ESTIMATING THE PLUCKING POINT ON A GUITAR STRING

Proceedings of the International Conference on Digital Audio Effects, DAFx

Volumn , Issue , 2000, Pages

  Traube, Caroline ^a,b   Smith, Julius O ^a  

^a STANFORD UNIVERSITY   (United States)

^b MCGILL UNIVERSITY   (Canada)

Author keywords

[No Author keywords available]

Indexed keywords

FREQUENCY DOMAIN TECHNIQUES; POINT-BASED; RECORDED SIGNALS;

FREQUENCY DOMAIN ANALYSIS;

EID: 85138750186     PISSN: 24136700     EISSN: 24136689     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (12)

1. Jaffe, D.A. and Smith, J.O., “Extensions of the Karplus-Strong Plucked-String Algorithm”, Computer Music Journal, Vol. 7, No. 2, pp. 56-69, Summer 1983.
2. Karjalainen, M., Valimaki, V. and Janosy, Z., “Towards High-Quality Sound Synthesis of the Guitar and String Instruments”, Proc. International Computer Music Conference (ICMC'93), pp. 56-63, 1993.
3. Smith, J.O., “Efficient Synthesis of Stringed Musical Instruments”, Proc. International Computer Music Conference (ICMC'93), pp. 64-71, 1993.
4. Valimaki, V., Huopaniemi, J., Karjalainen, M. and Janosy, Z., “Physical Modeling of Plucked String Instruments with Application to Real-Time Sound Synthesis”, Journal of Audio Engineering Society, Vol. 44, No. 5, pp. 331-353, May 1996.
5. Karjalainen, M., Valimaki, V. and Tolonen, T., “Plucked-String Models: From the Karplus-Strong Algorithm to Digital Waveguides and Beyond”, Computer Music Journal, 22:3, pp.17-32, Fall 1998.
6. Tolonen, T. and Valimaki, V., “Automated Parameter Extraction for Plucked String Synthesis”, Proceedings of the 1997 International Symposium on Musical Acoustics (ISMA'97), vol. 1, pp. 245-250, Edinburgh, Scotland, Aug. 19-22, 1997.
7. Erkut, C., Valimaki, V., Karjalainen, M. and Laurson, M., “Extraction of Physical And Expressive Parameters for Model-based Sound Synthesis of The Classical Guitar”, AES108th Convention, Paris, February 2000
8. Cuzzucoli, G. and Lombardo, V., “A physical Model of the Classical Guitar, Including the Player's Touch”, Computer Music Journal, 23:2, pp. 52-69, Summer 1999.
9. Orio, N., “The timbre space of the classical guitar and its relationship with the plucking techniques”, Proc. International Computer Music Conference (ICMC'99), pp.391-394, China, 1999.
10. Fletcher, N.H. and Rossing, T.D., The Physics of Musical Instruments, second edition, Springer-Verlag, 1998.
11. Legge, K.A., and Fletcher, N.H., “Nonlinear generation of missing modes on a vibrating string”, Journal of the Acoustical Society of America, 76(1), July 1984.
12. Bradley, K., Cheng, M.-H. and Stonick, V.L., “Automated Analysis and Computationally Efficient Synthesis of Acoustic Guitar Strings and Body”, Proc. IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics, October 1995.