1985.
    • (1985) J. Audio Eng. Soc , vol.33 , Issue.11 , pp. 859-871
    • Gerzon, M.A.1
  • 58
    • 0001335571 scopus 로고
    • Colorless' artificial reyerberation
    • M. R. Schroeder and B. Logan, "'Colorless' artificial reyerberation," J. Audio Eng. Soc., vol. 9, pp. 192-197, 1961.
    • (1961) J. Audio Eng. Soc , vol.9 , pp. 192-197
    • Schroeder, M.R.1    Logan, B.2
  • 59
    • 0002432694 scopus 로고
    • About this reverberation business
    • J. A. Moorer, "About this reverberation business," Comput. Music J., vol. 3, no. 2, pp. 13-8, 1979.
    • (1979) Comput. Music J , vol.3 , Issue.2 , pp. 13-18
    • Moorer, J.A.1
  • 60
    • 34047254042 scopus 로고    scopus 로고
    • Directivity synthesis with a 3D array of loudspeakers - Application for stage performance
    • Limerick, Ireland
    • O. Warusfel and N. Misdariis, "Directivity synthesis with a 3D array of loudspeakers - Application for stage performance," in Proc. COST-G6 Workshop Digital Audio Effects, Limerick, Ireland, 2001, pp. 232-236.
    • (2001) Proc. COST-G6 Workshop Digital Audio Effects , pp. 232-236
    • Warusfel, O.1    Misdariis, N.2
  • 61
    • 34047251075 scopus 로고
    • Vers la Machine à Sculpter le son. Modification en Tempsréel des Caractéristiques Fréquentielles et Temporelles des Sons,
    • Ph.D. dissertation, Univ. Aix-Marseille II, Marseille, France
    • P. Dutilleux, "Vers la Machine à Sculpter le son. Modification en Tempsréel des Caractéristiques Fréquentielles et Temporelles des Sons," Ph.D. dissertation, Univ. Aix-Marseille II, Marseille, France, 1991.
    • (1991)
    • Dutilleux, P.1
  • 63
    • 33745060323 scopus 로고    scopus 로고
    • Effets Audionumériques Adaptatifs: Théorie, Mise enoeuvre et Usage en Création Musicale Numérique,
    • Ph.D. dissertation, Univ. Méditerranée Aix-Marseille II, Marseille, France
    • V. Verfaille, "Effets Audionumériques Adaptatifs: Théorie, Mise enoeuvre et Usage en Création Musicale Numérique," Ph.D. dissertation, Univ. Méditerranée Aix-Marseille II, Marseille, France, 2003.
    • (2003)
    • Verfaille, V.1
  • 64
    • 34047245376 scopus 로고    scopus 로고
    • D. Arfib, Recherches et Applications en Informatique Musicale. Paris, France: Hermès, 1998, ch. Des Courbes et des Sons, pp. 277-86.
    • D. Arfib, Recherches et Applications en Informatique Musicale. Paris, France: Hermès, 1998, ch. Des Courbes et des Sons, pp. 277-86.
  • 65
    • 77951189267 scopus 로고
    • A voltage-controlled low-pass, high-pass filter for audio signal processing
    • presented at the
    • R. Moog, "A voltage-controlled low-pass, high-pass filter for audio signal processing," presented at the 17th Annu. AES Meet., 1965.
    • (1965) 17th Annu. AES Meet
    • Moog, R.1
  • 66
    • 0020148958 scopus 로고
    • Synthesis by spectral amplitude and "brightness" matching of analyzed musical instrument tones
    • J. W. Beauchamp, "Synthesis by spectral amplitude and "brightness" matching of analyzed musical instrument tones," J. Audio Eng. Soc., vol. 30, no. 6, pp. 396-406, 1982.
    • (1982) J. Audio Eng. Soc , vol.30 , Issue.6 , pp. 396-406
    • Beauchamp, J.W.1
  • 67
    • 0022137064 scopus 로고
    • Der sensorische wohlklang als funktion psychoakustischer empfindungsgröfsen
    • W. von Aures, "Der sensorische wohlklang als funktion psychoakustischer empfindungsgröfsen," Acustica, vol. 58, pp. 282-290, 1985.
    • (1985) Acustica , vol.58 , pp. 282-290
    • von Aures, W.1
  • 69
    • 85159322000 scopus 로고    scopus 로고
    • Instrument sound description in the context of MPEG-7
    • Berlin, Germany
    • G. Peeters, S. McAdams, and P. Herrera, "Instrument sound description in the context of MPEG-7," in Proc. Int. Computer Music Conf., Berlin, Germany, 2000, pp. 166-169.
    • (2000) Proc. Int. Computer Music Conf , pp. 166-169
    • Peeters, G.1    McAdams, S.2    Herrera, P.3
  • 70
    • 21244463393 scopus 로고    scopus 로고
    • Mapping strategies in real-time computer music
    • M. M. Wanderley, "Mapping strategies in real-time computer music," Org. Sound, vol. 7, no. 2, 2002.
    • (2002) Org. Sound , vol.7 , Issue.2
    • Wanderley, M.M.1
  • 72
    • 85083449671 scopus 로고    scopus 로고
    • Driving pitch-shifting and time-scaling algorithms with adaptive and gestural techniques
    • London, U.K
    • D. Arfib and V. Verfaille, "Driving pitch-shifting and time-scaling algorithms with adaptive and gestural techniques," in Proc. Int. Conf. Digital Audio Effects, London, U.K., 2003, pp. 106-111.
    • (2003) Proc. Int. Conf. Digital Audio Effects , pp. 106-111
    • Arfib, D.1    Verfaille, V.2
  • 73
    • 85022837278 scopus 로고    scopus 로고
    • Strategies of mapping between gesture parameters and synthesis model parameters using perceptual spaces
    • D. Arfib, J.-M. Couturier, L. Kessous, and V. Verfaille, "Strategies of mapping between gesture parameters and synthesis model parameters using perceptual spaces," Org. Sound, vol. 7, no. 2, pp. 135-152, 2002.
    • (2002) Org. Sound , vol.7 , Issue.2 , pp. 135-152
    • Arfib, D.1    Couturier, J.-M.2    Kessous, L.3    Verfaille, V.4
  • 74
    • 84905160324 scopus 로고    scopus 로고
    • Implementation strategies for adaptive digital audio effects
    • Hamburg, Germany
    • V. Verfaille and D. Arfib, "Implementation strategies for adaptive digital audio effects," in Proc. Int. Conf. Digital Audio Effects, Hamburg, Germany, 2002, pp. 21-26.
    • (2002) Proc. Int. Conf. Digital Audio Effects , pp. 21-26
    • Verfaille, V.1    Arfib, D.2
  • 75
    • 34047244123 scopus 로고    scopus 로고
    • Mapping Strategies for Gestural Control of Adaptive Digital Audio Effects
    • V. Verfaille, M. M. Wanderley, and Ph. Depalle, "Mapping Strategies for Gestural Control of Adaptive Digital Audio Effects," J. New Music Res., 2005.
    • (2005) J. New Music Res
    • Verfaille, V.1    Wanderley, M.M.2    Depalle, P.3
  • 76
    • 34047248633 scopus 로고    scopus 로고
    • C. Cadoz, Les Nouveaux Gestes de la Musique, H. Genevois and R. de Vivo, Eds., 1999, ch. Musique, geste, technologie, pp. 47-92.
    • C. Cadoz, Les Nouveaux Gestes de la Musique, H. Genevois and R. de Vivo, Eds., 1999, ch. Musique, geste, technologie, pp. 47-92.
  • 77
    • 34047249527 scopus 로고    scopus 로고
    • P. Dutilleux and U. Zölzer, DAFX - Digital Audio Effects, U. Zoelzer, Ed. New York: Wiley, 2002, ch. Nonlinear Processing, pp. 93-135.
    • P. Dutilleux and U. Zölzer, DAFX - Digital Audio Effects, U. Zoelzer, Ed. New York: Wiley, 2002, ch. Nonlinear Processing, pp. 93-135.
  • 78
    • 85159303193 scopus 로고    scopus 로고
    • Automatic technique in frequency domain for near-lossless time-scale modification of audio
    • Berlin, Germany
    • J. Bonada, "Automatic technique in frequency domain for near-lossless time-scale modification of audio," in Proc. Int. Computer Music Conf., Berlin, Germany, 2000, pp. 369-399.
    • (2000) Proc. Int. Computer Music Conf , pp. 369-399
    • Bonada, J.1
  • 79
    • 34047270835 scopus 로고    scopus 로고
    • Dilatation et Transposition Sous Contraintes Perceptives des Signaux Audio: Application au Transfert Cinéma- Vidéo,
    • Ph.D. dissertation, Univ. Aix-Marseille II, Marseille, France
    • G. Pallone, "Dilatation et Transposition Sous Contraintes Perceptives des Signaux Audio: Application au Transfert Cinéma- Vidéo," Ph.D. dissertation, Univ. Aix-Marseille II, Marseille, France, 2003.
    • (2003)
    • Pallone, G.1
  • 80
    • 85138817070 scopus 로고    scopus 로고
    • Rhythmic expressiveness transformations of audio recordings: Swing modifications
    • London, U.K
    • F. Gouyon, L. Fabig, and J. Bonada, "Rhythmic expressiveness transformations of audio recordings: Swing modifications," in Proc. Int. Conf. Digital Audio Effects, London, U.K., 2003, pp. 94-99.
    • (2003) Proc. Int. Conf. Digital Audio Effects , pp. 94-99
    • Gouyon, F.1    Fabig, L.2    Bonada, J.3
  • 81
    • 34047276220 scopus 로고    scopus 로고
    • Adaptive effects based on STFT, using a source-filter model
    • Naples, Italy
    • V. Verfaille and P. Depalle, "Adaptive effects based on STFT, using a source-filter model," in Proc. Int. Conf. Digital Audio Effects, Naples, Italy, 2004, pp. 296-301.
    • (2004) Proc. Int. Conf. Digital Audio Effects , pp. 296-301
    • Verfaille, V.1    Depalle, P.2
  • 82
    • 84886053502 scopus 로고    scopus 로고
    • Content-based melodic transformations of audio material for a music processing application
    • London, U.K
    • E. Gómez, G. Peterschmitt, X. Amatriain, and P. Herrera, "Content-based melodic transformations of audio material for a music processing application," in Proc. Int. Conf. Digital Audio Effects, London, U.K., 2003. pp. 333-338.
    • (2003) Proc. Int. Conf. Digital Audio Effects , pp. 333-338
    • Gómez, E.1    Peterschmitt, G.2    Amatriain, X.3    Herrera, P.4
  • 85
  • 86
    • 34047258788 scopus 로고    scopus 로고
    • X. Amatriain, J. Bonada, A. Loscos, and X. Serra, DAFX - Digital Audio Effects, U. Zoelzer, Ed. New York: Wiley, 2002, ch. Spectral Processing, pp. 373-438.
    • X. Amatriain, J. Bonada, A. Loscos, and X. Serra, DAFX - Digital Audio Effects, U. Zoelzer, Ed. New York: Wiley, 2002, ch. Spectral Processing, pp. 373-438.
  • 88
    • 0015663315 scopus 로고
    • The synthesis of complex audio spectra by means of frequency modulation
    • J. Chowning, "The synthesis of complex audio spectra by means of frequency modulation," J. Audio Eng. Soc., vol. 21, pp. 526-534, 1971.
    • (1971) J. Audio Eng. Soc , vol.21 , pp. 526-534
    • Chowning, J.1
  • 89
    • 0004773210 scopus 로고
    • Computer study of trampet tones
    • J.-C. Risset, "Computer study of trampet tones," J. Acoust. Soc. Amer., vol. 33, pp. 912-912, 1965.
    • (1965) J. Acoust. Soc. Amer , vol.33 , pp. 912-912
    • Risset, J.-C.1
  • 90
    • 33745060326 scopus 로고    scopus 로고
    • Visualization de l'Espace Sonore, vers la Notion de Transduction: Une Approche Interactive Temps-Réel
    • A. Sédès, B. Courribet, J.-B. Thiebaut, and V. Verfaule, "Visualization de l'Espace Sonore, vers la Notion de Transduction: Une Approche Interactive Temps-Réel," Espaces Sonores - Actes de Recherches, pp. 125-43, 2003.
    • (2003) Espaces Sonores - Actes de Recherches , pp. 125-143
    • Sédès, A.1    Courribet, B.2    Thiebaut, J.-B.3    Verfaule, V.4
  • 92
    • 34047248301 scopus 로고    scopus 로고
    • AUvolution: Implementation of Adaptive Digital Audio Effects Using the AudioUnit Framework
    • Schulich School of Music, McGill Univ, Montréal, QC, Canada
    • V. Verfaule and D. Lebel, "AUvolution: Implementation of Adaptive Digital Audio Effects Using the AudioUnit Framework," Sound Process. Control Lab., Schulich School of Music, McGill Univ., Montréal, QC, Canada, 2005.
    • (2005) Sound Process. Control Lab
    • Verfaule, V.1    Lebel, D.2


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.