On making and playing an electronically-augmented saxophone

Proceedings of the International Conference on New Interfaces for Musical Expression

Volumn , Issue , 2006, Pages 308-313

  Schiesser, Sébastien ^a   Traube, Caroline ^a  

^a UNIVERSITÉ DE MONTRÉAL   (Canada)

Author keywords

Augmented instrument; Gestural control; Live electronics; Performance; Saxophone

Indexed keywords

AUGMENTED INSTRUMENT; CONTROL INTERFACES; GESTURAL CONTROL; LIVE ELECTRONIC; MAPPING STRATEGY; MODULARS; PERFORMANCE; SAXOPHONE;

EID: 85074932972     PISSN: 22204792     EISSN: 22204806     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (16)

1. A. Baumann and R. Sanchez. Interdisciplinary applications of new instruments. In NIME-02 Proceedings, 2002.
2. L. Berio. Sequenzas. Deutsche Grammophon, 1998. Booklet of the CD Sequenzas by the Ensemble Intercontemporain.
3. B. Bongers. Physical interfaces in the electronic arts. In Trends in Gestural Control of Music. M.M. Wanderley and M. Battiez, 2000.
4. M. Burtner. The metasaxphone: Concept, implementation, and mapping strategies for a new computer music instrument. Organized Sound, 7(2), 2002.
5. M.CadozandM.M.Wanderley.Gesture-music.In Trends in Gestural Control of Music. M.M. Wanderley and M. Battiez, 2000.
6. C. Cox. Interactive technologies in music composition: Towards a theory of interactivity. In R. H. M. Ewans and J. A. Phillips, editors, Music Research: New Directions for a New Century. Cambridge Scholars Press Titles, 2004.
7. F. Delalande. La gestique de gould: éléments pour une sémiologie du geste musical. In G. Guertin, editor, Glenn Gould, Pluriel, pages 83 – 111. Louise Courteau Editrice Inc., 1988.
8. K. Demers. Acoustique de la clarinette et exploration de nouvelles possibilités timbrales au moyen de l’ électroacoustique. Rapport. Laboratoire d’informatique, acoustique et musique, Université de Montréal, 2005.
9. J. Impett. A meta-trumpet(er). In ICMC Proceedings, 1994.
10. T. Liley. Invention and development. In R. Ingham, editor, The Cambridge Companion to the Saxophone. Cambridge University Press, 1998.
11. K. Ng. Interactive gesture music performance interface. In NIME-02 Proceedings, 2002.
12. C. Palacio-Quintin. The hyper-flute. In NIME-03 Proceedings, 2003.
13. ENTTEC. Open DMX USB. http://www.enttec.com/dmxusb.php.
14. FDTI Chip. Virtual COM Port. http://www.ftdichip.com/Drivers/VCP.htm.
15. M. M. Wanderley. Non-obvious performer gestures in instrumental music. In Gesture-Based Communication in Human-Computer Interaction: International Gesture Workshop. Springer Berlin, 1999.
16. M. M. Wanderley. Gestural control of music. In Proceedings of the International Workshop on Human Supervision and Control in Engineering and Music, pages 101–130, Kassel, Germany, 2002.