DOPPLER SIMULATION AND THE LESLIE

Proceedings of the International Conference on Digital Audio Effects, DAFx

Volumn , Issue , 2002, Pages 13-20

  Smith, Julius ^a   Serafin, Stefania ^a   Abel, Jonathan ^b   Berners, David ^b  

^a STANFORD UNIVERSITY   (United States)

^b Universal Audio Inc   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

FREQUENCY RESPONSE; INTERPOLATION;

ANGLE-DEPENDENT; DEPENDENT FREQUENCIES; DOPPLER; MEASUREMENTS OF;

DIGITAL FILTERS;

EID: 84961834610     PISSN: 24136700     EISSN: 24136689     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (19)

1. John M. Chowning, “The simulation of moving sound sources,” J. Audio Engineering Soc., vol. 19, pp. 2-6, 1971.
2. Harald Bode, “History of electronic sound modification,” J. Audio Engineering Soc., vol. 32, no. 10, pp. 730-739, October 1984.
3. Clifford A. Henricksen, “Unearthing the mysteries of the Leslie cabinet,” Recording Engineer/Producer magazine, April 1981, available online at http://www.theatreorgans.com/hammond/faq/mystery/mystery.html.
4. Allan D. Pierce, Acoustics, American Institute of Physics, for the Acoustical Society of America, (516)349-7800 x 481, 1989.
5. Julius O. Smith III, Mathematics of the Discrete Fourier Transform (DFT), December 20, 2001: http://www-ccrma.stanford.edu/~jos/mdft/
6. Craig Anderton, Digital Delay Handbook, Amsco Publications, New York, 1985.
7. Vesa Välimäki, Discrete-Time Modeling of Acoustic Tubes Using Fractional Delay Filters, Ph.D. thesis, Electrical Engineering, Helsinki University of Technology, Dec. 1995, http://www.acoustics.hut.fi/~vpv/publications/vesa_phd.html.
8. Alan V. Oppenheim and R. Schafer, Digital Signal Processing, Prentice-Hall, Inc., Englewood Cliffs, NJ, 1975.
9. Davide Rocchesso, “Fractionally addressed delay lines,” IEEE Trans. Speech and Audio Processing, vol. 8, no. 6, pp. 717-727, November 2000.
10. Julius O. Smith and P. Gossett, “A flexible sampling-rate conversion method,” in Proc. Int. Conf. Acoustics, Speech, and Signal Processing, San Diego, New York, March 1984, vol. 2, pp. 19.4.1-19.4.2, IEEE Press. Expanded tutorial and associated free software available at http://www-ccrma.stanford.edu/~jos/resample/.
11. Timo I. Laakso, Vesa Välimäki, Matti Karjalainen, and Unto K. Laine, “Splitting the Unit Delay-Tools for Fractional Delay Filter Design,” IEEE Signal Processing Magazine, vol. 13, no. 1, pp. 30-60, January 1996.
12. Perry Cook and Gary Scavone, Synthesis Tool Kit in C++, Version 4.0, March 2002: http://www-ccrma.stanford.edu/CCRMA/Software/STK/
13. Jean Laroche, “Time and pitch scale modification of audio signals,” in Applications of DSP to Audio & Acoustics, Mark Kahrs and Karlheinz Brandenburg, Eds., pp. 279-309. Kluwer Academic Publishers, 1998.
14. Jens Blauert, Spatial Hearing. The Psychophysics of Human Sound Localization, MIT Press, Cambridge, MA, USA, 1997.
15. Elizabeth M. Wenzel, “Localization in virtual acoustic displays,” Presence, vol. 1, no. 1, pp. 80-107, Summer 1992.
16. Scott Foster, “Impulse response measurements using golay codes,” Proc. IEEE ICASSP-86, pp. 929-932, 1986.
17. Gene. H. Golub and Charles F. Van Loan, Matrix Computations, 2nd Edition, The Johns Hopkins University Press, Baltimore, 1989.
18. Julius O. Smith and Jonathan S. Abel, “Bark and ERB bilinear transforms,” IEEE Trans. Speech and Audio Processing, pp. 697-708, November 1999. Mat-lab code for the main figures are available online at http://www-ccrma.stanford.edu/~jos/bbt/.
19. Julius O. Smith III, “Artificial Reverberation,” in Digital Waveguide Modeling of Musical Instruments, CCRMA, Stanford University, May 9, 2002: http://www-ccrma.stanford.edu/~jos/waveguide/Artificial_Reverberation.html