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Volumn 7, Issue 2, 2002, Pages 201-213

The Metasaxophone: Concept, implementation, and mapping strategies for a new computer music instrument

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Indexed keywords


EID: 85016086111     PISSN: 13557718     EISSN: 14698153     Source Type: Journal    
DOI: 10.1017/S1355771802002108     Document Type: Article
Times cited : (29)

References (18)
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    • Portals of Distortion
    • Innova Records, American Composers Forum, St. Paul, MN, CD512.
    • Burtner, M. 1999. Portals of Distortion. Innova Records, American Composers Forum, St. Paul, MN, CD512.
    • (1999)
    • Burtner, M.1
  • 4
    • 70449802451 scopus 로고    scopus 로고
    • The Exbow Metasax: compositional applications of bowed string physical models using instrument controller substitution
    • Lisse, The Netherlands: Swets & Zeitlinger. Cook, P. 1992. A meta-wind-instrument physical model, and a meta-controller for real time performance control. Proc. of the Int. Computer Music Conf. (ICMC). San Jose, USA.
    • Burtner, M., and Serafin, S. 2002. The Exbow Metasax: compositional applications of bowed string physical models using instrument controller substitution. Journal of New Music Research 22(5). Lisse, The Netherlands: Swets & Zeitlinger. Cook, P. 1992. A meta-wind-instrument physical model, and a meta-controller for real time performance control. Proc. of the Int. Computer Music Conf. (ICMC). San Jose, USA.
    • (2002) Journal of New Music Research , vol.22 , Issue.5
    • Burtner, M.1    Serafin, S.2
  • 5
    • 85160295655 scopus 로고    scopus 로고
    • Principles for designing computer music controllers
    • Seattle, USA
    • Cook, P. 2001. Principles for designing computer music controllers. In Proc. of NIME-01. Seattle, USA.
    • (2001) In Proc. of NIME-01.
    • Cook, P.1
  • 7
    • 21244435473 scopus 로고    scopus 로고
    • Radical User Interfaces for Real-time Musical Control
    • D. Phil. thesis, University of York, UK
    • Hunt, A. 1999. Radical User Interfaces for Real-time Musical Control. D. Phil. thesis, University of York, UK.
    • (1999)
    • Hunt, A.1
  • 8
    • 0011056006 scopus 로고    scopus 로고
    • Mapping strategies for musical performance
    • In M. Wanderley and M. Battier (eds.), Ircam, Centre Pompidou.
    • Hunt, A., and Kirk, R. 2000. Mapping strategies for musical performance. In M. Wanderley and M. Battier (eds.) Trends in Gestural Control of Music. Ircam, Centre Pompidou.
    • (2000) Trends in Gestural Control of Music.
    • Hunt, A.1    Kirk, R.2
  • 10
    • 84937187475 scopus 로고    scopus 로고
    • The Meta-Instrument
    • Cambridge, USA
    • Laubier, S. 1998. The Meta-Instrument. Computer Music Journal 22(1). Cambridge, USA.
    • (1998) Computer Music Journal , vol.22 , Issue.1
    • Laubier, S.1
  • 12
    • 85022848086 scopus 로고    scopus 로고
    • Input devices for musical expression: borrowing tools from HCI. Proc. of the NIME-01. Seattle, USA. Parallax Incorporated. 1999. BASIC Stamp Programming Manual
    • Version 1.0., http://www. paralaxinc.com
    • Orio, N., Schnell, N., and Wanderley, M. 2001. Input devices for musical expression: borrowing tools from HCI. Proc. of the NIME-01. Seattle, USA. Parallax Incorporated. 1999. BASIC Stamp Programming Manual. Version 1.0. http://www.paralaxinc.com
    • (2001)
    • Orio, N.1    Schnell, N.2    Wanderley, M.3
  • 13
    • 85022837214 scopus 로고
    • The Story of the Saxophone
    • http://www.classicsax.com
    • Rascher, S. 1972. The Story of the Saxophone. http://www.classicsax.com
    • (1972)
    • Rascher, S.1
  • 15
    • 85022892425 scopus 로고    scopus 로고
    • The Holey Controller
    • http://www-ccrma.stanford.edu/{ approx }gary Softwind Instruments, http://home.att.net/{approx}synthophone/manual/index.htm
    • Scavone, G. 1999. The Holey Controller. http://www-ccrma.stanford.edu/{ approx }gary Softwind Instruments. 1986. The Synthophone Manual. http://home.att.net/{approx}synthophone/manual/index.htm
    • (1999) The Synthophone Manual.
    • Scavone, G.1
  • 16
    • 0024030513 scopus 로고
    • Real-time granular synthesis with a digital signal processor
    • Truax, B. 1988. Real-time granular synthesis with a digital signal processor. Computer Music Journal 12(2).
    • (1988) Computer Music Journal , vol.12 , Issue.2
    • Truax, B.1
  • 17
    • 0004011783 scopus 로고    scopus 로고
    • Performer-Instrument Interaction: Applications to Gestural Control of Music
    • Ph.D. thesis. Paris, France: University Pierre et Marie Curie, Paris VI.
    • Wanderley, M. 2001. Performer-Instrument Interaction: Applications to Gestural Control of Music. Ph.D. thesis. Paris, France: University Pierre et Marie Curie, Paris VI.
    • (2001)
    • Wanderley, M.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.