Home fires: Creating a Pacific theatre in the diaspora

Theatre Research International

Volumn 26, Issue 1, 2001, Pages 35-46

  Balme, Christopher ^a   Carstensen, Astrid ^b  

^a JOHANNES GUTENBERG UNIVERSITY   (Germany)

^b UNIVERSITY OF MUNICH   (Germany)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 9344247571     PISSN: 03078833     EISSN: None     Source Type: Journal    
DOI: 10.1017/s0307883301000049     Document Type: Review

References (19)

1. Helen Gilbert and Joanne Tompkins, Post-Colonial Drama: Theory, Practice, Politics (London: Routledge: 1996)
2. Christopher Balme, Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama (Oxford: Clarendon Press 1999)
3. James Clifford, 'Diasporas', Cultural Anthropology, 9 (1994), p. 311
4. Emmanuel S. Nelson, ed., Writers of the Indian Diaspora: A Bio-Bibliographical Critical Sourcebook (Westport, CT: Greenwood Press, 1993)
5. Theatre Journal, 50,1 (March 1998), 'Theatre, Diaspora and the Politics of Home', edited by Loren Kruger
6. Christopher Balme in two articles: 'Hula and Haka: Performance, Metonymy and Identity Formation in Colonial Hawai'i and New Zealand', in Humanities Research, 3 (1998), 41-58
7. 'Dressing the Hula: Iconography, Performance and Cultural Identity Formation in Late Nineteenth-Century Hawai'i', in Paideuma, 45 (1999), pp. 233-55
8. Interview with Albert Wendt on 31 March 1998 in Auckland
9. Christopher Balme, 'New Māori Theatre in New Zealand', Australasian Drama Studies, 15/16 (1989/90), pp. 149-66
10. John Kneubuhl, Think of a Garden and Other Plays (Honolulu: University of Hawai'i Press, 1997), p. 23
11. Hone Kouka, Home Fires, p. 99
12. Katharine Luomala, Voices on the Wind: Polynesian Myths and Chants (Honolulu: University of Hawai'i Press, 1986)
13. Antony Alpers, Legends of the South Seas: The World of the Polynesian Seen Through their Myths and Legends, Poetry and Art (London: Murray, 1970), pp. 337-42
14. Interview with Hone Kouka, 6 March 1998, Wellington
15. Patrice Pavis: Theatre at the Crossroads of Culture, translated by Loren Kruger (London: Routledge, 1992), p. 187
16. interview with Astrid Carstensen on 6 March 1998
17. Goffman notes: 'Expecting to take up a position in a well-framed realm, he finds that no particular frame is immediately applicable, or the frame that he thought was applicable no longer seems to be... He loses command over the formulation of viable response. He flounders.' Frame Analysis: An Essay on the Organization of Experience (Cambridge, MA: Harvard University Press, 1974): pp. 378f
18. Alfred Gell, Wrapping in Images: Tattooing in Polynesia (Oxford: Clarendon Press 1993), p. 97
19. Astrid Carstensen, 'Die Inszenierung der Südsee: Untersuchung zur Konstruktion von Authentizität im Theater'. Ph.D thesis, University of Munich, 2000