Sound and interaction design of an augmented drum system

ACM International Conference Proceeding Series

Volumn Part F131930, Issue , 2017, Pages

  Gregorio, Jeff ^a   English, Peter ^a   Kim, Youngmoo E ^a  

^a DREXEL UNIVERSITY   (United States)

Author keywords

Acoustic synthesis; Augmented instruments; Electromagnetic actuation; Modulated feedback; Percussion

Indexed keywords

DIRECTED GRAPHS; FEEDBACK;

AUTONOMOUS BEHAVIORS; DEDICATED NETWORKS; ELECTROMAGNETIC ACTUATION; FEEDBACK SIGNAL; INTERACTION DESIGN; INTERACTIVE SOUND INSTALLATION; OPEN SOUND CONTROL; PERCUSSION;

AUDIO ACOUSTICS;

EID: 85038385806     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: 10.1145/3123514.3123521     Document Type: Conference Paper

References (15)

1. N. Cameron Britt, Jeff Snyder, and Andrew McPherson. 2012. The EMvibe: An Electromagnetically Actuated Vibraphone. In Proceedings of the International Conference on New Interfaces for Musical Expression. University of Michigan, Ann Arbor, Michigan.
2. Herbert H.C. Chang and Spencer Topel. 2016. Electromagnetically Actuated Acoustic Amplitude Modulation Synthesis. In Proceedings of the International Conference on New Interfaces for Musical Expression (2220-4806), Vol. 16. Queensland Conservatorium Griffith University, Brisbane, Australia, 8-13.
3. Jiffer Harriman. 2015. Feedback Lapsteel: Exploring Tactile Transducers As String Actuators. In Proceedings of the International Conference on New Interfaces for Musical Expression, Edgar Berdahl and Jesse Allison (Eds.). Louisiana State University, Baton Rouge, Louisiana, USA, 178-179.
4. Seunghun Kim and Woon Seung Yeo. [n. d.]. Electronic Pipe Organ using Audio Feedback. In Proceedings of the 9th Sound and Music Computing Conference, Copenhagen, Denmark, p.75-78 (2012).
5. Otso Lähdeoja. 2016. Active Acoustic Instruments for Electronic Chamber Music. In Proceedings of the International Conference on New Interfaces for Musical Expression (2220-4806), Vol. 16. Queensland Conservatorium Griffith University, Brisbane, Australia, 132-136.
6. Michelangelo Lupone and Lorenzo Seno. 2006. Gran Cassa and the Adaptive Instrument Feed-Drum. Springer Berlin Heidelberg, Berlin, Heidelberg, 149-163.
7. Andrew McPherson. 2010. The Magnetic Resonator Piano: Electronic Augmentation of an Acoustic Grand Piano. Journal of New Music Research 39, 3 (2010), 189-202.
8. Andrew McPherson. 2012. Techniques and Circuits for Electromagnetic Instrument Actuation. In Proceedings of the International Conference on New Interfaces for Musical Expression. University of Michigan, Ann Arbor, Michigan.
9. Dan Overholt, Edgar Berdahl, and Robert Hamilton. 2011. Advancements in Actuated Musical Instruments. Org. Sound 16, 2 (June 2011), 154-165.
10. Andrew Piepenbrink and Matthew Wright. 2015. The Bistable Resonator Cymbal: An Actuated Acoustic Instrument Displaying Physical Audio Effects. In Proceedings of the International Conference on New Interfaces for Musical Expression, Edgar Berdahl and Jesse Allison (Eds.). Louisiana State University, Baton Rouge, Louisiana, USA, 227-230.
11. David Rector and Spencer Topel. 2014. Internally Actuated Drums for Expressive Performance. In Proceedings of the International Conference on New Interfaces for Musical Expression. Goldsmiths, University of London, London, United Kingdom, 395-398.
12. Muhammad Hafiz Wan Rosli, Karl Yerkes, Matthew Wright, Timothy Wood, Hannah Wolfe, Charlie Roberts, Anis Haron, and Fernando Rincon Estrada. 2015. Ensemble Feedback Instruments. In Proceedings of the International Conference on New Interfaces for Musical Expression, Edgar Berdahl and Jesse Allison (Eds.). Louisiana State University, Baton Rouge, Louisiana, USA, 144-149.
13. Greg Shear and Matthew Wright. 2012. Further Developments in the Electromagnetically Sustained Rhodes Piano. In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), G. Essl, B. Gillespie, M. Gurevich, and S. O'Modhrain (Eds.). University of Michigan, Ann Arbor, Michigan.
14. Luca Turchet, Andrew McPherson, and Carlo Fischione. 2016. Smart Instruments: Towards an Ecosystem of Interoperable Devices Connecting Performers and Audiences. In Proceedings of the Sound and Music Computing Conference 2016 (SMC 2016). Hamburg, Germany.
15. G. Weinberg. 2005. Interconnected Musical Networks: Toward a Theoretical Framework. Computer Music Journal 29, 2 (June 2005), 23-39.