The bistable resonator cymbal: An actuated acoustic instrument displaying physical audio effects

Proceedings of the International Conference on New Interfaces for Musical Expression

Volumn , Issue , 2015, Pages 227-230

  Piepenbrink, Andrew ^a   Wright, Matthew ^b  

^a Santa Barbara City College   (United States)

^b UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

Actuated instrument; Augmented instrument; Cymbal; Feedback control; Mechanical sound synthesis; Percussion; Physical audio e ect; Tactile transducer

Indexed keywords

AUDIO ACOUSTICS; MUSIC; RESONATORS; SIGNAL PROCESSING;

ACTUATED INSTRUMENT; AUGMENTED INSTRUMENT; BISTABLE RESONATOR; CYMBAL; MECHANICAL SOUND SYNTHESIS; MECHANICAL SOUNDS; PERCUSSION; PHYSICAL AUDIO E↵ECT; SOUND-SYNTHESIS; TACTILE TRANSDUCER;

FEEDBACK CONTROL;

EID: 85038385506     PISSN: 22204792     EISSN: 22204806     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (13)

1. R. Aimi. Percussion instruments using realtime convolution: Physical controllers. In Proc. NIME, pages 154–159, 2007.
2. E. Berdahl and J. Smith. Inducing unusual dynamics in acoustic musical instruments. In IEEE Conference on Control Applications, pages 1336–1341, 2007.
3. E. Berdahl, J. Smith, and G. Niemeyer. Feedback control of acoustic musical instruments: Collocated control using physical analogs. Journal of the Acoustical Society of America, 131(1):963–973, 2012.
4. H. Boutin and C. Besnainou. Physical parameters of an oscillator changed by active control: Application to a xylophone bar. In Digital Audio E↵ects Proceedings, pages 173–176, 2008.
5. N. C. Britt, J. Snyder, and A. McPherson. The EMvibe: An electromagnetically actuated vibraphone. In Proc. NIME, pages 31–34, 2012.
6. M. Goodheart. Matthew Goodheart’s blog. http://cnmat.berkeley.edu/user/matthew_ goodheart/blog, May 2011.
7. M. Kahrs, D. Skulina, S. Bilbao, and M. Campbell. An electroacoustically controlled vibrating plate. In Proc. NIME, pages 106–109, 2009.
8. A. Kapur, E. Singer, M. Benning, G. Tzanetakis, and Trimpin. Integrating hyperinstruments, musical robots & machine musicianship for north indian classical music. In Proc. NIME, pages 238–241, 2007.
9. J. Loriod. Technique de l’onde electronique type Martenot, volume 1: Le Clavier. Alphonse Leduc Editions Musicales, Paris, 1987.
10. L. Marino. Writing for bowed cymbals– a practical guide. http://www.evolvingdoormusic.net/index. php?title=Writing_for_Bowed_Cymbals, 2011.
11. D. Rector and S. Topel. Emdrum: An electromagnetically actuated drum. In Proc. NIME, pages 395–398, 2014.
12. T. Rossing. Science of Percussion Instruments. World Scientific Publishing Co. Pte. Ltd., Singapore, 2000.
13. M. van Walstijn and P. Rebelo. The prosthetic conga: Towards an actively controlled hybrid musical instrument. In Proceedings of the International Computer Music Conference, pages 786–789, 2005.