-
1
-
-
85136708185
-
-
Adorno Th W: Der getreue Korrepetitor (1963). Gesammelte Schriften, Bd. 15, Suhrkamp, Frankfurt am Main 1976
-
Adorno Th W: Der getreue Korrepetitor (1963). Gesammelte Schriften, Bd. 15, Suhrkamp, Frankfurt am Main 1976
-
-
-
-
2
-
-
85136696044
-
-
Adorno Th W: Zu einer Theorie der musikalischen Reproduktion. Suhrkamp, Frankfurt/M. 2001
-
Adorno Th W: Zu einer Theorie der musikalischen Reproduktion. Suhrkamp, Frankfurt/M. 2001
-
-
-
-
3
-
-
85136676476
-
-
Aebersold J: VOLUME 1—“HOW TO PLAY JAZZ & IMPROVISE”. Jamey Aebersold Jazz 2000
-
Aebersold J: VOLUME 1—“HOW TO PLAY JAZZ & IMPROVISE”. Jamey Aebersold Jazz 2000
-
-
-
-
4
-
-
85136720124
-
-
Princeton University Press, Princeton
-
Agawu V K: Playing with Signs. Princeton University Press, Princeton 1991
-
(1991)
Agawu V K: Playing with Signs
-
-
-
6
-
-
85136681259
-
-
Beran J and Mazzola G: Timing Microstructure in Schumann’s Träumerei as an Expression of Harmony, Rhythm, and Motivic Structure in Music Performance. Computers and Mathematics with Applications, Vol. 39, Issue 5/6, 99-130, 2000
-
Beran J and Mazzola G: Timing Microstructure in Schumann’s Träumerei as an Expression of Harmony, Rhythm, and Motivic Structure in Music Performance. Computers and Mathematics with Applications, Vol. 39, Issue 5/6, 99-130, 2000
-
-
-
-
7
-
-
85136654358
-
-
Bowden M: THE SECRET HISTORY OF MILES DAVIS IN THE 1980s. http://www.jazzitude.com/milesdavis complete1.htm
-
Bowden M: THE SECRET HISTORY OF MILES DAVIS IN THE 1980s. http://www.jazzitude.com/milesdavis complete1.htm
-
-
-
-
8
-
-
85136695591
-
-
Bresin R and A Friberg: Synthesis and decoding of emotionally expressive music performance. IEEE SMC ’99 Conference Proceedings, Vol. 4 pp. 317-322, 1999
-
Bresin R and A Friberg: Synthesis and decoding of emotionally expressive music performance. IEEE SMC ’99 Conference Proceedings, Vol. 4 pp. 317-322, 1999
-
-
-
-
10
-
-
85136618586
-
-
Buteau Ch: Motivic Spaces of Scores Through RUBATO’s MeloTopRUBETTE. In: Perspectives in Mathematical and Computational Music Theory, Mazzola G, Th Noll, E Lluis-Puebla (Eds.): Verlag epOs-Music, Osnabrück, pp. 330-342, 2004
-
Buteau Ch: Motivic Spaces of Scores Through RUBATO’s MeloTopRUBETTE. In: Perspectives in Mathematical and Computational Music Theory, Mazzola G, Th Noll, E Lluis-Puebla (Eds.): Verlag epOs-Music, Osnabrück, pp. 330-342, 2004
-
-
-
-
12
-
-
0037889919
-
EyesWeb: Toward Gesture and Affect Recognition in Interactive Dance and Music Systems
-
, pp
-
Camurri A et al.: EyesWeb: Toward Gesture and Affect Recognition in Interactive Dance and Music Systems. Computer Music Journal, 24:1, pp. 5769, 2000
-
(2000)
Computer Music Journal
, vol.24
, Issue.1
, pp. 5769
-
-
Camurri, A.1
-
17
-
-
85136686173
-
-
Czerny C: Klavierschule. 1840
-
Czerny C: Klavierschule. 1840
-
-
-
-
20
-
-
85136635034
-
-
Dahlhaus C et al.: Neues Handbuch der Musikwissenschaft, Bd. 1-13: Athenaion and Laaber, Laaber 1980-1993
-
Dahlhaus C et al.: Neues Handbuch der Musikwissenschaft, Bd. 1-13: Athenaion and Laaber, Laaber 1980-1993
-
-
-
-
21
-
-
85136719468
-
-
Danuser H et al. (eds.): Neues Handbuch der Musikwissenschaft, Bd. 11: Interpretation. Laaber, Laaber 1992
-
Danuser H et al. (eds.): Neues Handbuch der Musikwissenschaft, Bd. 11: Interpretation. Laaber, Laaber 1992
-
-
-
-
22
-
-
85136618499
-
-
Miles D: The Complete Concert 1964: My Funny Valentine + Four and More (Live). Columbia 1964/Sony 1992
-
Miles D: The Complete Concert 1964: My Funny Valentine + Four and More (Live). Columbia 1964/Sony 1992
-
-
-
-
23
-
-
85136720782
-
Deleuze G: Francis Bacon. La logique de la sensation
-
Paris
-
Deleuze G: Francis Bacon. La logique de la sensation. Éditions de la Différence, Paris 1981
-
(1981)
Éditions De La Différence
-
-
-
24
-
-
0024738137
-
The Quantization of Musical Time: A Connectionist Approach
-
Vol. , ), pp
-
Desain P and H Honing: The Quantization of Musical Time: A Connectionist Approach. Computer Music Journal Vol. 13 (3), pp. 56-66, 1989
-
(1989)
Computer Music Journal
, vol.13
, Issue.3
, pp. 56-66
-
-
Desain, P.1
Honing, H.2
-
25
-
-
85136672932
-
Desain P: Make Me a Match: An Evaluation of Different Approaches to Score-Performance
-
Desain P: Make Me a Match: An Evaluation of Different Approaches to Score-Performance. CMJ 24:1 2000
-
(2000)
CMJ
, vol.24
, pp. 1
-
-
-
28
-
-
85136716598
-
-
Evans B: Portrait in Jazz—Bill Evans Trio. LP, Riverside 1960
-
Evans B: Portrait in Jazz—Bill Evans Trio. LP, Riverside 1960
-
-
-
-
29
-
-
85136707157
-
-
Epstein D: Shaping Time: Music, the Brain, and Performance. Schirmer Books, New York 1995
-
Epstein D: Shaping Time: Music, the Brain, and Performance. Schirmer Books, New York 1995
-
-
-
-
30
-
-
85136720282
-
De harmoniae veris principiis per speculum musicum representatis (1773
-
, Vol. , Bernoulli, E et al.). Teubner, Stuttgart
-
Euler L: De harmoniae veris principiis per speculum musicum representatis (1773). In: Opera Omnia, Ser. III, Vol. 1 (Ed. Bernoulli, E et al.). Teubner, Stuttgart 1926
-
(1926)
Opera Omnia, Ser. III
, vol.1
-
-
Euler, L.1
-
31
-
-
85136618706
-
-
Fallows D: “Tempo and expression marks.” In: Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com
-
Fallows D: “Tempo and expression marks.” In: Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com
-
-
-
-
34
-
-
85136629544
-
RUBATO Broadcast. ORF2: Modern
-
Jan. 10
-
Ⓡ Broadcast. ORF2: Modern Times, Jan. 10, 1997
-
(1997)
Times
-
-
Frank, H.1
-
35
-
-
0026172932
-
Generative Rules for Music Performance: A Formal Description of a Rule System
-
, Vol., No
-
Friberg A: Generative Rules for Music Performance: A Formal Description of a Rule System. Computer Music Journal, Vol. 15, No. 2, 1991
-
(1991)
Computer Music Journal
, vol.15
, Issue.2
-
-
Friberg, A.1
-
36
-
-
42149174703
-
A fuzzy analyzer of emotional expression in music performance and body motion
-
J Sundberg and B Brunson (Eds.)
-
Friberg A: A fuzzy analyzer of emotional expression in music performance and body motion. In: J Sundberg and B Brunson (Eds.): Proceedings of Music and Music Science, Stockholm, October 28-30, 2004
-
(2004)
Proceedings of Music and Music Science, Stockholm, October
, pp. 28-30
-
-
Friberg, A.1
-
38
-
-
85136736356
-
-
Friberg A: www.speech.kth.se/music/performance/download/dm-download.html
-
Friberg A: www.speech.kth.se/music/performance/download/dm-download.html
-
-
-
-
39
-
-
85136682602
-
-
Friberg A: www.speech.kth.se/music/performance/performance rules.html
-
Friberg A: www.speech.kth.se/music/performance/performance rules.html
-
-
-
-
40
-
-
85136608333
-
-
Friberg A: www.speech.kth.se/music/performance/Texts/final ritard.htm
-
Friberg A: www.speech.kth.se/music/performance/Texts/final ritard.htm
-
-
-
-
41
-
-
85136624361
-
-
Gabrielsson A: Timing in Music Performance and Its Relation to Music Experience. In: Sloboda J (Ed.): Generative Processes in Music. Calderon Press, Oxford 1988
-
Gabrielsson A: Timing in Music Performance and Its Relation to Music Experience. In: Sloboda J (Ed.): Generative Processes in Music. Calderon Press, Oxford 1988
-
-
-
-
42
-
-
85136700155
-
-
Gabrielsson A: Expressive Intention and Performance. In: Steinberg R (ed.): Music and the Mind Machine. Springer, Berlin et al. 1995
-
Gabrielsson A: Expressive Intention and Performance. In: Steinberg R (ed.): Music and the Mind Machine. Springer, Berlin et al. 1995
-
-
-
-
44
-
-
85136735190
-
-
Gottschewski H: Tempohierarchien. Musiktheorie, Heft 2, 1993
-
Gottschewski H: Tempohierarchien. Musiktheorie, Heft 2, 1993
-
-
-
-
50
-
-
85136613386
-
-
Hegel G W F: Vorlesungen über die Aesthetik (1835). Werke in 20 Bänden mit Registerband: 13: Vorlesungen ber die Aesthetik I: BD 13, suhrkamp, Berlin 1986
-
Hegel G W F: Vorlesungen über die Aesthetik (1835). Werke in 20 Bänden mit Registerband: 13: Vorlesungen ber die Aesthetik I: BD 13, suhrkamp, Berlin 1986
-
-
-
-
52
-
-
85136674274
-
-
Hjelmslev L: La Stratification du Langage. Minuit, Paris 1954
-
Hjelmslev L: La Stratification du Langage. Minuit, Paris 1954
-
-
-
-
54
-
-
0034543675
-
Cue utilization in communication of emotion in music performance: Relating performance to perception
-
, Vol., pp
-
Juslin P N: Cue utilization in communication of emotion in music performance: Relating performance to perception. Journal of Experimental Psychology: Human Perception and Performance, Vol. 26, pp. 1797-1813, 2000
-
(2000)
Journal of Experimental Psychology: Human Perception and Performance
, vol.26
, pp. 1797-1813
-
-
Juslin, P.N.1
-
55
-
-
85136632438
-
-
Juslin P N, A Friberg, and R Bresin: Toward a computational model of expression in performance: The GERM model. Musicae Scientiae special issue 2001-2002, pp. 63-122, 2002
-
Juslin P N, A Friberg, and R Bresin: Toward a computational model of expression in performance: The GERM model. Musicae Scientiae special issue 2001-2002, pp. 63-122, 2002
-
-
-
-
58
-
-
85136651871
-
-
Kaiser J: Beethovens 32 Klaviersonaten und ihre Interpreten. Fischer, Frank-furt/Main 1979
-
Kaiser J: Beethovens 32 Klaviersonaten und ihre Interpreten. Fischer, Frank-furt/Main 1979
-
-
-
-
59
-
-
85136649970
-
-
Kelley J L: General Topology. Van Nostrand, Princeton et al. 1955
-
Kelley J L: General Topology. Van Nostrand, Princeton et al. 1955
-
-
-
-
61
-
-
0038779730
-
Children Processing Music: Electric Brain Responses Reveal Musical Competence and Gender Differences
-
Vol
-
Koelsch S et al.: Children Processing Music: Electric Brain Responses Reveal Musical Competence and Gender Differences. Journal of Cognitive Neuroscience Vol. 15(5), 2003
-
(2003)
Journal of Cognitive Neuroscience
, vol.15
, Issue.5
-
-
Koelsch, S.1
-
63
-
-
85136721257
-
-
Kopiez R and Langner J: Entwurf einer neuen Methode der Performanceanal-yse auf Grundlage einer Theorie oszillierender Systeme. In: Behne K-E and de la Motte H (eds.): J.buch der D. Ges. für Musikpsychologie. 12 (1995), Wil-helmshaven 1996
-
Kopiez R and Langner J: Entwurf einer neuen Methode der Performanceanal-yse auf Grundlage einer Theorie oszillierender Systeme. In: Behne K-E and de la Motte H (eds.): J.buch der D. Ges. für Musikpsychologie. 12 (1995), Wil-helmshaven 1996
-
-
-
-
64
-
-
85136609901
-
-
Kronman U and Sundberg J: Is the Musical Ritard an Allusion to Physical Motion? In: Gabrielsson A (ed.): Action and Perception in Rhythm and Meter. Bubl. of the Royal Swedish Acad. of Sci. 55, Stockholm 1987
-
Kronman U and Sundberg J: Is the Musical Ritard an Allusion to Physical Motion? In: Gabrielsson A (ed.): Action and Perception in Rhythm and Meter. Bubl. of the Royal Swedish Acad. of Sci. 55, Stockholm 1987
-
-
-
-
65
-
-
85136673873
-
-
Langer S: Feeling and Form, Routledge and Kegan Paul, London 1953
-
Langer S: Feeling and Form, Routledge and Kegan Paul, London 1953
-
-
-
-
66
-
-
85136654361
-
-
Langner J, Kopiez R, Feiten B: Perception and Representation of Multiple Tempo Hierarchies in Musical Performance and Composition: Perspectives from a New Theoretical Approach. In: Kopiez R and Auhagen W (eds.): Controlling Creative Processes in Music. Peter Lang, Frankfurt am Main et al. 1998
-
Langner J, Kopiez R, Feiten B: Perception and Representation of Multiple Tempo Hierarchies in Musical Performance and Composition: Perspectives from a New Theoretical Approach. In: Kopiez R and Auhagen W (eds.): Controlling Creative Processes in Music. Peter Lang, Frankfurt am Main et al. 1998
-
-
-
-
67
-
-
85136711347
-
-
Lazarus, R S: Emotion and Adaptation. Oxford University Press, New York 1991 Proceedings of the Int. Conf. on Music and Dance, Roehampton University 2005
-
Lazarus, R S: Emotion and Adaptation. Oxford University Press, New York 1991 Proceedings of the Int. Conf. on Music and Dance, Roehampton University 2005
-
-
-
-
70
-
-
85136640964
-
Appreciation of complex musical sound: The influence of a visual performance component
-
Lipscomb S and G Mazzola: Appreciation of complex musical sound: The influence of a visual performance component. Proceedings of the SMPC 2007
-
(2007)
Proceedings of the SMPC
-
-
Lipscomb, S.1
Mazzola, G.2
-
71
-
-
85136609669
-
-
Listenius N: Musica… 1537
-
Listenius N: Musica… 1537
-
-
-
-
72
-
-
85136704660
-
-
Liszt F: De la situation des artistes (1835). Liszt’s Gesammelte Schriften, II. Band
-
Liszt F: De la situation des artistes (1835). Liszt’s Gesammelte Schriften, II. Band
-
-
-
-
73
-
-
77949391991
-
Changing Musical Emotion: A Computational Rule System for Modifying Score and Performance
-
, pp
-
Livingstone S R et al.: Changing Musical Emotion: A Computational Rule System for Modifying Score and Performance. Computer Music Journal, 34:1, pp. 4164, 2010
-
(2010)
Computer Music Journal
, vol.34
, Issue.1
, pp. 4164
-
-
Livingstone, S.R.1
-
74
-
-
85136663105
-
-
Mazzola G et al.: A Symmetry-Oriented Mathematical Model of Classical Counterpoint and Related Neurophysiological Investigations by Depth-EEG. In: Har-gittai I (ed.): Symmetry II, CAMWA, Pergamon, New York 1989
-
Mazzola G et al.: A Symmetry-Oriented Mathematical Model of Classical Counterpoint and Related Neurophysiological Investigations by Depth-EEG. In: Har-gittai I (ed.): Symmetry II, CAMWA, Pergamon, New York 1989
-
-
-
-
75
-
-
85136687305
-
-
Mazzola G: Geometrie der Töne. Birkhäuser, Basel 1990
-
Mazzola G: Geometrie der Töne. Birkhäuser, Basel 1990
-
-
-
-
78
-
-
85136614498
-
-
Mazzola G: Synthesis. SToA 1001.90, Zürich 1990
-
Mazzola G: Synthesis. SToA 1001.90, Zürich 1990
-
-
-
-
79
-
-
85136722654
-
-
Mazzola G and Muzzulini D: Tempo-und Stimmungsfelder: Perspektiven künftiger Musikcomputer. In: Hesse H P (ed.): Mikrotöne III. Edition Helbling, Innsbruck 1990
-
Mazzola G and Muzzulini D: Tempo-und Stimmungsfelder: Perspektiven künftiger Musikcomputer. In: Hesse H P (ed.): Mikrotöne III. Edition Helbling, Innsbruck 1990
-
-
-
-
80
-
-
85136721614
-
-
Mazzola G and Zahorka O: The RUBATO Performance Workstation on NeXTSTEP. In: ICMA (ed.): Proceedings of the ICMC 94, San Francisco 1994
-
Mazzola G and Zahorka O: The RUBATO Performance Workstation on NeXTSTEP. In: ICMA (ed.): Proceedings of the ICMC 94, San Francisco 1994
-
-
-
-
81
-
-
85136637453
-
-
Mazzola G: Inverse Performance Theory. In: ICMA (ed.): Proceedings of the ICMC 95, San Francisco 1995
-
Mazzola G: Inverse Performance Theory. In: ICMA (ed.): Proceedings of the ICMC 95, San Francisco 1995
-
-
-
-
82
-
-
85136623901
-
-
Mazzola G et al.: Analysis and Performance of a Dream. In: Sundberg J (Ed.): Proceedings of the 1995 Symposium on Musical Performance. KTH, Stockholm 1995
-
Mazzola G et al.: Analysis and Performance of a Dream. In: Sundberg J (Ed.): Proceedings of the 1995 Symposium on Musical Performance. KTH, Stockholm 1995
-
-
-
-
83
-
-
85136682676
-
-
Mazzola G: Semiotic Aspects of Musicology: Semiotics of Music. In: Posner R et al. (Eds.): A Handbook on the Sign-Theoretic Foundations of Nature and Culture. Walter de Gruyter, Berlin and New York 1998
-
Mazzola G: Semiotic Aspects of Musicology: Semiotics of Music. In: Posner R et al. (Eds.): A Handbook on the Sign-Theoretic Foundations of Nature and Culture. Walter de Gruyter, Berlin and New York 1998
-
-
-
-
86
-
-
85136632196
-
-
Mazzola G and S Mller: The Extraction of Expressive Shaping in Performance. Computer Music Journal, Vol. 27(1), MIT Press, 2003
-
Mazzola G and S Mller: The Extraction of Expressive Shaping in Performance. Computer Music Journal, Vol. 27(1), MIT Press, 2003
-
-
-
-
87
-
-
85136726490
-
-
Mazzola G: Musical Interpretation via Vector Fields: A New Human Workstation on the NEXTSTEP Environment. In: Friberg A et al. (Eds.): SMAC 93 Proceedings of the Stockholm Music and Acoustics Conference 1993, KTH, Stockholm 1994
-
Mazzola G: Musical Interpretation via Vector Fields: A New Human Workstation on the NEXTSTEP Environment. In: Friberg A et al. (Eds.): SMAC 93 Proceedings of the Stockholm Music and Acoustics Conference 1993, KTH, Stockholm 1994
-
-
-
-
89
-
-
77955765331
-
From a Categorical Point of View: K-nets as Limit Denotators
-
, Vol., No
-
Mazzola G and M Andreatta: From a Categorical Point of View: K-nets as Limit Denotators. Perspectives of New Music, Vol. 44, No. 2, 2006
-
(2006)
Perspectives of New Music
, vol.44
, Issue.2
-
-
Mazzola, G.1
Andreatta, M.2
-
90
-
-
43249139253
-
Diagrams, Gestures, and Formulas in Music
-
, Vol., no
-
Mazzola G and Andreatta M: Diagrams, Gestures, and Formulas in Music. Journal of Mathematics and Music 2007, Vol. 1, no. 1, 2007.
-
(2007)
Journal of Mathematics and Music
, vol.1
, Issue.1
, pp. 2007
-
-
Mazzola, G.1
Andreatta, M.2
-
91
-
-
85136711947
-
-
Mazzola G and P B Cherlin: Flow, Gesture, and Spaces in Free Jazz—Towards a Theory of Collaboration. Springer Series Computational Music Science, Heidelberg et al. 2009
-
Mazzola G and P B Cherlin: Flow, Gesture, and Spaces in Free Jazz—Towards a Theory of Collaboration. Springer Series Computational Music Science, Heidelberg et al. 2009
-
-
-
-
92
-
-
85136614639
-
-
Mazzola G et al.: Topos Theory for a Creative Analysis of Boulez’s Structures. In: Naimpally S, G Di Maio (Eds.): Quaderni di Matematica, Theory And Applications of Proximity, Nearness and Uniformity, Vol. 23, 2009
-
Mazzola G et al.: Topos Theory for a Creative Analysis of Boulez’s Structures. In: Naimpally S, G Di Maio (Eds.): Quaderni di Matematica, Theory And Applications of Proximity, Nearness and Uniformity, Vol. 23, 2009
-
-
-
-
93
-
-
77950717777
-
Categorical Gestures, the Diamond Conjecture, Lewin’s Question, and the Hammerklavier Sonata
-
Vol., no
-
Mazzola G: Categorical Gestures, the Diamond Conjecture, Lewin’s Question, and the Hammerklavier Sonata. Journal of Mathematics and Music Vol. 3, no. 1, 2009
-
(2009)
Journal of Mathematics and Music
, vol.3
, Issue.1
-
-
Mazzola, G.1
-
94
-
-
85136638160
-
-
wwww.rubato.org
-
-
-
-
98
-
-
85136709602
-
-
http://ns1.foxtail.com/Tech/mohrReader.html
-
-
-
-
100
-
-
85136724341
-
Moog R: MIDI, Musical Instrument Digital Interface
-
, no
-
Moog R: MIDI, Musical Instrument Digital Interface. Audio Eng. Soc. 34, no. 5, 1986
-
(1986)
Audio Eng. Soc.
, vol.34
, Issue.5
-
-
-
101
-
-
85136730888
-
-
http://www.midi.org
-
-
-
-
103
-
-
85024188000
-
Constraint-based Shaping of Gestural Performance
-
ICMA, Ann Arbor
-
Müller S and G Mazzola: Constraint-based Shaping of Gestural Performance. Proceedings of the ICMC 03, ICMA, Ann Arbor 2003
-
(2003)
Proceedings of the ICMC 03
-
-
Müller, S.1
Mazzola, G.2
-
104
-
-
85136646451
-
-
Müller S and G Mazzola: The Extraction of Expressive Shaping in Performance. Computer Music Journal, Vol. 27(1), MIT Press, 2003
-
Müller S and G Mazzola: The Extraction of Expressive Shaping in Performance. Computer Music Journal, Vol. 27(1), MIT Press, 2003
-
-
-
-
105
-
-
85136614662
-
-
http://en.wikipedia.org/wiki/Celemony#Melodyne
-
-
-
-
106
-
-
85136727885
-
-
Thomas Noll Th et al.: Computer-Aided Representation, Analysis and Conveyance of Musical and Music-Theoretical Structures, KIT-Report 149, Final Report of the Interdisciplinary Research Group KIT-MaMuTh for Mathematical Music Theory at the Technical University Berlin (1998-2003) 2004
-
Thomas Noll Th et al.: Computer-Aided Representation, Analysis and Conveyance of Musical and Music-Theoretical Structures, KIT-Report 149, Final Report of the Interdisciplinary Research Group KIT-MaMuTh for Mathematical Music Theory at the Technical University Berlin (1998-2003) 2004
-
-
-
-
107
-
-
85136649683
-
EEG and Thinking: Power and Coherence Analysis of Cognitive Processes
-
Petsche H et al.: EEG and Thinking: Power and Coherence Analysis of Cognitive Processes. Austrian Academy of Sciences, 1998
-
(1998)
Austrian Academy of Sciences
-
-
Petsche, H.1
-
110
-
-
85136725386
-
-
Puttka M: Learning to Dance Means Learning to Think! In: Bläsing B, Puttke M, Schack Th. (Eds.): The Neurocognition of Dance. Psychology Press, Hove and New York 2010
-
Puttka M: Learning to Dance Means Learning to Think! In: Bläsing B, Puttke M, Schack Th. (Eds.): The Neurocognition of Dance. Psychology Press, Hove and New York 2010
-
-
-
-
111
-
-
85136667057
-
-
Repp B: Diversity and Commonality in Music Performance: An Analysis of Timing Microstructure in Schumann’s Träumerei. J. Acoustic Soc. Am. Vol. 92, 1992
-
Repp B: Diversity and Commonality in Music Performance: An Analysis of Timing Microstructure in Schumann’s Träumerei. J. Acoustic Soc. Am. Vol. 92, 1992
-
-
-
-
112
-
-
85136668920
-
-
Repp B: The Sound of Two Hands Clapping: An Exploratory Study. J,. Acoust. Soc. Am. 81 (4), April 1987
-
Repp B: The Sound of Two Hands Clapping: An Exploratory Study. J,. Acoust. Soc. Am. 81 (4), April 1987
-
-
-
-
113
-
-
85136728202
-
-
Reti R: The Thematic Process in Music (1951). Greenwood Press, Westport 2nd ed. 1978
-
Reti R: The Thematic Process in Music (1951). Greenwood Press, Westport 2nd ed. 1978
-
-
-
-
118
-
-
85136614472
-
-
www.rubato.org
-
-
-
-
120
-
-
85136729185
-
-
Sachs K-J: Der Contrapunctus im 14. und 15. Jahrhundert. AMW, Franz Steiner, Wiesbaden 1974
-
Sachs K-J: Der Contrapunctus im 14. und 15. Jahrhundert. AMW, Franz Steiner, Wiesbaden 1974
-
-
-
-
123
-
-
85136624517
-
-
Schönberg A: Harmonielehre (1911). Universal Edition, Wien 1966
-
Schönberg A: Harmonielehre (1911). Universal Edition, Wien 1966
-
-
-
-
124
-
-
85136687129
-
-
Seipp R: Analyse von Interpretationen mit dem Welte-System: Aufgezeigt an der Agogik der Polonaise A-Dur von Chopin. Das Mechanische Musikinstrument vol. 12; issue 44, 1988
-
Seipp R: Analyse von Interpretationen mit dem Welte-System: Aufgezeigt an der Agogik der Polonaise A-Dur von Chopin. Das Mechanische Musikinstrument vol. 12; issue 44, 1988
-
-
-
-
129
-
-
34147107974
-
Broca’s Area Supports Enhanced Visuospatial Cognition in Orchestral Musicians
-
, Vol. , ), pp. , April 4
-
Sluming V et al.: Broca’s Area Supports Enhanced Visuospatial Cognition in Orchestral Musicians. The Journal of Neuroscience, Vol. 27(14), pp. 3799-3806, April 4, 2007
-
(2007)
The Journal of Neuroscience
, vol.27
, Issue.14
, pp. 3799-3806
-
-
Sluming, V.1
-
130
-
-
85136730381
-
-
Stange-Elbe J: Analyse-und Interpretationsperspektiven zu J.S. Bachs Kunst der Fuge mit Werkzeugen der objektorientierten Informationstechnologie. Habilitationsschrift (manuscript, avaliable in several German libraries), Osnabrück 2000
-
Stange-Elbe J: Analyse-und Interpretationsperspektiven zu J.S. Bachs Kunst der Fuge mit Werkzeugen der objektorientierten Informationstechnologie. Habilitationsschrift (manuscript, avaliable in several German libraries), Osnabrück 2000
-
-
-
-
131
-
-
0347560967
-
Rules for automated performance of ensemble music
-
, Vol., Issue, pp
-
Sundberg J, A Friberg, L Frydén: Rules for automated performance of ensemble music. Contemporary Music Review, Vol. 3, Issue 1, pp. 89-109, 1989
-
(1989)
Contemporary Music Review
, vol.3
, Issue.1
, pp. 89-109
-
-
Sundberg, J.1
Friberg, A.2
Frydén, L.3
-
132
-
-
85136739400
-
-
Sundberg J: Music Performance Reseach. An Overview. In: Sundberg J, Nord L, Carlson R (eds.): Music Language, Speech and Brain. London 1991
-
Sundberg J: Music Performance Reseach. An Overview. In: Sundberg J, Nord L, Carlson R (eds.): Music Language, Speech and Brain. London 1991
-
-
-
-
136
-
-
8944233384
-
Towards a Cognitive Theory of Expression: The Performance and Perception of Rubato
-
Todd N P M: Towards a Cognitive Theory of Expression: The Performance and Perception of Rubato. Contemporary Music Review 4, 1989
-
(1989)
Contemporary Music Review
, vol.4
-
-
Todd, N.P.M.1
-
137
-
-
0026653777
-
The Dynamics of Dynamics: A Model of Musical Expression
-
. Vol., pp
-
Todd N P M: The Dynamics of Dynamics: A Model of Musical Expression. J. Acoustic Soc. Am. Vol. 91, pp. 3540-3550, 1992
-
(1992)
J. Acoustic Soc. Am
, vol.91
, pp. 3540-3550
-
-
Todd, N.P.M.1
-
138
-
-
85136708043
-
-
Türk D G: Klavierschule. 1789
-
Türk D G: Klavierschule. 1789
-
-
-
-
139
-
-
85136647397
-
-
Uhde J: Beethovens Klaviermusik III. Reclam, Stuttgart 1974
-
Uhde J: Beethovens Klaviermusik III. Reclam, Stuttgart 1974
-
-
-
-
140
-
-
85136705124
-
-
Uhde J and R Wieland: Forschendes Üben. Bärenreiter 2002
-
Uhde J and R Wieland: Forschendes Üben. Bärenreiter 2002
-
-
-
-
141
-
-
85136731925
-
-
Ungvary T and R Vertegaal: The Sentograph: Input Devices and the Communication of Bodily Expression. ICMA 1995
-
Ungvary T and R Vertegaal: The Sentograph: Input Devices and the Communication of Bodily Expression. ICMA 1995
-
-
-
-
142
-
-
85136631980
-
-
Celeyrette-Pietri N and Robinson-Valéry J (eds.), Gallimard, Paris
-
Valéry P: Cahiers I-IV (1894-1914). Celeyrette-Pietri N and Robinson-Valéry J (eds.), Gallimard, Paris 1987
-
(1987)
Valéry P: Cahiers I-IV (1894-1914)
-
-
-
143
-
-
85136716140
-
-
Valéry P: Philosophie de la danse. Oeuvres, tome I, Vairété, “Théorie poétique et esthétique”, pp. 1390-1403, Gallimard, 1956
-
Valéry P: Philosophie de la danse. Oeuvres, tome I, Vairété, “Théorie poétique et esthétique”, pp. 1390-1403, Gallimard, 1956
-
-
-
-
145
-
-
85136714491
-
-
Wagner Ch and H von Karajan: Experimentelle Untersuchungen ber das Tempo. Oesterreichische Musikzeitschrift 29, 1974, S. 589-604
-
Wagner Ch and H von Karajan: Experimentelle Untersuchungen ber das Tempo. Oesterreichische Musikzeitschrift 29, 1974, S. 589-604
-
-
-
-
146
-
-
85136620695
-
-
Wanderley M and M Battier (Eds.): Trends in Gestural Control of Music. IR-CAM-Centre Georges Pompidou, Paris 2000
-
Wanderley M and M Battier (Eds.): Trends in Gestural Control of Music. IR-CAM-Centre Georges Pompidou, Paris 2000
-
-
-
-
147
-
-
84973678255
-
Effects of Some Aspects of Rhythm on Tempo Perception
-
, Vol., No. , pp
-
Wang C Ch: Effects of Some Aspects of Rhythm on Tempo Perception. Journal of Research in Music Education, Vol. 32, No. 3 pp. 169-176, 1984
-
(1984)
Journal of Research in Music Education
, vol.32
, Issue.3
, pp. 169-176
-
-
Wang, C.C.1
-
148
-
-
85136702607
-
Widmer G: Modeling the Rational Basis of Musical Expression
-
Vol
-
Widmer G: Modeling the Rational Basis of Musical Expression. Computer Music Journal Vol. 18, 1994
-
(1994)
Computer Music Journal
, vol.18
-
-
-
149
-
-
0023021948
-
Musical consonances and dissonances: Are they distinguished independently by the right and left hippocampi?
-
Vol. , ), pp
-
Wieser H-G and Mazzola G: Musical consonances and dissonances: Are they distinguished independently by the right and left hippocampi? Neuropsychologia Vol. 24 (6), pp. 805-812, 1986
-
(1986)
Neuropsychologia
, vol.24
, Issue.6
, pp. 805-812
-
-
Wieser, H.-G.1
Mazzola, G.2
-
150
-
-
85136674047
-
EEG responses to music in limbic and auditory cortices
-
Engel J Jr, Ojemann G A, Lüders H O, Williamson P D (eds.), Raven, New York
-
Wieser H-G and Mazzola G: EEG responses to music in limbic and auditory cortices. In: Engel J Jr, Ojemann G A, Lüders H O, Williamson P D (eds.): Fundamental mechanisms of human function. Raven, New York 1987
-
(1987)
Fundamental Mechanisms of Human Function
-
-
Wieser, H.-G.1
Mazzola, G.2
-
151
-
-
85136713162
-
-
Wittgenstein L: Tractatus Logico Philosophicus = Logisch-Philosophische Ab-handlung, Wilhelm Ostwald (ed.), Annalen der Naturphilosophie, 14, 1921
-
Wittgenstein L: Tractatus Logico Philosophicus = Logisch-Philosophische Ab-handlung, Wilhelm Ostwald (ed.), Annalen der Naturphilosophie, 14, 1921
-
-
-
|