Muscular interactions combining emg and mmg sensing for musical practice

Proceedings of the International Conference on New Interfaces for Musical Expression

Volumn , Issue , 2013, Pages 128-131

  Donnarumma, Marco ^a   Caramiaux, Baptiste ^a   Tanaka, Atau ^a  

^a UNIVERSITY OF LONDON   (United Kingdom)

Author keywords

Biosignal; EMG; Mapping; MMG; Multimodal; NIME; Sensorimotor system

Indexed keywords

BIOMEDICAL LITERATURE; BIOSIGNALS; ELECTROMYO GRAMS; INTERACTIVE MUSIC; MECHANOMYOGRAM; MULTI-MODAL; MUSCULAR ACTIVITIES; MUSIC APPLICATIONS; NIME; SENSORIMOTOR SYSTEMS;

MUSIC;

EID: 85160331661     PISSN: 22204792     EISSN: 22204806     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (15)

1. S. Day. Important factors in surface EMG measurement. Bortec Biomedical Ltd publishers, pages 1–17, 2002.
2. M. Donnarumma. Music for Flesh II: informing interactive music performance with the viscerality of the body system. In Proceedings of the NIME Conference, Ann Arbor, MI, USA, 2012.
3. M. Donnarumma, B. Caramiaux, and A. Tanaka. Body and Space: Combining Modalities for Musical Expression. In Work in Progress for the TEI Conference, Barcelona, Spain, 2013.
4. B. Gerdle, S. Karlsson, S. Day, and M. Djupsjöbacka. Acquisition, Processing and Analysis of the Surface Electromyogram. In U. Windhorst and H. k. Johansson, Modern Techniques in Neuroscience Research, pages 705–755. Springer Berlin Heidelberg, 1999.
5. K. D. Gordon, R. D. Pardo, J. a. Johnson, G. J. W. King, and T. a. Miller. Electromyographic activity and strength during maximum isometric pronation and supination efforts in healthy adults. Official publication of the Orthopaedic Research Society, 22(1):208–13, Jan. 2004.
6. H. J. Hermens, B. Freriks, C. Disselhorst-Klug, and G. Rau. Development of recommendations for SEMG sensors and sensor placement procedures. Official journal of the International Society of Electrophysiological Kinesiology, 10(5):361–74, Oct. 2000.
7. F. W. Jobe, J. E. Tibone, J. Perry, and D. Moynes. An EMG analysis of the shoulder in throwing and pitching. A preliminary report. The American journal of sports medicine, 11(1):3–5, 1983.
8. P. Madeleine, P. Bajaj, K. Sø gaard, and L. Arendt-Nielsen. Mechanomyography and electromyography force relationships during concentric, isometric and eccentric contractions. Official journal of the International Society of Electrophysiological Kinesiology, 11(2):113–21, Apr. 2001.
9. Y. Nagashima. Bio-sensing systems and bio-feedback systems for interactive media arts. In Proceedings of the NIME Conference, pages 48–53, Montreal, Canada, 2003.
10. M. Ortiz. A Brief History of Biosignal-Driven Art From biofeedback to biophysical performance. eContact! Biotechnological Performance Practice / Pratiques de performance biotechnologique, 2012.
11. G. Oster and J. S. Jaffe. Low Frequency Sounds from Sustained Contraction of Human Skeletal Muscle. Biophysical Journal, 30(1):119–127, 1980.
12. B. L. Riemann and S. M. Lephart. The Sensorimotor System, Part I: The Stability. J Athl Train., 37(1):71–79, 2002.
13. J. Silva, W. Heim, and T. Chau. MMG-based classification of muscle activity for prosthesis control. Annual International Conference of the IEEE Engineering in Medicine and Biology Society., 2:968–71, Jan. 2004.
14. A. Tanaka. Musical technical issues in using interactive instrument technology with application to the BioMuse. In Proceedings of the ICMC Conference, pages 124–126, Tokyo, Japan, 1993.
15. A. Tanaka and B. Knapp. Multimodal Interaction in Music Using the Electromyogram and Relative Position Sensing. In Proceedings of the NIME Conference, pages 171–176, Dublin, Ireland, 2002.