The timbre space of the classical guitar and its relationship with the plucking techniques

International Computer Music Conference, ICMC Proceedings

Volumn , Issue , 1999, Pages 391-394

  Orio, Nicola ^a  

^a UNIVERSITY OF PADOVA   (Italy)

Author keywords

[No Author keywords available]

Indexed keywords

COMPUTER MUSIC; MUSIC; MUSICAL INSTRUMENTS; PSYCHOACOUSTIC;

ACOUSTIC PARAMETERS; CLASSICAL GUITAR; MEL FREQUENCY CEPSTRUM COEFFICIENTS; PARALLEL ANALYSIS; PRINCIPAL-COMPONENT ANALYSIS; SOUND ANALYSIS; SOUND PRODUCTION; TIME FREQUENCY;

PRINCIPAL COMPONENT ANALYSIS;

EID: 0007798046     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (6)

1. Grey. J. M., Moorer, J. A., "Perceptual Evaluations of Synthesized Musical Instruments Tones", Journal of Acoustic Society of America, Vol. 62(2), pp. 454-462, 1977.
2. Cosi, P., De Poli, G., Prandoni, P., "Timbre Characterization with Mel-Cepstrum and Neural Nets", in Proc. of International Computer Music Conference, Aarhus, Denmark, pp. 42-45, 1994.
3. Boatin, N., De Poli, G., Prandoni, P., "Timbre Characterization with Mel-Cepstrum: a Multivariate Analysis", in Proc. XI Colloquium on Musical Informatics, Bologna, Italy, pp. 145-148, 1995.
4. Krumhansl, C. L., Why is musical timbre so hard to understand?, in Structure and perception electroacoustic sound and music, in S. Nielsen and 0. Olsson (ed), Amsterdam, pp. 43-53, 1989.
5. Davis, S. B., Mermelstein, P., "Comparison of Parametric Representations for Monosyllabic Word Recognition in Continuously Spoken Sentences", IEEE Trans. on Acoustic, Speech, and Signal Processing, Vol. 28(4), pp. 357-366, 1980.
6. Beyerbach, D., Nawab, H., "Principal Component Analysis of the Short Time Fourier Transform", in Proc. of International Conference on Acoustic, Speech, and Signal Processing, Vol. 3, pp. 1725-1728, 1991.