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Earlier drafts of this article were presented at the Social Theory, Politics and the Arts Conference, Nashville, Tennessee, October 8, 1999, and the International Conference on Cultural Policy Research, Bergen, Norway, November 10, 1999. We thank the panel participants for their helpful comments. In particular, Jennifer Craik as discussant provided an insightful written response, which helped us sharpen the argument. Thanks to Michael Brown for reading and commenting on drafts of this paper, as well as to the anonymous reviewers for the International Journal of Cultural Policy. Finally, this research would not have been possible without the generosity of the various staff members of the Center, and its executive director during the project
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Earlier drafts of this article were presented at the Social Theory, Politics and the Arts Conference, Nashville, Tennessee, October 8, 1999, and the International Conference on Cultural Policy Research, Bergen, Norway, November 10, 1999. We thank the panel participants for their helpful comments. In particular, Jennifer Craik as discussant provided an insightful written response, which helped us sharpen the argument. Thanks to Michael Brown for reading and commenting on drafts of this paper, as well as to the anonymous reviewers for the International Journal of Cultural Policy. Finally, this research would not have been possible without the generosity of the various staff members of the Center, and its executive director during the project.
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